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Theme and Variations - Violin
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62
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Crtitères actifs :
Theme and Variations - Violin
expert
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
4 partitions trouvées
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LA MOLINARA - Theme and Variations for Saxophone Quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Kent S
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LA MOLINARA - Theme and Variat
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WINDCREST
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 5 - SKU: A0.945061 Composed by Ludwig van Beethoven. Arranged by Kent S. Burchill. Classic...
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 5 - SKU: A0.945061 Composed by Ludwig van Beethoven. Arranged by Kent S. Burchill. Classical,Contest,Festival,Holiday,Opera,Traditional. 19 pages. WINDCREST #6052559. Published by WINDCREST (A0.945061). This arrangement of LA MOLINARA includes a theme and five of six thematic variations from the opera by the same name and has been scored for Saxophone Quartet - Soprano, Alto, Tenor, and Baritone. One aspect which makes this arrangement unique is that each member of the saxophone quartet is featured in one of the variations with accompaniment by the remaining quartet members. The introduction, variation five, and the short coda feature all quartet members. Pitched in the key of F Major (concert) the performance duration is about 4 minutes and 40 seconds using the tempo markings indicated. Difficulty level is about 5.5.
$15.00
Variations on a Sentimental Song for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Chain Quartet: Riccardo Selva,
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Variations on a Sentimental So
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Julian Harvey
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1220084 By Chain Quartet: Ri...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1220084 By Chain Quartet: Riccardo Selva, David Pituch, Jan Berry-Baker, Masahito Sugihara. By Julian Harvey. 20th Century,Chamber,Classical,Contemporary. 33 pages. Julian Harvey #815953. Published by Julian Harvey (A0.1220084). This work is a theme and twelve variations for an advanced saxophone quartet. It would be useful and effective for a college level group. The piece begins with Variation 1 which is followed by the theme itself. Variation 6 is a literal repeat of Variation 1.
$15.00
Narvaez - Guardame las vacas (for Saxophone Quartet SATB)
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Luis de Narváez
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Kenneth Abeling
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Narvaez - Guardame las vacas
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.514782 Composed by Luis de Narváez. Arranged by Kenneth Abeling. Multicultural,Renaissance,Sa...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.514782 Composed by Luis de Narváez. Arranged by Kenneth Abeling. Multicultural,Renaissance,Sacred,World. 15 pages. LINCOLN MUSIC PUBLICATIONS #3570915. Published by LINCOLN MUSIC PUBLICATIONS (A0.514782). Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for Saxophone Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble! Playing Time 3:30. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$9.99
Divertimento for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Contemporain
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Sy Brandon
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Divertimento for Saxophone Qua
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Sy Brandon
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Publish...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
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Theme and Variations - Violin