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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
School's Out!
Non classifié
1 125
Piano & claviers
Piano seul
195
Piano, Voix et Guitare
158
Piano, Voix
83
Piano Facile
70
Accompagnement Piano
54
Orgue
15
Instruments en Do
9
Piano (partie séparée)
7
1 Piano, 4 mains
4
Piano grosses notes
4
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
+ 10 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
15
Guitare (partie séparée)
13
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
Paroles et Accords
4
3 Guitares (trio)
4
Piano, Guitare (duo)
4
Ukulele
3
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Banjo
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
218
Chorale 3 parties
91
Chorale 2 parties
88
Chorale Unison
62
Chorale TTBB
30
Chorale SSAA
21
Voix Soprano, Piano
12
Voix haute
9
Chorale SSAB a cappella
3
Voix Alto, Piano
2
Voix seule
1
Voix basse
1
Voix Tenor, Piano
1
Voix duo, Piano
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
103
Quintette de Saxophone: 5 saxophones
80
Saxophone (partie séparée)
57
Flûte traversière et Piano
47
Clarinette et Piano
44
Saxophone Alto et Piano
41
Hautbois, Piano (duo)
36
2 Saxophones (duo)
29
Ensemble de Clarinettes
26
Flûte, Hautbois, Clarinette, Basson
25
2 Flûtes traversières (duo)
23
Quatuor de Saxophones: 4 saxophones
22
Clarinette
22
Ensemble de saxophones
16
2 Clarinettes (duo)
16
Quatuor de Clarinettes: 4 clarinettes
13
Quintette de Flûte : 5 flûtes
13
Saxophone Tenor et Piano
13
Flûte, Trombone (duo)
10
Saxophone, Clarinette (duo)
10
Flûte traversière
10
Saxophone Alto
10
Hautbois (partie séparée)
8
Clarinette, Violon (duo)
7
Flûte à bec Soprano
7
Saxophone Soprano et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
6
Flûte, Clarinette (duo)
6
Ensemble de Flûtes
5
Hautbois, Clarinette (duo)
5
Clarinette, Trompette (duo)
5
Cor anglais, Piano
5
Trio de Flûtes: 3 flûtes
5
Flûte, Violon
4
3 Clarinettes (trio)
4
Clarinette et Alto
4
Clarinette Basse, Piano
4
Flûte, Saxophone (duo)
4
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
4
Hautbois, Flûte
3
Hautbois, Basson (duo)
3
Flute (partie séparée)
3
Flûte, Trompette (duo)
3
Clarinette (partie séparée)
3
Flûte à bec Alto, Piano
2
Flûte, Alto (duo)
2
3 Saxophones (trio)
2
Saxophone Tenor
2
Flûte à Bec
1
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Saxophone
1
Saxophone et Guitare
1
Flûte à bec Alto
1
Hautbois, violon (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Basson (duo)
1
4 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 61 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Cor et Piano
44
Trombone (partie séparée)
40
Trompette, Piano
38
Trompette (partie séparée)
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
23
Ensemble de Trombones
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Ensemble de Trompettes
13
Cor
11
Trompette
11
Euphonium, Piano (duo)
7
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 4 trombones
6
Cor (partie séparée)
5
2 Trompettes (duo)
5
Cor anglais, Piano
5
2 Trombones (duo)
5
Tuba et Piano
5
Trompette, Trombone (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trompette, violon (duo)
3
Quatuor de Cuivres
3
3 Trombones (trio)
3
Tuba (partie séparée)
3
Trombone
2
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
4 Euphoniums
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Tuba
1
Trombone basse et Piano
1
4 Tubas
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
76
Violon et Piano
67
Alto, Piano
38
Violoncelle
37
Violon, Violoncelle (duo)
36
Violon
30
Violoncelle, Piano
29
Trio à Cordes: violon, alto, violoncelle
21
Ensemble de Violons
14
Ensemble d'Altos
12
Contrebasse (partie séparée)
11
2 Violons (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violon, Alto (duo)
9
Harpe
5
2 Violoncelles (duo)
5
Alto seul
3
4 Violoncelles
3
Violoncelle (partie séparée)
3
Violon, Guitare (duo)
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
2 Altos (duo)
3
Contre Basse
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
186
Orchestre à Cordes
68
Ensemble Jazz
51
Ensemble de cuivres
43
Orchestre
39
Orchestre de chambre
20
Cloches
17
Fanfare
9
Ensemble de Percussions
9
Batterie (partie séparée)
7
Jazz combo
6
Ensemble d'École
3
Marimba
2
Percussion
1
Vibraphone
1
Batterie
1
3 Marimbas
1
Xylophone
1
+ 13 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
School's Out!
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
6 partitions trouvées
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1
Hosanna to the Son of David (CQ5)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1494866 Composed by Orlando Gibbons. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Baroque,Christmas,Easter,Holiday,Sacred. 15 pages. Mark A. Craig #1071433. Published by Mark A. Craig (A0.1494866). This clarinet quintet arrangement of Orlando Gibbon's joyous English anthem, Hosanna to the Son of David, is perfect for church gigs, Easter or Christmas events, and background dinner music and is a great opener for recitals. It was written for professional, college, and upper-level high school ensembles. My clarinet quintet arrangements have equally balanced parts, so all Bb's will play melody, counter melody, and technical passages. I hope you enjoy this transcription for clarinets of an uplifting choral music classic. If you like this arrangement, you might also like my clarinet quintet arrangement of the Rondo from Mozart's classic Serenade No. 13 KV 361Gran Partita. It's available on:Sheet Music DirectSheet Music PlusFor more info about Mark A. Craig / Craig Music Publishers, visit my social media in the links below. Please like, follow/subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$15.00
13.83 €
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Quintette de Clarinettes: 5 clarinettes
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Orlando Gibbons
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Mark A
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Hosanna to the Son of David
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Mark A. Craig
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SheetMusicPlus
Joy to the World (CQ5)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1499056 Composed by Lowell Mason / Isaac Watts. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Christian,Christmas,Holiday,Religious,Traditional. 9 pages. Mark A. Craig #1075103. Published by Mark A. Craig (A0.1499056). This lively clarinet quintet arrangement of Lowell Mason and Isaac Watts's traditional carol, Joy to the World, is perfect for holiday gatherings, events, recitals, holiday church services, or caroling gigs. It was written for most groups ranging from advanced high school quintets to college ensembles to professional quintets. This arrangement also includes quotes from the Christmas carols O Come, All Ye Faithful and O Little Town of Bethlehem. Originally scored for piano, I hope you enjoy this unique setting for winds. If you like this arrangement, you might also like my clarinet quintet arrangement of Angels We Have Heard on High. It's available on:Sheet Music DirectSheet Music PlusFor more info about Mark A. Craig / Craig Music Publishers, visit my social media in the links below. Please like, follow/subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$15.00
13.83 €
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Quintette de Clarinettes: 5 clarinettes
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Lowell Mason / Isaac Watts
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Mark A
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Joy to the World
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Mark A. Craig
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SheetMusicPlus
Angels We Have Heard on High (CQ5)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1498592 Composed by Traditional. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Christian,Christmas,Holiday,Religious. 9 pages. Mark A. Craig #1074890. Published by Mark A. Craig (A0.1498592). This clarinet quintet arrangement of the traditional French carol Angels We Have Heard on High is perfect for holiday recitals, events, parties, church services, and caroling gigs. It was written for professional, college, and upper-level high school ensembles. This arrangement also includes quotes from the Christmas carols Good King Wenceslas, Jingle Bells, and O Come, All Ye Faithful. Originally scored for piano, I hope you enjoy this unique setting for winds. If you like this arrangement, you might also like my clarinet quintet arrangement of Joy to the World. It's available on:Sheet Music DirectSheet Music PlusFor more info about Mark A. Craig / Craig Music Publishers, visit my social media in the links below. Please like, follow/subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$15.00
13.83 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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Mark A
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Angels We Have Heard on High
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Mark A. Craig
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SheetMusicPlus
Fantasia on the 'Dargason' from Second Suite in F
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1302637 By Gustav Holst. By Gustav Holst. Arranged by Andrew Lamb. 20th Century. 95 pages. Andrew Lamb #892255. Published by Andrew Lamb (A0.1302637). This arrangement comes in 2 keys, concert Eb and concert F.Introducing Fantasia on the Dargason - Clarinet Ensemble Transcription 🎵🎶🎼 Dive into the enchanting world of Gustav Holst's musical genius with this faithful transcription of Fantasia on the Dargason, the fourth movement of his renowned Second Suite in F for Military Band. Holst, the English composer celebrated for his masterpiece, The Planets, showcases his versatile talent in this mesmerizing composition. Now, this transcription brings his artistry to life for clarinet enthusiasts of all levels.🔥 Level of Difficulty: Advanced 🔥This arrangement for Eb Clarinet, 2 Bb Clarinets, Alto Clarinet, and Bass Clarinets is designed to challenge and captivate seasoned clarinet players. It offers a rich tapestry of harmonies, melodies, and rhythms that will test your skills and captivate your audience.🎓 Potential Uses: 🎓 🎶 Concerts: Elevate your performance with this arrangement's depth and complexity. It's the perfect addition to your concert repertoire, sure to leave a lasting impression on your audience. 🎵 Recitals: Showcase your virtuosity and musicality in a recital setting. Fantasia on the Dargason will captivate your listeners and make your recital an unforgettable experience. 📚 Educational Purposes: Use this arrangement to challenge and inspire students. It's an excellent tool for teaching advanced clarinet techniques and exploring Holst's innovative compositions. 🌟 About Gustav Holst: 🌟Gustav Theodore Holst, a visionary English composer, arranger, and teacher, left an indelible mark on the world of music. Best known for The Planets, his influence extended across various genres. His unique compositional style drew inspiration from Richard Wagner, Richard Strauss, English folksongs, and rising modern composers like Maurice Ravel.🎹 Despite early aspirations as a pianist, Holst overcame adversity to become a renowned composer. He taught at the Royal College of Music, played the trombone professionally, and left a lasting legacy in music education. His contributions to music festivals and his pioneering work at St Paul's Girls' School continue to influence generations of musicians.🌿 Second Suite in F for Military Band by Holst: 🌿Holst's Second Suite in F for Military Band is a gem in the band repertoire. Composed in 1911 and dedicated to James Causley Windram, it remains a staple for bands worldwide. Drawing from his fascination with folk music, Holst seamlessly weaves traditional tunes into this masterful suite. Seven timeless melodies come alive through four captivating movements, showcasing Holst's brilliance.This arrangement pays homage to Holst's dedication to the craft, preserving the suite's complexity and charm while showcasing the clarinet ensemble's prowess.Experience the magic of Holst's Fantasia on the Dargason in this arrangement—a masterpiece that will leave audiences spellbound and musicians inspired. 🌠🎶.
$10.00
9.22 €
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Quintette de Clarinettes: 5 clarinettes
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Gustav Holst
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Andrew Lamb
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Fantasia on the 'Dargason' from Second Suite in F
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Andrew Lamb
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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