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ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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DIDGERIDOO
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
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12070
PIANO & CLAVIERS
Piano seul
10849
Piano, Voix
1542
Piano, Voix et Guitare
904
Orgue
757
Instruments en Do
471
1 Piano, 4 mains
310
Piano Trio: piano, violon, violoncelle
193
2 Pianos, 4 mains
166
Accompagnement Piano
105
Piano Facile
82
Piano Quatuor: piano, violon, alto, violoncelle
72
Accordéon
60
Orgue, Piano (duo)
59
Orgue, Trompette (duo)
56
Piano Quintette: piano, 2 violons, alto, violoncelle
45
Clavecin
32
2 Pianos, 8 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
10
2 Accordéons
6
1 Piano, 6 mains
5
Orgue et Orchestre
3
Ensemble d'Accordéons
2
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1
Accordéon, Corde(s)
1
2 Orgues (duo)
1
Clavier
1
Orgue, Voix
1
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GUITARES
Guitare
1386
Guitare notes et tablatures
769
Basse electrique
327
2 Guitares (duo)
171
Piano, Guitare (duo)
121
Ukulele
109
Ligne De Mélodie, (Paroles) et Accords
67
4 Guitares (Quatuor)
65
Dulcimer
52
3 Guitares (trio)
27
Mandoline
25
Ensemble de guitares
16
Banjo
11
Paroles et Accords
6
2 Ukuleles
6
Guitare, Violon, Violoncelle (trio)
5
2 Dulcimers (duo)
5
Guitare, Orchestre
3
Mandoline, Guitare (duo)
2
Luth
1
Ukulele Baryton
1
Mandoline, Piano (duo)
1
Guitare (partie séparée)
1
Ensemble de Ukulélés
1
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VOIX
Chorale SATB
3847
Voix seule
2414
Chorale TTBB
860
Chorale 3 parties
551
Chorale SSAA
540
Voix Soprano, Piano
176
Chorale
138
Chorale Unison
122
Chorale 2 parties
98
Voix duo
88
Voix duo, Piano
83
Voix haute
41
Voix Tenor, Piano
34
Voix basse, Piano
28
Voix Mezzo-Soprano, Piano
25
Voix moyenne, Piano
24
Voix Baryton, Piano
20
Voix Tenor
18
Voix Alto, Piano
14
Voix Soprano
12
Voix basse
9
Voix, Guitare
9
Chorale SSAATTBB
4
Chorale SSATB
3
Voix duo, Orgue
3
Chorale, Orgue
2
Chorale SSATTB
2
Voix Baryton
1
Chorale SATBB
1
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
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VENTS
Quatuor de Saxophones: 4 saxophones
1177
Flûte traversière
1140
Clarinette
1126
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1075
Flûte traversière et Piano
888
Quatuor de Clarinettes: 4 clarinettes
831
2 Saxophones (duo)
725
Saxophone (partie séparée)
712
Saxophone Alto
683
Flûte, Hautbois, Clarinette, Basson
623
Saxophone
555
Saxophone Alto et Piano
555
2 Clarinettes (duo)
550
Clarinette et Piano
535
3 Saxophones (trio)
514
Hautbois, Piano (duo)
510
Saxophone Tenor et Piano
397
2 Flûtes traversières (duo)
392
Ensemble de Clarinettes
375
Quatuor de Flûtes : 4 flûtes
350
Quintette de Saxophone: 5 saxophones
332
3 Clarinettes (trio)
326
Ensemble de saxophones
295
Hautbois (partie séparée)
276
Ensemble de Flûtes
217
Saxophone Soprano et Piano
209
Quintette de Clarinettes: 5 clarinettes
181
Trio de Flûtes: 3 flûtes
177
Saxophone Tenor
170
Flûte, Clarinette (duo)
163
Flûte et Guitare
133
2 Hautbois (duo)
130
Hautbois, Basson (duo)
121
Flûte à Bec
101
Hautbois
93
Saxophone, Clarinette (duo)
89
Flûte, Hautbois, Basson
89
Saxophone Baryton, Piano
86
Flûte, Hautbois, Clarinette (trio)
84
Flûte, Clarinette et Basson
83
Hautbois, Flûte
72
Clarinette, Guitare (duo)
70
Saxophone Soprano
64
Flûte, Clarinette, Piano (trio)
64
3 Hautbois
62
Clarinette, Basson (duo)
51
Clarinette, Violon (duo)
51
Flûte, Violon
48
2 Flûtes traversières, Piano
47
Quintette de Flûte : 5 flûtes
47
Clarinette Basse, Piano
47
Hautbois, Clarinette, Basson (trio d'anches)
44
Flûte, Violon et Violoncelle
41
Hautbois, Clarinette (duo)
41
Cor anglais, Piano
39
Clarinette, Trompette (duo)
37
Flûte, Alto (duo)
34
Cornemuse
34
Quatuor de Flûtes à bec
29
Clarinette et Alto
28
Flûte, Violoncelle
28
Flûte, Saxophone (duo)
26
Flûte, Violoncelle, Piano (trio)
25
2 Flûte à bec (duo)
24
Flûte, Trompette (duo)
19
Flûte, Hautbois (duo)
18
Flûte, Violon, Violoncelle et Piano
16
4 Hautbois
16
Clarinette, Violoncelle (duo)
16
Flûte, Basson et Piano
15
Clarinette (partie séparée)
15
5 Flûtes à bec
15
Ensemble De Flûte à bec
15
Flûte, Violon, Piano
14
Hautbois, Guitare (duo)
14
Cor Anglais
13
Flûte traversière, Orgue (duo)
13
2 Clarinettes, Piano
13
Flute, harpe et violon
11
Flûte à bec Soprano
11
2 Saxophones, Piano
11
Saxophone et Orgue
11
2 Cors Anglais Et Pianoforte
8
Piccolo
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
2 Clarinettes, Basson
7
Cor anglais, Guitare (duo)
7
Flûte, Clarinette, Cor, Basson (Quartet)
7
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Clarinette, Harpe (duo)
6
Saxophone Baryton
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Clarinette, Violoncelle, Piano (trio)
6
Flûte, Alto et Piano
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Saxophone et Guitare
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Clarinette, Tuba
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Flûte, Hautbois, Violon
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Piccolo, Piano
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Flûte, Trombone (duo)
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Flûte, alto et harpe
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Flûte à bec Alto
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3 Flûtes à bec (trio)
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Ensemble à vent
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Harmonica
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Saxophone et Harpe
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Flûte, Violon, Guitare
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Flûte à bec Soprano, Piano
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Flûte, Violoncelle, Guitare
3
Clarinette, Trombone (duo)
3
Flûte, Alto et Violoncelle
3
Flûte, Hautbois, Piano (trio)
3
Flûte et Trio à cordes
3
Flûte, Harpe et Violoncelle
3
Hautbois, Harpe
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Saxophone et Piano
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Flûte à bec, Guitare (duo)
2
Clarinette, Basson, Piano (trio)
2
Clarinette, Alto et Piano (trio)
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Flûte à bec Tenor
2
Flûte à bec Alto, Piano
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Hautbois, Violoncelle
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Flûte irlandaise
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Flûte et Quatuor à Cordes
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Hautbois, violon (duo)
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Flute (partie séparée)
1
Saxophone, Tuba (duo)
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Hautbois, Violoncelle et Piano
1
2 Hautbois et Basson
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Clarinette Basse
1
Hautbois, Basson et Piano
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Orchestre
1
Hautbois, Orgue
1
Hautbois, Violon, Piano
1
Harmonica, Piano
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3 Flûtes à bec, Piano
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Clarinette, Orgue
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Flûte, Clarinette, Violon (trio)
1
Flûte, trombone et piano
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Clarinette, Orchestre
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Trompette
960
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750
Quatuor de Cuivres : 2 trompettes, trombone, tuba
634
Trombone et Piano
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412
Cor
308
Quatuor de cuivres: 4 trombones
300
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258
Cor et Piano
236
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181
Quatuor de cuivres: 4 cors
166
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2 Cors (duo)
135
Trompette (partie séparée)
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Quatuor de Cuivres
133
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128
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126
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100
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86
Ensemble de Cors
74
2 Euphoniums et 2 Tubas
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Tuba
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51
Trompette, Saxophone (duo)
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Euphonium
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3 Trombones (trio)
42
Cor anglais, Piano
39
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39
4 Tubas
37
Euphonium, Tuba (duo)
29
Quatuor de cuivres: 4 trompettes
23
Trio de Cuivres
22
2 Tubas (duo)
21
3 Trompettes (trio)
21
2 Euphoniums (duo)
19
Trompette, Tuba (duo)
17
Cor (partie séparée)
16
3 Cors (trio)
15
Clarinette, Cor (duo)
14
Cor Anglais
13
Trombone, Tuba (duo)
11
Trombone basse
10
2 Cors Anglais Et Pianoforte
8
2 Trompettes, Clavier (piano ou orgue)
8
Trombone, Cor (duo)
7
Cor anglais, Guitare (duo)
7
Trombone basse et Piano
6
3 Euphoniums
6
Trompette, Orchestre
5
Cor et Basson (duo)
5
Cor et Orgue
5
Trompette, Violoncelle et Piano
4
Cor et Harpe
4
Trombone, Orgue
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trombone, Violon (duo)
3
Tuba et Orgue
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Violoncelle (duo)
3
Cor, Orchestre
3
Trompette, violon (duo)
2
Bass Clef Instruments
2
Cor, Tuba (duo)
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Trompette, Harpe
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Trombone et orchestre
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Cor, Violoncelle (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Cornet et orchestre
1
Cor, Trompette, Trombone (trio)
1
3 Tubas (trio)
1
2 Cors, Piano
1
Trompette, Trombone, Piano
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Cor, Violoncelle et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3276
Violon et Piano
1260
Violon
1193
Violoncelle, Piano
735
Violon, Violoncelle (duo)
694
Alto, Piano
587
Violoncelle (partie séparée)
546
Trio à Cordes: violon, alto, violoncelle
522
Harpe
498
Alto seul
445
Violoncelle
400
2 Violons (duo)
336
2 Violoncelles (duo)
326
Violon, Alto (duo)
251
2 Altos (duo)
204
Trio à Cordes: 2 violons, violoncelle
200
Alto (partie séparée)
165
4 Violoncelles
150
Alto, Violoncelle (duo)
144
Quintette à cordes: 2 violons, alto, violoncelle, basse
131
Violon, Guitare (duo)
105
Trio à Cordes: 3 violoncelles
98
Violoncelle , Guitare (duo)
86
Contre Basse
79
Contrebasse, Piano (duo)
65
2 Harpes (duo)
56
Quatuor à cordes: 4 violons
41
Alto, Guitare (duo)
40
Harpe, Flûte (duo)
38
Trio à Cordes: 2 violons, alto
38
Trio à cordes: 3 violins
36
Harpe, Violon (duo)
33
Trio à cordes: 3 altos
33
Trio à cordes
29
Violoncelle, Contrebasse (duo)
28
Quatuor à cordes : 4 altos
27
2 Contrebasses (duo)
26
Piano Trio: Violon, Alto, Piano
25
Harpe, Violoncelle (duo)
19
Ensemble de Violoncelles
17
2 Violons, Piano
15
Ensemble de Violons
14
Alto et Harpe
14
Violon (partie séparée)
14
Ensemble d'Altos
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Violoncelle, Orchestre
10
4 Contrebasses
10
Violon, Orgue
9
Violoncelle, Orgue
9
Harpe, Voix
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Violon, Clarinette, Piano (trio)
6
3 Contrebasses
6
Harpe, Violon, Violoncelle
5
2 Violoncelles, Piano
5
Harpe et Piano
5
Alto et orchestre
3
Harpe, Orchestre
2
Alto et Basson
2
Harpe et mandoline
2
Violon, Tuba (duo)
1
Alto, Orgue
1
Flûte, Contrebasse (duo)
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
Harpe, Quatuor à cordes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1792
Orchestre
1741
Orchestre à Cordes
1218
Ensemble Jazz
1125
Ensemble de cuivres
1019
Orchestre de chambre
701
Batterie
516
Jazz combo
314
Cloches
240
Fanfare
200
Ensemble de Percussions
135
Marimba
73
Vibraphone
45
Quintette à Vent
11
Quatuor à Vent : 4 instruments à vents
10
Percussion (partie séparée)
10
Percussion
9
Piano et Orchestre
7
Xylophone, Piano
6
Orchestre, Violon
6
Vibraphone et Marimba
6
2 Xylophones
4
Caisse Claire
3
2 Marimbas
3
Xylophone
3
Voix et Orchestre
2
Batterie (partie séparée)
2
Big band
1
Trio à Vent: 3 instruments à vents
1
Instrumentation Flexible
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
12
Théorie de la musique
1
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Quatuor de Saxophones: 4 saxophones
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1176
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Elements for Saxophone Quartet and Orchestra
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Composed by Sy Brandon. 20th Century,Contemporary. 229 pages. Sy Brandon #3422315. Published by Sy Brandon (A0.755221). Elements and is designed to musically portray the essential nature of the Classical Greek elements, fire, water, air and earth and their astrological implications. The first movement is Fire whose essential nature is strong and controlling. The music contains a lot of forceful sections, primarily in a homophonic style. The water element’s chief characteristic is sensitivity, therefore it is in a slow tempo and is lyrical and harmonically rich. The chief characteristic of the air element it is changeable, therefore this movement is filled with contrasts of texture, dynamics, articulation, meter, tonality, and orchestration. This last movement represents the Earth element whose main characteristic is stability. To represent stability musically, a lot of ostinatos were used. This work was commissioned by the h2 quartet in order to perform with a high school orchestra. Several substitute parts are provided. The score prints on legal size paper and the parts on letter.
$39.99
36.82 €
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Quatuor de Saxophones: 4 saxophones
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Sy Brandon
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Elements for Saxophone Quartet and Orchestra
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Sy Brandon
#
SheetMusicPlus
Transformers Medley
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.946262 By Various Artists. By Johnny Douglas. Arranged by James A. C. Glass. Contemporary. 9 pages. James A. C. Glass #6292395. Published by James A. C. Glass (A0.946262). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 1:00.The melody rotates through the soprano, alto and tenor saxophone in a call-and-answer that closes up with unison at the end of each section. The song modulates in the center as it covers three varieties of the Transformer theme from the original cartoon. This complete arrangement is a treat to display by itself or when performed alongside the other movements in the full Action Figure Suite.
$16.99
15.64 €
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Quatuor de Saxophones: 4 saxophones
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Various Artists
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James A
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Transformers Medley
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James A. C. Glass
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SheetMusicPlus
Together Forever
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jimmy Fallon. By Matthew Aitken, Michael Stock, Pete Waterman, and Peter Alan Waterman. Arranged by Russell Ward. Contemporary. 16 pages. Russell Ward #6047155. Published by Russell Ward (A0.999560). This is the 4th and final Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.8 €
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Quatuor de Saxophones: 4 saxophones
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Jimmy Fallon
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Russell Ward
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Together Forever
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Russell Ward
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SheetMusicPlus
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.76 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: The Six French Suites Complete for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 261 pages. Jmsgu3 #989925. Published by jmsgu3 (A0.1407234). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$98.85
91.02 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: The Six French Suites Complete for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 43 pages. Jmsgu3 #989901. Published by jmsgu3 (A0.1407218). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.76 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 20 pages. Jmsgu3 #989498. Published by jmsgu3 (A0.1406743). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407094 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 42 pages. Jmsgu3 #989793. Published by jmsgu3 (A0.1407094). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.76 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #989877. Published by jmsgu3 (A0.1407178). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #987854. Published by jmsgu3 (A0.1404790). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1404877 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 44 pages. Jmsgu3 #987907. Published by jmsgu3 (A0.1404877). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.76 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405387 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 39 pages. Jmsgu3 #988441. Published by jmsgu3 (A0.1405387). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.76 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988142. Published by jmsgu3 (A0.1405104). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988834. Published by jmsgu3 (A0.1405778). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405907 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 34 pages. Jmsgu3 #988957. Published by jmsgu3 (A0.1405907). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.76 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
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Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
akSax (for Saxophone Quartet)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1003612 Composed by Adrian Borza. 20th Century,Concert,Contemporary,Standards. 46 pages. Adrian Borza #2945999. Published by Adrian Borza (A0.1003612). akSax integrates an additive rhythm called aksak, which is a particularity of the Balkans folklore. However, this specific feature is less common in Western musical practices. The work’s metric structure is based on sequences of two, three and four sixteenth notes. These units of unequal length, such as the 2/16, 3/16, and 4/16 meters, are irregularly alternated in order to build musical phrases. The modal pitch structure has its origin in some Geamparale tunes, wedding dances from the Danube Plain and Dobrogea region. The mixture of the symmetrical and asymmetrical meters, together with an extremely fast tempo (i.e. 436 beats per minute or even 500), helps to turn the performer into a masterly artist.Instrumentation: Soprano saxophone in B-flat, Alto saxophone in E-flat, Tenor saxophone in B-flat, Baritone saxophone in E-flatAvailable version: the first movement of akSax may also be performed as a solo piece for Alto saxophone, and it is accessible as a separate file.Format: Full score with introductory text. Individual parts for soprano, alto, tenor and baritone saxophones are also included. Individual parts do not come with covers. Level: This music is best suited for intermediate and advanced musicians.Audio preview: An extract from the first part for solo saxophone
$7.99
7.36 €
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Quatuor de Saxophones: 4 saxophones
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Adrian Borza
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akSax
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Adrian Borza
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SheetMusicPlus
Prelude and Fugue II (BWV 847) for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.805867 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Graduation,Standards,Wedding. 23 pages. G L Harvey #5197937. Published by G L Harvey (A0.805867). This piano classic in C minor, second in the series of J S Bach's 48 Preludes & Fugues, has been arranged for Saxophone Quartet (Soprano, Alto, Tenor and Baritone). With concerts, recitals and wedding performances in mind, this arrangement will be popular with players and audiences alike. The Prelude has an irrevocable sense of momentum, only sated with a short cadenza like flourish and a final bout of arpeggios. The Fugue allows all four voices to develop and flourish after the forced regimentation of the Prelude. The difficulty level for the Prelude is about ABRSM grade 5-6 (there is also a substitute Soprano part on Alto to avoid some low C-Bb combinations if required), and the Fugue is a little higher. The PDF is 23 pages in length (portrait A4) and includes a full score and parts. The combined duration of the Prelude & Fugue is about 3 minutes 20 seconds.
$14.99
13.8 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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G L Harvey
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Prelude and Fugue II
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G L Harvey
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SheetMusicPlus
March - Army of the Nile (for Saxophone Quartet SATB or AATB)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514917 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514917 Composed by Kenneth Alford. Arranged by Kenneth Abeling. 20th Century,Patriotic. 17 pages. LINCOLN MUSIC PUBLICATIONS #3915789. Published by LINCOLN MUSIC PUBLICATIONS (A0.514917). “Army of the Nile†by Kenneth Alford, transcription for Saxophone Quartet by Kenneth Abeling, is a British Style March. This is one of Alford’s most popular marches and is of an advanced intermediate to easier advanced level of difficulty. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com.
$10.99
10.12 €
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Quatuor de Saxophones: 4 saxophones
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Kenneth Alford
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Kenneth Abeling
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March - Army of the Nile
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Sax Quartet (3 Sopranos/1 Tenor)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891935 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891935 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. 63 pages. Stephen Davies #5310999. Published by Stephen Davies (A0.891935). The Austrian composer Johann Georg Albrechtsberger was an organist, teacher and theorist, indeed one of his many influential pupils was a certain Ludwig Van Beethoven. His own musical works were and still are a tour-de-force and widely recorded. In fact his Alto Trombone Concerto is very much a part of the repertoire for that instrument. He also wrote, what might be today regarded as quite strange, no less than 7 Concerti for the Jaws Harp and String Orchestra. (Youtube) In this Saxophone version the music is scored, unusually, for 3 equal Soprano Saxes AND Tenor Sax. The 5 pieces here are representitive of his masterly fugal output, tweaked here and there to suit this rare Saxophone Quartet format! Five Mighty Meaty Morsels, suitable for Vegans and Vegetarians alike!! (Although every care has been taken, some E#'s may remain!)
$19.99
18.41 €
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Quatuor de Saxophones: 4 saxophones
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Johann Georg Albrechtsberger
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Stephen Davies
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Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Sax Quartet
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Stephen Davies
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SheetMusicPlus
Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1434546 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 475 pages. Jmsgu3 #1014683. Published by jmsgu3 (A0.1434546). The Partitas, BWV 825-830, are a set of six keyboard suites composed by Johann Sebastian Bach and published in 1731 as his Opus 1, the first of his works to be published under his direction. They were among the last keyboard suites Bach composed, written between 1725 and 1731, after the English and French Suites. Each partita consists of a series of dances, typically opening with a prelude-like movement followed by an Allemande, Courante, Sarabande, and Gigue, with additional dances inserted. The tonalities of the six partitas form an ascending and descending pattern of intervals, starting and ending with keys related to Bach's name (B-flat and B). Bach supervised the publication, initially publishing them separately before compiling them into the 1731 Clavier-Übung collection. Many surviving printed copies contain handwritten annotations, some likely stemming from Bach himself, providing insights into the composer's final intentions. They are among Bach's greatest keyboard works, demonstrating mastery of counterpoint, expression, and the instrument's technical capabilities. The partitas range widely in character, from the poetic No. 1 in B-flat to the monumental tragic No. 6 in E minor. So, the Partitas represent the culmination of Bach's genius for keyboard composition and his final thoughts on the dance suite genre.YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRDEAJI68McqwUGB6XPMvGHl.
$128.85
118.65 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
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Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Mon coeur se recommande a vous - (My Heart Doth Beg You'll Not Forget)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.825033 Composed by Orlande De Lassus. Arranged by Gary Bricault. Renaissance. 7 pages. Gary Bricault #4297837. Published by Gary Bricault (A0.825033). Arrangement for Saxophone Quartet (SATB). Performance time 4'00.
$6.99
6.44 €
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Quatuor de Saxophones: 4 saxophones
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Orlande De Lassus
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Gary Bricault
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Mon coeur se recommande a vous -
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Gary Bricault
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SheetMusicPlus
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