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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Musicnotes
Note4Piano
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Profs-edition
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SheetMusicPlus
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Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
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difficulté (tous)
débutant
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Non classifié
1759
PIANO & CLAVIERS
Piano seul
1785
Piano Facile
297
Piano, Voix
270
Piano, Voix et Guitare
143
Orgue
131
Accompagnement Piano
57
Accordéon
56
1 Piano, 4 mains
45
Instruments en Do
38
2 Pianos, 4 mains
30
Piano Trio: piano, violon, violoncelle
15
Clavecin
7
Orgue, Piano (duo)
6
Orgue, Trompette (duo)
6
Piano grosses notes
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavier
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare
236
Guitare notes et tablatures
133
Ligne De Mélodie, (Paroles) et Accords
85
Ukulele
40
Basse electrique
28
Banjo
24
2 Guitares (duo)
23
Ensemble de guitares
14
Piano, Guitare (duo)
10
Paroles et Accords
10
4 Guitares (Quatuor)
9
Mandoline
5
3 Guitares (trio)
4
2 Ukuleles
1
2 Mandolines (duo)
1
Ukulele Baryton
1
Instrumentations suivantes
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VOIX
Chorale SATB
206
Chorale 3 parties
148
Voix seule
111
Chorale TTBB
34
Chorale 2 parties
33
Chorale Unison
22
Chorale SSAA
21
Voix Tenor, Piano
20
Chorale
20
Voix Soprano, Piano
10
Voix haute
8
Voix Alto, Piano
7
Voix Tenor
4
Chorale SSATB
3
Voix moyenne, Piano
3
Voix duo, Piano
3
Chorale SSAB a cappella
2
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
1
Voix basse
1
Voix Soprano
1
Voix duo
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
222
Flûte traversière
222
Flûte traversière et Piano
197
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
181
Clarinette et Piano
130
Clarinette
129
Flûte, Hautbois, Clarinette, Basson
128
2 Saxophones (duo)
107
Quatuor de Clarinettes: 4 clarinettes
105
Hautbois, Piano (duo)
87
Quintette de Saxophone: 5 saxophones
86
Saxophone Alto et Piano
84
2 Flûtes traversières (duo)
72
Saxophone Tenor et Piano
66
Saxophone Alto
66
2 Clarinettes (duo)
65
Saxophone
58
Quatuor de Flûtes : 4 flûtes
46
3 Clarinettes (trio)
44
Quintette de Clarinettes: 5 clarinettes
43
3 Saxophones (trio)
41
Saxophone Tenor
40
Saxophone Soprano et Piano
40
Flûte à Bec
39
Quintette de Flûte : 5 flûtes
39
Flûte et Guitare
37
2 Flûte à bec (duo)
36
Quatuor de Flûtes à bec
34
Ensemble de Clarinettes
32
Hautbois
31
Flûte, Clarinette (duo)
29
Saxophone (partie séparée)
28
Cor anglais, Piano
26
Saxophone Baryton, Piano
26
Trio de Flûtes: 3 flûtes
26
2 Hautbois (duo)
24
Ensemble de Flûtes
23
Hautbois (partie séparée)
21
Ensemble de saxophones
20
Clarinette, Basson (duo)
18
Flûte à bec Soprano
17
Hautbois, Basson (duo)
15
Flûte, Violoncelle
13
Flûte, Clarinette et Basson
13
Hautbois, Clarinette, Basson (trio d'anches)
11
Hautbois, Clarinette (duo)
10
Clarinette Basse, Piano
10
Hautbois, Violoncelle
9
Flûte, Hautbois, Clarinette (trio)
9
Clarinette, Harpe (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Harmonica
8
4 Hautbois
8
Clarinette, Violoncelle (duo)
8
Saxophone Soprano
7
Flûte à bec Alto
7
Ensemble de Hautbois
6
Clarinette, Violon (duo)
5
Flûte, Hautbois, Basson
5
3 Flûtes à bec (trio)
5
Flûte à bec Tenor
5
Hautbois, Harpe
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Guitare (duo)
5
Flûte à bec Alto, Piano
5
Flûte, Violon
4
Saxophone et Orgue
4
Flûte, Alto (duo)
4
Piccolo, Piano
4
Saxophone, Clarinette (duo)
3
Cor Anglais
3
Saxophone Baryton
3
Clarinette et Alto
2
Flûte, Violoncelle, Guitare
2
Clarinette (partie séparée)
2
Flûte traversière, Basse continue
2
Flute, harpe et violon
2
Flûte et Trio à cordes
2
Flûte, Clarinette, Piano (trio)
2
Ensemble De Flûte à bec
2
2 Saxophones, Piano
2
Ocarina
2
Flûte à bec Soprano, Piano
2
Flûte à Bec, Piano
2
Clarinette, Trompette (duo)
2
Flute (partie séparée)
2
2 Flûtes traversières, Piano
2
Flûte, Basson et Piano
1
Flûte à bec, Guitare (duo)
1
Hautbois, Flûte
1
Hautbois et alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Orgue
1
Piccolo
1
Hautbois, violon (duo)
1
Saxophone et Harpe
1
2 Cors Anglais Et Pianoforte
1
Flûte, Trompette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Guitare
1
Flûte, Saxophone (duo)
1
Flûte, Violon et Violoncelle
1
Saxophone, Violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trombone (duo)
1
Flûte irlandaise
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
142
Trompette
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trompette, Piano
73
Trombone
68
Trombone et Piano
61
Cor et Piano
50
Cor
48
Ensemble de Trombones
35
2 Trombones (duo)
35
Ensemble de Trompettes
34
2 Trompettes (duo)
33
Quatuor de cuivres: 4 trombones
27
Quatuor de Cuivres
27
Cor anglais, Piano
26
Euphonium, Piano (duo)
23
2 Cors (duo)
23
Tuba
22
Trompette, Trombone (duo)
22
Tuba et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
2 Tubas (duo)
14
Quatuor de cuivres: 4 trompettes
13
Euphonium
12
3 Trombones (trio)
11
Trompette, Cor (duo)
11
Quatuor de cuivres: 4 cors
9
Trompette (partie séparée)
6
Ensemble de Cors
6
3 Cors (trio)
6
3 Tubas (trio)
6
Trompette, Violoncelle (duo)
6
Trompette, Basson (duo)
5
2 Euphoniums et 2 Tubas
5
4 Tubas
5
Cor, Violoncelle (duo)
5
Trombone, Cor (duo)
4
Tuba et Orgue
3
Cor (partie séparée)
3
Trompette, Saxophone (duo)
3
Cor Anglais
3
Trombone (partie séparée)
3
3 Trompettes (trio)
3
Cor et Basson (duo)
3
2 Euphoniums (duo)
3
Trompette, violon (duo)
2
Tuba (partie séparée)
2
Euphonium, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trio de Cuivres
2
Cor et Orgue
1
Trompette, Harpe
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
3 Euphoniums
1
4 Euphoniums
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
Cor et Harpe
1
Cor, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
354
Violon
280
Violon et Piano
180
Alto seul
163
Violoncelle
146
Violoncelle, Piano
144
Violon, Violoncelle (duo)
129
Alto, Piano
123
Trio à Cordes: violon, alto, violoncelle
81
2 Violons (duo)
64
2 Violoncelles (duo)
63
Harpe
55
Violoncelle (partie séparée)
54
Violon, Alto (duo)
34
2 Altos (duo)
26
Contre Basse
25
Contrebasse, Piano (duo)
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Alto, Violoncelle (duo)
22
Trio à Cordes: 2 violons, violoncelle
19
Violon (partie séparée)
14
Quatuor à cordes: 4 violons
14
4 Violoncelles
14
Violon, Guitare (duo)
14
Harpe, Flûte (duo)
13
Alto (partie séparée)
13
Trio à cordes: 3 violins
9
Trio à Cordes: 3 violoncelles
9
Violoncelle , Guitare (duo)
7
2 Contrebasses (duo)
7
Harpe, Violon (duo)
7
Violon, Basson (duo)
5
Trio à cordes: 3 altos
5
Quatuor à cordes : 4 altos
5
Alto et Basson
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Contrebasse (duo)
4
Violon, Orgue
3
Trio à Cordes: 2 violons, alto
3
Contrebasse (partie séparée)
3
Ensemble d'Altos
3
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
2
Ensemble de Violons
2
2 Violoncelles, Piano
2
2 Harpes (duo)
2
2 Violons, Piano
2
Trio à cordes
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Basse continue
1
Alto et Harpe
1
3 Harpes
1
Violoncelle, Orgue
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
200
Orchestre d'harmonie
156
Orchestre
152
Ensemble de cuivres
62
Orchestre de chambre
52
Cloches
47
Batterie
28
Ensemble Jazz
18
Percussion
13
Jazz combo
8
Vibraphone
5
Fanfare
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba
4
Ensemble de Percussions
3
2 Xylophones
3
Percussion (partie séparée)
2
Xylophone, Piano
1
Batterie (partie séparée)
1
Xylophone
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Bach to Bach
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
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201
Bach to Bach
Quatuor de Saxophones: 4 saxophones
By Johann Sebastian Bach / C.P.E. Bach. Arranged by Robert Stanton. For Saxophone Quartet …
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By Johann Sebastian Bach / C.P.E. Bach. Arranged by Robert Stanton. For Saxophone Quartet (SATB). Quartet music. Score and parts. Published by Cimarron Music Press
$18.00
16.49 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach / C
#
Robert Stanton
#
Bach to Bach
#
Cimarron Music Press
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.5 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: The Six French Suites Complete for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 261 pages. Jmsgu3 #989925. Published by jmsgu3 (A0.1407234). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$98.85
90.55 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: The Six French Suites Complete for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 43 pages. Jmsgu3 #989901. Published by jmsgu3 (A0.1407218). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.5 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 20 pages. Jmsgu3 #989498. Published by jmsgu3 (A0.1406743). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.18 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407094 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 42 pages. Jmsgu3 #989793. Published by jmsgu3 (A0.1407094). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.5 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #989877. Published by jmsgu3 (A0.1407178). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.18 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #987854. Published by jmsgu3 (A0.1404790). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.18 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1404877 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 44 pages. Jmsgu3 #987907. Published by jmsgu3 (A0.1404877). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.5 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405387 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 39 pages. Jmsgu3 #988441. Published by jmsgu3 (A0.1405387). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.5 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988142. Published by jmsgu3 (A0.1405104). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.18 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988834. Published by jmsgu3 (A0.1405778). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
30.18 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405907 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 34 pages. Jmsgu3 #988957. Published by jmsgu3 (A0.1405907). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.5 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1434546 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 475 pages. Jmsgu3 #1014683. Published by jmsgu3 (A0.1434546). The Partitas, BWV 825-830, are a set of six keyboard suites composed by Johann Sebastian Bach and published in 1731 as his Opus 1, the first of his works to be published under his direction. They were among the last keyboard suites Bach composed, written between 1725 and 1731, after the English and French Suites. Each partita consists of a series of dances, typically opening with a prelude-like movement followed by an Allemande, Courante, Sarabande, and Gigue, with additional dances inserted. The tonalities of the six partitas form an ascending and descending pattern of intervals, starting and ending with keys related to Bach's name (B-flat and B). Bach supervised the publication, initially publishing them separately before compiling them into the 1731 Clavier-Übung collection. Many surviving printed copies contain handwritten annotations, some likely stemming from Bach himself, providing insights into the composer's final intentions. They are among Bach's greatest keyboard works, demonstrating mastery of counterpoint, expression, and the instrument's technical capabilities. The partitas range widely in character, from the poetic No. 1 in B-flat to the monumental tragic No. 6 in E minor. So, the Partitas represent the culmination of Bach's genius for keyboard composition and his final thoughts on the dance suite genre.YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRDEAJI68McqwUGB6XPMvGHl.
$128.85
118.03 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Arioso Bach Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by J…
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Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.15 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Arioso Bach Alto Saxophone Quartet
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SheetMusicPlus
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download …
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Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.15 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
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SheetMusicPlus
Arioso Bach Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$7.99
7.32 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Arioso Bach Saxophone Quartet
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SheetMusicPlus
Arioso Bach Soprano Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed b…
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Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.15 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Arioso Bach Soprano Saxophone Quartet
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SheetMusicPlus
Bach Jesu, joy of man's desiring for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> <br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.15 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiring for Saxophone Quartet
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SheetMusicPlus
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digit…
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Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.15 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
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SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.3 €
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Quatuor de Saxophones: 4 saxophones
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
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Ander
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5 Famous Songs by Bach for Baritone Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
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