English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Set three
Non classifié
1 539
Piano & claviers
Piano seul
333
Orgue
148
Piano, Voix
77
Piano Facile
44
Piano, Voix et Guitare
36
Accordéon
25
Accompagnement Piano
21
Piano Trio: piano, violon, violoncelle
19
Instruments en Do
15
1 Piano, 4 mains
13
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 6 mains
1
Piano (partie séparée)
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
22
4 Guitares (Quatuor)
9
Ukulele
6
Mandoline
5
Ensemble de guitares
5
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
4
3 Guitares (trio)
4
2 Guitares (duo)
3
Guitare (partie séparée)
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
607
Chorale 3 parties
230
Chorale 2 parties
69
Chorale Unison
47
Chorale SSAA
24
Chorale TTBB
21
Voix duo, Piano
15
Voix duo
14
Voix haute
11
Voix Soprano, Piano
11
Chorale
10
Voix Tenor, Piano
5
Voix Baryton, Piano
4
Voix moyenne, Piano
3
Voix seule
2
Chorale SSATTB
2
Pack Instrumental pour Chorale
1
Voix Soprano
1
Voix Soprano, Orchestre
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
+ 16 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
110
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
90
Trio de Flûtes: 3 flûtes
79
2 Saxophones (duo)
78
3 Clarinettes (trio)
76
Flûte traversière et Piano
58
2 Flûtes traversières (duo)
50
Quatuor de Saxophones: 4 saxophones
46
2 Clarinettes (duo)
45
Flûte, Hautbois, Clarinette, Basson
44
Clarinette et Piano
42
Hautbois, Piano (duo)
35
Quintette de Saxophone: 5 saxophones
32
Saxophone Alto et Piano
30
Saxophone, Clarinette (duo)
26
Ensemble de saxophones
25
Flûte, Clarinette (duo)
24
Quatuor de Flûtes : 4 flûtes
22
3 Saxophones (trio)
22
Flûte, Hautbois, Clarinette (trio)
21
Clarinette, Violon (duo)
21
Saxophone Soprano et Piano
20
Ensemble de Clarinettes
19
Saxophone Tenor et Piano
18
Flûte et Guitare
17
Ensemble de Flûtes
17
2 Hautbois (duo)
15
Clarinette
15
Clarinette, Trompette (duo)
14
Flûte traversière
13
Hautbois, Clarinette (duo)
13
Flûte, Clarinette et Basson
12
Hautbois, Basson (duo)
11
Hautbois, Flûte
11
Saxophone Alto
10
Flûte, Violon
10
Flûte, Hautbois, Basson
9
Saxophone (partie séparée)
9
Flûte à bec Soprano
9
Flûte, Trompette (duo)
9
Clarinette et Alto
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Saxophone (duo)
8
Flûte à Bec
7
Flûte, Alto (duo)
7
Quintette de Flûte : 5 flûtes
7
Clarinette, Basson (duo)
7
2 Clarinettes, Basson
6
Saxophone Baryton, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
Saxophone Tenor
6
Hautbois (partie séparée)
6
Clarinette, Guitare (duo)
5
Flûte, Violon, Piano
5
Flûte, Hautbois (duo)
5
3 Flûtes à bec (trio)
5
Clarinette (partie séparée)
5
Quatuor de Flûtes à bec
4
Cor anglais, Guitare (duo)
4
Saxophone et Harpe
3
2 Flûtes traversières, Piano
3
2 Flûte à bec (duo)
3
Clarinette Basse, Piano
3
Flûte, Harpe et Violoncelle
3
Flûte, Basson et Piano
3
Flute (partie séparée)
3
Flûte à bec Alto, Piano
2
5 Flûtes à bec
2
Flute, harpe et violon
2
Flûte, Violoncelle, Piano (trio)
2
Ensemble à vent
2
Flûte, Violon et Violoncelle
2
Hautbois, Harpe
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et Piano
1
Hautbois et alto (duo)
1
Flûte à bec Tenor
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Saxophones, Piano
1
2 Clarinettes, Piano
1
Harmonica
1
Flûte à bec Alto
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Orgue
1
Flûte, Hautbois, Piano (trio)
1
Flute, Cor (duo)
1
Flûte, Alto et Piano
1
Hautbois, violon (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Guitare (duo)
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
97
Quatuor de cuivres: 4 trombones
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trompette, Piano
30
Trombone et Piano
25
2 Trompettes (duo)
24
2 Trombones (duo)
22
Trompette
20
Trompette, Saxophone (duo)
19
Ensemble de Trombones
17
Cor et Piano
16
Tuba et Piano
15
Trompette, Trombone (duo)
13
3 Trombones (trio)
13
Ensemble de Trompettes
11
2 Cors (duo)
11
Quatuor de Cuivres
7
3 Trompettes (trio)
7
Euphonium, Piano (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor
6
Tuba
6
Cor anglais, Piano
6
Trombone (partie séparée)
5
Trombone
5
Trompette (partie séparée)
5
4 Tubas
4
3 Cors (trio)
4
Cor anglais, Guitare (duo)
4
Euphonium
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 cors
3
Trio de Cuivres
3
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Trombone, Piano
2
Trompette, Cor (duo)
2
Trombone basse
2
Cor et Harpe
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Cors
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Clarinette, Cor (duo)
1
Trompette, Harpe
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Trombone et orchestre
1
Trompette, Violoncelle (duo)
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
172
Violon et Piano
67
Harpe
45
Alto, Piano
44
Violoncelle, Piano
41
Trio à Cordes: violon, alto, violoncelle
37
2 Violons (duo)
32
Violon, Violoncelle (duo)
32
Violon
26
2 Violoncelles (duo)
23
Violon, Alto (duo)
22
Trio à cordes: 3 violins
21
2 Altos (duo)
20
Violoncelle
13
2 Harpes (duo)
12
Trio à Cordes: 2 violons, violoncelle
10
Ensemble d'Altos
8
Contrebasse, Piano (duo)
8
Violon (partie séparée)
7
Harpe, Flûte (duo)
7
Ensemble de Violons
7
Quatuor à cordes: 4 violons
7
Alto, Violoncelle (duo)
7
Violoncelle, Contrebasse (duo)
6
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
5
Harpe, Violon (duo)
4
Piano Trio: Violon, Alto, Piano
4
Alto (partie séparée)
4
Contrebasse (partie séparée)
3
2 Contrebasses (duo)
3
Harpe, Voix
3
Harpe, Trombone (duo)
3
Violoncelle, Orgue
3
Quatuor à cordes : 4 altos
3
Harpe, Violoncelle (duo)
2
Ensemble de Violoncelles
2
Violoncelle (partie séparée)
2
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe et Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto seul
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto et Harpe
1
4 Contrebasses
1
3 Harpes
1
4 Harpes
1
2 Violoncelles, Piano
1
Trio à cordes
1
Contre Basse
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
528
Orchestre
96
Cloches
75
Orchestre à Cordes
68
Batterie
44
Orchestre de chambre
43
Ensemble de cuivres
39
Ensemble Jazz
26
Ensemble de Percussions
13
Marimba
6
Percussion (partie séparée)
2
Quintette à Vent
2
Fanfare
2
Orchestre, Violon
2
Percussion
1
Ensemble d'École
1
Caisse Claire, Piano
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Batterie (partie séparée)
1
3 Marimbas
1
Xylophone, Piano
1
Instrumentation Flexible
1
+ 18 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLON
VIOLONCELLE
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Set three
Quintette de Clarinettes: 5 clarinettes
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1
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
(+)
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.76 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Clarinet Quintet)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.125001…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1250018 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #844432. Published by Regis Bookshar (A0.1250018). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Clarinet Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Clarinet Quintet, consisting of 5 Bb Clarinets. Included are a score and a complete set of parts (28 pages).I hope will you enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.53 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Variations on The Three Ravens for clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Composed by Traditional. Arranged by David Warin Solomons. Renaissance, Impressionistic, N…
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Composed by Traditional. Arranged by David Warin Solomons. Renaissance, Impressionistic, Neo-Classical, Folk. Score, Set of Parts. 14 pages. Published by David Warin Solomons (S0.334851). - Score,Set of Parts - Renaissance,Impressionistic,Neo-Classical,Folk - David Warin Solomons
$15.00
13.77 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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David Warin Solomons
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Variations on The Three Ravens for clarinet quintet
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David Warin Solomons
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SheetMusicPlus
Ravel: Three Movements from Ma Mère L?Oye (Mother Goose) I.Pavane II. Petite Poucet (Tom Thumb) V. Le jardin féerique (The Fairy Garden) arr.clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Composed by Maurice Ravel (1875-1937). Arranged by Ray Thompson. 20th Century, Wedding, Fa…
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Composed by Maurice Ravel (1875-1937). Arranged by Ray Thompson. 20th Century, Wedding, Fairy Tales. Score, Set of Parts. 17 pages. Published by RayThompsonMusic (S0.47949). - Score,Set of Parts - 20th Century,Wedding,Fairy Tales - RayThompsonMusic
$15.95
14.64 €
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Quintette de Clarinettes: 5 clarinettes
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Maurice Ravel
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Ray Thompson
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Ravel: Three Movements from Ma Mère L?Oye
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RayThompsonMusic
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SheetMusicPlus
"Arrival of the Queen of Sheba" from Solomon, HWV 67
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1423376 Composed by George Frideric Handel. Arranged by David Cook. Baroque. 26 pages. Greyline Music #1004691. Published by Greyline Music (A0.1423376). This arrangement of the Arrival of the Queen of Sheba from Handel's Solomon makes for an effective crowd pleaser. Scored for a quintet of one E-flat clarinet, three B-flat clarinets and bass clarinet (low C optional), this is an excellent opportunity for clarinetists to play Baroque repertoire in an ensemble setting. Melodic material is distributed evenly between the E-flat clarinet and three B-flat clarinets.
$10.00
9.18 €
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Quintette de Clarinettes: 5 clarinettes
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George Frideric Handel
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David Cook
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"Arrival of the Queen of Sheba" from Solomon, HWV 67
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Greyline Music
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SheetMusicPlus
Jesu, meine Freude - Part 3, by J.S. Bach for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Digital Download SKU: A0.830789 …
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Digital Download SKU: A0.830789 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 39 pages. Richard Byrnes #5726121. Published by Richard Byrnes (A0.830789). The motet, Jesu, meine Freude (Jesus, my joy) is structured in eleven sections. In this collection, they have been grouped into 4 parts. Part Three, section 1 begins with a five-part fugue. The second is a four-part setting of the hymn. The third section is a trio for the lower three voices. The fourth section is a four-part chorale fantasia using the hymn melody as a cantus firmus.This clarinet quintet arrangement is for (4Cl,BCl).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$24.99
22.93 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Sebastian Bach
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Richard Byrnes
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Jesu, meine Freude - Part 3, by J.S. Bach for Clarinet Quintet
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Richard Byrnes
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SheetMusicPlus
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