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COR
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Gratuites
33
Partitions
Numériques
7 250
Librairie
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1 181
Matériel
de Musique
30 280
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
26189
PIANO & CLAVIERS
Piano seul
26836
Piano, Voix et Guitare
13137
Piano, Voix
11219
Piano Facile
6340
1 Piano, 4 mains
4980
Orgue
2243
Piano grosses notes
920
Instruments en Do
889
2 Pianos, 4 mains
750
Accompagnement Piano
387
Piano Trio: piano, violon, violoncelle
238
Piano (partie séparée)
226
Accordéon
164
Piano Quatuor: piano, violon, alto, violoncelle
97
Orgue, Piano (duo)
78
Orgue, Trompette (duo)
61
Clavecin
58
Piano Quintette: piano, 2 violons, alto, violoncelle
51
Piano Quatuor: piano, 2 violons, violoncelle
27
Accordéon, Voix
25
Clavier
22
1 Piano, 6 mains
15
Ensemble d'Accordéons
13
2 Pianos, 8 mains
13
Ligne De Mélodie, Piano
3
Orgue et Orchestre
3
2 Accordéons
2
Ensemble de Pianos
2
Instrument seul et Orgue
2
Accordéon, Piano
1
Orgue, Voix
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
7481
Guitare
2409
Ligne De Mélodie, (Paroles) et Accords
1445
Basse electrique
743
Ukulele
666
4 Guitares (Quatuor)
644
2 Guitares (duo)
351
Guitare (partie séparée)
335
Piano, Guitare (duo)
157
Dulcimer
131
Mandoline
84
Paroles et Accords
78
3 Guitares (trio)
43
Ensemble de guitares
37
Banjo
32
2 Dulcimers (duo)
14
Guitare Pedal Steel
12
Mandoline, Guitare (duo)
11
2 Ukuleles
8
Mandoline, Piano (duo)
8
Guitare, Violon, Violoncelle (trio)
8
Basse électrique (partie séparée)
5
Guitare, Quatuor à cordes
2
Guitare, Orchestre
2
2 Mandolines (duo)
1
2 Guitares et Orchestre
1
Ensemble de Ukulélés
1
Dobro
1
Instrumentations suivantes
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VOIX
Chorale SATB
7625
Chorale TTBB
2037
Chorale 3 parties
2025
Chorale SSAA
1364
Chorale 2 parties
1271
Chorale Unison
958
Voix duo, Piano
498
Voix Soprano, Piano
305
Voix seule
304
Voix duo
213
Voix haute
124
Chorale
87
Voix Alto, Piano
61
Voix basse, Piano
56
Voix Tenor, Piano
55
Voix moyenne, Piano
48
Voix Tenor
48
Voix Soprano
43
Voix, Guitare
41
Voix Moyenne
35
Voix d'Enfants
18
Voix Mezzo-Soprano, Piano
15
Chorale SSAATTBB
13
Voix basse
13
Chorale SSAB a cappella
10
Voix Baryton, Piano
9
Chorale SSATB
7
Chorale SSAB, Piano
5
Chorale SSATTB
5
Voix duo, Orgue
4
Soli, choeur mixte et accompagnement
4
Chorale, Orgue
3
Chorale SSAATB
3
Male Voice
2
Voix Baryton
2
Voix haute, Piano
1
Chorale SATBB
1
Voix d'Enfants, Piano
1
Chorale SSATBB
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
7250
Quatuor de Clarinettes: 4 clarinettes
4707
Saxophone (partie séparée)
2935
Quatuor de Flûtes : 4 flûtes
2622
Flûte traversière et Piano
1876
2 Saxophones (duo)
1784
Clarinette (partie séparée)
1469
Flûte traversière
1420
Clarinette
1334
Clarinette et Piano
1333
Saxophone Alto et Piano
1273
Hautbois, Piano (duo)
1264
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1249
2 Clarinettes (duo)
1156
2 Flûtes traversières (duo)
1091
Flûte, Hautbois, Clarinette, Basson
967
Saxophone Tenor et Piano
941
Saxophone Alto
823
3 Saxophones (trio)
570
Saxophone Soprano et Piano
515
Ensemble de Clarinettes
501
Flûte, Clarinette (duo)
456
Hautbois (partie séparée)
445
Hautbois
388
2 Hautbois (duo)
385
Quintette de Saxophone: 5 saxophones
383
3 Clarinettes (trio)
363
Quatuor de Flûtes à bec
349
Flute (partie séparée)
348
Quintette de Clarinettes: 5 clarinettes
346
Ensemble de saxophones
327
Hautbois, Basson (duo)
318
Flûte et Guitare
303
Ensemble de Flûtes
301
Saxophone Baryton, Piano
296
Cor anglais, Piano
275
Saxophone
273
Saxophone, Clarinette (duo)
269
Hautbois, Clarinette (duo)
238
Clarinette, Violon (duo)
223
Trio de Flûtes: 3 flûtes
222
Flûte, Violon
210
Clarinette, Basson (duo)
184
Hautbois, Flûte
168
2 Flûte à bec (duo)
156
Flûte, Violoncelle
139
Clarinette, Trompette (duo)
136
Clarinette, Guitare (duo)
124
Clarinette Basse, Piano
117
Clarinette et Alto
115
Flûte, Alto (duo)
112
Saxophone Tenor
108
Flûte, Hautbois, Clarinette (trio)
108
Flûte, Hautbois, Basson
107
Flûte, Saxophone (duo)
101
Flûte, Clarinette et Basson
100
Clarinette, Violoncelle (duo)
100
Flûte à bec Soprano
91
Piccolo
87
Flûte, Violon et Violoncelle
83
Flûte, Hautbois (duo)
82
Flûte à Bec
79
Quintette de Flûte : 5 flûtes
76
Flûte, Trompette (duo)
76
4 Hautbois
72
Flûte, Clarinette, Piano (trio)
72
Hautbois, Clarinette, Basson (trio d'anches)
62
3 Hautbois
59
Flûte à bec Alto
59
Hautbois, Violoncelle
58
Flûte, Trombone (duo)
51
Cor Anglais
51
Hautbois, violon (duo)
50
Flûte à bec Alto, Piano
43
Clarinette Basse
43
Flûte, Violoncelle, Piano (trio)
39
2 Flûtes traversières, Piano
39
Cornemuse
36
3 Flûtes à bec (trio)
35
Harmonica
33
Flûte à bec Soprano, Piano
32
Saxophone Soprano
31
2 Clarinettes, Piano
28
Flûte traversière, Orgue (duo)
27
Hautbois et alto (duo)
26
Flûte, Basson et Piano
24
Ensemble De Flûte à bec
23
Flûte, Violon, Piano
21
Hautbois, Guitare (duo)
21
5 Flûtes à bec
20
Clarinette, Trombone (duo)
20
Saxophone, Violon (duo)
19
2 Saxophones, Piano
17
Clarinette, Tuba
17
Flûte, Violon, Violoncelle et Piano
17
Saxophone, Basson (duo)
16
Hautbois, trombone (duo)
16
Flûte à bec Tenor
15
Clarinette, Violoncelle, Piano (trio)
15
Piccolo, Piano
15
Saxophone Baryton
15
2 Cors Anglais Et Pianoforte
14
Saxophone et Guitare
14
Flute, harpe et violon
14
Cor anglais, Guitare (duo)
13
Flûte, Tuba (duo)
12
Flûte, Alto et Piano
12
Harmonica, Piano
11
Flûte à bec, Guitare (duo)
11
Clarinette, Harpe (duo)
11
Ensemble à vent
11
Saxophone et Orgue
11
Clarinette, Basson, Piano (trio)
10
Flûte, Hautbois, Piano (trio)
9
2 Clarinettes, Basson
9
Saxophone et violoncelle
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
8
Clarinette, Alto et Piano (trio)
8
Flûte à Bec, Piano
8
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
2 Hautbois, Piano
6
Hautbois, Violoncelle et Piano
5
Hautbois, Harpe
5
Instruments en Mib
5
Flûte, alto et harpe
5
Clarinette, Contrebasse (duo)
5
Ocarina
5
Saxophone et Piano
4
Flûte, Harpe et Violoncelle
4
Flûte, Violoncelle, Guitare
4
Hautbois, Violon, Piano
4
Flûte et Trio à cordes
3
Saxophone et Harpe
3
2 Flûtes à bec, Piano
3
Flute, Cor (duo)
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Basson et Piano
3
Flûte irlandaise
3
Flûte, Hautbois, Violon
2
Flûte à bec Soprano, Basse continue
2
Flûte à bec Alto, Basse continue
2
2 Hautbois et Cor anglais
2
Clarinette, Orgue
2
Flûte à bec, Harpe
1
Saxophone, Tuba (duo)
1
Ensemble de Hautbois
1
2 Flûtes traversières, Guitare
1
3 Flûtes à bec, Piano
1
Hautbois, Orgue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 clarinettes, 2 bassons
1
Flûte de Pan
1
Flûte, trombone et piano
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Quatuor à cordes
1
Flûte traversière, Basse continue
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
1812
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1266
Trompette (partie séparée)
1247
Trompette
1062
Trombone et Piano
991
Quatuor de cuivres: 4 trombones
985
Trompette, Piano
961
Quatuor de Cuivres : 2 trompettes, trombone, tuba
830
Trombone
748
Quatuor de cuivres: 4 cors
704
Cor et Piano
692
Cor (partie séparée)
680
Cor
593
4 Tubas
545
2 Trompettes (duo)
512
2 Trombones (duo)
430
Tuba et Piano
354
Quatuor de Cuivres: 2 trompettes, Cor, trombone
344
Trompette, Trombone (duo)
341
2 Cors (duo)
340
Tuba
281
Cor anglais, Piano
275
Euphonium, Piano (duo)
235
Trompette, Saxophone (duo)
210
Quatuor de cuivres: 4 trompettes
208
Ensemble de Trombones
164
Tuba (partie séparée)
152
Quatuor de Cuivres
145
Trompette, Cor (duo)
132
2 Tubas (duo)
105
2 Euphoniums et 2 Tubas
76
Euphonium
74
Ensemble de Cors
66
Ensemble de Trompettes
56
Cornet A Pistons
51
Cor Anglais
51
Euphonium, Tuba (duo)
49
3 Trombones (trio)
47
2 Euphoniums (duo)
41
Trompette, Tuba (duo)
36
Trompette, violon (duo)
35
Tuba ou Euphonium ou Saxhorn
33
Trombone, Violon (duo)
33
Trio de Cuivres
32
Cor, Violoncelle (duo)
30
Cor, Tuba (duo)
30
Trombone, Cor (duo)
30
Trompette, Violoncelle (duo)
29
Trombone, Tuba (duo)
26
Trompette, Basson (duo)
23
Trombone basse et Piano
20
Tuba et Orgue
20
3 Trompettes (trio)
17
3 Cors (trio)
16
Clarinette, Cor (duo)
16
2 Cors Anglais Et Pianoforte
14
Trombone basse
14
Cor et Basson (duo)
14
Ensemble de Tubas
14
Cor anglais, Guitare (duo)
13
2 Trompettes, Clavier (piano ou orgue)
9
Instruments en Sib
8
Trombone, Alto (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Cor et Harpe
6
3 Euphoniums
6
Trompette, Trombone, Piano
6
Cor et Orgue
6
Bass Clef Instruments
6
Trombone, Orgue
6
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
5
4 Euphoniums
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, Harpe
4
Cornet et Piano
3
Trompette, Euphonium (duo)
2
3 Tubas (trio)
2
Cor, Trompette, Trombone (trio)
1
Cornet et orchestre
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Cor, Orchestre
1
Instruments en Fa
1
Trombone et orchestre
1
Trompette, Violoncelle et Piano
1
Bugle
1
Trompette, Orchestre
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3956
Violon et Piano
2690
Violon
1838
Violoncelle, Piano
1566
Violon, Violoncelle (duo)
1458
Alto, Piano
1411
Violoncelle (partie séparée)
1123
Harpe
1106
2 Violons (duo)
989
Alto seul
878
Violon (partie séparée)
861
Trio à Cordes: violon, alto, violoncelle
825
4 Violoncelles
771
2 Violoncelles (duo)
771
Violon, Alto (duo)
676
Contrebasse (partie séparée)
647
2 Altos (duo)
567
Alto, Violoncelle (duo)
356
Violoncelle
347
Quatuor à cordes: 4 violons
340
Alto (partie séparée)
283
Trio à Cordes: 2 violons, violoncelle
261
Contrebasse, Piano (duo)
230
Quatuor à cordes : 4 altos
218
Quintette à cordes: 2 violons, alto, violoncelle, basse
217
Contre Basse
179
Violon, Guitare (duo)
165
Trio à Cordes: 3 violoncelles
117
Violoncelle , Guitare (duo)
114
2 Contrebasses (duo)
100
2 Harpes (duo)
97
Violoncelle, Contrebasse (duo)
89
Alto, Guitare (duo)
74
Piano Trio: Violon, Alto, Piano
67
4 Contrebasses
65
Trio à cordes: 3 violins
60
Violon, Basson (duo)
59
Trio à Cordes: 2 violons, alto
56
Harpe, Flûte (duo)
53
Trio à cordes
46
Harpe, Violon (duo)
39
Trio à cordes: 3 altos
36
Alto et Basson
35
Harpe, Violoncelle (duo)
25
2 Violons, Piano
23
Alto et Harpe
20
Ensemble de Violons
17
Violon, Orgue
16
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Violon, Tuba (duo)
15
Violoncelle, Orgue
15
Ensemble d'Altos
14
Violon, Clarinette, Piano (trio)
14
4 Harpes
10
Ensemble de Violoncelles
9
Harpe, Voix
9
Flûte, Contrebasse (duo)
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Violon, Violoncelle
6
Alto, Orgue
5
Violoncelle, Orchestre
4
Harpe et Piano
4
3 Contrebasses
3
Harpe (partie séparée)
3
2 Violoncelles, Piano
2
5 Harpes
2
3 Harpes
2
2 Altos, Piano
2
Harpe et mandoline
2
Violon, Basse continue
1
2 Violons et Basse continue
1
Harpe, Quatuor à cordes
1
Violoncelle, Basse continue
1
Harpe, Trombone (duo)
1
Violon, Contrebasse (duo)
1
Autoharp
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4616
Orchestre
2360
Ensemble Jazz
1958
Orchestre à Cordes
1955
Ensemble de cuivres
1424
Cloches
1385
Orchestre de chambre
882
Jazz combo
542
Percussion (partie séparée)
504
Batterie
492
Ensemble de Percussions
290
Batterie (partie séparée)
270
Fanfare
255
Percussion
196
Marimba
117
Timbales (partie séparée)
97
Vibraphone
74
Timbales
47
Caisse Claire
21
Xylophone, Piano
19
Vibraphone et Marimba
14
Xylophone
12
2 Xylophones
12
Big band
9
Ensemble d'École
7
2 Marimbas
4
Piano et Orchestre
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
2
Marimba et Orgue
2
3 Marimbas
2
2 Caisses Claires (duo)
1
Marimba, Piano (duo)
1
Marimba, Saxophone (duo)
1
Bodhran
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
52
Papeterie
2
Théorie de la musique
1
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4 for 4
Quatuor de Saxophones: 4 saxophones
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7226
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.64 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Sax Quartet
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jmsgu3
#
SheetMusicPlus
Don't Forget
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet - Level 5-6 - Digital Download SKU: F2.FM1094 Composed by Frank G…
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Saxophone Quartet - Level 5-6 - Digital Download SKU: F2.FM1094 Composed by Frank Griffith. A medium tempo swinger. Classical. Score and Parts. 16 pages. Forton Music - Digital #FM1094. Published by Forton Music - Digital (F2.FM1094). ISBN 9790570489930. 8.25 x 11.75 inches.
$14.95
13.71 €
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Quatuor de Saxophones: 4 saxophones
#
Frank Griffith
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Don't Forget
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Forton Music - Digital
#
SheetMusicPlus
Turkish March by Beethoven for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1143530 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743846. Published by Woods Only, Arrangements (A0.1143530). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Alto Sax Quartet
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Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #743852. Published by Woods Only, Arrangements (A0.1143536). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1143533 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743849. Published by Woods Only, Arrangements (A0.1143533). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1143532 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743848. Published by Woods Only, Arrangements (A0.1143532). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Sailscape for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.945005 Composed by Zoe Felton. Contemporary. 29 pages. Zoe Felton #5873439. Published by Zoe Felton (A0.945005). Sailscape for Saxophone Quartet is a series of shorts inspired by sailing, lasting about 5 minutes in total though each piece serves as a standalone piece. Imagine sailing the seas in a Force 3, Force 4, Force 5 and Force 6!Force 3 depicts the gentle rolling waves, whereas Force 6 paints a picture of buffeting waves and a boat battling against the wind.
$7.50
6.88 €
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Quatuor de Saxophones: 4 saxophones
#
Zoe Felton
#
Sailscape for Sax Quartet
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Zoe Felton
#
SheetMusicPlus
Ode to Joy by Beethoven for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741060. Published by Woods Only, Arrangements (A0.1140803). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1140800 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741056. Published by Woods Only, Arrangements (A0.1140800). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.33 €
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Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
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Ander
#
Ode to Joy by Beethoven for Tenor Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1140798 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741054. Published by Woods Only, Arrangements (A0.1140798). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Alto Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1140801 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741057. Published by Woods Only, Arrangements (A0.1140801). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.33 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ravel Vocalise Etude En Form Habanera Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1046095 By Rainer's Rainbow. By Maurice Ravel 1875-1937. Arranged by R G Roth. Classical,Folk,Jazz,Romantic Period,Standards. 16 pages. Rainer's Rainbow #650624. Published by Rainer's Rainbow (A0.1046095). This original theme by Ravel was composed for 4 hands piano in 1895. It has been adapted many times including substantial liberties taken with the melody. This sax quartet follows the most common performance ideas featuring parts for either solo Alto or Soprano. These parts can be played alone with a jazz piano or guitar (chords are provided).
$12.99
11.92 €
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Quatuor de Saxophones: 4 saxophones
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Rainer's Rainbow
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R G Roth
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Ravel Vocalise Etude En Form Habanera Sax Quartet
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Rainer's Rainbow
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SheetMusicPlus
Thor's Mighty Toothbrush, rock concert piece for Saxophone Quartet AAAT
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - Digital Dow…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1316104 Composed by David McKeown. 21st Century,Contemporary,Film/TV,Jazz,Rock. 10 pages. David McKeown #904851. Published by David McKeown (A0.1316104). Thor’s Mighty Toothbrush is a fun, original composition in a rock style by David McKeown and arranged for Saxophone Quartet. You will download the full score along with all the separate parts in one pdf file. Three parts are written for Alto Saxophone, with part 4 for Tenor. Two of the parts have split notes so the arrangement can be extended for more players and will work well with a much larger group. The arrangement lasts around two minutes.Thor’s Mighty Toothbrush is ideal for players of an Early Intermediate standard. Part 1 is more difficult, part 3 is easier. The keys and range are as accessible as possible for your instrument. Click the link above to hear a recording of this arrangement on YouTube.Thor’s Mighty Toothbrush;  is perfect for concert performances large and small  appeals to Marvel fans. has a title that will stand out on any concert program.  is fully articulated to help interpret each style.  is great for helping with simple rhythms and developing that internal pulse.  is road tested with scores of students and performed all over the world.  is fun to play.
$9.99
9.16 €
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Quatuor de Saxophones: 4 saxophones
#
David McKeown
#
Thor's Mighty Toothbrush, rock concert piece for Saxophone Quartet AAAT
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Saxophone Quartet SATB, Soprano, Alto, Tenor and Baritone Saxophones
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587865 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031045. Published by David McKeown (A0.587865). 16 Favourite Easter Hymns for Saxophone Quartet SATB is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for Soprano, Alto, Tenor and Baritone Saxophone. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the AAAT version), via the youtube link above. 16 Favourite Easter Hymns for Saxophone Quartet SATB are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Saxophone Quartet SATB useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.16 €
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Quatuor de Saxophones: 4 saxophones
#
Various
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David McKeown
#
#
16 Favourite Easter Hymns for Saxophone Quartet SATB, Soprano, Alto, Tenor and Baritone Saxophones
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Down…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587862 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031039. Published by David McKeown (A0.587862). 16 Favourite Easter Hymns for Saxophone Quartet AAAT is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for three Alto and one Tenor Saxophone. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns via the youtube link above. 16 Favourite Easter Hymns for Saxophone Quartet AAAT are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Saxophone Quartet AAAT useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.16 €
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Quatuor de Saxophones: 4 saxophones
#
Various
#
David McKeown
#
#
16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
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David McKeown
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SheetMusicPlus
Elements for Saxophone Quartet and Orchestra
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Composed by Sy Brandon. 20th Century,Contemporary. 229 pages. Sy Brandon #3422315. Published by Sy Brandon (A0.755221). Elements and is designed to musically portray the essential nature of the Classical Greek elements, fire, water, air and earth and their astrological implications. The first movement is Fire whose essential nature is strong and controlling. The music contains a lot of forceful sections, primarily in a homophonic style. The water element’s chief characteristic is sensitivity, therefore it is in a slow tempo and is lyrical and harmonically rich. The chief characteristic of the air element it is changeable, therefore this movement is filled with contrasts of texture, dynamics, articulation, meter, tonality, and orchestration. This last movement represents the Earth element whose main characteristic is stability. To represent stability musically, a lot of ostinatos were used. This work was commissioned by the h2 quartet in order to perform with a high school orchestra. Several substitute parts are provided. The score prints on legal size paper and the parts on letter.
$39.99
36.68 €
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Quatuor de Saxophones: 4 saxophones
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Sy Brandon
#
Elements for Saxophone Quartet and Orchestra
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Sy Brandon
#
SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.34 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.34 €
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Quatuor de Saxophones: 4 saxophones
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
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Ander
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5 Famous Songs by Bach for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Sweet Child O' Mine, by Guns N' Roses, for saxophone quartet (SATB)
Quatuor de Saxophones: 4 saxophones
Saxophone quartet (soprano, alto, tenor, baritone) - Intermediate - Digital Download…
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Saxophone quartet (soprano, alto, tenor, baritone) - Intermediate - Digital Download By Guns N' Roses. Arranged by Michael Compton. Score, Set of Parts. 14 pages. Published by Kreechur Kumfort Publishing
Sweet Child o' Mine was Guns N' Roses' only number 1 US single. It was released as a part of their debut album Appetite for Destruction in 1988. It is placed here as a saxophone quartet accessible by most intermediate-level players.
$15.00
13.76 €
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Quatuor de Saxophones: 4 saxophones
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Guns N' Roses
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Michael Compton
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Roses
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Sweet Child O' Mine, by Guns N' Roses, for saxophone quartet
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SheetMusicPlus
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