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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bach - Traditional
Non classifié
5 177
Piano & claviers
Piano seul
5 447
Piano Facile
958
Piano, Voix
763
Orgue
741
Piano, Voix et Guitare
441
1 Piano, 4 mains
112
Instruments en Do
101
Accordéon
100
Accompagnement Piano
99
2 Pianos, 4 mains
99
Piano Trio: piano, violon, violoncelle
67
Clavecin
49
Orgue, Trompette (duo)
41
Orgue, Piano (duo)
19
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
15
Piano grosses notes
11
2 Orgues (duo)
6
1 Piano, 6 mains
6
Clavier
5
Instrument seul et Orgue
4
2 Pianos, 8 mains
3
Piano (partie séparée)
3
Ligne De Mélodie, Piano
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
2 Accordéons
1
Accordéon, Voix
1
+ 23 instrumentations
Retracter
Guitares
Guitare
623
Guitare notes et tablatures
621
Ligne De Mélodie, (Paroles) et Accords
165
2 Guitares (duo)
123
Ukulele
90
Basse electrique
62
Banjo
44
4 Guitares (Quatuor)
38
Paroles et Accords
37
3 Guitares (trio)
33
Mandoline
21
Ensemble de guitares
17
Piano, Guitare (duo)
17
Dulcimer
7
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Guitare (duo)
2
2 Ukuleles
2
2 Mandolines (duo)
2
Guitare Pedal Steel
1
Partitions De Groupes
1
Orchestre à Plectres
1
Luth
1
Mandoline, Piano (duo)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
528
Chorale 3 parties
261
Voix seule
197
Chorale TTBB
98
Chorale 2 parties
77
Chorale SSAA
60
Pack Instrumental pour Chorale
36
Chorale Unison
34
Chorale
34
Voix Tenor, Piano
26
Voix Soprano, Piano
22
Voix duo, Piano
19
Voix duo
17
Voix haute
16
Voix Alto, Piano
12
Chorale SSATB
10
Voix basse, Piano
8
Voix moyenne, Piano
8
Chorale SSAB a cappella
6
Voix Mezzo-Soprano, Piano
4
Voix Tenor
4
Voix Baryton, Piano
4
Chorale, Orgue
3
Voix Moyenne
2
Chorale SSAATTBB
2
Chorale SSATTB
1
Chorale SSAB, Piano
1
Chorale SSAATB
1
Voix, Guitare
1
Voix Soprano
1
Voix basse
1
Chorale SATTBB, Clavier
1
Voix haute, Piano
1
+ 28 instrumentations
Retracter
Vents
Flûte traversière et Piano
479
Quatuor de Saxophones: 4 saxophones
416
Flûte traversière
385
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
340
Clarinette et Piano
314
Clarinette
289
2 Saxophones (duo)
278
2 Clarinettes (duo)
275
Quatuor de Clarinettes: 4 clarinettes
266
2 Flûtes traversières (duo)
259
Flûte, Hautbois, Clarinette, Basson
237
Saxophone Alto et Piano
228
Flûte à Bec
215
Hautbois, Piano (duo)
208
Flûte et Guitare
180
Saxophone Tenor et Piano
177
Saxophone Alto
169
Quintette de Saxophone: 5 saxophones
156
Quatuor de Flûtes : 4 flûtes
155
Saxophone (partie séparée)
154
Saxophone Tenor
140
3 Clarinettes (trio)
132
Quatuor de Flûtes à bec
130
Saxophone Soprano et Piano
127
Flûte, Clarinette (duo)
105
Quintette de Clarinettes: 5 clarinettes
103
Hautbois (partie séparée)
101
3 Saxophones (trio)
94
3 Flûtes à bec (trio)
90
Clarinette (partie séparée)
81
Saxophone
74
2 Flûte à bec (duo)
66
Trio de Flûtes: 3 flûtes
65
Ensemble de Clarinettes
62
Hautbois, Basson (duo)
58
Quintette de Flûte : 5 flûtes
57
Saxophone Baryton, Piano
57
Hautbois
55
Ensemble de Flûtes
55
2 Hautbois (duo)
55
Clarinette, Basson (duo)
51
Hautbois, Clarinette (duo)
48
Flute (partie séparée)
44
Hautbois, Clarinette, Basson (trio d'anches)
43
Cor anglais, Piano
43
5 Flûtes à bec
38
Clarinette Basse, Piano
37
Flûte, Violon
35
Flûte, Clarinette et Basson
35
Clarinette, Violon (duo)
34
Flûte, Violoncelle
30
Ensemble de saxophones
29
Clarinette, Violoncelle (duo)
26
Flûte, Hautbois (duo)
26
Saxophone, Clarinette (duo)
24
Flûte à bec Soprano
24
Flûte, Trompette (duo)
23
Hautbois, violon (duo)
23
Flûte, Hautbois, Clarinette (trio)
23
Flûte à bec Alto
20
Saxophone, Violon (duo)
19
Flûte, Hautbois, Basson
19
Ensemble De Flûte à bec
19
Hautbois, Trompette (duo)
17
Flûte, Trombone (duo)
16
Saxophone Soprano
16
Hautbois, Violoncelle
15
Flûte, Violon, Piano
15
Flûte, Violoncelle, Piano (trio)
14
Clarinette, Guitare (duo)
13
Cor Anglais
13
Flûte, Alto (duo)
13
Instruments en Mib
12
Harmonica
11
2 Flûtes traversières, Piano
11
Clarinette, Harpe (duo)
10
Flûte à bec Alto, Piano
10
4 Hautbois
10
Piccolo, Piano
9
Flûte, Basson et Piano
9
Hautbois, Flûte
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Clarinette, Trombone (duo)
9
Flûte, Clarinette, Piano (trio)
9
Flûte à bec Soprano, Piano
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
2 Cors Anglais Et Pianoforte
8
Flûte, Violon et Violoncelle
7
Ensemble de Hautbois
7
2 Saxophones, Piano
7
Flûte à bec Tenor
7
Flûte irlandaise
6
Saxophone, Basson (duo)
6
Flûte et Trio à cordes
5
Flûte, Saxophone (duo)
5
3 Hautbois
5
Hautbois, Harpe
5
Flûte à bec, Guitare (duo)
5
Flute, harpe et violon
4
Ensemble à vent
4
Saxophone et Orgue
4
Flûte à Bec, Piano
4
Clarinette et Alto
4
Clarinette Basse
4
2 Clarinettes, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Saxophone Baryton
4
Flûte traversière, Orgue (duo)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Ocarina
3
Flûte traversière, Basse continue
3
2 Clarinettes, Basson
3
Saxophone et violoncelle
3
Flûte et Quatuor à Cordes
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flûte, Hautbois, Piano (trio)
3
Saxophone et Piano
3
2 Flûtes à bec, Piano
2
Hautbois et alto (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Violon, Piano
2
Saxophone et Guitare
2
Flûte, Hautbois, Violon
2
Flûte, Tuba (duo)
2
Hautbois, trombone (duo)
2
Hautbois, Quatuor à cordes
2
Clarinette, Orgue
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orchestre
1
Flûte à bec, Harpe
1
Hautbois, Guitare (duo)
1
Hautbois, Basson et Piano
1
Flûte, Alto et Violoncelle
1
Clarinette, Tuba
1
Flûte, trombone et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes traversières, Harpe
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Guitare
1
+ 139 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
391
Trompette
227
Trompette, Piano
212
Trombone
191
Trombone et Piano
156
Quatuor de Cuivres : 2 trompettes, trombone, tuba
139
Cor
131
Cor et Piano
113
2 Trompettes (duo)
98
Trompette (partie séparée)
95
Trombone (partie séparée)
81
2 Trombones (duo)
73
Quatuor de cuivres: 4 trombones
72
Quatuor de Cuivres
66
Tuba et Piano
63
Trompette, Trombone (duo)
61
Ensemble de Trombones
60
Tuba
57
Euphonium, Piano (duo)
52
2 Euphoniums et 2 Tubas
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Quatuor de cuivres: 4 cors
44
2 Cors (duo)
44
Cor anglais, Piano
43
Cor (partie séparée)
39
Ensemble de Trompettes
37
4 Tubas
33
Euphonium
28
Trompette, Saxophone (duo)
27
Tuba (partie séparée)
23
Trio de Cuivres
22
3 Trombones (trio)
22
Trompette, violon (duo)
19
Trombone, violoncelle (duo)
19
2 Tubas (duo)
18
Trompette, Basson (duo)
18
Quatuor de cuivres: 4 trompettes
15
Instruments en Sib
13
Cor Anglais
13
Trompette, Cor (duo)
12
Euphonium, Tuba (duo)
11
3 Trompettes (trio)
11
Trombone, Violon (duo)
10
2 Trompettes, Clavier (piano ou orgue)
10
2 Euphoniums (duo)
9
Bass Clef Instruments
9
Trompette, Tuba (duo)
9
2 Cors Anglais Et Pianoforte
8
Ensemble de Cors
7
Cor, Violoncelle (duo)
7
3 Tubas (trio)
6
Cornet A Pistons
6
Trombone, Cor (duo)
6
Trompette, Violoncelle (duo)
5
3 Cors (trio)
5
Trombone basse
5
Cor, Tuba (duo)
5
Trombone basse et Piano
5
Ensemble de Tubas
4
Tuba et Orgue
4
Trombone, Tuba (duo)
4
Trompette, Trombone, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
3
Trombone, Orgue
2
Cor et Orgue
2
3 Euphoniums
2
Trombone, Alto (duo)
1
4 Euphoniums
1
Trompette, Orchestre
1
Cor et Basson (duo)
1
Trompette, Harpe
1
Cor, Violoncelle et Piano
1
Cor et Harpe
1
+ 69 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 042
Violon et Piano
553
Violon
540
Violoncelle
410
Violoncelle, Piano
342
Alto seul
305
Violon, Violoncelle (duo)
297
Alto, Piano
294
Trio à Cordes: violon, alto, violoncelle
241
Violon (partie séparée)
205
2 Violons (duo)
202
2 Violoncelles (duo)
172
Violon, Alto (duo)
168
Harpe
153
Alto, Violoncelle (duo)
90
2 Altos (duo)
89
Trio à Cordes: 2 violons, violoncelle
72
Alto (partie séparée)
64
Quintette à cordes: 2 violons, alto, violoncelle, basse
59
Violoncelle (partie séparée)
59
Contre Basse
56
Contrebasse, Piano (duo)
53
4 Violoncelles
52
Contrebasse (partie séparée)
50
Trio à cordes
37
Trio à cordes: 3 violins
36
Trio à Cordes: 3 violoncelles
35
Violon, Guitare (duo)
34
Quatuor à cordes: 4 violons
31
Harpe, Flûte (duo)
28
Violoncelle , Guitare (duo)
24
Piano Trio: Violon, Alto, Piano
18
Violoncelle, Contrebasse (duo)
18
2 Violons, Piano
17
Quatuor à cordes : 4 altos
17
Violoncelle et Marimba
15
Violon, Basson (duo)
14
Trio à cordes: 3 altos
14
Harpe, Violon (duo)
14
2 Contrebasses (duo)
13
Alto et Basson
12
Trio à Cordes: 2 violons, alto
12
Alto, Guitare (duo)
12
Violon, Orgue
12
2 Harpes (duo)
11
2 Violoncelles, Piano
11
Ensemble de Violoncelles
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
2 Altos, Piano
5
Harpe et Piano
4
Violoncelle, Orgue
4
4 Contrebasses
4
Ensemble de Violons
4
Ensemble d'Altos
4
Harpe, Violon, Violoncelle
4
Violoncelle, Orchestre
3
Harpe, Voix
2
Flûte, Contrebasse (duo)
2
3 Contrebasses
2
Violon, Tuba (duo)
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Harpe, Violoncelle (duo)
1
2 Violons et Basse continue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
429
Orchestre d'harmonie
402
Orchestre
289
Ensemble de cuivres
149
Orchestre de chambre
140
Cloches
89
Ensemble Jazz
87
Batterie
39
Marimba
26
Fanfare
24
Percussion
22
Percussion (partie séparée)
17
Ensemble de Percussions
16
Timbales (partie séparée)
16
Jazz combo
16
2 Marimbas
15
Quatuor à Vent : 4 instruments à vents
14
Quintette à Vent
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Vibraphone
7
Xylophone, Piano
7
Batterie (partie séparée)
5
Instrumentation Flexible
5
Vibraphone (partie séparée)
5
Xylophone
2
Vibraphone et Marimba
2
Orchestre, Violon
1
Big band
1
2 Xylophones
1
+ 24 instrumentations
Retracter
Autres
Formation musicale - Solfège
5
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORCHESTRE
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Bach - Traditional
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
416 partitions trouvées
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Arioso Bach Alto Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Arioso Bach Alto Saxophone Qua
#
SheetMusicPlus
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, E...
(+)
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
#
Quatuor de Saxophones: 4 saxophones
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
#
SheetMusicPlus
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sac...
(+)
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Arioso Bach Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
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SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685...
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$7.99
Arioso Bach Soprano Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Arioso Bach Soprano Saxophone
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SheetMusicPlus
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European...
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Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Bach Jesu, joy of man's desiring for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685...
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, da ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christ...
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Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, da ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Bach: Wachet auf for Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quart
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Six Partitas Complete BW
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434546 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434546 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 475 pages. Jmsgu3 #1014683. Published by jmsgu3 (A0.1434546). The Partitas, BWV 825-830, are a set of six keyboard suites composed by Johann Sebastian Bach and published in 1731 as his Opus 1, the first of his works to be published under his direction. They were among the last keyboard suites Bach composed, written between 1725 and 1731, after the English and French Suites. Each partita consists of a series of dances, typically opening with a prelude-like movement followed by an Allemande, Courante, Sarabande, and Gigue, with additional dances inserted. The tonalities of the six partitas form an ascending and descending pattern of intervals, starting and ending with keys related to Bach's name (B-flat and B). Bach supervised the publication, initially publishing them separately before compiling them into the 1731 Clavier-Übung collection. Many surviving printed copies contain handwritten annotations, some likely stemming from Bach himself, providing insights into the composer's final intentions. They are among Bach's greatest keyboard works, demonstrating mastery of counterpoint, expression, and the instrument's technical capabilities. The partitas range widely in character, from the poetic No. 1 in B-flat to the monumental tragic No. 6 in E minor. So, the Partitas represent the culmination of Bach's genius for keyboard composition and his final thoughts on the dance suite genre.YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRDEAJI68McqwUGB6XPMvGHl.
$128.85
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
Bach: Partita No. 6 BWV 830 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 6 BWV 830 fo
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434539 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1434539 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 114 pages. Jmsgu3 #1014672. Published by jmsgu3 (A0.1434539). BACH: Partita No. 6 BWV 830 Contents: Toccata, Allemande, Courante, Air, Sarabande, Gavotta, Gigue. The Partita No. 6 is the last and most complex of Bach's six partitas published as part of his Clavier-Übung I. It is considered Bach's greatest suite and the crowning work of the set, featuring some of the most dramatic and ambitious writing in his keyboard repertoire. The partita consists of seven movements, all in the key of E minor. It opens with a lengthy and virtuosic toccata-like movement, followed by an allemande, corrente, sarabande, tempo di gavotta, gigue, and an air. The sarabande movement is renowned, described as a pure lamento and perhaps the most intensely expressive piece in all of Bach's works for harpsichord. The final gigue movement returns to the very origins of the French suite itself with an archaic yet modern style. Overall, Partita No. 6 is the pinnacle of Bach's keyboard suite compositions, showcasing his mastery of counterpoint, virtuosity, and emotional expression.
$42.95
Jesu, Joy of Man’s Desiring for Baritone Saxophone Quartet by Bach BWV 147
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Jesu, Joy of Man’s Desir
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1410429 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1410429 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992845. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410429). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a baritone saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Jesu, Joy of Man’s Desiring for Alto Saxophone Quartet by Bach BWV 147
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Jesu, Joy of Man’s Desir
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1410427 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1410427 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992843. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410427). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a alto saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Jesu, Joy of Man’s Desiring for Tenor Saxophone Quartet by Bach BWV 147
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Jesu, Joy of Man’s Desir
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1410428 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1410428 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992844. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410428). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a tenor saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Jesu, Joy of Man’s Desiring for Saxophone Quartet by Bach BWV 147
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Jesu, Joy of Man’s Desir
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1410394 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1410394 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992808. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410394). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Air On The G String (from Suite No.3 in D Major) (Bach) - Sax quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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André Alberto Santos
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André Alberto Santos
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Air On The G String
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Soul - Musical Creations
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1205839 By André Alberto ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1205839 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 7 pages. Soul - Musical Creations #804026. Published by Soul - Musical Creations (A0.1205839). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
$9.99
Ave Maria (Bach/Gounod)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and Char
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Josef STASTNY
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Ave Maria
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Josef STASTNY
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743271 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743271 Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Josef STASTNY. Baroque,Holiday,Romantic Period,Sacred,Wedding. 6 pages. Josef STASTNY #3228455. Published by Josef STASTNY (A0.743271). The Ave Maria by Bach/Gounod is a popular and much-recorded setting of the Latin text Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach's The Well-Tempered Clavier, written 137 years earlier. (Wikipedia).This arrangement tries to keep both nice melody by Gounod and arpeggios with harmony written by Bach.Some other sax quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.stastnyjosef.cz
$8.99
'Contrapunctus 19' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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'Contrapunctus 19' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 49 pages. Stephen Davies #3480611. Published by Stephen Davies (A0.891915). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close! This Saxophone version is particularly LOUD!!, so, go make some noise!!
$14.99
Bach: English Suite No. 4, BWV 809, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 4, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414284 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414284 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #996057. Published by jmsgu3 (A0.1414284). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: English Suite No. 5, BWV 810, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 5, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414906 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414906 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 63 pages. Jmsgu3 #996653. Published by jmsgu3 (A0.1414906). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 6, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1415704 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1415704 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 83 pages. Jmsgu3 #997410. Published by jmsgu3 (A0.1415704). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
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