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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Line
Non classifié
608
Piano & claviers
Piano seul
874
Piano, Voix
224
Piano, Voix et Guitare
50
Instruments en Do
27
Orgue
18
1 Piano, 4 mains
8
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 8 mains
3
Orgue, Trompette (duo)
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Basse electrique
191
Ligne De Mélodie, (Paroles) et Accords
119
Guitare
81
Guitare notes et tablatures
71
Mandoline
23
2 Guitares (duo)
7
Piano, Guitare (duo)
3
Ukulele
3
Banjo
3
Dulcimer
2
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Paroles et Accords
1
Ukulele Baryton
1
4 Guitares (Quatuor)
1
+ 10 instrumentations
Retracter
Voix
Voix seule
499
Chorale SATB
233
Chorale TTBB
62
Chorale SSAA
61
Chorale 3 parties
38
Voix Soprano, Piano
7
Chorale Unison
6
Voix haute
6
Chorale 2 parties
5
Voix duo, Piano
5
Voix Tenor, Piano
3
Voix basse, Piano
2
Voix duo
2
Voix moyenne, Piano
1
Voix Soprano
1
Voix Alto, Piano
1
Chorale
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière
89
Saxophone
81
Clarinette
80
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Quatuor de Saxophones: 4 saxophones
54
Saxophone Tenor
51
Saxophone Alto
50
Quatuor de Clarinettes: 4 clarinettes
33
Flûte, Hautbois, Clarinette, Basson
24
Clarinette et Piano
21
Flûte traversière et Piano
21
2 Clarinettes (duo)
19
Quatuor de Flûtes : 4 flûtes
19
3 Saxophones (trio)
18
Hautbois
18
Saxophone Soprano
16
Ensemble de Flûtes
16
Quintette de Clarinettes: 5 clarinettes
16
2 Flûtes traversières (duo)
15
Ensemble de Clarinettes
15
2 Saxophones (duo)
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
11
3 Clarinettes (trio)
11
Hautbois, Piano (duo)
8
Ensemble de saxophones
8
Trio de Flûtes: 3 flûtes
8
Saxophone Soprano et Piano
7
Quintette de Saxophone: 5 saxophones
7
Flûte, Clarinette (duo)
7
Saxophone Baryton, Piano
6
Clarinette, Guitare (duo)
4
Hautbois, Basson (duo)
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette et Basson
3
3 Hautbois
3
Flûte, Hautbois, Clarinette (trio)
3
5 Flûtes à bec
3
Saxophone (partie séparée)
3
Hautbois (partie séparée)
2
Flûte, Saxophone (duo)
2
Harmonica
2
Flûte traversière, Orgue (duo)
2
2 Hautbois (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violon, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à Bec
2
Flûte, Violoncelle
2
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Flûte, Basson et Piano
1
2 Clarinettes, Basson
1
Piccolo
1
Clarinette et Alto
1
Flûte, Violon
1
Flûte et Guitare
1
Cor anglais, Piano
1
Quatuor de Flûtes à bec
1
Ensemble à vent
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone, Tuba (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Flûte, Alto (duo)
1
+ 64 instrumentations
Retracter
Cuivres
Trompette
70
Trombone
63
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Cor
20
Trompette, Piano
13
Trombone et Piano
12
Quatuor de cuivres: 4 trombones
11
Euphonium
10
Cor et Piano
9
Ensemble de Trombones
8
2 Trompettes (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba
6
Quatuor de cuivres: 4 cors
5
Tuba et Piano
5
2 Cors (duo)
3
2 Trombones (duo)
3
2 Euphoniums et 2 Tubas
2
Trompette, Trombone (duo)
2
Euphonium, Tuba (duo)
2
Euphonium, Piano (duo)
2
Trombone basse
1
Ensemble de Cors
1
3 Trombones (trio)
1
Cor anglais, Piano
1
3 Euphoniums
1
Trombone basse et Piano
1
Trompette (partie séparée)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
218
Violon
87
Violon, Violoncelle (duo)
86
Violoncelle
47
Trio à Cordes: violon, alto, violoncelle
47
Violon et Piano
39
Alto seul
38
Trio à Cordes: 2 violons, violoncelle
37
Alto, Piano
33
Violoncelle, Piano
20
2 Violoncelles (duo)
19
Harpe
16
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Violons (duo)
9
4 Violoncelles
8
2 Harpes (duo)
5
Trio à Cordes: 2 violons, alto
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 altos
4
Contre Basse
4
2 Altos (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Harpe et mandoline
2
Contrebasse, Piano (duo)
2
Violon, Guitare (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Contrebasses (duo)
1
4 Contrebasses
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
2 Altos, Piano
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Batterie
84
Ensemble Jazz
82
Orchestre d'harmonie
72
Orchestre
64
Fanfare
60
Orchestre à Cordes
52
Ensemble de cuivres
49
Orchestre de chambre
31
Jazz combo
21
Cloches
15
Ensemble de Percussions
11
Marimba
6
Vibraphone
5
Vibraphone et Marimba
1
Orchestre, Violon
1
Voix et Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
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SheetMusicPlus
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Crtitères actifs :
The Line
avancé
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
54 partitions trouvées
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1
26
51
Four Brothers
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Jimmy Giuffre
#
Benjamin Karaca
#
Four Brothers
#
Benjamin Karaca
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946355 Compos...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946355 Composed by Jimmy Giuffre. Arranged by Benjamin Karaca. 20th Century,Contemporary,Instructional,Jazz,Standards. 17 pages. Benjamin Karaca #6409831. Published by Benjamin Karaca (A0.946355). Jimmy Giuffre composed Four Brothers for Woody Herman's Second Herd. This band was famous for its saxophone section, which featured the unusual lineup of three Tenor Saxophones and one Baritone Saxophone (TTTB). This saxophone quartet arrangement is often referred to as the Four Brothers†lineup. Four Brothers (the piece) is now a jazz standard and a showcase piece for any saxophone section.This version is a transcription (or leadsheet) of the main theme. The key matches the original. In addition to the original TTTB lineup, I've added as many additional parts as possible. This version can be played with any sensible combination of Soprano, Alto, Tenor, Baritone and even Bass Saxophones.The main theme of Four Brothers provides the quartet with a perfect opportunity to focus on various important aspects of ensemble playing, including phrasing, articulation, timing, volume (balance), and tone. Additionally, I've added an intonation exercise based on the chord progression of the [A] section.Saxophone Quartet in various lineups (SATB, AATB, TTTB etc.). Level 4/5.Part 1: Soprano Sax / Alto Sax / Tenor SaxPart 2: Alto Sax / Tenor Sax / Baritone SaxPart 3: Alto Sax / Tenor Sax / Baritone SaxPart 4: Tenor Sax / Baritone Sax / Bass SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
$19.95
Jump In The Line
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Harry Belafonte
#
Wayne Land
#
Jump In The Line
#
Kenneth Wayne Land
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1517404 By Harry Belafonte. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1517404 By Harry Belafonte. By Gabriel Oller, Harry Belafonte, Jeff Simmons, Ralph De Leon, Steve Primatic, and Steve Samuel. Arranged by Wayne Land. 20th Century,Pop. 26 pages. Kenneth Wayne Land #1091565. Published by Kenneth Wayne Land (A0.1517404). Rhythmically entrancing and just plain fun, you'll love this arrangement of the great Harry Belafonte recording as heard in the movie Beetlejeuce. Bass and Drumset parts are included.
$17.99
In the Bleak Midwinter - Saxophone Quartet by Hugh Levey
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Hugh Levey
#
Hugh Levey
#
In the Bleak Midwinter - Saxop
#
woodwindly.com
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1313145 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Chri...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1313145 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901978. Published by woodwindly.com (A0.1313145). Saxophone Quartet (SATB or AATB)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This sax quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with soprano saxophone playing the melodic line. In verse 2, the tenor sax presents the tune in a lower register while the baritone plays a Baroque style ‘walking bass’. The sopranoe and alto weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
He-man And The Masters Of The Universe
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Erika Lane, Haim Saban, and Sh
#
James A
#
He-man And The Masters Of The
#
James A. C. Glass
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946260 Composed by Erika Lan...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946260 Composed by Erika Lane, Haim Saban, and Shuki Levy. Arranged by James A. C. Glass. Contemporary. 9 pages. James A. C. Glass #6292387. Published by James A. C. Glass (A0.946260). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 1:04.The soprano saxophone carries the melody in this classic cartoon theme. The repetitive rock 8th note groves of the baritone saxophone are broken up with melodic moving line to create variety. This complete arrangement is a treat to display by itself or when performed alongside the other movements in the full Action Figure Suite.
$16.99
Mission: Impossible Theme
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Adam Clayton And Larry Mullen
#
Roger Wallace
#
Mission: Impossible Theme
#
Roger Wallace
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1203624 By Adam Clayton And ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1203624 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. 43 pages. Roger Wallace #802199. Published by Roger Wallace (A0.1203624). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible ThemeChristmas Quartet with Multiple Part Options. Features all parts. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation. Includes optional Percussion parts (Bongo Drums and Claves).NOTE: Audio sample clip begins 3 measures before Letter B.A full length audio version can be heard in the YouTube video.The audio sample represents a Saxophone Quartet (Soprano, Alto, Tenor and Baritone) with Percussion (Bongo Drums and Claves) joining for the Mission: Impossible theme.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99
The Lady Is A Tramp
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Richard Rodgers
#
James Pybus
#
The Lady Is A Tramp
#
James Pybus
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764678 Composed by Richard Ro...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764678 Composed by Richard Rodgers. Arranged by James Pybus. Broadway. 18 pages. James Pybus #3582897. Published by James Pybus (A0.764678). The Lady Is a Tramp from the 1937 Rodgers and Hart musical Babes in Arms was introduced by former child star Mitzi Green. This song is a spoof of New York high society and its strict etiquette (the first line of the verse is I get too hungry for dinner at eight...). It has become a popular standard. Many great artists have recorded this tune, including Frank Sinatra, Ella Fitzgerald, and more recently Tony Bennett with Lady Gaga in a duet version. This arrangement is for either SATB or AATB Saxophone Quartet. Improvised solos are in the alto and baritone parts. james.pybus@rogers.com
$18.00
Glasgow Love Theme
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Craig Armstrong
#
George Shrapnell
#
Glasgow Love Theme
#
ArrangeMe
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1035840 Composed by Craig Armstrong. Arranged by George Shrapnell. Contemporary. 8 pages. Arrang...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1035840 Composed by Craig Armstrong. Arranged by George Shrapnell. Contemporary. 8 pages. ArrangeMe #6689521. Published by ArrangeMe (A0.1035840). An arrangement of Craig Armstrong's well known and loved Glasgow Love Theme for saxophone quartet. This arrangement features soprano sax lead, with interweaving lines and flourishes from the tenor and alto saxes spelling out the harmony and the baritone with a slightly more static role, keeping the quartet rooted. A true and accurate arrangement of this well covered film theme for saxophone quartet that would be suitable for intermediate players/groups.
$12.99
Blowin' In The Wind
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Rock
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Stevie Wonder
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John Gibson
#
Blowin' In The Wind
#
JB Linear
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.581875 By Stevie Wonder. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.581875 By Stevie Wonder. By Bob Dylan. Arranged by John Gibson. Rock. 13 pages. JB Linear #2926483. Published by JB Linear (A0.581875). Bob Dylan, a 2016 Nobel prize for literature recipient, famously ignored it for a while. In that spirit, he is now and has been a major figure in the music world for decades. The song Blowin in the Wind was released in 1963 and if I may include something personal, his song had a positive impact on my world view as a young person at the time. For this setting for sax quartet (SATB), I chose to use an Afro Pop style. The bari sax part in particular is quite active! It is set for soprano, alto, tenor and baritone saxes with an alternate alto part in place of the soprano sax. - John Gibson, arranger.
$13.50
The Magnificent Seven
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Film/TV
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Elmer Bernstein
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John Gibson
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The Magnificent Seven
#
JB Linear
#
SheetMusicPlus
Composed by Elmer Bernstein. Arranged by John Gibson. Film/TV. 19 pages. JB Linear #241040. Published by JB Linear...
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Composed by Elmer Bernstein. Arranged by John Gibson. Film/TV. 19 pages. JB Linear #241040. Published by JB Linear
$15.25
Beauty And The Beast
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Film Walt Disney
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Enfant
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Celine Dion & Peabo Bryson
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J Swinhoe-Standen
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Beauty And The Beast
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Judith Swinhoe-Standen
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1308445 By Celine Dion & Pea...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1308445 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by J Swinhoe-Standen. Film/TV,Jazz. 8 pages. Judith Swinhoe-Standen #897685. Published by Judith Swinhoe-Standen (A0.1308445). A jazzy take on a Disney classic, this arrangement will keep you on your toes!
$13.99
The Nutcracker Suite- Dance of the Sugar Plum Fairy
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Peter Ilyich Tchaikovsky
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Miguel Silguero
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The Nutcracker Suite- Dance of
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Miguel Silguero
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1139676 Composed by Peter Il...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1139676 Composed by Peter Ilyich Tchaikovsky. Arranged by Miguel Silguero. Christmas. 10 pages. Miguel Silguero #739947. Published by Miguel Silguero (A0.1139676). A lovely version of the well known Christmas song from The Nutcracker Suite, Dance of the Sugar Plum Fairy. With lots of dissonant lines and hypnotic phrases, this is sure to be a crowd favorite and a tune recognized by many.
$14.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
An Irish Party In Third Class
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Gaelic Storm
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James Pybus
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An Irish Party In Third Class
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764686 By Gaelic Storm. By P...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764686 By Gaelic Storm. By Patrick Murphy, Samantha Hunt, Shep Lonsdale, Stephen Twigger, and Stephen Wehmeyer. Arranged by James Pybus. Celtic,Film/TV,Irish,Traditional. 16 pages. James Pybus #4319323. Published by James Pybus (A0.764686). An Irish Party in Third Class is music from the soundtrack of the 1997 Academy Award-winning motion picture Titanic. In the film it is performed by the Celtic band Gaelic Storm, in a lively scene featuring the characters Jack and Rose dancing to the traditional Irish tunes known as Blarney Pilgrim and Jack Ryan’s Polka. Rose has just endured a rather tedious and stuffy formal dinner dance with her fiancée and his aristocratic friends. Jack sees that she is bored and uncomfortable in this very pretentious social circle and decides to try to lighten her mood (and win her heart), taking her aside and asking her, So do want to go to a real party? Rose accepts Jack’s invitation and they are soon whirling about the dance floor with the other passengers in third class aboard the ill-fated ocean liner, carefree and unaware of the tragedy that awaits them. This arrangement is sure to be a crowd-pleaser, and is playable by either SATB or AATB Saxophone Quartet, both with optional Bass Saxophone doubling the Baritone. Performance time is 1:55. Contact me at james.pybus56@gmail.com.
$18.00
E lucevan le stelle from Tosca
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Giacomo Puccini
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James Pybus
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E lucevan le stelle from Tosca
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764692 Composed by Giacomo P...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764692 Composed by Giacomo Puccini (1858-1924). Arranged by James Pybus. Contest,Festival,Opera,Romantic Period. 9 pages. James Pybus #4355739. Published by James Pybus (A0.764692). E lucevan le stelle (When the stars were brightly shining) is the romanza of Mario Cavaradossi, the tenor, a painter in love with Tosca, in the third act of Puccini's opera Tosca, composed in 1899 to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cavaradossi while he waits for his execution on the roof of Castel Sant’Angelo.  The aria is introduced by a somber clarinet solo. The incipit of the melody (heard in outline earlier in the act, as the sky lightens and the gaoler prepares for the execution) is repeated on the lines O dolci baci, o languide carezze (With sweetest kisses, tenderest caresses), and also restated in forte in the closing bars of the opera, as Tosca jumps from the ramparts. This arrangement for SATB Saxophone Quartet will allow your audience to enjoy one of the most well-known arias in all of Opera while at the same time giving your quartet a chance to demonstrate your versatility. Performance time is ca. 2:11. Please contact me at james.pybus56@gmail.com.
$16.50
Modern Impression of an Ancient Chant
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Classique
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Jason Sullivann
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Modern Impression of an Ancien
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Green Bicycle Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1122165 Composed by Jason Su...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1122165 Composed by Jason Sullivann. Baroque,Renaissance. 17 pages. Green Bicycle Music #723315. Published by Green Bicycle Music (A0.1122165). This music for Sax Quartet is written in a combination of Neo-Renaissance and Neo-Baroque styles. In an impression of the ancient techniques of Church music, the lines/voices are all equal. There is a duet for Soprano and Baritone in the middle of the piece, using counterpoint and imitation. The difficulty is appropriate for Advanced Intermediate players.
$10.00
Farewell to Nova Scotia
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James Pybus
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Farewell to Nova Scotia
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1490023 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1490023 Composed by Traditional. Arranged by James Pybus. Celtic,Chamber,Contest,Festival,Folk,Irish,Traditional. 16 pages. James Pybus #1066886. Published by James Pybus (A0.1490023). Farewell to Nova Scotia is a popular folk song from Nova Scotia, Canada. It was adapted from the Scottish lament The Soldier's Adieu by Robert Tannahill. It was written sometime before or during World War I and popularized in 1964 when Catherine McKinnon used it as the theme song for the Halifax-based CBC TV program, Singalong Jubilee. The song has been covered, notably, by Tommy Makem, Gordon Lightfoot, Stan Rogers, The Irish Rovers, and many others. This arrangement for SATB Saxophone Quartet features the top three voices in turn on the melody, while the baritone provides a lively bass line. It is suitable for many concert and performance situations. The duration is 2:55. Contact me at james.pybus56@gmail.com.
$21.00
Powerhouse
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Raymond Scott
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James Pybus
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audiences will love it
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Powerhouse
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764683 Composed by Raymond S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764683 Composed by Raymond Scott. Arranged by James Pybus. Contemporary,Film/TV,Jazz. 28 pages. James Pybus #4298277. Published by James Pybus (A0.764683). Powerhouse (1937) is an instrumental musical composition by Raymond Scott, perhaps best known today as the iconic assembly line music in animated cartoons released by Warner Bros. The first use of Powerhouse in a cartoon occurred in the 1943 Warner Bros., Looney Tunes short Porky Pig’s Feat, directed by Frank Tashlin. Also in 1943, it was used in the Private Snafu shorts Gripes, Spies, and Rumors. It was subsequently featured in over 40 other Warner Bros. cartoons. The most well-known assembly-line usage of Powerhouse B occurs in Bob Clampett’s Baby Bottleneck (1946), in which newborn babies (of various species) are processed on a conveyor belt in time to the melody. Powerhouse has been used In The Simpsons four times. Simpsons creator Matt Groening once ranked Powerhouse as #14 on a list of his 100 Favorite Things. This arrangement is for either SATB or AATB Saxophone Quartet with optional Bass Saxophone doubling the baritone. It is perfect for injecting a humourous element into a concert programme; audiences will love it. Many saxophone quartet enthusiasts will want this arrangement in their repertoire. Performance time is 2:45. Contact me at james.pybus56@gmail.com
$19.95
Fanfare and Variations (Sax Quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Paul Cravens
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Fanfare and Variations
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Paul Cravens Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.919995 Composed by Paul Cravens. Contemporary. 20 pages. Paul Cravens Music #6017837. Published ...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.919995 Composed by Paul Cravens. Contemporary. 20 pages. Paul Cravens Music #6017837. Published by Paul Cravens Music (A0.919995). Short, lively recital piece for sax quartet with triumphant fanfares bookending a lyrical middle section. Originally written for three trumpets, this arrangement retains the brassy flair while expanding the harmonies and making the lines more characteristic for saxophone.
$20.00
GOLD AND SILVER WALTZ – SAXOPHONE QUARTET
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Franz Lehar
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RUSSELL T
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GOLD AND SILVER WALTZ –
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EMK Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1178762 Composed by Franz Lehar (1870-1948). A...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1178762 Composed by Franz Lehar (1870-1948). Arranged by RUSSELL T. KING. 20th Century,Chamber,Contest,Festival. 31 pages. EMK Music #778726. Published by EMK Music (A0.1178762). Arranged for 2 Altos, Tenor and Baritone Saxophones with Alternative Parts 3 and 4 so it can be played by 4 Altos, there by making it very useful for teachers of like instruments. This piece is quite long (6.31) but it can be made shorter by omitting the repeats (4.54) or just using the main waltz themes without repeats (2.30) by starting one beat before letter A and finishing at the bar before letter G.Gold and Silver waltz was composed by Franz Lehar (1870-1948) for Princess Pauline von Metternich’s “Gold and Silver†Ball in January 1902. It has been made popular in recent times by André Rieu and his orchestra.
$14.00
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The Line