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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Non classifié
5313
PIANO & CLAVIERS
Piano seul
5472
Piano Facile
1067
Piano, Voix
784
Orgue
760
Piano, Voix et Guitare
461
1 Piano, 4 mains
116
Accompagnement Piano
99
2 Pianos, 4 mains
99
Instruments en Do
85
Accordéon
73
Piano Trio: piano, violon, violoncelle
64
Orgue, Trompette (duo)
41
Clavecin
39
Orgue, Piano (duo)
19
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quatuor: piano, 2 violons, violoncelle
16
Piano grosses notes
15
1 Piano, 6 mains
7
2 Orgues (duo)
6
Clavier
6
Instrument seul et Orgue
4
2 Pianos, 8 mains
3
Piano (partie séparée)
3
Ligne De Mélodie, Piano
2
2 Accordéons
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Accordéon, Voix
1
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GUITARES
Guitare notes et tablatures
624
Guitare
614
Ligne De Mélodie, (Paroles) et Accords
173
2 Guitares (duo)
122
Ukulele
100
Basse electrique
60
Banjo
46
4 Guitares (Quatuor)
38
Paroles et Accords
37
3 Guitares (trio)
33
Mandoline
22
Piano, Guitare (duo)
17
Ensemble de guitares
16
Dulcimer
7
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
2
Ukulele Baryton
2
Partitions De Groupes
1
Mandoline, Piano (duo)
1
Guitare Pedal Steel
1
Orchestre à Plectres
1
Luth
1
Guitare (partie séparée)
1
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VOIX
Chorale SATB
531
Chorale 3 parties
260
Voix seule
197
Chorale TTBB
95
Chorale 2 parties
77
Chorale SSAA
60
Chorale
38
Chorale Unison
37
Voix Tenor, Piano
21
Voix Soprano, Piano
19
Voix duo, Piano
19
Voix duo
17
Voix haute
14
Voix Alto, Piano
11
Chorale SSATB
10
Voix moyenne, Piano
7
Voix basse, Piano
6
Chorale SSAB a cappella
5
Voix Tenor
4
Voix Mezzo-Soprano, Piano
4
Chorale, Orgue
3
Voix Moyenne
2
Voix Baryton, Piano
2
Voix haute, Piano
2
Chorale SSAATTBB
2
Chorale SATTBB, Clavier
1
Chorale SSATTB
1
Chorale SSAATB
1
Voix basse
1
Voix Soprano
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
478
Quatuor de Saxophones: 4 saxophones
435
Flûte traversière
371
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
325
2 Saxophones (duo)
319
Clarinette
315
Clarinette et Piano
291
2 Clarinettes (duo)
274
Quatuor de Clarinettes: 4 clarinettes
271
2 Flûtes traversières (duo)
255
Flûte, Hautbois, Clarinette, Basson
253
Saxophone Alto et Piano
236
Saxophone (partie séparée)
225
Hautbois, Piano (duo)
223
Flûte à Bec
216
Saxophone Tenor et Piano
180
Flûte et Guitare
179
Saxophone Alto
172
Quatuor de Flûtes : 4 flûtes
162
Quintette de Saxophone: 5 saxophones
158
3 Clarinettes (trio)
134
Quatuor de Flûtes à bec
134
Saxophone Soprano et Piano
126
3 Saxophones (trio)
107
Hautbois (partie séparée)
103
3 Flûtes à bec (trio)
93
Flûte, Clarinette (duo)
89
Quintette de Clarinettes: 5 clarinettes
82
Clarinette (partie séparée)
81
2 Flûte à bec (duo)
79
Saxophone
75
Trio de Flûtes: 3 flûtes
70
Saxophone Tenor
69
2 Hautbois (duo)
63
Hautbois, Basson (duo)
62
Ensemble de Clarinettes
60
Saxophone Baryton, Piano
58
Clarinette, Basson (duo)
58
Quintette de Flûte : 5 flûtes
57
Ensemble de Flûtes
53
Hautbois
46
Flute (partie séparée)
44
Cor anglais, Piano
44
Hautbois, Clarinette (duo)
43
5 Flûtes à bec
38
Hautbois, Clarinette, Basson (trio d'anches)
36
Flûte, Clarinette et Basson
35
Flûte, Violoncelle
34
Clarinette Basse, Piano
32
Clarinette, Violoncelle (duo)
31
Ensemble de saxophones
31
Flûte, Violon
26
Flûte à bec Soprano
26
Clarinette, Violon (duo)
26
Flûte, Hautbois, Clarinette (trio)
25
Flûte, Hautbois (duo)
23
Flûte à bec Alto
21
Ensemble De Flûte à bec
19
Flûte, Hautbois, Basson
17
Hautbois, Violoncelle
16
Flûte, Violoncelle, Piano (trio)
15
Clarinette, Guitare (duo)
13
Saxophone Soprano
13
Hautbois, violon (duo)
13
Instruments en Mib
12
2 Flûtes traversières, Piano
12
Flûte, Alto (duo)
12
Flûte, Clarinette, Piano (trio)
12
Harmonica
11
Flûte à bec Tenor
11
Clarinette, Harpe (duo)
11
Flûte à bec Alto, Piano
11
Hautbois, Flûte
10
Flûte, Trombone (duo)
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte, Basson et Piano
10
Cor Anglais
10
Flûte à bec Soprano, Piano
10
4 Hautbois
9
Flûte, Violon, Piano
9
Piccolo, Piano
9
Flûte, Violon et Violoncelle
8
Ensemble de Hautbois
8
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
2 Cors Anglais Et Pianoforte
8
2 Saxophones, Piano
7
Hautbois, Harpe
6
Flûte irlandaise
6
Saxophone, Clarinette (duo)
6
Saxophone, Basson (duo)
6
Flûte, Saxophone (duo)
5
Flûte, Hautbois, Piano (trio)
5
Flûte à bec, Guitare (duo)
5
Clarinette, Trombone (duo)
5
3 Hautbois
5
Flûte et Trio à cordes
5
Saxophone et Orgue
4
Flute, harpe et violon
4
Clarinette, Violoncelle, Piano (trio)
4
Ensemble à vent
4
Clarinette et Alto
4
Flûte à Bec, Piano
4
Ocarina
4
Flûte traversière, Basse continue
3
Flûte, Violon, Violoncelle et Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte traversière, Orgue (duo)
3
2 Clarinettes, Basson
3
Saxophone et violoncelle
3
Clarinette, Basson, Piano (trio)
3
2 Clarinettes, Piano
3
Clarinette Basse
3
Saxophone et Piano
3
Flûte et Quatuor à Cordes
3
Clarinette, Trompette (duo)
2
Hautbois, Violon, Piano
2
2 Flûtes à bec, Piano
2
Piccolo
2
Flûte, Hautbois, Violon
2
Saxophone, Violon (duo)
2
Hautbois et alto (duo)
2
Hautbois, Quatuor à cordes
2
Hautbois, trombone (duo)
2
Flûte, Violoncelle, Guitare
2
Saxophone et Guitare
2
Flûte, Trompette (duo)
1
2 Flûtes traversières, Harpe
1
Saxophone Baryton
1
Flûte, trombone et piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Alto et Piano
1
Flûte à bec Alto, Basse continue
1
Hautbois, Basson et Piano
1
Clarinette, Orgue
1
Flûte traversière, Orchestre
1
Flûte, Alto et Violoncelle
1
Flûte, Violon, Guitare
1
Saxophone et Harpe
1
Clarinette, Tuba
1
Clarinette, trompette et piano
1
Flûte à bec, Harpe
1
Clarinette, Alto et Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
397
Trompette
228
Trompette, Piano
206
Trombone
189
Trombone et Piano
156
Quatuor de Cuivres : 2 trompettes, trombone, tuba
146
Cor
125
Cor et Piano
114
2 Trompettes (duo)
106
Trompette (partie séparée)
90
Trombone (partie séparée)
81
Quatuor de cuivres: 4 trombones
80
2 Trombones (duo)
80
Trompette, Trombone (duo)
69
Quatuor de Cuivres
62
Tuba et Piano
62
Ensemble de Trombones
60
Tuba
56
Euphonium, Piano (duo)
52
2 Cors (duo)
51
2 Euphoniums et 2 Tubas
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
50
Quatuor de cuivres: 4 cors
49
Cor anglais, Piano
44
Ensemble de Trompettes
40
Cor (partie séparée)
37
4 Tubas
34
Trompette, Basson (duo)
24
2 Tubas (duo)
23
Tuba (partie séparée)
23
Trio de Cuivres
22
Euphonium
21
Trompette, Cor (duo)
21
Quatuor de cuivres: 4 trompettes
21
3 Trombones (trio)
18
Instruments en Sib
13
Euphonium, Tuba (duo)
12
3 Trompettes (trio)
11
2 Euphoniums (duo)
11
Cor Anglais
10
2 Trompettes, Clavier (piano ou orgue)
10
Trombone, Violon (duo)
10
Trompette, Violoncelle (duo)
10
Trompette, Saxophone (duo)
9
Bass Clef Instruments
9
Ensemble de Cors
9
Trombone, Cor (duo)
9
3 Tubas (trio)
8
Trompette, Tuba (duo)
8
2 Cors Anglais Et Pianoforte
8
3 Cors (trio)
7
Cornet A Pistons
6
Cor, Tuba (duo)
6
Trombone basse
5
Trombone, Tuba (duo)
5
Tuba et Orgue
5
Cor, Violoncelle (duo)
5
Ensemble de Tubas
4
Trombone basse et Piano
4
Cor et Basson (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
3
Trompette, Trombone, Piano
3
3 Euphoniums
2
Trombone, Orgue
2
Cor et Orgue
2
Trompette, violon (duo)
2
Cor et Harpe
2
Trompette, Harpe
2
Trombone, Alto (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Euphoniums
1
Trompette, Orchestre
1
Cor, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1062
Violon et Piano
573
Violon
549
Violoncelle, Piano
361
Violon, Violoncelle (duo)
318
Alto, Piano
313
Alto seul
300
Violoncelle (partie séparée)
240
Trio à Cordes: violon, alto, violoncelle
238
Violoncelle
237
2 Violons (duo)
212
Violon (partie séparée)
202
Violon, Alto (duo)
181
2 Violoncelles (duo)
180
Harpe
158
Alto, Violoncelle (duo)
97
2 Altos (duo)
92
Alto (partie séparée)
67
Trio à Cordes: 2 violons, violoncelle
67
Quintette à cordes: 2 violons, alto, violoncelle, basse
54
Contrebasse (partie séparée)
52
4 Violoncelles
52
Contrebasse, Piano (duo)
51
Contre Basse
46
Trio à Cordes: 3 violoncelles
37
Trio à cordes
37
Harpe, Flûte (duo)
35
Violon, Guitare (duo)
33
Quatuor à cordes: 4 violons
32
Trio à cordes: 3 violins
30
Violoncelle , Guitare (duo)
23
Violoncelle, Contrebasse (duo)
20
Piano Trio: Violon, Alto, Piano
18
Quatuor à cordes : 4 altos
18
2 Violons, Piano
17
Alto et Basson
16
Violoncelle et Marimba
15
2 Harpes (duo)
15
Harpe, Violon (duo)
15
Trio à cordes: 3 altos
14
2 Contrebasses (duo)
13
Violon, Basson (duo)
13
Violon, Orgue
12
Alto, Guitare (duo)
11
2 Violoncelles, Piano
11
Ensemble de Violoncelles
10
Trio à Cordes: 2 violons, alto
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
2 Altos, Piano
5
Ensemble d'Altos
4
Harpe et Piano
4
Harpe, Violon, Violoncelle
4
4 Contrebasses
4
Ensemble de Violons
4
Violoncelle, Orgue
4
Violoncelle, Orchestre
3
Harpe, Violoncelle (duo)
3
Harpe, Voix
2
3 Contrebasses
2
2 Violons et Basse continue
1
3 Harpes
1
Alto et Harpe
1
Harpe (partie séparée)
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
459
Orchestre d'harmonie
397
Orchestre
259
Ensemble de cuivres
151
Orchestre de chambre
145
Cloches
92
Ensemble Jazz
74
Batterie
37
Marimba
25
Percussion
21
Fanfare
20
Ensemble de Percussions
18
Percussion (partie séparée)
18
Timbales (partie séparée)
16
2 Marimbas
15
Quatuor à Vent : 4 instruments à vents
15
Jazz combo
15
Quintette à Vent
8
Vibraphone
8
Batterie (partie séparée)
6
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Vibraphone (partie séparée)
5
Xylophone, Piano
3
Vibraphone et Marimba
2
Xylophone
2
Orchestre, Violon
1
Big band
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
5
Vous avez sélectionné:
Bach
Quatuor de Saxophones: 4 saxophones
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Arioso Bach Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by J…
(+)
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Arioso Bach Alto Saxophone Quartet
#
SheetMusicPlus
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download …
(+)
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
#
SheetMusicPlus
Arioso Bach Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$7.99
7.35 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
#
SheetMusicPlus
Arioso Bach Soprano Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed b…
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Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.19 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Arioso Bach Soprano Saxophone Quartet
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> <br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Bach Jesu, joy of man's desiring for Saxophone Quartet
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digit…
(+)
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
#
SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.44 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.44 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
(+)
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.44 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.44 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Alto Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.77 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Sax Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.73 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: The Six French Suites Complete for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 261 pages. Jmsgu3 #989925. Published by jmsgu3 (A0.1407234). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$98.85
90.98 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: The Six French Suites Complete for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 43 pages. Jmsgu3 #989901. Published by jmsgu3 (A0.1407218). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.73 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 20 pages. Jmsgu3 #989498. Published by jmsgu3 (A0.1406743). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407094 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 42 pages. Jmsgu3 #989793. Published by jmsgu3 (A0.1407094). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.73 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #989877. Published by jmsgu3 (A0.1407178). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #987854. Published by jmsgu3 (A0.1404790). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1404877 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 44 pages. Jmsgu3 #987907. Published by jmsgu3 (A0.1404877). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.73 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405387 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 39 pages. Jmsgu3 #988441. Published by jmsgu3 (A0.1405387). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.73 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988142. Published by jmsgu3 (A0.1405104). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
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