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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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Back To Life
Non classifié
222
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350
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69
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57
Piano Facile
50
Instruments en Do
36
Accordéon
19
1 Piano, 4 mains
7
Orgue
4
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Piano grosses notes
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Basse electrique
39
Guitare notes et tablatures
32
Guitare
32
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12
Ukulele
6
Banjo
2
Paroles et Accords
1
Guitare (partie séparée)
1
Dulcimer
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Mandoline
1
+ 8 instrumentations
Retracter
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Voix seule
89
Chorale SATB
68
Chorale 3 parties
15
Chorale TTBB
11
Chorale 2 parties
11
Voix Baryton, Piano
4
Chorale Unison
3
Voix Soprano, Piano
2
Voix Alto, Piano
2
Voix duo, Piano
2
Chorale SSAA
2
Chorale SSATB
1
Voix duo
1
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1
Voix haute
1
+ 10 instrumentations
Retracter
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Saxophone
146
Clarinette
56
Flûte traversière
56
Flûte traversière et Piano
20
Clarinette et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Flûte à Bec, Piano
13
Saxophone Alto
10
Quintette de Saxophone: 5 saxophones
9
Flûte à Bec
8
Hautbois, Piano (duo)
8
Saxophone Tenor
7
Saxophone Tenor et Piano
7
Saxophone (partie séparée)
6
Saxophone Soprano
5
Saxophone Alto et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Hautbois
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Ensemble de Flûtes
4
2 Flûtes traversières (duo)
3
Clarinette, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Hautbois (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
Ensemble de saxophones
2
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble De Flûte à bec
1
Hautbois, Violoncelle
1
Saxophone Baryton, Piano
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette, Piano (trio)
1
Ensemble de Clarinettes
1
Trio de Flûtes: 3 flûtes
1
+ 42 instrumentations
Retracter
Cuivres
Trompette
60
Trombone
54
Trombone et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor
5
Trombone (partie séparée)
5
Trompette (partie séparée)
4
Trompette, Piano
4
Euphonium
4
Quatuor de Cuivres
3
Tuba
3
Euphonium, Piano (duo)
3
Cor et Piano
3
Tuba et Piano
2
Trio de Cuivres
2
Ensemble de Cors
2
Trompette, Basson (duo)
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone (duo)
1
+ 19 instrumentations
Retracter
Cordes
Violon
35
Violoncelle
30
Quatuor à cordes: 2 violons, alto, violoncelle
26
Alto seul
22
Contre Basse
14
Violon et Piano
11
Violoncelle, Piano
9
Alto, Piano
9
Violon, Violoncelle (duo)
8
Trio à Cordes: violon, alto, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe
3
Contrebasse, Piano (duo)
2
4 Violoncelles
2
2 Violons (duo)
2
Alto (partie séparée)
2
Contrebasse (partie séparée)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
85
Batterie
37
Orchestre
36
Orchestre à Cordes
17
Ensemble Jazz
14
Orchestre de chambre
7
Ensemble de cuivres
4
Cloches
3
Marimba
3
Jazz combo
3
Ensemble de Percussions
2
Vibraphone et Marimba
1
Batterie (partie séparée)
1
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Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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Crtitères actifs :
Back To Life
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
13 partitions trouvées
<
1
In My Life
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Joseph Judge
#
In My Life
#
School Ensemble Music
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1181035 By The Beatles. By J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1181035 By The Beatles. By John Lennon and Paul McCartney. Arranged by Joseph Judge. Chamber,Rock. 11 pages. School Ensemble Music #780866. Published by School Ensemble Music (A0.1181035). In My Life, The Beatles, 2:56, for saxophone quartet. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This famous song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$14.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Farewell
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Bob Rowe
#
Farewell
#
Bob Rowe
#
SheetMusicPlus
Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1106836 By Bob Rowe. By Bob Rowe. This edition: Interactive Download....
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Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1106836 By Bob Rowe. By Bob Rowe. This edition: Interactive Download. Classical. Octavo. 9 pages. Duration 100. Bob Rowe #3QiZ6fpcJFbt3DLYdjGF8G. Published by Bob Rowe (A0.1106836). Key: E major.Text Farewell to those who have done me wrong. Farewell to those who have gave me joy. Farwell to those who have broken my heart. Farewell to those who have stayed in my heart. I wrote this poem back in August of 2017. I just started my senior year of high school. Farwell was a way of not only saying goodbye to my classmates but saying goodbye to a finishing chapter in my life and hello to a new chapter in my life-college and adulthood. When I wrote this poem, I always dreamed I write a choral piece using this text.
$2.99
Farewell
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Bob Rowe
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Farewell
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Bob Rowe
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SheetMusicPlus
Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1100063 By Bob Rowe. By Bob Rowe. This edition: Interactive Download....
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Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1100063 By Bob Rowe. By Bob Rowe. This edition: Interactive Download. Classical. Octavo. 9 pages. Duration 100. Bob Rowe #RzvCrm045s4zDopYy3Zld. Published by Bob Rowe (A0.1100063). Key: E major.Text Farewell to those who have done me wrong. Farewell to those who have gave me joy. Farwell to those who have broken my heart. Farewell to those who have stayed in my heart. I wrote this poem back in August of 2017. I just started my senior year of high school. Farwell was a way of not only saying goodbye to my classmates but saying goodbye to a finishing chapter in my life and hello to a new chapter in my life-college and adulthood. When I wrote this poem, I always dreamed I write a choral piece using this text.
$2.99
Farewell
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Bob Rowe
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Farewell
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Bob Rowe
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SheetMusicPlus
Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1106835 By Bob Rowe. By Bob Rowe. This edition: Interactive Download....
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Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1106835 By Bob Rowe. By Bob Rowe. This edition: Interactive Download. Classical. Octavo. 9 pages. Duration 100. Bob Rowe #7EGwLiT7JbzhwkPQfVFopD. Published by Bob Rowe (A0.1106835). Key: E major.Text Farewell to those who have done me wrong. Farewell to those who have gave me joy. Farwell to those who have broken my heart. Farewell to those who have stayed in my heart. I wrote this poem back in August of 2017. I just started my senior year of high school. Farwell was a way of not only saying goodbye to my classmates but saying goodbye to a finishing chapter in my life and hello to a new chapter in my life-college and adulthood. When I wrote this poem, I always dreamed I write a choral piece using this text.
$2.99
God
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Bob Rowe
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God
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Bob Rowe
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SheetMusicPlus
Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1127139 By Bob Rowe. By Bob Rowe. This edition: Interactive Download....
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Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1127139 By Bob Rowe. By Bob Rowe. This edition: Interactive Download. Classical. Octavo. 12 pages. Duration 205. Bob Rowe #4zCpyXGf1RUqh1QxfYilbW. Published by Bob Rowe (A0.1127139). Key: C major.I originally wrote this piece back in April 2020 during quarantine. However, I decided to make some changes to make it even better and I'm proud of what I came up with. The text is by famous Harlem Renaissance poet, Langston Hughes. He is one of my favorite poets. I always dreamed I'd write a choral piece using his text and my dream has become a reality. Text I am God Without one friend Alone in my purity World without end Below me young lovers Tread the sweet ground But I am God I cannot come down Spring! Life is Love Love is life only Better to be human Than God and lonely.
$2.99
Wade in the Water - Saxophone Quartet (SATB / AATB) - Intermediate
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Dennis Ruello
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Wade in the Water - Saxophone
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734285 Composed by African-Am...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734285 Composed by African-American Spiritual. Arranged by Dennis Ruello. Concert,Gospel,Jazz,Spiritual. 9 pages. Chicory Music #2065711. Published by Chicory Music (A0.734285). Wade in the Water was a popular instrumental hit in 1966 for the Ramsey Lewis Trio, which prompted further instrumental recordings by Herb Alpert and the Tijuana Brass, and Billy Preston (both 1967). The melody was used for the 1988 Tony! Toni! Toné! hit Little Walter.It was also used to warn slaves back then that a Slave Hunter or a Bounty Hunter was nearby and it was to warn them to go in the opposite direction.Wade in the Water, Children is a 2008 American Documentary directed and produced by Elizabeth Wood and Gabriel Nussbaum. It was filmed by a group of 8th grade students at the first school to reopen in New Orleans in the aftermath of Hurricane Katrina. The film offers a shockingly intimate look into life as a child in the ruined city. This jazz treatment of the tune is for four saxophones (SATB or AATB) and includes a full score.
$9.99
Jesus Got A Tight Grip
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Country
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Blake Shelton
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Jeff Tincher
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Jesus Got A Tight Grip
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583895 By Blake Shelton. By B...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583895 By Blake Shelton. By Blake Shelton, Blake Tollison Shelton, Jessi Alexander, Rhett Akins, and Richard McGill. Arranged by Jeff Tincher. Country. 15 pages. Jeff Tincher #5001269. Published by Jeff Tincher (A0.583895). This is what I like to call a life story. In the original key from Blake Shelton's Fully Loaded: God's Country project, it tells the story of a person that went down the wrong path and Jesus brought him back. It's a great song for any live performance. Duration = 3:33. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Oh! Darling
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Rock
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The Beatles
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Joseph Judge
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Oh! Darling
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School Ensemble Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1183006 By The Beatles. By J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1183006 By The Beatles. By John Lennon and Paul McCartney. Arranged by Joseph Judge. Chamber,Rock. 17 pages. School Ensemble Music #782748. Published by School Ensemble Music (A0.1183006). In My Life, The Beatles, 2:56, for saxophone quartet. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This recognizable song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$14.99
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