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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chamber music No. 3
Non classifié
78
Piano & claviers
Piano seul
9
Piano Facile
7
Guitares
Guitare notes et tablatures
2
2 Guitares (duo)
1
Voix
Chorale 3 parties
10
Chorale SATB
1
Vents
3 Saxophones (trio)
34
Clarinette et Piano
31
Flûte traversière et Piano
16
Hautbois, Piano (duo)
11
Saxophone Alto et Piano
10
Saxophone Baryton, Piano
9
Saxophone Tenor et Piano
9
Cor anglais, Piano
8
Saxophone Soprano et Piano
8
3 Clarinettes (trio)
8
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte à bec Alto
4
Flûte à Bec
4
Piccolo, Piano
4
2 Flûtes traversières (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Quatuor de Flûtes : 4 flûtes
3
Flûte à Bec, Piano
2
Hautbois
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière
1
Ensemble de Flûtes
1
+ 24 instrumentations
Retracter
Cuivres
Trompette, Piano
28
Trombone et Piano
16
Tuba et Piano
10
Cor et Piano
9
Cor anglais, Piano
8
3 Trombones (trio)
7
Trombone basse et Piano
6
3 Tubas (trio)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Cors (duo)
2
3 Trompettes (trio)
2
Trompette et Guitare
1
3 Cors (trio)
1
Tuba
1
2 Tubas (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 12 instrumentations
Retracter
Cordes
Violoncelle, Piano
14
Alto, Piano
13
Violon et Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
10
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
Contrebasse, Piano (duo)
4
2 Violons (duo)
4
Trio à cordes: 3 altos
2
Violoncelle, Basse continue
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
Contre Basse
1
4 Violoncelles
1
+ 9 instrumentations
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4
Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Chamber music No. 3
facile
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
3 partitions trouvées
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Elevation No. 3
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Leon Boellmann
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Trevor Wharton
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Elevation No. 3
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Bumpmusic Editions
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1212424 Composed by Leon Boe...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1212424 Composed by Leon Boellmann. Arranged by Trevor Wharton. 19th Century,Chamber. 8 pages. Bumpmusic Editions #809926. Published by Bumpmusic Editions (A0.1212424). This arrangement of Leon Boellmann's 'Elevation for Organ No 3' is taken from the first Volume of his Opus 29 'Heures Mystiques'. The reflective nature of the music demands that the players develop a matching fluid legato style and a secure control of volume.The piece would be an effective contrast to the more flamboyant contents of a concert programme.
$19.75
Air (Orchestral Suite No. 3 in D major), BWV 1068
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Benjamin Karaca
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Air
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Benjamin Karaca
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.946354 Compos...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.946354 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 11 pages. Benjamin Karaca #6342517. Published by Benjamin Karaca (A0.946354). This piece is also known as Air on the G String. It is the second movement from Bach's Orchestral Suite No. 3 and is one of Bach's most famous compositions. Originally composed for two violins, viola, and basso continuo.I originally wrote this arrangement for a Saxophone Quartet in the classical SATB lineup (Soprano, Alto, Tenor, and Baritone Sax). However, the second part also works well for Soprano Sax, and the third part can be played by an Alto Saxophone. Apart from a few minor changes, I stayed very true to the original composition. I haven't added any articulations and have retained the key of D major.Note: Having two Sopranos in a Sax Quartet is highly unusual. If you have the opportunity, I strongly recommend giving it a try. Especially in the SSAB lineup, this piece has a lot of potential.Saxophone Quartet SATB (and other lineups). Duration: 5:00 min. Level: 2/5.Part 1: Soprano SaxPart 2: Soprano Sax / Alto SaxPart 3: Alto Sax / Tenor SaxPart 4: Baritone Sax / Bass SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
$17.45
Machaut: La Messe de Nostre Dame for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
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