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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Stand Back
Non classifié
752
Piano & claviers
Piano seul
344
Piano, Voix et Guitare
242
Piano Facile
201
Instruments en Do
98
Piano, Voix
86
Accompagnement Piano
39
Accordéon
19
Piano grosses notes
11
Orgue
7
1 Piano, 4 mains
7
Piano (partie séparée)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
162
Guitare
105
Ligne De Mélodie, (Paroles) et Accords
53
Basse electrique
45
Ukulele
32
Guitare (partie séparée)
10
Mandoline
9
Banjo
7
2 Guitares (duo)
5
Dulcimer
5
Piano, Guitare (duo)
3
Ensemble de guitares
2
3 Guitares (trio)
2
2 Ukuleles
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
79
Chorale 3 parties
25
Chorale TTBB
21
Voix seule
18
Chorale 2 parties
12
Chorale SSAA
7
Chorale Unison
3
Voix duo
2
Voix Soprano, Piano
1
Voix duo, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière
136
Saxophone Alto
135
Saxophone Tenor
126
Saxophone (partie séparée)
114
Clarinette
81
Saxophone
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
Flûte traversière et Piano
37
Saxophone Alto et Piano
35
Saxophone Tenor et Piano
32
Clarinette et Piano
25
Quatuor de Saxophones: 4 saxophones
24
Hautbois, Piano (duo)
19
Ensemble de saxophones
14
2 Saxophones (duo)
13
Quatuor de Clarinettes: 4 clarinettes
11
2 Flûtes traversières (duo)
11
Flûte, Hautbois, Clarinette, Basson
11
Quintette de Saxophone: 5 saxophones
10
Saxophone Soprano et Piano
9
2 Clarinettes (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Harmonica
6
Hautbois (partie séparée)
6
Quintette de Clarinettes: 5 clarinettes
5
Trio de Flûtes: 3 flûtes
5
Flûte, Clarinette (duo)
4
Saxophone, Clarinette (duo)
4
Saxophone Soprano
4
Ensemble de Clarinettes
4
Saxophone Baryton, Piano
4
Flute (partie séparée)
4
Ensemble de Flûtes
4
Clarinette, Violon (duo)
3
Flûte et Guitare
3
2 Hautbois (duo)
3
Clarinette, Guitare (duo)
3
Clarinette, Trompette (duo)
3
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Flûte, Violon
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Cor anglais, Guitare (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Ocarina
2
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto
1
2 Flûtes traversières, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flute, harpe et violon
1
Flûte, Hautbois, Basson
1
Cornemuse
1
3 Clarinettes (trio)
1
Cor Anglais
1
Clarinette et Alto
1
Flûte, Violoncelle
1
Quatuor de Flûtes à bec
1
Clarinette (partie séparée)
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Guitare
1
Flûte, Clarinette, Piano (trio)
1
+ 69 instrumentations
Retracter
Cuivres
Trompette
144
Trombone
123
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trombone (partie séparée)
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trompette (partie séparée)
21
Trompette, Piano
21
Cor et Piano
16
Trombone et Piano
14
Cor
12
Euphonium
10
Tuba et Piano
5
Euphonium, Piano (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba (partie séparée)
4
2 Trompettes (duo)
4
Cor (partie séparée)
4
Ensemble de Trombones
3
Ensemble de Trompettes
3
2 Trombones (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de Cuivres
2
Trompette, Trombone (duo)
2
Tuba
2
Cor anglais, Piano
1
2 Cors (duo)
1
Bass Clef Instruments
1
Cor Anglais
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
+ 27 instrumentations
Retracter
Cordes
Violon
150
Violoncelle
134
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon et Piano
45
Violoncelle, Piano
27
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
16
2 Violons (duo)
13
2 Harpes (duo)
11
Harpe
10
Violon, Violoncelle (duo)
10
Alto seul
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse (partie séparée)
5
Violon, Alto (duo)
4
2 Violoncelles (duo)
4
4 Violoncelles
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
2 Altos (duo)
3
Contrebasse, Piano (duo)
2
Contre Basse
1
Autoharp
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Ensemble d'Altos
1
Alto (partie séparée)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
103
Orchestre d'harmonie
54
Orchestre
45
Orchestre à Cordes
23
Jazz combo
17
Batterie
12
Fanfare
9
Orchestre de chambre
9
Ensemble de cuivres
7
Batterie (partie séparée)
6
Ensemble de Percussions
5
Cloches
3
Big band
2
Marimba
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Stand Back
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
5 partitions trouvées
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Pennsylvania 6-5000
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
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Jerry Gray, Carl Sigma
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Carl Sigman and Jerry Gray
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Keith Terrett
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Pennsylvania 6-5000
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Keith Terrett
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SheetMusicPlus
Details for clarinet quintet (1 E flat, 2 B flats, 1 Alto, 1 Bass)
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.579511…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.579511 Composed by David Warin Solomons. 20th Century,Contemporary. 22 pages. David Warin Solomons #3073483. Published by David Warin Solomons (A0.579511). Details in which the composer is reminiscing on an emotional misunderstanding with a fellow musician, which is then clarified and all is well (hence the title - oh that was all details...). It is a rapid, humorous and fairly complex rush though 5 time to 6 time and back again
$14.00
12.91 €
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Quintette de Clarinettes: 5 clarinettes
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David Warin Solomons
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Details for clarinet quintet
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David Warin Solomons
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SheetMusicPlus
A Night In Tunisia
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Louisiana Fairy Tale
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1268326 Com…
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Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1268326 Composed by Fred Coots J, Haven Gillespie, and Mitchell Parish. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Pop,Standards. 12 pages. Chicory Music #860722. Published by Chicory Music (A0.1268326). Louisiana Fairy Tale (or Louisiana Fairytale) is a song written in 1935 by Haven Gillespie, with lyrics by Mitchell Parish and J. Fred Coots, and was originally popularized by Fats Waller. Waller's version opens with him playing a four-bar solo piano lead-in to a clarinet melody backed by drums, guitar, clarinet, trumpet and piano. A muted trumpet bridge precedes Waller's vocal verses, and a Dixieland-style improvisational instrumental jam closes the recording. This arrangement for Clarinet Quintet (SSSSB) plus optional Acoustic Bass and Drum Set, at the Intermediate Level, is written at a slow swing tempo featuring 1st Clarinet.
$12.99
11.98 €
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Quintette de Clarinettes: 5 clarinettes
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Fred Coots J, Haven Gillespie, and Mitchell Parish
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Dennis Ruello
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(or "
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Louisiana Fairy Tale
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Chicory Music
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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