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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bach, C
Non classifié
688
Piano & claviers
Piano seul
658
Piano Facile
179
Piano, Voix
108
Instruments en Do
104
Orgue
64
Accompagnement Piano
58
Piano, Voix et Guitare
31
1 Piano, 4 mains
17
Orgue, Trompette (duo)
15
2 Pianos, 4 mains
14
Piano Trio: piano, violon, violoncelle
12
Clavecin
7
Orgue, Piano (duo)
4
Accordéon
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavier
2
1 Piano, 6 mains
1
Piano grosses notes
1
Ligne De Mélodie, Piano
1
+ 15 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
57
Guitare
53
Guitare notes et tablatures
35
2 Guitares (duo)
13
Ukulele
8
Basse electrique
7
Banjo
5
Piano, Guitare (duo)
2
2 Mandolines (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
41
Voix Tenor, Piano
17
Chorale 3 parties
17
Chorale Unison
11
Voix Soprano, Piano
7
Voix Alto, Piano
6
Pack Instrumental pour Chorale
5
Voix Tenor
4
Voix moyenne, Piano
4
Chorale 2 parties
4
Voix haute
3
Chorale SSAA
3
Chorale TTBB
2
Voix duo, Piano
2
Voix basse
1
Voix Soprano
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
129
Clarinette et Piano
79
Saxophone Alto et Piano
59
Hautbois, Piano (duo)
53
2 Saxophones (duo)
52
2 Clarinettes (duo)
42
Quatuor de Saxophones: 4 saxophones
41
Saxophone Tenor et Piano
39
Flûte traversière
37
Flûte, Hautbois, Clarinette, Basson
35
2 Flûtes traversières (duo)
33
Saxophone Soprano et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Clarinette
26
Quatuor de Clarinettes: 4 clarinettes
22
3 Clarinettes (trio)
21
3 Saxophones (trio)
18
Quintette de Saxophone: 5 saxophones
15
Cor anglais, Piano
14
Saxophone Alto
12
Flûte et Guitare
11
Clarinette, Basson (duo)
10
Quintette de Clarinettes: 5 clarinettes
9
Flûte, Clarinette (duo)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Quatuor de Flûtes : 4 flûtes
8
Trio de Flûtes: 3 flûtes
7
Hautbois (partie séparée)
7
2 Hautbois (duo)
7
Saxophone Baryton, Piano
6
2 Saxophones, Piano
6
Clarinette Basse, Piano
6
Ensemble de Flûtes
6
Flûte, Clarinette et Basson
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Clarinette, Piano (trio)
5
Hautbois
4
Flûte, Violoncelle, Piano (trio)
4
2 Flûte à bec (duo)
4
Flûte à bec Alto
4
Flûte, Hautbois, Basson
4
Flute (partie séparée)
4
Saxophone Tenor
4
Hautbois, Basson (duo)
4
Flute, harpe et violon
3
Quatuor de Flûtes à bec
3
Saxophone (partie séparée)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor Anglais
2
Flûte à bec Alto, Piano
2
Flûte, Violon, Piano
2
Clarinette (partie séparée)
2
Piccolo, Piano
2
Flûte à bec Soprano
2
Flûte, Violon et Violoncelle
2
Harmonica
1
Ensemble de Hautbois
1
Clarinette Basse
1
Flûte et Trio à cordes
1
Clarinette, Violoncelle (duo)
1
Saxophone et Piano
1
Flûte, Violoncelle
1
Saxophone Soprano
1
3 Flûtes à bec (trio)
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes traversières, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
3 Hautbois
1
2 Clarinettes, Piano
1
Hautbois, Harpe
1
Hautbois, Violoncelle
1
Flûte, Violoncelle, Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon
1
Hautbois, Violon, Piano
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
Flûte à Bec, Piano
1
Clarinette, Harpe (duo)
1
Saxophone
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Flûte
1
Saxophone et Orgue
1
Ensemble de Clarinettes
1
Flûte, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 84 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Trompette, Piano
58
Trombone et Piano
31
Trompette
28
Ensemble de Trompettes
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Cor et Piano
24
2 Trombones (duo)
16
2 Trompettes (duo)
15
Trombone
14
Cor anglais, Piano
14
Euphonium, Piano (duo)
12
Trompette, Trombone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba et Piano
10
Trompette (partie séparée)
8
Cor
8
2 Cors (duo)
7
Tuba
6
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
5
Quatuor de Cuivres
5
2 Trompettes, Clavier (piano ou orgue)
4
Quatuor de cuivres: 4 cors
4
Trombone (partie séparée)
4
2 Euphoniums (duo)
3
Quatuor de cuivres: 4 trompettes
3
Ensemble de Tubas
3
Cor Anglais
2
Trompette, Tuba (duo)
2
Euphonium
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
2
Cor (partie séparée)
2
Trio de Cuivres
2
Trombone, Tuba (duo)
2
3 Cors (trio)
2
3 Tubas (trio)
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
1
Tuba (partie séparée)
1
Trompette, Cor (duo)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Trompette, Trombone, Piano
1
3 Trombones (trio)
1
2 Cors Anglais Et Pianoforte
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
148
Violon et Piano
134
Violoncelle, Piano
101
Alto, Piano
94
Violon, Violoncelle (duo)
55
Harpe
44
Violoncelle
42
Violon
39
2 Violoncelles (duo)
31
Alto seul
29
Trio à Cordes: violon, alto, violoncelle
26
Violon, Alto (duo)
23
2 Violons (duo)
22
Violon (partie séparée)
17
Trio à Cordes: 2 violons, violoncelle
16
2 Altos (duo)
16
Alto, Violoncelle (duo)
14
Contrebasse, Piano (duo)
13
4 Violoncelles
6
Trio à Cordes: 3 violoncelles
6
Alto (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à cordes: 3 violins
6
Violoncelle (partie séparée)
4
2 Violoncelles, Piano
4
2 Altos, Piano
4
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Contre Basse
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Contrebasse (partie séparée)
2
2 Violons, Piano
2
Harpe, Violon, Violoncelle
2
2 Contrebasses (duo)
2
2 Harpes (duo)
2
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
2 Violons et Basse continue
1
Harpe, Flûte (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Harpe, Voix
1
Trio à cordes
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
68
Orchestre de chambre
48
Ensemble de cuivres
43
Orchestre à Cordes
42
Orchestre
15
Cloches
14
Ensemble Jazz
13
Ensemble de Percussions
3
Marimba
3
Percussion
2
Timbales (partie séparée)
1
Jazz combo
1
Vibraphone
1
Instrumentation Flexible
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
5
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BASSON
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Bach, C
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
41 partitions trouvées
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1
26
Bach to Bach
#
Quatuor de Saxophones: 4 saxophones
#
Classique
#
Johann Sebastian Bach / C
#
Robert Stanton
#
Bach to Bach
#
Cimarron Music Press
#
SheetMusicPlus
By Johann Sebastian Bach / C.P.E. Bach. Arranged by Robert Stanton. For Saxophone Quartet (SATB). Quartet music. Score and parts. Published by Cimarron Music Pr...
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By Johann Sebastian Bach / C.P.E. Bach. Arranged by Robert Stanton. For Saxophone Quartet (SATB). Quartet music. Score and parts. Published by Cimarron Music Press
$18.00
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Quatuor de Saxophones: 4 saxophones
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
J. S. Bach: The Well-Tempered
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
5 Famous Songs by Bach for Baritone Sax Quartet
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Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luth...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
5 Famous Songs by Bach for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
#
5 Famous Songs by Bach for Sax
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by And...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Tenor Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Alto Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
PRELUDE & FUGUE IN G MINOR - SATB SAX QUARTET (based on Organ solo by J.S. Bach)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Classique
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Johann Sebastian Bach
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Glen Poehlmann
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PRELUDE & FUGUE IN G MINOR
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arrangements by GPoehlmann
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.806952 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.806952 Composed by Johann Sebastian Bach. Arranged by Glen Poehlmann. Baroque. 14 pages. Arrangements by GPoehlmann #6168909. Published by arrangements by GPoehlmann (A0.806952). PRELUDE and FUGUE in G Minor - SATB SAXOPHONE QUARTET (unaccompanied)J.S. Bach's Organ Solo has been arranged forSaxophone Quartet.Total Performance Time approx. 4:30. Medium in Difficulty (Grade 3). Key: G minorPRELUDE - 37 measures. Meter: 6/4FUGUE - 45 measures. Meter: 4/4Instrument Ranges (C4=middle C):Soprano Sax C#4 - B5 (written). Alto Sax F#4 - E6 (written).Tenor Sax C4 - A5 (written). Baritone Sax B3 - A5 (written).
$5.00
Little Fugue in G Minor (Bach) - Saxophone Quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James A
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Little Fugue in G Minor
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946266 Composed by Johann Se...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946266 Composed by Johann Sebastian Bach. Arranged by James A. C. Glass. Baroque. 16 pages. James A. C. Glass #6292423. Published by James A. C. Glass (A0.946266). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 3:12.This masterpiece has been arranged for saxophone quartet with an emphasis on keeping the baritone saxophone in the correct low range. This meticulous arrangement passes the melody between the four saxophones and is a delight for any performance.
$9.99
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
Ave Maria (Bach/Gounod)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and Char
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Josef STASTNY
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Ave Maria
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Josef STASTNY
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743271 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743271 Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Josef STASTNY. Baroque,Holiday,Romantic Period,Sacred,Wedding. 6 pages. Josef STASTNY #3228455. Published by Josef STASTNY (A0.743271). The Ave Maria by Bach/Gounod is a popular and much-recorded setting of the Latin text Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach's The Well-Tempered Clavier, written 137 years earlier. (Wikipedia).This arrangement tries to keep both nice melody by Gounod and arpeggios with harmony written by Bach.Some other sax quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.stastnyjosef.cz
$8.99
Prelude and Fugue in C-minor BWV 549 for saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in C-minor B
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AMA Editions
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1308798 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1308798 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 18 pages. AMA Editions #898046. Published by AMA Editions (A0.1308798). J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement is for SATB saxophone quartet. The baritone saxophone requires a low A. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.
$15.00
Prelude 1 & Fugue 22 from The Well-Tempered Clavier Book 2 by J.S.Bach for Saxophone Quartet (2 Alto
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Prelude 1 & Fugue 22 from
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Stephen Davies
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SheetMusicPlus
Alto Saxophone - SKU: A0.1071031 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Concert,Standards. Accompaniment. Duration 471. ...
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Alto Saxophone - SKU: A0.1071031 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Concert,Standards. Accompaniment. Duration 471. Stephen Davies #5726803. Published by Stephen Davies (A0.1071031). In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like!This unusual combination of the Saxophone Quartet, ie 2 Altos & 2 Tenors is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2. The original keys of C Major & Bb Minor have been altered to best suit the range of the 2 Saxes. Also, an opportunity for the Baritone player to get the drinks in !! The Prelude 1 Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levinson, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end Good to play as well!! The Fugue 22 The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic. Also available here in Clarinet Quartet and Wind Quartet flavours!!
$1.99
Prelude No.1 & Fugue No.22 from The Well-Tempered Clavier Book 2 By J.S.Bach for Saxophone Quartet (
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Prelude No.1 & Fugue No.22
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.891943 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 34 pages. Stephen ...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.891943 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 34 pages. Stephen Davies #5724575. Published by Stephen Davies (A0.891943). In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! This unusual combination of the Saxophone Quartet, ie 2 Altos & 2 Tenors is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2. The original keys of C Major & Bb Minor have been altered to best suit the range of the 2 Saxes. Also, an opportunity for the Baritone player to get the drinks in !! The Prelude 1 Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levison, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end. Good to play as well!! The Fugue 22 The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic. Also available here in Clarinet Quartet and Wind Quartet (Flt/Ob/Clt/Bsn) flavours!!
$14.99
Minuet and Variations from String Quartet No. 1 op 8 by J. C. Bach
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Christian Bach
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Dennis Joseph Blackmon, II
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Minuet and Variations from Str
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SheetMusicPlus
Saxophone Quartet - Intermediate - Digital Download Composed by Johann Christian Bach (1735-1782). Arranged by Dennis Joseph Blackmon, II. Classical ...
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Saxophone Quartet - Intermediate - Digital Download Composed by Johann Christian Bach (1735-1782). Arranged by Dennis Joseph Blackmon, II. Classical Period. Score, Set of Parts. 13 pages. Published by Joe Blackmon
$7.99
Bach / Gounod: Ave Maria for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Charles Francois Gounod
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KateÅ™ina PavlÃková
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Bach / Gounod: Ave Maria for S
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Katerina Pavlikova
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.850248 Composed by Charles Fr...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.850248 Composed by Charles Francois Gounod. Arranged by KateÅ™ina PavlÃková. Romantic Period,Sacred. 12 pages. Katerina Pavlikova #6104129. Published by Katerina Pavlikova (A0.850248). Based on the Prelude of Prelude and Fugue in C major, BWV 846 by J. S. Bach, arranged for saxophone quartet by KateÅ™ina PavlÃková.
$7.99
Ave Maria - Gounod & Bach (for Saxophone Quartet SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Charles Francois Gounod
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Kenneth Abeling
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Ave Maria - Gounod & Bach
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.515069 Composed by Charles Francois Gounod. Arranged by Kenneth Abeling. Religious,Sacred,Weddin...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.515069 Composed by Charles Francois Gounod. Arranged by Kenneth Abeling. Religious,Sacred,Wedding. 10 pages. LINCOLN MUSIC PUBLICATIONS #4640393. Published by LINCOLN MUSIC PUBLICATIONS (A0.515069). Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Saxophone Quartet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
Bach - Air on the G String for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Cássio Silva Chaves
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Bach - Air on the G String for
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Cassio Silva
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.843691 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.843691 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Christian,Praise & Worship,Sacred,Wedding. 9 pages. Cassio Silva #6426121. Published by Cassio Silva (A0.843691).
$9.99
Fugue in C Major
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Luca Boscolo
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Fugue in C Major
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346087 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346087 Composed by Johann Sebastian Bach. Arranged by Luca Boscolo. Baroque,Chamber,Classical,Religious. 8 pages. Luca Boscolo e Marco De Lazzari #930942. Published by Luca Boscolo e Marco De Lazzari (A0.1346087). An arrangement of Fugue in C Major for saxophone quartet (soprano - alto - tenor - baritone).
$10.00
Two-part Invention In C
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Fernanda Moura
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Two-part Invention In C
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Fernanda Moura
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219224 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 16 pages. Fern...
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Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219224 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 16 pages. Fernanda Moura #815621. Published by Fernanda Moura (A0.1219224).
$12.99
Two-part Invention In C
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Fernanda Moura
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Two-part Invention In C
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Fernanda Moura
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219223 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 24 pages. Fern...
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Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219223 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 24 pages. Fernanda Moura #815620. Published by Fernanda Moura (A0.1219223).
$12.99
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