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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
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ASIE
BLUEGRASS
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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OPERA
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Note4Piano
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SheetMusicPlus
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expert
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avec play-along
Non classifié
3460
PIANO & CLAVIERS
Piano seul
1951
Piano Facile
562
Piano, Voix et Guitare
538
Piano, Voix
489
Instruments en Do
102
1 Piano, 4 mains
81
Orgue
79
Accordéon
73
Piano Trio: piano, violon, violoncelle
35
Accompagnement Piano
31
Piano grosses notes
29
Piano Quatuor: piano, 2 violons, violoncelle
11
2 Pianos, 4 mains
10
Piano (partie séparée)
9
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavier
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavecin
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
Accordéon, Voix
1
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GUITARES
Guitare notes et tablatures
336
Guitare
162
Ligne De Mélodie, (Paroles) et Accords
121
Basse electrique
84
Ukulele
67
Paroles et Accords
47
2 Guitares (duo)
16
Guitare (partie séparée)
9
Dulcimer
9
Mandoline
7
Piano, Guitare (duo)
5
Banjo
5
Guitare Pedal Steel
3
Ensemble de guitares
3
4 Guitares (Quatuor)
2
Dobro
1
3 Guitares (trio)
1
Guitare, Orchestre
1
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VOIX
Chorale SATB
615
Chorale 3 parties
190
Chorale 2 parties
101
Chorale TTBB
87
Chorale Unison
77
Chorale SSAA
72
Voix duo, Piano
42
Voix d'Enfants
32
Voix seule
25
Voix haute
16
Voix Soprano, Piano
15
Voix moyenne, Piano
13
Voix Alto, Piano
13
Voix duo
13
Pack Instrumental pour Chorale
11
Voix basse, Piano
10
Voix Baryton, Piano
9
Voix Tenor, Piano
8
Chorale
6
Voix Tenor
3
Voix Soprano
3
Chorale SSATTB
3
Voix d'Enfants, Piano
2
Voix basse
1
Voix, Guitare
1
Chorale, Orgue
1
Chorale SSAATB
1
Chorale SSAATTBB
1
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VENTS
Flûte traversière et Piano
227
Hautbois, Piano (duo)
225
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
173
Clarinette
165
Quintette de Saxophone: 5 saxophones
158
Quatuor de Saxophones: 4 saxophones
138
Flûte traversière
124
Saxophone Alto et Piano
117
2 Saxophones (duo)
114
Ensemble de saxophones
110
Clarinette et Piano
105
Saxophone Alto
95
2 Flûtes traversières (duo)
82
Flûte, Hautbois, Clarinette, Basson
79
Saxophone Tenor et Piano
78
Quatuor de Clarinettes: 4 clarinettes
74
2 Clarinettes (duo)
70
Saxophone Tenor
69
Saxophone (partie séparée)
67
Saxophone Soprano et Piano
56
Ensemble de Clarinettes
53
Hautbois (partie séparée)
50
Flûte à bec Soprano
46
Flûte, Clarinette (duo)
40
Quatuor de Flûtes : 4 flûtes
40
Saxophone, Clarinette (duo)
33
Saxophone Baryton, Piano
29
Cor anglais, Piano
29
Saxophone
26
3 Saxophones (trio)
25
Clarinette, Violon (duo)
24
Quintette de Flûte : 5 flûtes
24
Clarinette (partie séparée)
23
Clarinette, Trompette (duo)
20
Flûte, Violon
20
2 Hautbois (duo)
20
Saxophone Soprano
19
Ensemble de Flûtes
19
Hautbois, Basson (duo)
17
3 Clarinettes (trio)
16
2 Flûte à bec (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Trio de Flûtes: 3 flûtes
15
Hautbois, Clarinette (duo)
14
Flûte, Trompette (duo)
13
Flûte, Saxophone (duo)
12
Flute (partie séparée)
11
Clarinette Basse, Piano
11
Quatuor de Flûtes à bec
10
Hautbois, Flûte
10
Flûte et Guitare
10
Clarinette et Alto
10
Flûte, Alto (duo)
9
Clarinette, Basson (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Hautbois (duo)
8
Clarinette, Guitare (duo)
8
Flûte à bec Soprano, Piano
7
Flûte à Bec
7
Flûte, Violoncelle
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Violon, Violoncelle et Piano
5
Cor anglais, Guitare (duo)
4
Saxophone et Guitare
4
Flûte à bec Alto
4
Hautbois, violon (duo)
4
Flûte à bec Tenor
4
Flute, harpe et violon
4
Hautbois, Trompette (duo)
4
Clarinette, Harpe (duo)
4
Saxophone, Violon (duo)
4
Flûte, Violon, Piano
4
Flûte, Violon et Violoncelle
4
Hautbois
4
Flûte à bec Alto, Piano
4
Clarinette, Violoncelle (duo)
3
3 Flûtes à bec (trio)
3
Instruments en Mib
2
5 Flûtes à bec
2
2 Clarinettes, Basson
2
Ensemble De Flûte à bec
2
Flûte, Alto et Piano
2
Flûte à bec Alto, Basse continue
2
Flûte et Trio à cordes
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
2
Ocarina
1
Saxophone et Harpe
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
2 Saxophones, Piano
1
Saxophone et Orgue
1
Clarinette Basse
1
Ensemble de Hautbois
1
3 Hautbois
1
Clarinette, Trombone (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
Flûte, Hautbois, Basson
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
217
Quatuor de Cuivres : 2 trompettes, trombone, tuba
168
Trompette
153
Trombone
116
Trombone et Piano
70
Trompette, Piano
66
Ensemble de Trompettes
62
Quatuor de Cuivres: 2 trompettes, Cor, trombone
54
Cor
50
Trombone (partie séparée)
45
Cor et Piano
45
Trompette (partie séparée)
44
Ensemble de Trombones
44
2 Trombones (duo)
34
Quatuor de Cuivres
33
2 Trompettes (duo)
33
Tuba
31
Cor anglais, Piano
29
Euphonium, Piano (duo)
27
Tuba et Piano
25
Trompette, Saxophone (duo)
25
Trompette, Trombone (duo)
24
Cor (partie séparée)
19
2 Euphoniums et 2 Tubas
12
2 Cors (duo)
12
Quatuor de cuivres: 4 trombones
12
Trompette, Cor (duo)
9
Ensemble de Cors
9
Tuba (partie séparée)
8
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 4 trompettes
5
3 Trompettes (trio)
5
Cor anglais, Guitare (duo)
4
2 Tubas (duo)
4
Trompette, Basson (duo)
4
4 Tubas
4
Trompette, violon (duo)
4
Trombone, violoncelle (duo)
4
Euphonium
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Harpe
3
3 Trombones (trio)
2
Instruments en Sib
2
Trio de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Harpe
2
Trombone basse et Piano
2
Trombone, Cor (duo)
1
Tuba et Orgue
1
Trombone, Orgue
1
3 Tubas (trio)
1
Trombone, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
Bass Clef Instruments
1
Trompette, Trombone, Piano
1
Cor, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
451
Violon et Piano
333
Violon
213
Violoncelle, Piano
121
Violoncelle
110
Alto, Piano
107
2 Violons (duo)
95
Trio à Cordes: violon, alto, violoncelle
89
Violon, Violoncelle (duo)
79
Harpe
77
Alto seul
62
2 Violoncelles (duo)
56
Violon, Alto (duo)
45
Trio à Cordes: 2 violons, violoncelle
45
2 Altos (duo)
35
Contre Basse
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Ensemble d'Altos
24
Violon (partie séparée)
24
Ensemble de Violons
23
Contrebasse, Piano (duo)
23
Alto (partie séparée)
20
Contrebasse (partie séparée)
18
Violon, Guitare (duo)
17
Alto, Violoncelle (duo)
15
Piano Trio: Violon, Alto, Piano
15
2 Harpes (duo)
13
4 Violoncelles
12
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 violins
10
Violoncelle (partie séparée)
9
Trio à cordes
7
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
5
Trio à cordes: 3 altos
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle , Guitare (duo)
4
Alto et Harpe
4
Alto, Guitare (duo)
4
Harpe et Piano
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Harpe, Voix
3
Harpe, Violon, Violoncelle
2
Harpe, Flûte (duo)
2
3 Harpes
1
Harpe (partie séparée)
1
4 Harpes
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Violoncelle, Orchestre
1
2 Violons, Piano
1
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Alto et Basson
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
764
Orchestre à Cordes
205
Orchestre
204
Orchestre de chambre
145
Ensemble de cuivres
108
Ensemble Jazz
99
Batterie
73
Cloches
41
Fanfare
39
Jazz combo
27
Ensemble de Percussions
16
Percussion (partie séparée)
16
Vibraphone
4
Batterie (partie séparée)
4
Marimba
3
Timbales (partie séparée)
2
Orchestre, Violon
2
2 Marimbas
1
Piano et Orchestre
1
Caisse Claire
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
Théorie de la musique
4
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Years
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
15 partitions trouvées
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1
Chaconne: for clarinet ensemble/choir
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1431180 Composed by Healey Willan. Arranged by Derrick Thomas Lewis. 20th Century,Classical. 9 pages. Derrick Thom. Lewis #1011648. Published by Derrick Thom. Lewis (A0.1431180). Healy WILLAN Chaconne 1956 (from Rondino,Elegy & Chaconne, for Organ)Composer of over 800 works and teacher for over 50 years, Mr.Willan was known for long as the Dean of Canadian Composers and was a fixture of the Toronto music scene for a very long while. Apparently he wrote Operas and Symphonies as well, but these have not been easily available to experience. Perhaps this is just Canadian natural reticence or 'reserve'. However, it's a characteristic that is not conducive to cultivating popularity. Nevertheless, Willan's music is simply lovely, and it's nice to know that, if you 'cotton on' to it, you will probably never exhaust his supply, at least to play.
$22.00
20.03 €
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Quintette de Clarinettes: 5 clarinettes
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Healey Willan
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Derrick Thomas Lewis
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Chaconne: for clarinet ensemble/choir
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Derrick Thom. Lewis
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SheetMusicPlus
Ich liebe dich - Beethoven goes Polka - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.56…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568560 Composed by Ludwig van Beethoven. Arranged by Thomas Graf. Classical,Romantic Period. 16 pages. Thomas Graf - the-hit-factory.com #2966899. Published by Thomas Graf - the-hit-factory.com (A0.568560). Tender Love / Zärtliche Liebe, WoO 123, or - Ich liebe dich -, is a love song by Ludwig van Beethoven that was written in 1795 and first published in 1803. Beethoven was 25 years old when it was composed. Beethoven goes Polka - the arrangement begins with the romantic song and ends surprisingly in a vibrant and fun polka. Beethoven goes Polka - das Arrangement beginnt mit dem romantischen Lied und endet überraschend in einer lebendigen und lustigen Polka. Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/z2yfywaHpAg
$16.99
15.47 €
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Quintette de Clarinettes: 5 clarinettes
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Ludwig van Beethoven
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Thomas Graf
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Instrumentation:
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Ich liebe dich - Beethoven goes Polka - Clarinet Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Moonlight Sonata by Beethoven for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.112949…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.1129494 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #729942. Published by Woods Only, Arrangements (A0.1129494). This arrangement adapted for clarinet quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
9.1 €
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Quintette de Clarinettes: 5 clarinettes
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 7 by Beethoven for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.112849…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.1128493 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #729116. Published by Woods Only, Arrangements (A0.1128493). This arrangement adapted for clarinet quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$9.99
9.1 €
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Quintette de Clarinettes: 5 clarinettes
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Air from 'Rinaldo' (arr. for Clarinet Ensemble 5-Part))
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325953 By George Frideric Handel. By George Frideric Handel. Arranged by Andrew Lamb. Baroque,Opera. 25 pages. Andrew Lamb #914149. Published by Andrew Lamb (A0.1325953). Presenting Air from Rinaldo by George Frideric Handel, thoughtfully arranged for a 5-part Clarinet Ensemble! 🎼🎵 Instrumentation: 3 Clarinets in Bb 1 Alto Clarinet in Eb 1 Bass Clarinet in Bb 🎶 Substitute parts included for added flexibility: Eb Clarinet Second Alto Clarinet Second Bass Clarinet 🎼 Level of Difficulty: Medium-Easy🎯 Potential Uses: 🎤 This arrangement, crafted for Clarinet Ensemble, is versatile and ideal for: Concerts Recitals Educational settings. 📜 About Air from Rinaldo: Air from Rinaldo captures the essence of Handel's opera composed in 1711, the first Italian language opera for the London stage. This Clarinet Ensemble arrangement brings forth the beauty of Handel's composition, portraying the love, war, and redemption set during the First Crusade. The iconic soprano aria, Lascia ch'io pianga, is a cherished favorite, making this arrangement a delightful addition to your ensemble's repertoire.🎼 Handel's Operatic Triumph: George Frideric Handel swiftly composed Rinaldo, marking a significant moment in operatic history. After dominating the English opera scene for decades, Rinaldo's success endured through numerous revivals. Following a hiatus of over 200 years, the opera regained prominence, captivating audiences worldwide with modernized productions, including a successful run at New York's Metropolitan Opera in 1984.â Why Choose This Arrangement: This Clarinet Ensemble arrangement offers flexibility with substitute parts, allowing you to tailor the performance to your ensemble's strengths. Perfectly suited for various settings, from formal concerts to educational environments, this arrangement enables musicians to explore the depth and brilliance of Handel's musical genius.🎵 Elevate your ensemble's performance with the enchanting Air from Rinaldo. Add this arrangement to your repertoire and experience the magic of Handel's operatic masterpiece.📢 Don't miss the chance to enhance your musical journey! Like and subscribe to stay updated on our latest arrangements and musical offerings. 🎶.
$10.00
9.11 €
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Quintette de Clarinettes: 5 clarinettes
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George Frideric Handel
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Andrew Lamb
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Air from 'Rinaldo'
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Andrew Lamb
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SheetMusicPlus
Clarinet Quintet, Opus 133
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.960773…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.960773 Composed by Dafydd Bullock. 20th Century,Contemporary. 34 pages. Dafydd Bullock #4286163. Published by Dafydd Bullock (A0.960773). A three movement clarinet quintet - two movements lost and rediscovered after 18 years - the third written in January, 2019.
$10.00
9.11 €
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Quintette de Clarinettes: 5 clarinettes
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Dafydd Bullock
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Clarinet Quintet, Opus 133
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Dafydd Bullock
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SheetMusicPlus
Get Back
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.584843…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.584843 By The Beatles. By John Lennon and Paul McCartney. Arranged by Austin Ralphson. Pop. 23 pages. Austin Ralphson #194130. Published by Austin Ralphson (A0.584843). Here is a classic Beatles song, developed during the final years of The Beatles in collaboration with keyboard master Billy Preston. It is arranged carefully here for clarinet quintet, with a few solos which are as written by The Beatles or improvised (chords provided). This piece is sure to go down well in any performance due to the everlasting love of The Beatles.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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The Beatles
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Austin Ralphson
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Get Back
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Austin Ralphson
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SheetMusicPlus
4 Baroque Classics - clarinet quintet bundle / book / pack
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.563327…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.563327 Composed by George Frideric Handel, Johann Pachelbel, and Johann Sebastian Bach. Arranged by Austin Ralphson. Baroque,Standards,Wedding. 123 pages. Austin Ralphson #3547843. Published by Austin Ralphson (A0.563327). This pack of baroque music is ideal to use a practice and performance pieces. The arrangements have been tried and tested for many years with great success, and are brought together here in one book to provide a big saving on the pieces compared to their full price.Includes scores and parts for:* Brandenburg Concerto No. 3 (Bach)
$9.99
9.1 €
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Quintette de Clarinettes: 5 clarinettes
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George Frideric Handel, Johann Pachelbel, and Johann Sebastian Bach
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Austin Ralphson
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4 Baroque Classics - clarinet quintet bundle / book / pack
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Austin Ralphson
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SheetMusicPlus
Stardust
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1290672 By Artie Shaw. By Hoagy Carmichael and Mitchell Parish. Arranged by Sean Sullivan. 20th Century,Jazz,Standards. 25 pages. Sean Sullivan #881378. Published by Sean Sullivan (A0.1290672). Stardust by Hoagy Carmichael is a beloved jazz standard that has been arranged in many different ways over the years. However, this particular arrangement for clarinet quintet is simply stunning. Written for four clarinets and bass clarinet, with an optional alto clarinet part, this arrangement captures the timeless beauty and romanticism of the original composition. The rich, warm tones of the clarinets blend perfectly together, creating a lush and expressive sound that will transport listeners to another era. This arrangement of Stardust is sure to be a crowd-pleaser.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Artie Shaw
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Sean Sullivan
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Stardust
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Sean Sullivan
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SheetMusicPlus
Still Still Still - Christmas song - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.5…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.568259 Composed by Traditional. Arranged by Thomas Graf. Baroque,Christmas,Classical,Holiday. 25 pages. Thomas Graf - the-hit-factory.com #2893741. Published by Thomas Graf - the-hit-factory.com (A0.568259). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Suess (1802-1868); founder of the Salzburg Museum; it has changed slightly over the years but remains attributed to G. Goetsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.About this arrangement: Composed by: traditionalArranged by: Thomas H. Graf for Clarinet QuintetInstrumentation: Full ScoreClarinet 1 in BbClarinet 2 in BbClarinet 3 in BbClarinet 4 in BbBasset Horn Clarinet 4 in BbBass ClarinetAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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Thomas Graf
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Still Still Still - Christmas song - Clarinet Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Clarinet Quintet)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.125001…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1250018 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #844432. Published by Regis Bookshar (A0.1250018). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Clarinet Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Clarinet Quintet, consisting of 5 Bb Clarinets. Included are a score and a complete set of parts (28 pages).I hope will you enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.32 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
5 Famous Songs by Bach for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748235. Published by Woods Only, Arrangements (A0.957291). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897532: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899733: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900234: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901475: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190363Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
$39.99
36.41 €
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Quintette de Clarinettes: 5 clarinettes
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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