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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E Bach
Sheetmusicplus
Non classifié
388
Piano & claviers
Piano seul
321
Piano, Voix
91
Orgue
74
Piano Facile
53
Piano, Voix et Guitare
18
Clavecin
12
Accompagnement Piano
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
8
Instruments en Do
8
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
1 Piano, 6 mains
1
Clavier
1
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare
59
Guitare notes et tablatures
43
2 Guitares (duo)
13
Ukulele
7
Mandoline
5
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
3
Banjo
3
4 Guitares (Quatuor)
2
Guitare, Violon, Violoncelle (trio)
1
2 Mandolines (duo)
1
Orchestre à Plectres
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
32
Chorale 3 parties
13
Chorale Unison
11
Chorale TTBB
9
Chorale SSAA
4
Voix Tenor, Piano
3
Chorale 2 parties
3
Voix Tenor
2
Voix moyenne, Piano
1
Voix haute
1
Voix, Guitare
1
Voix basse, Piano
1
Voix duo
1
Chorale, Orgue
1
+ 9 instrumentations
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Vents
Saxophone (partie séparée)
152
Hautbois (partie séparée)
102
Clarinette (partie séparée)
75
Flûte traversière et Piano
43
Clarinette et Piano
41
Flute (partie séparée)
33
Clarinette
30
Quatuor de Clarinettes: 4 clarinettes
27
2 Clarinettes (duo)
24
Saxophone Alto et Piano
22
Hautbois, Piano (duo)
22
Quatuor de Saxophones: 4 saxophones
21
2 Saxophones (duo)
21
Flûte traversière
20
2 Flûte à bec (duo)
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Ensemble de Clarinettes
16
Saxophone Tenor et Piano
15
2 Flûtes traversières (duo)
14
Saxophone Soprano et Piano
13
Flûte et Guitare
10
3 Clarinettes (trio)
10
Flûte, Hautbois, Clarinette, Basson
10
Quintette de Clarinettes: 5 clarinettes
9
3 Saxophones (trio)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Quintette de Saxophone: 5 saxophones
7
Hautbois, Basson (duo)
5
Saxophone Baryton, Piano
5
2 Hautbois (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Ensemble à vent
4
Saxophone Alto
4
Flûte, Clarinette et Basson
4
Clarinette, Basson (duo)
3
Harmonica
3
Saxophone Tenor
3
Flûte, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Flûte, Violon, Piano
3
Quatuor de Flûtes : 4 flûtes
3
3 Flûtes à bec (trio)
3
Ensemble de Flûtes
2
Flûte à bec Alto
2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Basson
2
Quintette de Flûte : 5 flûtes
2
Cor anglais, Piano
2
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Saxophone et Orgue
1
Clarinette, Violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon
1
Flûte, Violoncelle
1
Saxophone
1
Clarinette Basse, Piano
1
Trio de Flûtes: 3 flûtes
1
Hautbois
1
Flûte traversière, Basse continue
1
Flûte à bec Soprano
1
Flûte à bec Alto, Piano
1
+ 60 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
80
Trombone (partie séparée)
79
Cor (partie séparée)
39
Tuba (partie séparée)
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
11
Trompette, Piano
10
Trombone
10
Trombone et Piano
10
Cor
9
Euphonium, Piano (duo)
8
2 Trompettes (duo)
6
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Euphonium
5
Cor et Piano
5
Ensemble de Trompettes
5
Trompette, Trombone (duo)
4
2 Trombones (duo)
4
2 Cors (duo)
4
2 Tubas (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
Tuba et Piano
1
3 Trompettes (trio)
1
Cornet A Pistons
1
Quatuor de Cuivres
1
Trompette, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Ensemble de Cors
1
+ 33 instrumentations
Retracter
Cordes
Violon (partie séparée)
191
Quatuor à cordes: 2 violons, alto, violoncelle
91
Alto (partie séparée)
60
Violoncelle (partie séparée)
55
Violon et Piano
51
Contrebasse (partie séparée)
50
Alto, Piano
35
Violon, Violoncelle (duo)
29
Violoncelle, Piano
24
Violon
24
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle
19
Violon, Alto (duo)
14
2 Violons (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
12
Alto seul
10
Harpe
10
2 Altos (duo)
7
Alto, Violoncelle (duo)
5
Contre Basse
4
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
2 Contrebasses (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
41
Orchestre à Cordes
34
Orchestre de chambre
33
Percussion (partie séparée)
17
Timbales (partie séparée)
16
Ensemble de cuivres
8
Orchestre
8
Ensemble Jazz
5
Vibraphone (partie séparée)
5
Batterie (partie séparée)
5
Cloches
3
Ensemble de Percussions
3
Fanfare
2
Vibraphone
1
+ 9 instrumentations
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Partitions à imprimer
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1
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
Bach to Bach
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Sebastian Bach / C
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Robert Stanton
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Bach to Bach
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Cimarron Music Press
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SheetMusicPlus
By Johann Sebastian Bach / C.P.E. Bach. Arranged by Robert Stanton. For Saxophone Quartet (SATB). Quartet music. Score and parts. Published by Cimarron Music Pr...
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By Johann Sebastian Bach / C.P.E. Bach. Arranged by Robert Stanton. For Saxophone Quartet (SATB). Quartet music. Score and parts. Published by Cimarron Music Press
$18.00
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Six Partitas Complete BW
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434546 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434546 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 475 pages. Jmsgu3 #1014683. Published by jmsgu3 (A0.1434546). The Partitas, BWV 825-830, are a set of six keyboard suites composed by Johann Sebastian Bach and published in 1731 as his Opus 1, the first of his works to be published under his direction. They were among the last keyboard suites Bach composed, written between 1725 and 1731, after the English and French Suites. Each partita consists of a series of dances, typically opening with a prelude-like movement followed by an Allemande, Courante, Sarabande, and Gigue, with additional dances inserted. The tonalities of the six partitas form an ascending and descending pattern of intervals, starting and ending with keys related to Bach's name (B-flat and B). Bach supervised the publication, initially publishing them separately before compiling them into the 1731 Clavier-Übung collection. Many surviving printed copies contain handwritten annotations, some likely stemming from Bach himself, providing insights into the composer's final intentions. They are among Bach's greatest keyboard works, demonstrating mastery of counterpoint, expression, and the instrument's technical capabilities. The partitas range widely in character, from the poetic No. 1 in B-flat to the monumental tragic No. 6 in E minor. So, the Partitas represent the culmination of Bach's genius for keyboard composition and his final thoughts on the dance suite genre.YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRDEAJI68McqwUGB6XPMvGHl.
$128.85
Bach: Partita No. 6 BWV 830 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 6 BWV 830 fo
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434539 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434539 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 114 pages. Jmsgu3 #1014672. Published by jmsgu3 (A0.1434539). BACH: Partita No. 6 BWV 830 Contents: Toccata, Allemande, Courante, Air, Sarabande, Gavotta, Gigue. The Partita No. 6 is the last and most complex of Bach's six partitas published as part of his Clavier-Übung I. It is considered Bach's greatest suite and the crowning work of the set, featuring some of the most dramatic and ambitious writing in his keyboard repertoire. The partita consists of seven movements, all in the key of E minor. It opens with a lengthy and virtuosic toccata-like movement, followed by an allemande, corrente, sarabande, tempo di gavotta, gigue, and an air. The sarabande movement is renowned, described as a pure lamento and perhaps the most intensely expressive piece in all of Bach's works for harpsichord. The final gigue movement returns to the very origins of the French suite itself with an archaic yet modern style. Overall, Partita No. 6 is the pinnacle of Bach's keyboard suite compositions, showcasing his mastery of counterpoint, virtuosity, and emotional expression.
$42.95
A Little Bach Suite - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Richard E Brown
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A Little Bach Suite - Saxophon
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Dacker Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.814812 Composed by Johann Sebastian Bach. Arran...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.814812 Composed by Johann Sebastian Bach. Arranged by Richard E Brown. Baroque,Standards. 37 pages. Dacker Music #5982831. Published by Dacker Music (A0.814812). A Little Bach Suite presents some of the great Baroque master's most familiar melodies in a fun-to-play grade 3 saxophone quartet setting. Great concert and contest repertoire for advanced middle school and high school players. Grade 3 - Duration 7:40
$16.00
J.S. Bach: "Cello" Suite no. 6 BWV 1012, - solo saxophone by Paul Wehage
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: "Cello" S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534132 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534132 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Instructional,Standards. 19 pages. Musik Fabrik Music Publishing #3124707. Published by Musik Fabrik Music Publishing (A0.534132). As recorded by Paul Wehage for JTBProd (Itunes/Spotify etc). In six movements: Altissimo up to high E is necessarily to perform this Suite.PreludeAllemandeCouranteSarabande Two gavottesGigue
$11.95
Fugue G Minor - (the 'little') - BWV 578 - Swing - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Thomas Graf
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Fugue G Minor -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Quartet - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Thomas Graf. Baroque Period, Swing. Sco...
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Woodwind Quartet - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Thomas Graf. Baroque Period, Swing. Score, Set of Parts. 15 pages. Published by Thomas Graf - the-hit-factory.com
Swinging Bach: the greatest music - the biggest fun. A valuable study for counterpoint and fugue. It's so easy and so nice. Enjoy!
Instrumentation: Part I (Soprano), Part II (Alto), Part III (Tenor), Part IV (Baritone)
Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...
Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$14.99
Polonaise in G Minor - Saxophone Choir Quartet (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sax))
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Raymond Fenech
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Alto
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Polonaise in G Minor - Saxopho
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Raymond Fenech
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Phil...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Philipp Emanuel Bach. Arranged by Raymond Fenech. Baroque,Classical,Easter,Holiday,Wedding. 12 pages. Raymond Fenech #3426593. Published by Raymond Fenech (A0.759894). Carl Philipp Emanuel Bach (1714 – 1788) was the second surviving and most famous son of Johann Sebastian Bach. The Polonaise is a stately dance in triple meter, originated in court ceremonies and processions in the 16th century, Poland This Polonaise is arranged for Saxophone Quartet, i.e. Soprano; Alto; Tenor and Bass Saxophones . The level is Advanced Intermediate and the duration is 1.49 minutes.
$6.95
Klassische Saxophon
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Ludwig van Beethoven, Mit Musi
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Javier Marcó
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Klassische Saxophon
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Javier Marco
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.842795 Composed by Ludwig van...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.842795 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. 28 pages. Javier Marco #6357191. Published by Javier Marco (A0.842795). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
Prelude and Fugue
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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David Thompson
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Includes score and parts.
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Prelude and Fugue
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David M Thompson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.901650 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.901650 Composed by Johann Sebastian Bach. Arranged by David Thompson. Baroque. 12 pages. David M Thompson #5008711. Published by David M Thompson (A0.901650). An arrangement for sax quartet of Bach's Prelude and Fugue in E minor for Organ BWV 555. Includes score and parts.
$4.99
Le Saxophone Classique
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Ludwig van Beethoven, Pièce
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Javier Marcó
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Le Saxophone Classique
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Javier Marco
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.842817 Composed by Ludwig van...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.842817 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. 28 pages. Javier Marco #6358063. Published by Javier Marco (A0.842817). Cette collection présente une sélection d'oeuvres classiques appartenant aux compositeurs les plus renommés: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.18 thèmes faciles et amusants à jouer comme solos, présentée dans une version simplifiée pour les débutants, qui peuvent être accompagnés de piano ou de guitare (chiffrage américain).Comprend:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
Fugue in D Major
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Luca Boscolo
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Fugue in D Major
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346093 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346093 Composed by Johann Sebastian Bach. Arranged by Luca Boscolo. Baroque,Chamber,Classical,Religious. 9 pages. Luca Boscolo e Marco De Lazzari #930948. Published by Luca Boscolo e Marco De Lazzari (A0.1346093). An arrangement of Fugue in D Major for saxophone quartet (soprano - alto - tenor - baritone).
$15.00
Fugue in A Minor
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Luca Boscolo
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Fugue in A Minor
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346092 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346092 Composed by Johann Sebastian Bach. Arranged by Luca Boscolo. Baroque,Chamber,Classical,Religious. 25 pages. Luca Boscolo e Marco De Lazzari #930947. Published by Luca Boscolo e Marco De Lazzari (A0.1346092). An arrangement of Fugue in A Minor for saxophone quartet (soprano - alto - tenor - baritone).
$15.00
Fugue in C Major
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Luca Boscolo
#
Fugue in C Major
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346087 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346087 Composed by Johann Sebastian Bach. Arranged by Luca Boscolo. Baroque,Chamber,Classical,Religious. 8 pages. Luca Boscolo e Marco De Lazzari #930942. Published by Luca Boscolo e Marco De Lazzari (A0.1346087). An arrangement of Fugue in C Major for saxophone quartet (soprano - alto - tenor - baritone).
$10.00
Little Fugue in G Minor
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Luca Boscolo
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Little Fugue in G Minor
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346094 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346094 Composed by Johann Sebastian Bach. Arranged by Luca Boscolo. Baroque,Chamber,Classical,Religious. 17 pages. Luca Boscolo e Marco De Lazzari #930949. Published by Luca Boscolo e Marco De Lazzari (A0.1346094). An arrangement of Little Fugue in G Minor for saxophone quartet (soprano - alto - tenor - baritone).
$15.00
Nine Christmas Chorales (for saxophone quartet)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Noël
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Aaron Lee
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Nine Christmas Chorales
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J. Aaron Lee
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1118397 Composed by Aaron Le...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1118397 Composed by Aaron Lee. Baroque,Chamber,Christmas,Instructional,Sacred. 75 pages. J. Aaron Lee #719920. Published by J. Aaron Lee (A0.1118397). This collection includes nine different Christmas carols, all arranged in a four-part chorale style akin to that of baroque composers such as J. S. Bach. Included in this collection are arrangements of the following carols: Veni, Veni, Emmanuel; Es Ist Ein Rose Entsprungen (Lo, how a rose e'er blooming); Coventry Carol; Adeste Fidelis (O Come, All Ye Faithful); In Dulci Jubilo; Good King Wenceslas; God Rest You Merry, Gentlemen; Quelle est cette odeur agréable; and See, amid the Winter's Snow. These arrangements are all fairly easy and should be appropriate for a wide range of skill levels, including school settings. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$39.99
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