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ACCORDEON
ALTO
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103
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8
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8
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7
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3
Orgue
3
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3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
+ 5 instrumentations
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18
Guitare
7
Piano, Guitare (duo)
1
Ukulele
1
Guitare notes et tablatures
1
Voix
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17
Chorale TTBB
4
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2
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2
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2
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1
Chorale SSAATTBB
1
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Vents
Saxophone
9
Quatuor de Saxophones: 4 saxophones
4
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4
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4
Saxophone Alto
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Clarinette
4
Saxophone Tenor et Piano
4
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3
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3
Clarinette et Piano
2
Hautbois (partie séparée)
2
Saxophone Tenor
2
Flute (partie séparée)
2
Flûte, Hautbois, Clarinette, Basson
2
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2
3 Clarinettes (trio)
2
Ensemble de Clarinettes
2
Clarinette, Violon (duo)
1
Piccolo
1
Cor Anglais
1
2 Clarinettes (duo)
1
Saxophone Baryton, Piano
1
Flûte et Guitare
1
Flûte, Violon
1
Clarinette, Violoncelle (duo)
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
Hautbois, Piano (duo)
1
+ 25 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trombone et Piano
10
Trombone
8
Trompette
8
Ensemble de Trombones
7
Cor
7
Trompette, Piano
4
Quatuor de cuivres: 4 trombones
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Tuba
4
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4
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3
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3
2 Cors (duo)
2
Trompette (partie séparée)
2
2 Trombones (duo)
2
3 Trombones (trio)
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone, Tuba (duo)
1
Cor Anglais
1
Trombone (partie séparée)
1
Trombone basse et Piano
1
Trombone basse
1
2 Tubas (duo)
1
Trombone et orchestre
1
Quatuor de cuivres: 4 cors
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon
6
Violon, Violoncelle (duo)
5
Violon et Piano
5
Harpe
4
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
Violoncelle, Piano
3
Alto, Piano
3
Contre Basse
2
Violon, Alto (duo)
2
Violoncelle
2
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto et Harpe
1
+ 12 instrumentations
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Orchestre & Percussions
Jazz combo
271
Orchestre
21
Ensemble Jazz
17
Orchestre à Cordes
7
Ensemble de cuivres
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4
Batterie
3
Orchestre de chambre
3
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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expert
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
4 partitions trouvées
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Time Of My Life I've Had The
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Contemporain
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Various Artists
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Verena Watkiss
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Time Of My Life I've Had The
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V Watkiss
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SheetMusicPlus
By Various Artists. By Donald Jay Markowitz, Franke Previte, and John Albert Denicola. Arranged by Verena Watkiss. Contemporary. 18 pages. V Watkiss #...
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By Various Artists. By Donald Jay Markowitz, Franke Previte, and John Albert Denicola. Arranged by Verena Watkiss. Contemporary. 18 pages. V Watkiss #6864913. Published by V Watkiss
$12.99
Modern Jazz Suite for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Sy Brandon
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Modern Jazz Suite for Saxophon
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Sy Brandon
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.1247110 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festival,Jazz. 75 page...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.1247110 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festival,Jazz. 75 pages. Sy Brandon #841675. Published by Sy Brandon (A0.1247110). Modern Jazz Suite for Saxophone Quartet is derived from the Alto Saxophone and Guitar version that was commissioned by Todd Oxford in 2013. It is in four movements that are influenced by modern jazz styles. I. Parkeriana is in the Be-bop style. II. Milesiana is in the Cool style. III. Schulleriana is in the Third-stream style that combines classical with jazz elements, and IV. Coreaiana is in a Jazz-Rock style.
$15.00
'Contrapunctus 19' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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'Contrapunctus 19' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 49 pages. Stephen Davies #3480611. Published by Stephen Davies (A0.891915). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close! This Saxophone version is particularly LOUD!!, so, go make some noise!!
$14.99
St. Paul's Suite Op. 29
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Gustav Holst
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James Pybus
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a muted Ostinato (Presto)
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St. Paul's Suite Op. 29
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James Pybus
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SheetMusicPlus
Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.764653 Composed by Gustav Holst (1874-1934). A...
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Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.764653 Composed by Gustav Holst (1874-1934). Arranged by James Pybus. 20th Century,Contemporary,Contest,Festival. 97 pages. James Pybus #36481. Published by James Pybus (A0.764653). In 1905 Gustav Holst became Director of Music at St. Paul’s Girls’ School in Hammersmith, London, a post which he retained right up until his death in 1934. St. Paul's Suite was written for the school’s string orchestra in 1912. The work is in four movements: a Jig, reminiscent of English fiddle tunes; a muted Ostinato (Presto); an Intermezzo which starts fairly slowly and softly, switching abruptly to a short Vivace section. The rhythmic tune here is based on an Arab song which Holst had noted in his sketchbook a few years earlier while on holiday in Algeria. After this brief interlude, the music returns to the slower opening tempo, and in the very last bars of the movement ‘the descending chromatic sixths are like a gesture of farewell to the good old days: never again did [Holst] indulge in such an unblushing display of nineteenth-century romanticism’--- these rather severe words are his daughter’s, quoted from her biography of her father. The Finale is framed around a familiar English folk tune (the Dargason), which, in the course of the movement, is used as a counter-melody to the even more familiar Greensleeves. Holst was evidently fond of this tune, as he also used it as the concluding movement of his well-known Suite No. 2 in F, Op. 28b for Military Band. Durations: 1. Jig 4:00; 2. Ostinato 1:28; 3. Intermezzo 3:41; 4. Finale (The Dargason) 4:00; Total time 13:09 I wrote this arrangement for SATB Saxophone Quartet in 2004, with revisions in 2015. It is a challenging yet ultimately rewarding piece for both audiences and players. contact me at james.pybus56@gmail.com.
$30.00
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