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ACCORDEON
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FLUTE A BEC
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FLUTE TRAVERSI…
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Piano seul
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Ensemble de saxophones
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41
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17
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16
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10
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9
Flûte traversière
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7
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6
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6
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2
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2
Clarinette et Alto
2
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1
Saxophone Soprano et Piano
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Saxophone Soprano
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Piccolo, Piano
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Flûte à bec Alto, Basse continue
1
Flute, harpe et violon
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Flûte, Hautbois, Basson
1
3 Hautbois
1
Hautbois, Clarinette (duo)
1
Flûte et Guitare
1
Flûte, Clarinette et Basson
1
Saxophone Tenor
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Ensemble de Trombones
23
Ensemble de Trompettes
16
Quatuor de Cuivres
16
Trombone
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette
14
Ensemble de Cors
5
Cor et Piano
5
Trombone et Piano
5
2 Trombones (duo)
4
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums et 2 Tubas
3
Cor
3
Trompette, Trombone (duo)
2
Trio de Cuivres
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Trompette (partie séparée)
2
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Cor anglais, Piano
2
2 Cors (duo)
1
Cor anglais, Guitare (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Tuba
1
Quatuor de cuivres: 4 cors
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Trompette, Cor (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
97
Violon et Piano
42
Violon
23
Violon, Violoncelle (duo)
16
Ensemble de Violons
13
Ensemble d'Altos
13
Violoncelle, Piano
12
2 Violons (duo)
10
Harpe
9
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle (partie séparée)
8
Alto seul
8
Alto, Piano
7
Trio à Cordes: 2 violons, violoncelle
7
Violoncelle
6
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Contrebasse, Piano (duo)
4
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Altos (duo)
2
Alto (partie séparée)
2
Violon, Guitare (duo)
2
Alto et Harpe
1
4 Violoncelles
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Violon, Tuba (duo)
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
Harpe, Voix
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
59
Orchestre à Cordes
56
Orchestre de chambre
48
Orchestre
37
Ensemble de cuivres
21
Ensemble Jazz
18
Jazz combo
11
Fanfare
3
Batterie
3
Ensemble de Percussions
2
Vibraphone
1
Orchestre, Violon
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Cloches
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AUTRES
Vous avez sélectionné:
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Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
14 partitions trouvées
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1
A Thousand Years
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.883562 By Christina Perri. By Christina Perri and David Hodges. Arranged by Garry Anderson. Pop. 8 pages. Garry Anderson #5021769. Published by Garry Anderson (A0.883562). A Thousand Years for Saxophone Quartet. Includes score and parts.
$30.00
27.52 €
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Quatuor de Saxophones: 4 saxophones
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Christina Perri
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Garry Anderson
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A Thousand Years
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Garry Anderson
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SheetMusicPlus
Still Crazy After All These Years
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1380742 By Simon And Garfunkel. By Paul Simon. Arranged by Carl Raven. Folk,Jazz,Pop. 22 pages. PopWind.co.uk #965528. Published by PopWind.co.uk (A0.1380742). Includes a transcription of Michael Brecker's EPIC solo as part of the arrangement!For SATB or AATBPlay along with the saxophone parts of your choice for FREE at www.popwind.co.ukOr look at our youtube channel https://www.youtube.com/@PopWind
$12.99
11.92 €
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Quatuor de Saxophones: 4 saxophones
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Simon And Garfunkel
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Carl Raven
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Still Crazy After All These Years
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PopWind.co.uk
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SheetMusicPlus
A Thousand Years
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.605964 By Christina Perri. By Christina Perri and David Hodges. Arranged by Matthew pyeon. Pop. 14 pages. Sungil (Matthew) Pyeon #214592. Published by sungil (Matthew) Pyeon (A0.605964).
$12.99
11.92 €
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Quatuor de Saxophones: 4 saxophones
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Christina Perri
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Matthew pyeon
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A Thousand Years
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sungil
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SheetMusicPlus
Bach: Partita No. 4 BWV 828 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1433420 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 107 pages. Jmsgu3 #1013671. Published by jmsgu3 (A0.1433420). BACH: Partita No. 4 BWV 828 Contents: Overture, Allemande, Courante, Aria, Sarabande, Menuet, Gigue. Bach's Partita No. 4 in D major, BWV 828, is an essential work for several reasons: It is part of Bach's Clavier-Übung I, a collection of keyboard suites that he published in the last 25 years of his life as a musical testament to convey his vision of music-making and composing. Unlike his earlier English and French suites, the partitas in this collection are more severe, focusing on polyphonic structures that actively involve both the listener and performer. The partita consists of seven movements, all in the key of D major, structured around Renaissance dance forms such as the allemande, courante, sarabande, minuet, and gigue. This instrumentation captures both the original medium for these dance sets as well as the Baroque style of Bach. Bach was well aware of his abilities as a composer, and he deliberately published these works to ensure they would not be lost to future generations. The partitas represent Bach's mature approach to keyboard composition, where he was less interested in dance rhythms and more focused on creating complex polyphonic structures. Overall, Partita No. 4 is considered an essential work in Bach's keyboard oeuvre, as it showcases his mastery of form and counterpoint while also reflecting his desire to create music that would endure.
$42.95
39.4 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: Partita No. 4 BWV 828 for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Jeopardy Theme
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1408420 Composed by Merv Griffin. Arranged by James Pybus. Chamber,Contemporary,Film/TV,Pop. 8 pages. James Pybus #990998. Published by James Pybus (A0.1408420). Jeopardy! is an American television game show created by Merv Griffin (July 6, 1925 – August 12, 2007). Currently in its 40th season, Jeopardy! is one of the longest-running game shows ever. The daily syndicated version premiered in 1984 with Canadian-born Alex Trebek as host and Johnny Gilbert as announcer, (who is still currently in the announcer role). Trebek hosted until his death, with his last episode airing on January 8, 2021, after over 36 years in the role. Several hosts were then auditioned, culminating with the current host Ken Jennings, himself a former contestant. Since the debut of Jeopardy! in 1964, several songs and arrangements have been used as the theme music, most of which were composed by Griffin. This arrangement of the main theme is for SATB Saxophone Quartet. The duration is 0:45. It can be played in a variety of performance situations. Contact me at james.pybus56@gmail.com.
$14.99
13.75 €
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Quatuor de Saxophones: 4 saxophones
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Merv Griffin
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James Pybus
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Jeopardy Theme
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James Pybus
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SheetMusicPlus
Premiere Arabesque
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1399865 Composed by Claude Debussy. Arranged by Robert Stevens. 20th Century,Chamber,Classical. 32 pages. SAXpress.com #983090. Published by SAXpress.com (A0.1399865). Premiere Arabesque (1890) Claude Debussy (1862-1918) SATB Sax Quartet Première Arabesque, by Claude Debussy, arranged for Saxophone Quartet SATB. The Premiere Arabesque is one of pair of piano arabesques Claude Debussy composed when he was still in his twenties, between the years 1888 and 1891. Although an early work, the arabesque contains hints of Debussy’s developing musical style. It is one of his early impressionistic pieces. Debussy seems to wander through modes and keys to create an evocative scene through music.The First Arabesque was originally in the key of E major but this arrangement for saxophone quartet has been lowered a semitone the key of E flat. Common time throughout, mostly and rhythmically straightforward but the tempo rises and falls frequently. Sometimes quite chromatic as it wanders through adjacent or remote keys. Parts are very independent. with a good deal of passing the famous arpeggiated melody between the soprano, alto, and tenor voices. A piece for a more experienced quartet. This arrangement includes a full score and soprano, alto, tenor, and baritone sax parts.
$16.95
15.55 €
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Quatuor de Saxophones: 4 saxophones
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Claude Debussy
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Robert Stevens
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Premiere Arabesque
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SAXpress.com
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SheetMusicPlus
Cheek To Cheek
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1273379 By…
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1273379 By Fred Astaire. By Irving Berlin. Arranged by Kenneth Abeling. Broadway,Jazz,Musical/Show. 17 pages. LINCOLN MUSIC PUBLICATIONS #865531. Published by LINCOLN MUSIC PUBLICATIONS (A0.1273379). Cheek to Cheek by Irving Berlin arranged for Saxophone Quartet (SATB or AATB). This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$14.99
13.75 €
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Quatuor de Saxophones: 4 saxophones
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Fred Astaire
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Kenneth Abeling
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Ginger Rodgers
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Cheek To Cheek
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Get Back
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 4 - Digital Download SKU:…
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 4 - Digital Download SKU: A0.586536 By The Beatles. By John Lennon and Paul McCartney. Arranged by Austin Ralphson. Pop. 19 pages. Austin Ralphson #195833. Published by Austin Ralphson (A0.586536). Here is a classic Beatles song, developed during the final years of The Beatles in collaboration with keyboard master Billy Preston. It is arranged carefully here for sax quartet (SATBari), with a few solos which are as written by The Beatles or improvised (chords provided). This piece is sure to go down well in any performance due to the everlasting love of The Beatles.
$14.99
13.75 €
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Quatuor de Saxophones: 4 saxophones
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The Beatles
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Austin Ralphson
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Get Back
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Austin Ralphson
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Calor (Frevo) by Dino Barioni
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1015150 Composed by Dino Barioni. Contemporary,Jazz,Latin,World. 26 pages. Published by Dino Barioni #5726083. Published by Published by Dino Barioni (A0.1015150). Calor is a frevo-style song from Brazil that I made when I was about 22 years old. this arrangement is for the formation of 4 saxophones: soprano, alto, tenor and baritone. it's fast moving. it requires precision of the instrumentalists, to create a certain rhythmic effect in some parts of the music.
$3.00
2.75 €
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Quatuor de Saxophones: 4 saxophones
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Dino Barioni
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Calor
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Dino Barioni #5726083.
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SheetMusicPlus
This Masquerade
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.515012 By George Benson. Arranged by Kenneth Abeling. Contemporary. 27 pages. LINCOLN MUSIC PUBLICATIONS #4362441. Published by LINCOLN MUSIC PUBLICATIONS (A0.515012). This Masquerade Words & Music by Leon Russell and arranged for Saxophone Quintet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com
$15.99
14.67 €
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Quatuor de Saxophones: 4 saxophones
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George Benson
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Kenneth Abeling
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This Masquerade
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
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