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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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Note4Piano
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débutant
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Non classifié
714
PIANO & CLAVIERS
Piano seul
1001
Piano, Voix
372
Piano Facile
319
Piano, Voix et Guitare
211
Orgue
61
1 Piano, 4 mains
42
Instruments en Do
34
Piano grosses notes
31
Accordéon
30
2 Pianos, 4 mains
17
Accompagnement Piano
13
Piano (partie séparée)
4
2 Pianos, 8 mains
3
Orgue, Piano (duo)
3
Clavecin
1
Clavier
1
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GUITARES
Guitare notes et tablatures
146
Guitare
93
Basse electrique
50
Ukulele
33
Ligne De Mélodie, (Paroles) et Accords
29
Paroles et Accords
17
2 Guitares (duo)
13
Guitare (partie séparée)
6
Banjo
5
Piano, Guitare (duo)
4
Mandoline
4
4 Guitares (Quatuor)
3
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2
Dulcimer
2
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1
3 Guitares (trio)
1
Guitare, Orchestre
1
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VOIX
Chorale SATB
338
Chorale 2 parties
69
Chorale 3 parties
62
Voix Alto, Piano
51
Chorale TTBB
43
Voix Baryton, Piano
40
Chorale SSAA
33
Voix Soprano, Piano
27
Voix Tenor
26
Voix Soprano
24
Chorale Unison
22
Voix Tenor, Piano
22
Voix duo, Piano
19
Voix duo
8
Voix haute
7
Voix seule
7
Voix moyenne, Piano
5
Voix Mezzo-Soprano, Piano
3
Voix basse, Piano
3
Pack Instrumental pour Chorale
3
Chorale SSATTB
1
Voix basse
1
Voix haute, Piano
1
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VENTS
2 Saxophones (duo)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Quatuor de Saxophones: 4 saxophones
76
Flûte traversière et Piano
59
Hautbois, Piano (duo)
53
Saxophone Alto et Piano
51
Clarinette
44
2 Clarinettes (duo)
44
Flûte, Hautbois, Clarinette, Basson
43
Clarinette et Piano
40
Saxophone (partie séparée)
39
Flûte traversière
38
2 Flûtes traversières (duo)
32
Saxophone Alto
26
Saxophone Soprano et Piano
26
Saxophone Tenor et Piano
24
Hautbois (partie séparée)
20
Saxophone, Clarinette (duo)
19
Saxophone Tenor
17
Ensemble de Flûtes
17
2 Hautbois (duo)
17
Quintette de Saxophone: 5 saxophones
16
Saxophone Baryton, Piano
16
Quatuor de Flûtes : 4 flûtes
12
Flûte, Clarinette (duo)
12
Clarinette, Trompette (duo)
11
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois, Clarinette (duo)
11
Hautbois, Basson (duo)
11
Harmonica
11
Hautbois
9
Hautbois, Flûte
9
Trio de Flûtes: 3 flûtes
9
Cor anglais, Piano
9
Saxophone
8
Quintette de Clarinettes: 5 clarinettes
8
Clarinette et Alto
7
3 Saxophones (trio)
7
Flûte et Guitare
7
Flûte, Alto (duo)
6
Clarinette (partie séparée)
6
Flûte, Saxophone (duo)
6
3 Clarinettes (trio)
6
Clarinette Basse, Piano
5
Cor Anglais
5
Flûte, Trompette (duo)
5
Ensemble de Clarinettes
5
Flûte, Hautbois (duo)
4
Clarinette, Guitare (duo)
4
Hautbois, Guitare (duo)
4
2 Flûtes traversières, Piano
4
Flûte à bec Soprano, Piano
4
Flute (partie séparée)
3
Ocarina
3
Saxophone Soprano
3
Flûte, Clarinette et Basson
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Basson
2
Flûte à bec Soprano
2
2 Hautbois, Piano
2
5 Flûtes à bec
2
2 Clarinettes, Piano
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Piano (trio)
2
Ensemble de saxophones
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone Baryton
1
Clarinette, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Instruments en Mib
1
Flûte, Basson et Piano
1
Flûte à bec Alto
1
Saxophone et Guitare
1
Cor anglais, Guitare (duo)
1
3 Flûtes à bec (trio)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
80
Quatuor de Cuivres
43
Trompette
40
Trombone et Piano
40
Trombone
32
Trompette, Piano
29
Cor
29
2 Trompettes (duo)
25
2 Trombones (duo)
22
Tuba
21
Trompette (partie séparée)
21
Trombone (partie séparée)
20
Cor et Piano
20
2 Cors (duo)
14
Trompette, Saxophone (duo)
12
Trompette, Trombone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
9
Cor anglais, Piano
9
Cor (partie séparée)
6
2 Tubas (duo)
6
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 cors
5
Cor Anglais
5
Ensemble de Cors
4
2 Cors, Piano
3
Quatuor de cuivres: 4 trombones
3
Cor, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Euphonium
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
Trombone, Tuba (duo)
2
Trompette, Tuba (duo)
2
Tuba (partie séparée)
2
Cor et Harpe
2
3 Euphoniums
2
Instruments en Sib
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
3 Trombones (trio)
1
Trombone et orchestre
1
3 Trompettes (trio)
1
Clarinette, Cor (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trombones
1
Trompette, Basson (duo)
1
Tuba et Orgue
1
Cor anglais, Guitare (duo)
1
Trio de Cuivres
1
Instrumentations suivantes
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CORDES
Harpe
72
Violoncelle
52
Violoncelle, Piano
38
Alto, Piano
37
Alto seul
31
2 Violoncelles (duo)
25
Contre Basse
16
2 Altos (duo)
14
Alto, Violoncelle (duo)
7
Alto (partie séparée)
7
Contrebasse (partie séparée)
6
2 Harpes (duo)
5
2 Contrebasses (duo)
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Harpe, Voix
3
Violon
3
Violoncelle , Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Violoncelle (partie séparée)
2
2 Violoncelles, Piano
2
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
213
Orchestre à Cordes
74
Ensemble Jazz
66
Orchestre
65
Ensemble de cuivres
50
Fanfare
26
Cloches
26
Orchestre de chambre
20
Jazz combo
16
Ensemble de Percussions
7
Marimba
6
Batterie
5
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Xylophone
2
Timbales (partie séparée)
1
2 Marimbas
1
Vibraphone
1
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AUTRES
Vous avez sélectionné:
Right Here - Violin
Quintette de Clarinettes: 5 clarinettes
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Here Comes The Sun
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1227805 By The Beatles. By George Harrison. Arranged by Sean Sullivan. Pop,Rock. 25 pages. Sean Sullivan #823768. Published by Sean Sullivan (A0.1227805). This classic hit has been expertly arranged for clarinet quintet, featuring four clarinets and bass clarinet with an optional part for alto clarinet. With its upbeat tempo and catchy melody, Here Comes the Sun is the perfect choice for any occasion. Whether you're performing for a small group of friends or a large audience, this arrangement is sure to make everyone's day just a little bit brighter.
$13.99
12.79 €
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Quintette de Clarinettes: 5 clarinettes
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The Beatles
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Sean Sullivan
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Here Comes The Sun
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Sean Sullivan
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SheetMusicPlus
Guide Right
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1319585 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Romantic Period. 14 pages. Sean Sullivan #908144. Published by Sean Sullivan (A0.1319585). Introducing Guide Right by John Philip Sousa, exclusively arranged for clarinet quintet! This exhilarating and captivating composition will transport you to the grand stages that Sousa's marches were known for. This arrangement brings out the best in each instrument, perfectly blending the quintessential clarinet sound into a symphony of harmonious tones. Prepare to be amazed as this transformative musical journey pushes your ensemble to new heights. Perfect for concerts, competitions, recitals, and any event where you aim to dazzle and impress. Don't miss this exceptional opportunity to showcase your clarinet quintet's mastery and embrace the spirit of Sousa's music. Unlock the full potential of your ensemble today and let the magic of Guide Right unfold!
$14.99
13.7 €
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Quintette de Clarinettes: 5 clarinettes
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John Philip Sousa
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Sean Sullivan
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Guide Right
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Sean Sullivan
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SheetMusicPlus
A Night In Tunisia
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.7 €
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Quintette de Clarinettes: 5 clarinettes
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Despacito
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.563906…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.563906 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Austin Ralphson. Pop. 19 pages. Austin Ralphson #5355095. Published by Austin Ralphson (A0.563906). Massive hit from 2017. This song brought latin grooves and rhythms right into popular culture across the world. It is arranged here for clarinet quintet, and maintains the grooves and rhythmic patterns of the original whilst embellishing the vocal melodies to better suit clarinets. There is also a section in which the bass clarinet solo is accompanied by clapping in a phased rhythmic cycle. Enjoy!
$14.99
13.7 €
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Quintette de Clarinettes: 5 clarinettes
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Luis Fonsi and Daddy Yankee
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Austin Ralphson
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Despacito
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Austin Ralphson
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.7 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Little Saint Nick
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.563370…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.563370 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Austin Ralphson. Christmas,Pop,Rock. 20 pages. Austin Ralphson #3573429. Published by Austin Ralphson (A0.563370). The Beach Boys' biggest Christmas hit is presented here in a straightforward arrangement which will brighten up any Christmas concert, recital or party!
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13.7 €
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Quintette de Clarinettes: 5 clarinettes
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The Beach Boys
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Austin Ralphson
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Little Saint Nick
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Austin Ralphson
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SheetMusicPlus
Lady Madonna
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.563818…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.563818 By Tom Vitti. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Austin Ralphson. Contemporary. 20 pages. Austin Ralphson #5030403. Published by Austin Ralphson (A0.563818). Here is a lively, bright arrangement of Lady Madonna, containing interesting parts for all players and a quasi-renaissance section in the middle which works really well. A tried and tested arrangement, this is easy to put together for a competent group.
$14.99
13.7 €
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Quintette de Clarinettes: 5 clarinettes
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Tom Vitti
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Austin Ralphson
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Lady Madonna
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Austin Ralphson
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SheetMusicPlus
Mister Sandman
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1269023 By The Chordettes. By Pat Ballard. Arranged by Vanessa Klassen. Pop. 19 pages. Vanessa Klassen #861559. Published by Vanessa Klassen (A0.1269023). Mister Sandman was written by Pat Ballard in 1954. It was recorded by several artists including The Chordettes, whose version this arrangement is based on. The title and lyrics refer to a folklore character, the Sandman, who puts people to sleep and inspires beautiful dreams by sprinkling magical sand onto their eyes. The dream The Chordettes ask for in the song is a potential lover, or dreamboat.This arrangement for clarinet quintet has been transposed up a half step to better suit Bâ™ clarinets. The four voices of The Chordettes are represented in the Bâ™ clarinet parts with the accompanying upright bass in the bass clarinet part. All accented notes should be played as bell tones. There is also an optional part for tenor saxophone, which adds short jazzy interjections.
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11.88 €
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Quintette de Clarinettes: 5 clarinettes
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The Chordettes
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Vanessa Klassen
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Mister Sandman
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Vanessa Klassen
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SheetMusicPlus
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