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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 62 Piano Facile 38 Piano, Voix et Guitare 37 Piano, Voix 18 Orgue 7

Accompagnement Piano 7 Instruments en Do 5 1 Piano, 4 mains 5 Piano grosses notes 3 2 Pianos, 4 mains 3 Piano (partie séparée) 2 Accordéon 2 Clavier 1

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GUITARES

Ligne De Mélodie, (Paroles) et Accords 12 Guitare notes et tablatures 11 Paroles et Accords 9 Guitare 4 Ukulele 4

Banjo 1 2 Guitares (duo) 1

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VOIX

Pack Instrumental pour Chorale 33 Chorale SATB 27 Chorale Unison 21 Chorale 2 parties 10 Chorale 3 parties 9

Chorale TTBB 4 Chorale 2 Voix seule 2 Voix Tenor 1 Chorale SSAA 1

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VENTS

Flûte irlandaise 121 Flûte traversière 25 Clarinette 13 2 Flûtes traversières (duo) 10 Saxophone Tenor 9 Quatuor de Saxophones: 4 saxophones 9 Saxophone Alto 9 Quatuor de Clarinettes: 4 clarinettes 8 Flûte traversière et Piano 8 Flute (partie séparée) 6 Clarinette (partie séparée) 5 Clarinette et Piano 5 Flûte, Hautbois, Clarinette, Basson 5 Saxophone (partie séparée) 4 Ensemble de Flûtes 4 Quatuor de Flûtes : 4 flûtes 4 Quintette de Clarinettes: 5 clarinettes 4

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4 Hautbois (partie séparée) 3 2 Clarinettes (duo) 3 Ensemble de Clarinettes 3 Ensemble de saxophones 3 Hautbois, Piano (duo) 3 Flûte, Clarinette (duo) 2 Flûte, Violon 2 Flûte à Bec 1 Saxophone Soprano et Piano 1 Flûte à bec Soprano 1 Flûte, Hautbois, Clarinette (trio) 1 Saxophone Alto et Piano 1 Ocarina 1 Clarinette, Guitare (duo) 1 2 Saxophones (duo) 1 Flûte à bec Soprano, Piano 1 Piccolo 1 Flûte et Guitare 1

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CUIVRES

Cor 11 Quatuor de Cuivres : 2 trompettes, trombone, tuba 10 Trombone (partie séparée) 10 Trombone 9 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9

Trompette 7 Trompette (partie séparée) 6 Trompette, Piano 6 Tuba (partie séparée) 5 Cor (partie séparée) 3 2 Trombones (duo) 2 Trombone et Piano 2 Ensemble de Cors 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Euphonium, Piano (duo) 1 Quatuor de cuivres: 4 trombones 1 Cor et Piano 1 2 Trompettes (duo) 1 3 Trombones (trio) 1

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CORDES

Violon (partie séparée) 39 Harpe 22 Violon 19 Violoncelle 18 Quatuor à cordes: 2 violons, alto, violoncelle 17

Alto (partie séparée) 12 Alto seul 11 Contrebasse (partie séparée) 11 Violon et Piano 6 Violoncelle, Piano 5 Violoncelle (partie séparée) 3 Violon, Violoncelle (duo) 3 Alto, Piano 3 Trio à cordes 2 Harpe, Flûte (duo) 2 Harpe, Violon (duo) 2 Contre Basse 2 Trio à Cordes: 2 violons, violoncelle 2 2 Harpes (duo) 1 Trio à Cordes: 3 violoncelles 1 Violon, Alto (duo) 1 2 Violons (duo) 1 2 Violoncelles (duo) 1 Alto, Violoncelle (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 133 Orchestre à Cordes 25 Orchestre 25 Cloches 14 Percussion (partie séparée) 5

Xylophone 4 Ensemble de Percussions 4 Ensemble Jazz 3 Percussion 3 Jazz combo 2 Timbales (partie séparée) 1 Marimba 1 Piano et Orchestre 1 Ensemble de cuivres 1 Orchestre de chambre 1 2 Xylophones 1 Orchestre, Violon 1 Big band 1

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AUTRES

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The Latest Whistledown from Bridgerton for Clarinet Choir

Quintette de Clarinettes: 5 clarinettes

Arranged by Lisa Ochoco. Score, Set of Parts. 17 pages. Published by Lisa Ochoco

$15.00 13.71 € #Quintette de Clarinettes: 5 clarinettes #Lisa Ochoco #The Latest Whistledown from Bridgerton for Clarinet Choir #Lisa Ochoco #SheetMusicPlus

Japanese Suite by Holst for Clarinet Quintet in Schools

Quintette de Clarinettes: 5 clarinettes

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…(+)

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1475802 Composed by Gustav Holst. Arranged by Joseph Judge. Chamber,Classical. 28 pages. School Ensemble Music #1053360. Published by School Ensemble Music (A0.1475802). Japanese Suite by Gustav Holst for clarinet quintet. Duration: 5:50. For three clarinets and two bass clarinets. Flexible: also includes Eb clarinet part for the first voice. In the middle of composing The Planets, Gustav Holst wrote Japanese Suite at the request of a Japanese dancer named Michio Ito. It is based on several tunes whistled to him by the dancer. Opus 33. This unique music was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quintets: brass, saxophone, string, woodwind. For a full list of arrangements by Joseph Judge, please visit http://www.schoolensemble.com.

$14.99 13.7 € #Quintette de Clarinettes: 5 clarinettes #Gustav Holst #Joseph Judge #Japanese Suite by Holst for Clarinet Quintet in Schools #School Ensemble Music #SheetMusicPlus

Ye Banks And Braes O'bonnie Doon

Quintette de Clarinettes: 5 clarinettes

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…(+)

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1257414 Composed by Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Celtic,Folk,Irish. 12 pages. RayThompsonMusic #850746. Published by RayThompsonMusic (A0.1257414). Percy Aldridge Graingerâ€™s arrangement of the Scottish song The Caledonian Huntâ€™s Delight became Ye Banks and Braes O' Bonnie Doon. The river Doon flows gracefully between the Loch Doon and the Firth of Clyde in Stirlingshire, Scotland.Â It was inspired by Robert Burns poem, The Banks of Doon, written in 1783.The piece was originally scored in 1903 for a chorus of womenâ€™s unison voices, accompanied by menâ€™s voices, whistlers, and harmonium or organ at will.Â This was one of Graingerâ€™s earliest folk-music arrangements, and it was dedicated to his dear friend Sigurd Fornander.The setting for band was completed in 1932 (British Folk-Music Setting No. 32).Arranged clarinet quintet (based on the wind band arrangement):1. Eb Clt.(Alt Bb provided)2. Bb Clt.3. Bb Clt.4. Alto Clt.(Alt Bb provided)5. Bass Clt.Check out my wind dectet arrangements of his Lincolnshire PosyVideo link is my clarinet choir arranegement.

$14.99 13.7 € #Quintette de Clarinettes: 5 clarinettes #Percy Aldridge Grainger #Ray Thompson #Ye Banks And Braes O'bonnie Doon #RayThompsonMusic #SheetMusicPlus

Watermelon Man for Clarinet Quintet & Opt. Drumset

Quintette de Clarinettes: 5 clarinettes

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon. A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973). Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973). Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance. The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures. Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan. On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle. This version was often featured on The Weather Channel's Local on the 8s segments. The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now. A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon. A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973). Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973). Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance. The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures. Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan. On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle. This version was often featured on The Weather Channel's Local on the 8s segments. The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now. A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

$14.99 13.7 € #Quintette de Clarinettes: 5 clarinettes #Herbie Hancock # Keith Terrett #Watermelon Man for Clarinet Quintet & Opt. Drumset # Music for all Occasions #SheetMusicPlus