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Don't Come Around
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Vous avez sélectionné:
Don't Come Around
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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We Don't Talk About Bruno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carolina Gaitan, Mauro Castill
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Erica Avery
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We Don't Talk About Bruno
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Avery Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.914106 By Carolina Gaitan, Ma...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.914106 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Erica Avery. Contemporary. 18 pages. Avery Music #6876051. Published by Avery Music (A0.914106). SATB arrangement of We Don't Talk About Bruno. Fun to play, in original key, lots of variety for each player with melody swapping around each part. Includes a more idiomatic section for the 'stuttering and stumbling' section with soprano sax lead, otherwise, very true to the original. Enjoy!Thank you for looking Check out my other arrangements and original compositions here:https://www.sheetmusicplus.com/search?Ntt=erica+averyHave a look at my very popular arrangement of Here Comes the Sun here: https://www.sheetmusicplus.com/title/here-comes-the-sun-digital-sheet-music/21959749www.erica.avery.co.uk.
$12.99
Stronger (What Doesn't Kill You)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Pop musique
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Kelly Clarkson
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Frank Pugh
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Written for
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Stronger
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Frank Pugh
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. 24 pages. Frank Pugh #3446223. Published by Frank Pugh (A0.942707). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for saxophone quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have all the saxes needed, then these substitute parts are included: the soprano part may be played on alto, and the alto 2 part may be played on tenor sax. The song comes in at around 3:14 in length.This arrangement is written in the same key as my brass quintet arrangement of Stronger, and so both arrangements are compatible with each other.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99
La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568938 Arranged by Thomas Gra...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Soprano (Alto), Alto, Tenor, Baritone  Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/qR5PI78fGqM .
$10.49
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Don't Come Around
