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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mark S
Non classifié
218
Piano & claviers
Piano seul
149
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15
Piano, Voix
10
Instruments en Do
9
Orgue
8
Piano Facile
3
Accordéon
2
Accompagnement Piano
2
1 Piano, 4 mains
2
Orgue, Trompette (duo)
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Accordéons
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
10
Guitare notes et tablatures
6
Basse electrique
6
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Ukulele
2
Ukulele Baryton
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
117
Chorale TTBB
12
Chorale Unison
7
Chorale SSAA
7
Chorale 3 parties
5
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3
Voix duo
2
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1
Voix Soprano
1
Voix Tenor
1
+ 5 instrumentations
Retracter
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225
Clarinette (partie séparée)
92
Flute (partie séparée)
44
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42
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40
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38
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37
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36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Quatuor de Saxophones: 4 saxophones
15
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13
Flûte traversière et Piano
10
Flûte, Hautbois, Clarinette, Basson
9
2 Saxophones (duo)
8
Saxophone Alto et Piano
8
Clarinette et Piano
8
Ensemble de Clarinettes
7
3 Saxophones (trio)
6
Hautbois, Piano (duo)
6
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor et Piano
4
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
3
Saxophone, Clarinette (duo)
3
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2
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Ensemble de Flûtes
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
Clarinette Basse, Piano
2
Saxophone Soprano et Piano
2
Flûte, Alto (duo)
2
Clarinette, Basson (duo)
2
2 Hautbois (duo)
1
Ensemble de saxophones
1
5 Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
Flûte à bec Alto, Piano
1
Ensemble De Flûte à bec
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Clarinette, Violoncelle (duo)
1
Cor anglais, Piano
1
Saxophone Baryton, Piano
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Clarinette (duo)
1
Flûte, Basson et Piano
1
+ 52 instrumentations
Retracter
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208
Trombone (partie séparée)
185
Cor (partie séparée)
48
Trombone
45
Trompette
41
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39
Euphonium (partie séparée)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Tuba (partie séparée)
12
Trompette, Piano
5
Quatuor de Cuivres
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone et Piano
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
3
Trompette, Saxophone (duo)
3
Trio de Cuivres
3
Ensemble de Trombones
2
Trompette, Trombone (duo)
2
Tuba et Piano
2
2 Trompettes (duo)
1
2 Cors (duo)
1
Cor
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Piano
1
Ensemble de Cors
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
66
2 Harpes (duo)
34
Violoncelle
25
Violon et Piano
19
Harpe
14
Contrebasse (partie séparée)
13
2 Violons (duo)
11
Violon
10
Violoncelle, Piano
9
Alto, Piano
8
Violon, Violoncelle (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
6
Contre Basse
6
Alto (partie séparée)
5
Trio à cordes: 3 violins
5
2 Violoncelles (duo)
3
Violon, Guitare (duo)
2
Alto seul
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Alto et Basson
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
+ 25 instrumentations
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50
Orchestre d'harmonie
45
Orchestre
41
Ensemble Jazz
36
Ensemble de cuivres
21
Batterie (partie séparée)
13
Orchestre de chambre
13
Cloches
8
Timbales (partie séparée)
8
Fanfare
7
Ensemble de Percussions
4
Jazz combo
4
Batterie
2
Xylophone (partie séparée)
1
+ 9 instrumentations
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--INSTRUMENTS--
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Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
15 partitions trouvées
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1
Fingal's Cave for Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Fingal's Cave for Sax Quartet
#
markusmuzik
#
SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Arranged by Mark Bailey (SOCAN). Romantic Period. 7 pages. Markusmuzik #3236191. Publ...
(+)
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Arranged by Mark Bailey (SOCAN). Romantic Period. 7 pages. Markusmuzik #3236191. Published by markusmuzik
$6.00
Arthur's Seat - Saxophone quartet (AATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Kayleigh Huelin
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Arthur's Seat - Saxophone quar
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Kayleigh Huelin
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1139391 Composed by Kayleigh Huelin. Pop,Tradi...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1139391 Composed by Kayleigh Huelin. Pop,Traditional. 9 pages. Kayleigh Huelin #739680. Published by Kayleigh Huelin (A0.1139391). Inspired by the Edinburgh landmark of the same name, 'Arthur's Seat' is a ballad which conveys the evocative and often dramatic nature of the Scottish countryside. Arranged for AATB saxophone quartet. Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk.
$14.99
Arthur's Seat - Saxophone quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Kayleigh Huelin
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Arthur's Seat - Saxophone quar
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Kayleigh Huelin
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1139397 Composed by Kayleigh...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1139397 Composed by Kayleigh Huelin. Pop,Traditional. 9 pages. Kayleigh Huelin #739686. Published by Kayleigh Huelin (A0.1139397). Inspired by the Edinburgh landmark of the same name, 'Arthur's Seat' is a ballad which conveys the evocative and often dramatic nature of the Scottish countryside. Arranged for SATB saxophone quartet. Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk.
$14.99
Puttin' On The Ritz
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Taco
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Mark Bailey
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Puttin' On The Ritz
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markusmuzik
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.962965 By Taco. By Irving Ber...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.962965 By Taco. By Irving Berlin. Arranged by Mark Bailey. Jazz. 13 pages. Markusmuzik #3912747. Published by markusmuzik (A0.962965). A Berlin classic scored for Sax quartet.The lead is shared so there's lots to go around. .
$12.99
Pictures At An Exhibition
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carl Palmer, Greg Lake, and Ke
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Rea Meir
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Pictures At An Exhibition
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Rea Meir
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1015699 Composed by Carl Palm...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1015699 Composed by Carl Palmer, Greg Lake, and Keith Emerson. Arranged by Rea Meir. Contemporary. 125 pages. Rea Meir #4838641. Published by Rea Meir (A0.1015699). Modest Mussorgsky's Pictures at an Exhibition, arranged by Rea Meir, for saxophone quartet SATB.This is the whole suite, arranged in it's original key.The piece has 13 movements:1.Promenade2.The Gnome3.Promenade4.The Old Castle5.Promenade6.Bydlo7.Ballet of the Unhatched Chicks8.Samuel Goldenberg and Schmuÿle9.Promenade10.Limoges. The Market11.Catacombs12. Baba Yaga (The Hut on Hen's Legs)13. The Great Gates of Kiev.
$29.99
Bohemian Rhapsody
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Queen
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E
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Bohemian Rhapsody
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Gonzalez Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.924181 By Queen. By Freddie M...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.924181 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by E.Gonzalez. Rock. 22 pages. Gonzalez Music #3532959. Published by Gonzalez Music (A0.924181). Bohemian Rhapsody is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite,[1] consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda.[2] The song is a more accessible take on the 1970s progressive rock genre.[3] It was reportedly the most expensive single ever made at the time of its release, although the exact cost of production cannot be determined.[4]When it was released as a single, Bohemian Rhapsody became a commercial success, staying at the top of the UK Singles Chart for nine weeks and selling more than a million copies by the end of January 1976.[5] It reached number one again in 1991 for another five weeks when the same version was re-released following Mercury's death,[6] eventually becoming the UK's third-best-selling single of all time.[7] It is also the only song to be the UK Christmas number one twice by the same artist.[8] It topped the charts in several other markets as well, including Canada, Australia, New Zealand, Ireland, and The Netherlands, later becoming one of the best-selling singles of all time selling over 6 million copies worldwide. In the United States, the song originally peaked at number nine in 1976. It returned to the chart at number two in 1992, behind Kris Kross's Jump, and also appeared in the film Wayne's World, which contributed to the revival of its American popularity.
$15.99
Brahms: Prelude & Fugue, WoO 10, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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James M
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Brahms: Prelude & Fugue, W
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420209 Composed by Johannes...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420209 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 30 pages. Jmsgu3 #1001614. Published by jmsgu3 (A0.1420209). Brahms's Prelude and Fugue in G minor, WoO 10, is an essential early organ work demonstrating his mastery of counterpoint and the organ as a medium. The Prelude and Fugue were composed in the mid-1850s when Brahms was intensively studying counterpoint and turning to the organ for his contrapuntal skills. The Prelude begins quietly but builds in power and tension. At the same time, the fugue transforms the central theme into a lean, darkly probing juggernaut that accrues tension as it develops. These early organ works frame Brahms's entire oeuvre, as they were composed at the start of his career, while the Eleven Chorale Preludes, Op. 122 was his final work, composed just before and after the death of Clara Schumann. Brahms's organ compositions thus bookend his prolific output, spanned symphonies, concertos, chamber music, choral works, and more. Overall, Brahms's Prelude and Fugue in G minor, WoO 10, is an important early work that showcases his mastery of counterpoint and the organ and is a significant marker in developing his compositional style.
$32.95
Uptown Funk
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bruno Mars
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James A
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Uptown Funk
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946257 By Bruno Mars. By Bru...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946257 By Bruno Mars. By Bruno Mars, Charles Wilson, Devon Gallaspy, Jeff Bhasker, Lonnie Simmons, Mark Ronson, Nicholaus Williams, Philip Lawrence, Robert Wilson, Ronnie Wilson, and Rudolph Taylor. Arranged by James A. C. Glass. Contemporary. 22 pages. James A. C. Glass #6246925. Published by James A. C. Glass (A0.946257). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 4:08.Multiple 16th note licks will keep the player's tongue moving in this funk piece. The baritone saxophone party stays in the low register, carrying the bass line. The tenor saxophone switches between doubling the bass line an octave higher, providing solo licks, and filling in the harmony with the other horn parts. The alto saxophone carries much of the melody the soprano saxophone taking over during the chorus.
$16.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
(I'VE Had) The Time Of My Life
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Bill Medley & Jennifer Warnes
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Carl Raven
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(I'VE Had) The Time Of My Life
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PopWind.co.uk
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405150 By Bill Medley & Jen...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405150 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by Carl Raven. Film/TV,Pop. 20 pages. PopWind.co.uk #988194. Published by PopWind.co.uk (A0.1405150). Gary Herbig's epic tenor solo transcribed as part of this great saxophone quartet arrangement. For SATB or AATB.Play along with a virtual quartet at www.popwind.co.ukAnd hear more at our YouTube channel
$12.99
Fantasia on God Rest You Merry - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Anon
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Phil Beaman
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Fantasia on God Rest You Merry
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Phil Beaman
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.845238 Composed by Anon. Arranged by Phil Beam...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.845238 Composed by Anon. Arranged by Phil Beaman. Christmas,Contemporary,Jazz,Sacred. 35 pages. Phil Beaman #6462341. Published by Phil Beaman (A0.845238). For this Christmas here is a dramatic Fantasia for Instrumental Quartet based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique. Every single note is written to express, and sometimes expand upon, the word of the text at that point in time. There is an irregular meter which changes every few bars using 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4 but always maintaining a strong pulse. It contains abrupt changes in dynamics and a rubato tempo with many markings of articulation. This is a challenging work with dynamic results.19 page score, 4 pages each part; 35 pages total4:45 minutes
$16.50
Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE - sax quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Lalo Schifrin
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Austin Ralphson
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Mission: Impossible Theme from
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SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Woodwind Quartet, Saxophone Quartet - Advanced Intermediate - Digital Download By Lalo Schifrin. Arranged by Austi...
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Alto Sax, Tenor Sax, Baritone Sax, Woodwind Quartet, Saxophone Quartet - Advanced Intermediate - Digital Download By Lalo Schifrin. Arranged by Austin Ralphson. Score, Set of Parts. 12 pages. Published by Austin Ralphson
A hallmark of this American TV series is each episode's opening scene, in which Briggs or Phelps receives his instructions from a faceless voice, delivered on a recording which then self-destructs; this is immediately followed by the theme music, composed by Lalo Schifrin. This music is presented here in an exciting arrangement for sax quartet (AATB) with optional drum kit; it works as a great opener to a concert.
$12.99
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