"Take Five" is a jazz standard composed by Paul Desmond and originally recorded by the Dave Brubeck Quartet for its 1959 album Time Out. Made at Columbia Records' 30th Street Studio in New York City on July 1, 1959, fully two years later it became an unlikely hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks, the piece still receives significant radio airplay.

This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) includes two different keys: the original Eb Minor and a "more comfortable" F Minor.
The piece is suitable for classroom, repertoire and recital.

This bright up-tempo modal work in quadruple time is the thirdmovement in Margaret Brandman?s ?LOOK AROUND? suite for Saxophone Quartet. It is somewhat reminiscent of medieval dancemusic. It would be suitable for high school and college performances. Duration02?19? Performing Right Association

Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.

This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.

"Birdland" is a jazz/pop piece written by Joe Zawinul of the band Weather Report as a tribute to the Birdland nightclub in New York City, which appeared on the band's 1977 album Heavy Weather. The Manhattan Transfer won a Grammy Award with their 1979 version of the song, which had lyrics by Jon Hendricks. Quincy Jones won two Grammy Awards for the version of the piece he included on his 1989 album Back on the Block.

This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb tenor, Eb Baritone.
It is suitable for classroom, repertoire and recital.