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1573
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797
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743
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390
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115
Piano grosses notes
53
2 Pianos, 4 mains
45
1 Piano, 4 mains
36
Accompagnement Piano
23
Piano Trio: piano, violon, violoncelle
18
Accordéon
17
Orgue, Piano (duo)
12
Piano (partie séparée)
6
Piano Quatuor: piano, violon, alto, violoncelle
4
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2 Pianos, 8 mains
2
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Guitare notes et tablatures
218
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164
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117
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94
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65
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42
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9
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7
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7
4 Guitares (Quatuor)
6
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5
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4
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2
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2
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2
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1
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VOIX
Chorale SATB
667
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180
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114
Chorale TTBB
94
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67
Chorale Unison
56
Pack Instrumental pour Chorale
39
Voix duo, Piano
36
Chorale
26
Voix Soprano, Piano
24
Voix seule
21
Voix duo
15
Voix haute
14
Voix Alto, Piano
13
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix Tenor
2
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Voix Soprano
1
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1
Voix, Guitare
1
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1
Chorale SSAB, Piano
1
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Hautbois, Piano (duo)
236
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234
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221
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157
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146
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
Clarinette
98
Quatuor de Saxophones: 4 saxophones
94
Flûte traversière
84
2 Flûtes traversières (duo)
73
2 Saxophones (duo)
71
Quintette de Saxophone: 5 saxophones
65
Saxophone Alto
64
Saxophone (partie séparée)
59
Flûte, Hautbois, Clarinette, Basson
56
Quatuor de Clarinettes: 4 clarinettes
52
Hautbois (partie séparée)
50
Saxophone Tenor
48
2 Clarinettes (duo)
36
Quatuor de Flûtes : 4 flûtes
33
3 Clarinettes (trio)
24
Ensemble de Clarinettes
18
Ensemble de Flûtes
18
Trio de Flûtes: 3 flûtes
16
Flûte et Guitare
16
Saxophone Soprano et Piano
15
Flûte, Clarinette (duo)
14
Ensemble de saxophones
13
3 Saxophones (trio)
13
Hautbois, Basson (duo)
10
Hautbois
10
Quintette de Clarinettes: 5 clarinettes
10
Clarinette (partie séparée)
9
Flute (partie séparée)
9
Clarinette, Guitare (duo)
9
Clarinette et Alto
9
Saxophone, Clarinette (duo)
8
Flûte à Bec
8
Saxophone Baryton, Piano
8
Saxophone
7
Flûte, Violoncelle
7
Quintette de Flûte : 5 flûtes
7
Quatuor de Flûtes à bec
6
Clarinette, Violon (duo)
6
Flûte, Clarinette, Piano (trio)
5
Cor anglais, Piano
5
Flûte à bec Soprano
5
Hautbois, Clarinette (duo)
5
Flûte, Violon
5
2 Hautbois (duo)
5
Flûte, Alto (duo)
5
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4
Harmonica
4
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4
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4
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3
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3
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3
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3
2 Saxophones, Piano
3
2 Flûte à bec (duo)
2
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2
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1
Clarinette, trompette et piano
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Flûte, trombone et piano
1
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1
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2 Cors Anglais Et Pianoforte
1
Flûte, Trombone (duo)
1
2 Clarinettes, Piano
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Flute, Cor (duo)
1
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1
Cor Anglais
1
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1
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1
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Trombone et Piano
165
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162
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93
Trompette, Piano
93
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69
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59
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49
Cor
44
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28
2 Trombones (duo)
24
Cor et Piano
21
2 Trompettes (duo)
20
Euphonium
16
Tuba
15
Trompette, Trombone (duo)
14
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
8
Quatuor de cuivres: 4 trombones
7
3 Trombones (trio)
6
Instruments en Sib
6
Trompette, Saxophone (duo)
5
Cor anglais, Piano
5
Tuba et Piano
5
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Cor (partie séparée)
4
Bass Clef Instruments
4
2 Euphoniums et 2 Tubas
4
Euphonium, Piano (duo)
4
Ensemble de Trompettes
4
Tuba (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
2 Trompettes, Clavier (piano ou orgue)
2
2 Tubas (duo)
2
Ensemble de Cors
2
Trombone, Tuba (duo)
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, violon (duo)
1
Trio de Cuivres
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1
Trompette, Cor (duo)
1
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Trombone basse
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Trompette, Trombone, Piano
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Clarinette, Cor (duo)
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Cor Anglais
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Quatuor à cordes: 2 violons, alto, violoncelle
278
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245
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208
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181
Violon
115
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84
Harpe
71
Alto seul
52
2 Violons (duo)
52
Violon, Violoncelle (duo)
34
2 Harpes (duo)
29
2 Violoncelles (duo)
27
Violon (partie séparée)
23
Trio à Cordes: violon, alto, violoncelle
21
Alto (partie séparée)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon, Alto (duo)
15
2 Altos (duo)
13
Trio à Cordes: 2 violons, violoncelle
11
Harpe, Voix
10
Contrebasse (partie séparée)
9
Violoncelle, Contrebasse (duo)
6
Contrebasse, Piano (duo)
6
Trio à cordes: 3 violins
6
4 Violoncelles
6
Violon, Guitare (duo)
6
Flûte, Contrebasse (duo)
5
Ensemble d'Altos
5
Ensemble de Violons
5
Alto, Guitare (duo)
5
Contre Basse
5
Violoncelle , Guitare (duo)
4
Harpe, Violon (duo)
3
Piano Trio: Violon, Alto, Piano
3
Alto et Harpe
3
Trio à cordes
3
Trio à cordes: 3 altos
3
Harpe, Flûte (duo)
2
Harpe, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
2
2 Violons, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Contrebasses (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Tuba (duo)
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
1
Violoncelle, Orgue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
228
Orchestre à Cordes
116
Orchestre
115
Ensemble Jazz
84
Cloches
62
Orchestre de chambre
57
Ensemble de cuivres
57
Batterie
37
Jazz combo
24
Ensemble de Percussions
23
Fanfare
10
Percussion (partie séparée)
6
Batterie (partie séparée)
5
Quintette à Vent
4
Marimba
4
Xylophone ou Marimba ou Vibraphone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Caisse Claire
1
Xylophone
1
Xylophone, Piano
1
Vibraphone
1
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When I
Quintette de Clarinettes: 5 clarinettes
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When I'm Sixty-four
Quintette de Clarinettes: 5 clarinettes
By The Beatles. By John Winston Lennon, Paul James Mccartney, John Lennon, and Paul …
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By The Beatles. By John Winston Lennon, Paul James Mccartney, John Lennon, and Paul McCartney. Arranged by MARK CROPTON. Rock. 19 pages. Mark Cropton #4324911. Published by Mark Cropton
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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The Beatles
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MARK CROPTON
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When I'm Sixty-four
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Mark Cropton
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SheetMusicPlus
'Adagio And Tarantella' by Ernesto Cavallini for Solo Clarinet & Clarinet Quintet.
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.891968…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.891968 Composed by Ernesto Cavallini. Arranged by Stephen Davies. Romantic Period,Standards. 57 pages. Stephen Davies #6245255. Published by Stephen Davies (A0.891968). Ernesto Cavallini the great mid-19th century virtuoso Clarinettist was described during his lifetime as' The Paganini of the Clarinet', by none other than the English Clarinettist of the time, Henry Lazarus. Indeed he was féted by many contemporary composers, one of whom was Verdi, who wrote the famous Clarinet solo in 'La Forza Del Destino' after having heard Cavallini perform in concert. Most well versed Clarinettists will be familiar with this bravura piece, I used to play this myself at break-neck speeds when I was younger and my fingers worked!
$29.99
27.31 €
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Quintette de Clarinettes: 5 clarinettes
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Ernesto Cavallini
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Stephen Davies
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'Adagio And Tarantella' by Ernesto Cavallini for Solo Clarinet & Clarinet Quintet.
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Stephen Davies
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SheetMusicPlus
Londonderry Air (Danny Boy) [Clarinet Quintet] - Score Only
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1387530 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1387530 By Masakazu YAMAMOTO. By Traditional / Iriish folk song. Arranged by Masakazu YAMAMOTO. Celtic,Christmas,Irish,Multicultural,Pop,Traditional,World. 5 pages. Motch Music #971386. Published by Motch Music (A0.1387530). This arrangement is for clarinet quintet. When you purchase it, you get full score only.Full set (full score and part score) is here. (Sheet Music Plus / Sheet Music Direct)Irish folk song. Also it is called Danny Boy. Sing politly with tasting each melody well. In the intro, interlude, and ending, play expressively with valuing the world view. Though the second half has some reharmonize, make a good flow naturally.(arr. Masakazu YAMAMOTO)[Instrumentation] Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Bass Clarinet Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)â?? Arrangement (Sheet Music Plus / Sheet Music Direct)â??Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$11.00
10.02 €
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Quintette de Clarinettes: 5 clarinettes
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Masakazu YAMAMOTO
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Masakazu YAMAMOTO
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Londonderry Air
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Motch Music
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SheetMusicPlus
A Night In Tunisia
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Greensleeves [Clarinet Quintet]
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1200519 By Masakazu YAMAMOTO. By Traditional / English folk song. Arranged by Masakazu YAMAMOTO. Christmas,Folk,Multicultural,Pop,Traditional,World. 15 pages. Motch Music #799349. Published by Motch Music (A0.1200519). This arrangement is for clarinet quintet. When you purchase it, you get full score and each part score.Arrangement of the English folk song Green Sleeves, with an indifferent sense of tempo. Also, the harmony of jazz that matches the song is used abundantly.Please sing the flow of 4 bars carefully and aim for a cool and fashionable performance.(arr. Masakazu YAMAMOTO)[Instrumentation] Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Bass Clarinet Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)​ Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$27.50
25.04 €
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Quintette de Clarinettes: 5 clarinettes
#
Masakazu YAMAMOTO
#
Masakazu YAMAMOTO
#
Greensleeves [Clarinet Quintet]
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Motch Music
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SheetMusicPlus
Londonderry Air (Danny Boy) [Clarinet Quintet]
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
(+)
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1217966 By Masakazu YAMAMOTO. By Traditional / Iriish folk song. Arranged by Masakazu YAMAMOTO. Celtic,Christmas,Irish,Multicultural,Pop,Traditional,World. 10 pages. Motch Music #814487. Published by Motch Music (A0.1217966). This arrangement is for clarinet quintet. When you purchase it, you get full score and each part score.Irish folk song. Also it is called Danny Boy. Sing politly with tasting each melody well. In the intro, interlude, and ending, play expressively with valuing the world view. Though the second half has some reharmonize, make a good flow naturally.(arr. Masakazu YAMAMOTO)[Instrumentation] Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Bass Clarinet Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)​ Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  Â
$27.50
25.04 €
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Quintette de Clarinettes: 5 clarinettes
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Masakazu YAMAMOTO
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Masakazu YAMAMOTO
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Londonderry Air
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Motch Music
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Clarinet Quintet)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.125001…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1250018 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #844432. Published by Regis Bookshar (A0.1250018). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Clarinet Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Clarinet Quintet, consisting of 5 Bb Clarinets. Included are a score and a complete set of parts (28 pages).I hope will you enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.32 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Adagio and Allegro in F minor, K. 594
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22 pages. C Blankenship #6203575. Published by C Blankenship (A0.899605). The piece was commissioned by Count Joseph Deym von Stritetz for use as a funeral mass to be played on a mechanical organ clock in the mausoleum for the recently deceased Generalfeldmarschall (Fieldmarshall) Ernst Gideon von Laudon, part of the Müllersche Kunstgalerie, the wax art gallery and organ museum of Joseph Müller (which was the Count Deym's assumed name). This displayed a casket covered with glass, through which one could view a wax figure of the Field Marshall. When the clock struck the hour, a lament was heard: a new one each week, one of which was Mozart's Adagio and Allegro.Although Mozart intended the piece to be played on a mechanical clockwork organ, he wished later that it could be played on a conventional organ. In a letter to his wife Constanze dated 3rd October, 1790, he wrote, If it were on a large clock-work with a sound like an organ, I'd be glad to do it; but as it is a thing made up of tiny pipes only, which sound too shrill and childish for me. As time passed, Mozart seemed to be content with the decision, saying later that the work and its installation in the gallery in fruitlessness and purity and compatibility to the works of art eclipses anything that anyone has ever succeeded in producing.
$9.99
9.1 €
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Quintette de Clarinettes: 5 clarinettes
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Wolfgang Amadeus Mozart
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Chris Blankenship
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Adagio and Allegro in F minor, K. 594
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C Blankenship
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SheetMusicPlus
12 Variations on ’Twinkle Twinkle Little Star’ "Ah, vous dirai-je maman" - clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.564104…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.564104 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical,Wedding. 44 pages. Austin Ralphson #6226797. Published by Austin Ralphson (A0.564104). Mozart composed 12 variations for piano (based on the french melody) when he was 25. I have arranged them carefully here to ensure that they work successfully for this group. Note: The players in the ensemble can choose to perform as few or as many of the variations as they wish. Some are more demanding to play than others, and some feature soloists. The THEME should always be played at the beginning, however.This arrangement is for 1 E flat, 3 B flat and 1 bass clarinet.
$13.99
12.74 €
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Quintette de Clarinettes: 5 clarinettes
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Wolfgang Amadeus Mozart
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Austin Ralphson
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12 Variations on ’Twinkle Twinkle Little Star’ "Ah, vous dirai-je maman" - clarinet quintet
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Austin Ralphson
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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