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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Because
Non classifié
1 647
Piano & claviers
Piano seul
764
Piano, Voix
358
Piano, Voix et Guitare
351
Piano Facile
139
Instruments en Do
57
Orgue
49
Accompagnement Piano
35
Piano grosses notes
19
Accordéon
12
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano (partie séparée)
5
2 Pianos, 4 mains
5
Clavecin
4
2 Accordéons
1
2 Pianos, 8 mains
1
Clavier
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
97
Ligne De Mélodie, (Paroles) et Accords
94
Guitare
77
Paroles et Accords
32
Ukulele
19
2 Guitares (duo)
11
Basse electrique
10
Dulcimer
6
Guitare (partie séparée)
5
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
3
Banjo
3
Ukulele Baryton
2
Mandoline
2
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
2 Dulcimers (duo)
1
+ 14 instrumentations
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Voix
Chorale SATB
387
Chorale 3 parties
112
Chorale TTBB
73
Pack Instrumental pour Chorale
61
Chorale 2 parties
58
Chorale Unison
49
Voix duo, Piano
32
Chorale SSAA
30
Voix haute
10
Voix Soprano, Piano
8
Voix duo
8
Voix seule
7
Chorale
6
Voix Alto, Piano
5
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Voix basse
2
Chorale SSAB a cappella
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix, Guitare
1
Voix basse, Piano
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
133
Quintette de Saxophone: 5 saxophones
117
Quatuor de Saxophones: 4 saxophones
98
Flûte traversière et Piano
81
Ensemble de saxophones
73
Flûte, Hautbois, Clarinette, Basson
68
Clarinette et Piano
60
Clarinette
50
Saxophone Tenor et Piano
50
Hautbois, Piano (duo)
47
Saxophone Alto et Piano
47
Flûte traversière
46
Quatuor de Clarinettes: 4 clarinettes
45
Saxophone Alto
38
Ensemble de Clarinettes
37
Saxophone Tenor
33
Saxophone Soprano et Piano
31
Saxophone Baryton, Piano
31
2 Saxophones (duo)
29
2 Flûtes traversières (duo)
29
Saxophone (partie séparée)
26
Ensemble de Flûtes
22
Quatuor de Flûtes : 4 flûtes
20
Cor anglais, Piano
19
Clarinette Basse, Piano
18
Quintette de Flûte : 5 flûtes
18
Hautbois (partie séparée)
17
2 Clarinettes (duo)
16
3 Saxophones (trio)
15
Saxophone Soprano
12
2 Flûte à bec (duo)
10
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes à bec
9
3 Clarinettes (trio)
9
Flûte à bec Soprano
9
Clarinette, Basson (duo)
8
Flûte, Clarinette (duo)
7
Flûte et Guitare
7
Clarinette, Guitare (duo)
7
Flute (partie séparée)
6
Hautbois, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Violoncelle
6
5 Flûtes à bec
6
Flûte, Alto (duo)
5
Clarinette et Alto
5
3 Flûtes à bec (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Flûte, Violon et Violoncelle
3
Piccolo, Piano
3
Flûte, Clarinette et Basson
3
Clarinette (partie séparée)
3
Saxophone
3
Flûte à bec Tenor
2
2 Saxophones, Piano
2
Flûte, Violon, Piano
2
Ensemble de Hautbois
2
4 Hautbois
2
Harmonica
2
Flûte, Violon
2
Hautbois, Flûte
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
Ocarina
1
Flûte à bec Alto
1
Flûte et Trio à cordes
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois
1
Cor Anglais
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Trombone (duo)
1
Clarinette, Orgue
1
2 Hautbois (duo)
1
Instruments en Mib
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Quatuor de Cuivres : 2 trompettes, trombone, tuba
118
Ensemble de Trompettes
50
Trompette
48
Trombone et Piano
39
Cor et Piano
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Trompette, Piano
33
Trombone
31
Ensemble de Trombones
30
Quatuor de Cuivres
22
Euphonium, Piano (duo)
22
Cor anglais, Piano
19
Trompette (partie séparée)
19
Cor
18
Trombone (partie séparée)
18
Tuba et Piano
15
Ensemble de Cors
10
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
9
Cor (partie séparée)
8
Tuba
8
Quatuor de cuivres: 4 trompettes
7
2 Trompettes (duo)
6
3 Trombones (trio)
6
2 Cors (duo)
5
2 Trombones (duo)
5
4 Tubas
5
Trio de Cuivres
4
3 Cors (trio)
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
3
3 Trompettes (trio)
3
Tuba (partie séparée)
3
3 Tubas (trio)
3
Trombone, Cor (duo)
2
Tuba et Orgue
2
Bass Clef Instruments
2
Euphonium
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
Instruments en Sib
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Instruments en Fa
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
3 Euphoniums
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
82
Violon
65
Violoncelle, Piano
53
Alto, Piano
52
Violoncelle
50
Violon, Violoncelle (duo)
40
Trio à Cordes: violon, alto, violoncelle
39
Harpe
33
2 Violons (duo)
24
Trio à Cordes: 2 violons, violoncelle
22
Alto seul
21
Violon, Alto (duo)
18
Ensemble d'Altos
14
Ensemble de Violons
14
Violon (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
8
Trio à cordes: 3 violins
7
Contre Basse
7
2 Altos (duo)
7
Violoncelle (partie séparée)
7
4 Violoncelles
6
Violoncelle, Contrebasse (duo)
6
Contrebasse (partie séparée)
6
Trio à cordes: 3 altos
5
Flûte, Contrebasse (duo)
5
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
5
Quatuor à cordes: 4 violons
5
Violoncelle , Guitare (duo)
4
Violon, Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
3
Alto (partie séparée)
3
Alto, Guitare (duo)
3
Quatuor à cordes : 4 altos
3
2 Harpes (duo)
3
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
2
Harpe (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Violon, Basson (duo)
1
Harpe et Piano
1
Trio à cordes
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
209
Orchestre à Cordes
105
Orchestre
77
Ensemble de cuivres
55
Ensemble Jazz
34
Cloches
27
Orchestre de chambre
24
Batterie
17
Jazz combo
12
Ensemble de Percussions
11
Fanfare
7
Percussion (partie séparée)
5
Batterie (partie séparée)
4
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Percussion
1
Xylophone, Piano
1
Xylophone
1
2 Xylophones
1
Orchestre, Violon
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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PIANO
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Because
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
98 partitions trouvées
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Because He Lives
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Musique Sacrée
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Bill Gaither and Gloria Gaithe
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julio cesar
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Because He Lives
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joliveira
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1122808 Composed by Bill Gai...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1122808 Composed by Bill Gaither and Gloria Gaither. Arranged by julio cesar. Religious. 2 pages. Joliveira #723767. Published by joliveira (A0.1122808). Because He Lives, is composed by Bill and Gloria Gaither and is inspired by the biblical passage of John 14:19. The couple was going through a somewhat complicated period when the song was created, which is why its lyrics are a lesson in faith and surrender.
$12.99
Because
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Rock
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The Beatles
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Christian Roßmeißl
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Because
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Christian Rossmeissl
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.957565 By The Beatles. By Joh...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.957565 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christian Roßmeißl. Rock. 22 pages. Christian Rossmeissl #5742323. Published by Christian Rossmeissl (A0.957565). Play the great Song with Saxophon Quartett. Duration: 2:53
$12.99
Because
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
#
Rock
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The Beatles
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Christian Roßmeißl
#
Because
#
Christian Rossmeissl
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957561 By The Beatles. By Joh...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957561 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christian Roßmeißl. Rock. 8 pages. Christian Rossmeissl #5731987. Published by Christian Rossmeissl (A0.957561). Easy Melodyand Chords for Saxophons: Sopran, Alto, Tenor and Bariton.
$4.99
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 2 Tenor)
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Francesco Durante
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Regis Bookshar
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Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696560. Published by Regis Bookshar (A0.1092467). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones and 2 Tenor Saxophones. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 1 Tenor, 1 Bari)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092464 Composed by Francesco Durante. Arrange...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092464 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696556. Published by Regis Bookshar (A0.1092464). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Saxophone Quartet - 1 Sop, 1 Alto, 1 Tenor, 1 Bari)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092461 Composed by Francesc...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092461 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696553. Published by Regis Bookshar (A0.1092461). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Alto Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instru...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696526. Published by Regis Bookshar (A0.1092502). Kyrie - by Francesco Durante; Alto Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for an Alto Saxophone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for an Alto Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Machaut: La Messe de Nostre Dame for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Offbeat in Two - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Phil Beaman
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Offbeat in Two - Saxophone Qua
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Phil Beaman
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.844475 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412051. ...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.844475 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412051. Published by Phil Beaman (A0.844475). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Saxophone Quartet; 4 Altos or 4 Tenors, or even 4 Sopranos or 4 Baris. Go for it!
$7.99
For No One
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Rock
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The Beatles
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Jeff Tincher
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For No One
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584212 By The Beatles. By Joh...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584212 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. 15 pages. Jeff Tincher #5320525. Published by Jeff Tincher (A0.584212). Here is another classical piece from The Beatles reminiscent of Yesterday. From their Revolver project, this song introduced the F (French) Horn to a new generation. The story is about a marriage breaking up from the husband's point of view. This is not in the original key, because the original key was a little advanced. This is in an easier key because this song is way too good not to be played. Duration = 2:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Excursion No. 6-Turnaround for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Diana Mascari
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Diana Mascari
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Excursion No. 6-Turnaround for
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Diana Mascari Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1478062 By Diana Mascari. By...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1478062 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. 29 pages. Diana Mascari Music #1055441. Published by Diana Mascari Music (A0.1478062). As with my other Excursions, No. 6 was composed during the second half of 2023. In addition, even though the core of this piece began on the piano, it quickly became clear to me that a saxophone quartet would be the perfect ensemble to express my musical ideas. The duration of this pieces is just under four minutes and moves rather quickly. The reason for the title Turnaround is because the bass line (shared by tenor and baritone saxophones) is the jazz version of the I-vi-ii-V chord progression. The jazz version of this includes several chromatic passing tones and the saxophones do this very well.For additional information: www.dianamascari.com.
$7.95
Love Will Find A Way
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Pablo Cruise
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Jeff Tincher
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Love Will Find A Way
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1461268 By Pablo Cruise. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1461268 By Pablo Cruise. By Cory Lerios and David Jenkins. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 32 pages. Jeff Tincher #1040075. Published by Jeff Tincher (A0.1461268). Here is one of the biggest Yacht Rock songs. This arrangement was taken from their performance on Mike Huckabee's Huckabee Jukebox January 11, 2024. I used that performance because they had an extended ending that was really interesting and it's included in this arrangement. Duration = 6:25. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
The Liberty Bell - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Hugh Levey
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Hugh Levey
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The Liberty Bell - Saxophone Q
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woodwindly.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1465390 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century,Film/TV,Holida...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1465390 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century,Film/TV,Holiday,March,Patriotic. 48 pages. Woodwindly.com #1044090. Published by woodwindly.com (A0.1465390). The Liberty Bell for Saxophone Quartet (SATB or AATB)The Liberty Bell is ideal for any concert programmes that have an American, patriotic, or military focus. In the UK it will be a popular addition to Film & TV based programmes because of the march's use as the theme for Monty Python's Flying Circus.Sousa’s The Liberty Bell (March) for Military Band was published in 1893 and became an immediate hit. It was originally scored for: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, snare drum, and strings. However, it is often performed today by a standard Military Band, consisting of woodwind, brass, and percussion sections. An abbreviated version of Liberty Bell was used as the theme tune for the British television comedy sketch show, Monty Python’s Flying Circus, which ran from 1969 to 1974.This arrangement for Sax Quartet consists of the whole March with its Trio section. The dynamic shaping is based on that used by The President’s Own Band, but these are mostly editorial so can be changed by the performers. The full length is 3 minutes 35 seconds, but there is an optional ending at 2 minutes 35 seconds.
$13.50
GAVOTTE – SAXOPHONE QUARTET
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Quatuor de Saxophones: 4 saxophones
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FACILE
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F-J
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RUSSELL T
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GAVOTTE – SAXOPHONE QUAR
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EMK Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1427177 Composed by F-J. Gossec (1734-1829). A...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1427177 Composed by F-J. Gossec (1734-1829). Arranged by RUSSELL T. KING. Chamber,Classical,Contest,Festival. 11 pages. EMK Music #1007901. Published by EMK Music (A0.1427177). Scored for 2 Altos, Tenor, and Baritone. There are alternative parts 3 and 4 for Altos so the piece can be performed by 4 Altos. This is especially handy for teachers of groups of like instruments. This piece is excellent for practising ensemble skills as well as for filling that small gap in your program with something light and entertaining. You can use as much rubato as you like.François-Joseph Gossec (1734 – 1829) was a French composer of operas, string quartets, symphonies, and choral works. His Gavotte, from his opera Rosine, ou L'épouse abandonnée (1786), remains familiar in popular culture because Carl Stalling and Charles M. Jones used arrangements of it in several Warner Brothers cartoons. Arguably the most notable of these is Porky Pig's dance to an uncredited version of Gossec's Gavotte in Jones’ Porky's Cafe (1942). (Wikipedia).
$14.00
Someday (August 29, 1968)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Chicago
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Jeff Tincher
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Someday
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1430395 By Chicago. By James...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1430395 By Chicago. By James Pankow and Robert Lamm. Arranged by Jeff Tincher. Contemporary,Film/TV,Rock. 23 pages. Jeff Tincher #1011002. Published by Jeff Tincher (A0.1430395). I did this arrangement on 5/2/2024. This song was written during the protest years of the band Chicago. It was written in reply to the Vietnam War riots at the Democrat National Convention in Chicago on August 29, 1968. It was carried live on television at that time. The reason why I did this was because the news is predicting a repeat at the Democrat National Convention this year (2024). The DNC just happens to be in Chicago again and the riots are bring predicted, again, against a war, the Israeli-Hamas war. I am hoping this arrangement will help remind people of those days and, hopefully, stop the prediction. In the original key from the band Chicago's first double lp Chicago Transit Authority. It was the second song on the 4th side, following Prologue. Both Prologue and Someday used actual audio from the riots. Duration = 4:25. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 5, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1406650 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: The Six French Suites Complete for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: The Six French Suites Co
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407234 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 261 pages. Jmsgu3 #989925. Published by jmsgu3 (A0.1407234). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$98.85
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407218 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 43 pages. Jmsgu3 #989901. Published by jmsgu3 (A0.1407218). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 20 pages. Jmsgu3 #989498. Published by jmsgu3 (A0.1406743). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV
#
jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407094 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407094 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 42 pages. Jmsgu3 #989793. Published by jmsgu3 (A0.1407094). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #989877. Published by jmsgu3 (A0.1407178). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #987854. Published by jmsgu3 (A0.1404790). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV
#
jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1404877 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1404877 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 44 pages. Jmsgu3 #987907. Published by jmsgu3 (A0.1404877). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3, BWV
#
jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405387 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405387 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 39 pages. Jmsgu3 #988441. Published by jmsgu3 (A0.1405387). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3 , BWV
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic...
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Woodwind Ensemble - Level 4 - SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988142. Published by jmsgu3 (A0.1405104). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
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