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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Virtualsheetmusic
Pertinence
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3147
PIANO & CLAVIERS
Piano seul
2121
Piano Facile
537
Orgue
259
Piano, Voix
219
2 Pianos, 4 mains
82
Piano, Voix et Guitare
58
1 Piano, 4 mains
45
Piano Trio: piano, violon, violoncelle
43
Clavecin
41
Orgue, Trompette (duo)
36
Instruments en Do
28
Accompagnement Piano
14
Orgue, Piano (duo)
12
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Accordéon
6
1 Piano, 6 mains
6
2 Orgues (duo)
4
Piano grosses notes
4
Instrument seul et Orgue
4
Ligne De Mélodie, Piano
1
2 Accordéons
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Piano (partie séparée)
1
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GUITARES
Guitare
346
Guitare notes et tablatures
339
2 Guitares (duo)
103
Ukulele
35
4 Guitares (Quatuor)
24
Basse electrique
19
3 Guitares (trio)
18
Ligne De Mélodie, (Paroles) et Accords
17
Piano, Guitare (duo)
13
Mandoline
12
Banjo
10
Dulcimer
3
2 Mandolines (duo)
1
Guitare Pedal Steel
1
2 Ukuleles
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
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VOIX
Chorale SATB
141
Chorale 3 parties
28
Chorale TTBB
15
Chorale 2 parties
10
Voix seule
9
Chorale Unison
8
Voix duo, Piano
8
Voix duo
7
Voix Soprano, Piano
6
Chorale SSAA
5
Chorale SSATB
2
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Chorale SSAB, Piano
1
Voix basse, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Chorale
1
Voix basse
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
332
Flûte traversière et Piano
297
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
250
2 Saxophones (duo)
232
2 Clarinettes (duo)
224
Quatuor de Clarinettes: 4 clarinettes
211
Flûte, Hautbois, Clarinette, Basson
198
2 Flûtes traversières (duo)
182
Clarinette et Piano
180
Flûte à Bec
176
Flûte et Guitare
146
Clarinette
138
Hautbois, Piano (duo)
137
Saxophone Alto et Piano
136
Quatuor de Flûtes : 4 flûtes
132
Quintette de Saxophone: 5 saxophones
131
Flûte traversière
122
3 Clarinettes (trio)
116
Saxophone Tenor et Piano
108
Saxophone (partie séparée)
102
Quatuor de Flûtes à bec
94
3 Flûtes à bec (trio)
93
3 Saxophones (trio)
91
Saxophone Soprano et Piano
91
Flûte, Clarinette (duo)
85
Saxophone Alto
80
Quintette de Clarinettes: 5 clarinettes
72
2 Flûte à bec (duo)
69
Trio de Flûtes: 3 flûtes
61
2 Hautbois (duo)
55
Clarinette, Basson (duo)
54
Quintette de Flûte : 5 flûtes
52
Hautbois (partie séparée)
51
Hautbois, Clarinette (duo)
48
Hautbois, Basson (duo)
47
Saxophone Baryton, Piano
45
Ensemble de Clarinettes
44
Ensemble de Flûtes
40
5 Flûtes à bec
38
Hautbois, Clarinette, Basson (trio d'anches)
37
Cor anglais, Piano
33
Clarinette, Violon (duo)
31
Flûte, Violoncelle
31
Flûte, Clarinette et Basson
30
Flûte, Violon
28
Flûte, Hautbois (duo)
27
Saxophone, Clarinette (duo)
24
Clarinette, Violoncelle (duo)
24
Clarinette Basse, Piano
24
Hautbois, violon (duo)
21
Saxophone, Violon (duo)
20
Flûte, Hautbois, Clarinette (trio)
19
Saxophone Tenor
19
Ensemble De Flûte à bec
19
Hautbois
18
Hautbois, Violoncelle
17
Ensemble de saxophones
17
Flûte à bec Alto
12
Flûte, Alto (duo)
12
Flûte, Violoncelle, Piano (trio)
12
Flûte, Hautbois, Basson
11
Flûte à bec Soprano
11
Saxophone
11
Clarinette, Guitare (duo)
11
Flute (partie séparée)
10
Flûte, Basson et Piano
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte, Trombone (duo)
10
Clarinette, Harpe (duo)
10
Flûte, Clarinette, Piano (trio)
10
4 Hautbois
10
2 Flûtes traversières, Piano
8
Hautbois, Flûte
7
Saxophone Soprano
7
Ensemble de Hautbois
7
2 Saxophones, Piano
7
Flûte à bec Tenor
7
Flûte à bec Soprano, Piano
6
Hautbois, Harpe
6
Clarinette (partie séparée)
6
Saxophone, Basson (duo)
6
Flûte, Violon et Violoncelle
6
3 Hautbois
5
Clarinette, Trombone (duo)
5
Cor Anglais
5
Flûte et Trio à cordes
5
Flûte à bec, Guitare (duo)
5
Flûte à bec Alto, Piano
5
Flûte irlandaise
4
Saxophone Baryton
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Violoncelle, Piano (trio)
4
Harmonica
4
Flûte, Saxophone (duo)
4
Flûte, Violon, Piano
4
Piccolo, Piano
4
Clarinette et Alto
3
Clarinette, Basson, Piano (trio)
3
Saxophone et violoncelle
3
Hautbois, trombone (duo)
2
Clarinette Basse
2
Saxophone et Piano
2
Flûte traversière, Orgue (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Clarinettes, Basson
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois et alto (duo)
2
Clarinette, Trompette (duo)
2
Instruments en Mib
2
Flûte, Alto et Violoncelle
1
Flûte, Tuba (duo)
1
Saxophone et Harpe
1
Flûte et Quatuor à Cordes
1
Saxophone et Guitare
1
Clarinette, Tuba
1
Flûte traversière, Orchestre
1
Flûte, Alto et Piano
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Violon
1
Flûte, trombone et piano
1
2 Flûtes traversières, Harpe
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Basse continue
1
Clarinette, trompette et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Violon, Piano
1
Flute, harpe et violon
1
Ensemble à vent
1
Flûte, Violoncelle, Guitare
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
270
Trompette, Piano
140
Trompette
106
Quatuor de Cuivres : 2 trompettes, trombone, tuba
99
Trombone
96
Trombone et Piano
95
2 Trompettes (duo)
83
Cor et Piano
82
2 Trombones (duo)
66
Trompette, Trombone (duo)
58
Cor
56
Ensemble de Trombones
55
Quatuor de cuivres: 4 trombones
54
2 Cors (duo)
46
Tuba
41
Tuba et Piano
38
Quatuor de Cuivres
36
Quatuor de cuivres: 4 cors
35
Cor anglais, Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Euphonium, Piano (duo)
30
Trompette, Saxophone (duo)
28
Trompette (partie séparée)
27
Trompette, Basson (duo)
23
Ensemble de Trompettes
21
Trompette, violon (duo)
18
Quatuor de cuivres: 4 trompettes
18
2 Tubas (duo)
18
3 Trombones (trio)
17
Trio de Cuivres
12
Trompette, Cor (duo)
12
4 Tubas
11
Trombone, Violon (duo)
10
3 Trompettes (trio)
10
Cor, Violoncelle (duo)
9
Euphonium, Tuba (duo)
9
Trompette, Violoncelle (duo)
9
Trombone, Cor (duo)
9
2 Euphoniums et 2 Tubas
8
3 Tubas (trio)
8
2 Trompettes, Clavier (piano ou orgue)
8
Euphonium
7
Ensemble de Cors
7
Cor, Tuba (duo)
6
Cor Anglais
5
3 Cors (trio)
5
Cor et Basson (duo)
4
Tuba et Orgue
4
Trombone basse
4
2 Euphoniums (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Tuba (duo)
3
Instruments en Sib
3
Trompette, Tuba (duo)
3
Bass Clef Instruments
2
Trombone, Orgue
2
Cor et Harpe
2
Trompette, Harpe
2
Trombone, Alto (duo)
1
Trompette, Orchestre
1
4 Euphoniums
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle et Piano
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Trombone, Piano
1
3 Euphoniums
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
700
Violon et Piano
321
Violon, Violoncelle (duo)
255
Violon
219
Violoncelle, Piano
210
Trio à Cordes: violon, alto, violoncelle
201
Alto, Piano
197
2 Violons (duo)
159
2 Violoncelles (duo)
142
Violon, Alto (duo)
141
Violoncelle (partie séparée)
102
Harpe
99
Alto seul
84
Alto, Violoncelle (duo)
77
2 Altos (duo)
71
Violoncelle
70
Trio à Cordes: 2 violons, violoncelle
47
Contrebasse, Piano (duo)
41
Quintette à cordes: 2 violons, alto, violoncelle, basse
40
4 Violoncelles
34
Trio à Cordes: 3 violoncelles
32
Contre Basse
28
Trio à cordes: 3 violins
26
Harpe, Flûte (duo)
24
Trio à cordes
24
Quatuor à cordes: 4 violons
24
Violon, Guitare (duo)
23
Alto (partie séparée)
23
Violon (partie séparée)
21
Violoncelle, Contrebasse (duo)
20
Alto et Basson
15
Violon, Basson (duo)
15
Violoncelle , Guitare (duo)
14
Trio à cordes: 3 altos
14
Harpe, Violon (duo)
14
2 Contrebasses (duo)
12
Violon, Orgue
12
Quatuor à cordes : 4 altos
11
Piano Trio: Violon, Alto, Piano
11
Alto, Guitare (duo)
9
2 Harpes (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
2 Violons, Piano
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violoncelles
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Violoncelle, Orgue
4
Ensemble d'Altos
4
Ensemble de Violons
4
2 Violoncelles, Piano
4
Violoncelle, Orchestre
3
Harpe, Violon, Violoncelle
3
Harpe et Piano
3
Harpe, Violoncelle (duo)
3
3 Contrebasses
2
Alto et Harpe
1
Violon, Tuba (duo)
1
Violon, Violoncelle, Clarinette
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
218
Orchestre d'harmonie
129
Ensemble de cuivres
115
Orchestre de chambre
86
Orchestre
31
Cloches
21
2 Marimbas
15
Quatuor à Vent : 4 instruments à vents
13
Ensemble de Percussions
12
Ensemble Jazz
9
Quintette à Vent
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Marimba
5
Vibraphone
5
Vibraphone et Marimba
2
Instrumentation Flexible
2
Xylophone, Piano
2
Batterie
1
Xylophone
1
Jazz combo
1
Orchestre, Violon
1
Fanfare
1
2 Xylophones
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Bach Baroque
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
332 partitions trouvées
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Arioso Bach Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by J…
(+)
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Arioso Bach Alto Saxophone Quartet
#
SheetMusicPlus
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download …
(+)
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
#
SheetMusicPlus
Arioso Bach Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$7.99
7.39 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
#
SheetMusicPlus
Arioso Bach Soprano Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed b…
(+)
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Arioso Bach Soprano Saxophone Quartet
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> <br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Bach Jesu, joy of man's desiring for Saxophone Quartet
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digit…
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Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.24 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
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SheetMusicPlus
Air On The G String (from Suite No.3 in D Major) (Bach) - Sax quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1205839 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 7 pages. Soul - Musical Creations #804026. Published by Soul - Musical Creations (A0.1205839). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
$9.99
9.24 €
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Quatuor de Saxophones: 4 saxophones
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André Alberto Santos
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André Alberto Santos
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Air On The G String
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Soul - Musical Creations
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SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.58 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.58 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.58 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.58 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Alto Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Bach: Air on G string (Sax quartet)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Dig…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Digital Download SKU: A0.493921 Composed by Johann Sebastian Bach. Arranged by Danillo Porto. A Cappella,Baroque,Classical,Praise & Worship,Wedding. 7 pages. Published by Porto, Dan (A0.493921). Composed by Johann Sebastian Bach (1685 - 1750). Baroque Period, Classical, Praise & Workship, A Capella, Wedding, Graduation, Recital, Ambience Music. Individual Part, Lead Sheet, Sax Quartet, Score, Set of Parts. 7 pages. Published by Danillo Porto. Johann Sebastian Bach - Air for G string BWV - 1068 #Air #SaxQuartet #Bach.
$4.99
4.61 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Danillo Porto
#
Bach: Air on G string
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Porto, Dan
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SheetMusicPlus
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
72.08 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Musik Fabrik Music Publishing
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SheetMusicPlus
Arioso Bach Tenor Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956776 Compo…
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Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956776 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Easter,Instructional,Sacred,World. 7 pages. Woods Only, Arrangements #6384917. Published by Woods Only, Arrangements (A0.956776). Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Woods Only
#
Arioso Bach Tenor Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
A Little Bach Suite - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.814812 Composed by Johann Sebastian Bach. Arranged by Richard E Brown. Baroque,Standards. 37 pages. Dacker Music #5982831. Published by Dacker Music (A0.814812). A Little Bach Suite presents some of the great Baroque master's most familiar melodies in a fun-to-play grade 3 saxophone quartet setting. Great concert and contest repertoire for advanced middle school and high school players. Grade 3 - Duration 7:40
$16.00
14.8 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Richard E Brown
#
A Little Bach Suite - Saxophone Quartet
#
Dacker Music
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Saxophone Quartet A A T T
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956826 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956826 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6408689. Published by Woods Only, Arrangements (A0.956826). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Woods Only
#
Bach Jesu, joy of man's desiring for Saxophone Quartet A A T T
#
Woods Only, Arrangements
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Tenor Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956806 Compo…
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Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956806 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6401127. Published by Woods Only, Arrangements (A0.956806). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Woods Only
#
Bach Jesu, joy of man's desiring for Tenor Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Saxophone Quartet T T B B
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956827 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956827 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6408693. Published by Woods Only, Arrangements (A0.956827). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.24 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Woods Only
#
Bach Jesu, joy of man's desiring for Saxophone Quartet T T B B
#
Woods Only, Arrangements
#
SheetMusicPlus
Bach Jesu, joy of man's desiring for Saxophone Quartet A A T B
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956825 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956825 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6408687. Published by Woods Only, Arrangements (A0.956825). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.24 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Woods Only
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Bach Jesu, joy of man's desiring for Saxophone Quartet A A T B
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Woods Only, Arrangements
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.67 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.67 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.67 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.67 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.94 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Sax Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.96 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
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