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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FORMATION MUSI…
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HARMONICA
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MANDOLINE
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Chorale SATB
50
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13
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35
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24
Quatuor de Saxophones: 4 saxophones
14
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11
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10
3 Saxophones (trio)
8
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8
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7
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Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Alto
6
Clarinette et Piano
6
Clarinette
4
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3
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2 Flûtes traversières (duo)
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Quintette de Clarinettes: 5 clarinettes
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2 Clarinettes (duo)
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Hautbois, Flûte
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
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Quatuor de Flûtes à bec
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Tenor
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Quatuor de Flûtes : 4 flûtes
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
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25
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Quatuor de Cuivres
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Quatuor de cuivres: 4 trombones
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3
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Quatuor de cuivres: 4 cors
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Cor et Piano
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Trio de Cuivres
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2 Cors (duo)
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Tuba et Piano
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3 Cors (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
49
Ensemble de Violons
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Violon, Violoncelle (duo)
9
2 Violoncelles (duo)
9
Violon et Piano
9
Violon
4
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe
2
Violon, Alto (duo)
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contrebasse, Piano (duo)
2
Alto, Piano
2
Alto, Violoncelle (duo)
2
Contre Basse
1
Quatuor à cordes: 4 violons
1
Alto (partie séparée)
1
Alto seul
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Piano
1
Violoncelle
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
28
Orchestre à Cordes
22
Orchestre
18
Ensemble Jazz
13
Ensemble de cuivres
13
Orchestre de chambre
4
Batterie
3
Ensemble de Percussions
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Jazz combo
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Cloches
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Fanfare
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AUTRES
Vous avez sélectionné:
Something
avancé
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
14 partitions trouvées
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1
Joplin - “Something Doing” (for Saxophone Quartet SATB)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.513974 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.513974 Composed by Scott Joplin. Arranged by Kenneth Abeling. 20th Century,Classical,Ragtime. 12 pages. LINCOLN MUSIC PUBLICATIONS #2930765. Published by LINCOLN MUSIC PUBLICATIONS (A0.513974). “Something Doing†transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags. For hundreds of other arrangements by Kenneth Abeling at reduced prices please visit: www.lincolnmusicpublications.com Playing time: 3:30 Preview this score on YouTube: https://www.youtube.com/watch?v=XnlbSHiWJxQ
$11.99
11.01 €
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Quatuor de Saxophones: 4 saxophones
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Scott Joplin
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Kenneth Abeling
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Joplin - “Something Doing”
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
You Give Me Something
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1129356 By James Morrison. By Francis White and James Morrison. Arranged by Fernando Britto. Hip-Hop,Pop,R & B,Wedding. 9 pages. Minhas Partituras #729860. Published by Minhas Partituras (A0.1129356). Arrangement of the song You Give Me Something (James Morrison) for Saxophone Quartet.
$12.99
11.93 €
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Quatuor de Saxophones: 4 saxophones
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James Morrison
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Fernando Britto
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You Give Me Something
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Minhas Partituras
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SheetMusicPlus
Something On My Mind (for sax quartet and piano)
Quatuor de Saxophones: 4 saxophones
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone -…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.862954 Composed by Jordan Grigg. Concert,Contemporary,Jazz,Standards. Score and parts. 20 pages. Jordan Grigg #3056841. Published by Jordan Grigg (A0.862954).
$16.95
15.56 €
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Quatuor de Saxophones: 4 saxophones
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Jordan Grigg
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Something On My Mind
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Jordan Grigg
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SheetMusicPlus
Something in September
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1241469 By Ted Hogarth. By Glenn Broadhead. Arranged by Glenn Broadhead. Contemporary,Jazz. 7 pages. Four Mile Music LLC #836839. Published by Four Mile Music LLC (A0.1241469). This moody, romantic, harmonically-sophisticated piece was introduced as a piano solo throughout Europe by touring American jazz musician Skip Wilkins. Jazz-influenced, but no improvisation is required. The sound file is from a clarinet quartet version of the chart, which is similar but not identical.
$5.99
5.5 €
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Quatuor de Saxophones: 4 saxophones
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Ted Hogarth
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Glenn Broadhead
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Something in September
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Four Mile Music LLC
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SheetMusicPlus
Satellite to Planet Nine
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.939376 Composed by Adam Grim. Concert,Contemporary,Standards. 111 pages. Adam B. Grim #6196935. Published by Adam B. Grim (A0.939376). Satellite to Planet Nine is a saxophone quartet inspired by the cosmos surrounding planet Earth. The opening movement, Takeoff, is about the mystery and fear surrounding a possibility of another planet - or black hole - yet to be discovered and the beginning of the journey to find it. The second movement, Hymn for the Moon is dedicated to the closest body of natural rock in our solar system. This movement features the tenor saxophone using a mix of disjunct melodies, smooth jazz, and thick chords to produce a movement of both mysticism and peace as the rocket travels by it. Soca for Saturn is the following movement and is inspired by the Trinidadian popular music known as soca. It is the spark of joy and pure energy that holds the astronauts together as they hold their hopes high traveling to a land that might not even exist at all. The fourth movement depicts the first amount of struggle for the team, Solar Flares, which batter and beat at the crew as they try to find a way through. In the movement the mood is instantly changed with the realization that it is too calm, and soon, meet the purest form of heat and energy. Movement five continues the struggle, but this time with hasty success. Arrival continues where the fourth movement leaves off, but finally they see something in the distance – the planet they have been looking for. They prepare for landing, but with their equipment being nearly destroyed from the solar flares it is not smooth landing. In the final movement, New Gravity, the team ventures out into the new world, which is dark and barren. They feel a disturbing presence around them, and as they search further and further into the cold and dusty landscape, they realize what they are up against – survival. Using what they know, they build on their wreckage and create a new home - The Satellite to Planet Nine.
$30.00
27.55 €
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Quatuor de Saxophones: 4 saxophones
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Adam Grim
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Satellite to Planet Nine
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Adam B. Grim
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SheetMusicPlus
Good Omens
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.805882 By David Arnold. By David Arnold. Arranged by G L Harvey. Contemporary. 16 pages. G L Harvey #5288597. Published by G L Harvey (A0.805882). The theme music for this popular TV series has been carefully arranged for Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone). With concert and recital performances in mind, this exciting arrangement has something for everyone to do and is targeted at advanced intermediate players and above. The music follows the format of the opening sequence, with a quiet and mysterious introduction leading through various shared incarnations of the catchy and captivating main themes, building towards an exciting and dramatic final flourish.
$13.99
12.85 €
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Quatuor de Saxophones: 4 saxophones
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David Arnold
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G L Harvey
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Good Omens
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G L Harvey
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SheetMusicPlus
The Reaper came calling
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1253729 Composed by Lee Mitchell. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. 16 pages. T.U.X. People's Music #847355. Published by T.U.X. People's Music (A0.1253729). The fifth of Lee Mitchell's Six Poems for Saxophone Quartet, The Reaper came calling contemplates on feelings of deep thought, anger, and acceptance, pondering the meaning of when something must end.
$25.00
22.96 €
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Quatuor de Saxophones: 4 saxophones
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Lee Mitchell
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Josh Trentadue
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The Reaper came calling
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T.U.X. People's Music
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SheetMusicPlus
Blowin' In The Wind
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.581875 By Stevie Wonder. By Bob Dylan. Arranged by John Gibson. Rock. 13 pages. JB Linear #2926483. Published by JB Linear (A0.581875). Bob Dylan, a 2016 Nobel prize for literature recipient, famously ignored it for a while. In that spirit, he is now and has been a major figure in the music world for decades. The song Blowin in the Wind was released in 1963 and if I may include something personal, his song had a positive impact on my world view as a young person at the time. For this setting for sax quartet (SATB), I chose to use an Afro Pop style. The bari sax part in particular is quite active! It is set for soprano, alto, tenor and baritone saxes with an alternate alto part in place of the soprano sax. - John Gibson, arranger.
$13.50
12.4 €
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Quatuor de Saxophones: 4 saxophones
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Stevie Wonder
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John Gibson
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Blowin' In The Wind
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JB Linear
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SheetMusicPlus
It Had Better Be Tonight
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764894 By Michael Buble. By Henry Mancini. Arranged by Lori Archer Sutherland. Contemporary. 16 pages. Lori Archer Sutherland #3557115. Published by Lori Archer Sutherland (A0.764894). Give your sax quartet something a little different with this classic Mancini tune from The Pink Panther. Perfect for wedding receptions, cocktail hours, concerts, and other events!Suitable for high school and above. Scored for Soprano, Alto, Tenor, and Baritone (with optional alternate Alto part in lieu of Soprano)
$16.99
15.6 €
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Quatuor de Saxophones: 4 saxophones
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Michael Buble
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Lori Archer Sutherland
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It Had Better Be Tonight
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Lori Archer Sutherland
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SheetMusicPlus
Nonpareil Rag for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1031973 Composed by Scott Joplin. Arranged by David P. Brown. Concert,Folk,Patriotic,Ragtime,Traditional. 14 pages. David P. Brown #3885521. Published by David P. Brown (A0.1031973). A fun Scott Joplin rag for sax quartet (alto, alto, tenor, bari) with something for everyone. Great for any occasion.
$6.00
5.51 €
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Quatuor de Saxophones: 4 saxophones
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Scott Joplin
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David P
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Great for any occasion.
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Nonpareil Rag for Saxophone Quartet
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David P. Brown
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
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