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PIANO & CLAVIERS
Piano seul
136
Piano Facile
97
Piano, Voix
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Piano, Voix et Guitare
16
Orgue
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Piano Trio: piano, violon, violoncelle
9
Instruments en Do
4
Accompagnement Piano
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
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1
Piano Quatuor: piano, violon, alto, violoncelle
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44
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9
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6
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1
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17
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11
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1
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VENTS
Flûte traversière et Piano
28
2 Flûtes traversières (duo)
21
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12
Quatuor de Saxophones: 4 saxophones
11
Clarinette
11
Hautbois, Piano (duo)
11
2 Saxophones (duo)
10
Saxophone Alto et Piano
8
2 Clarinettes (duo)
8
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7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Saxophone Tenor et Piano
7
3 Clarinettes (trio)
7
Clarinette et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
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5
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5
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5
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4
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4
Cor anglais, Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Flûte, Violoncelle
4
Trio de Flûtes: 3 flûtes
4
2 Flûte à bec (duo)
4
Flûte, Clarinette (duo)
3
Clarinette, Harpe (duo)
3
Clarinette (partie séparée)
3
2 Hautbois (duo)
3
Ensemble De Flûte à bec
3
Hautbois (partie séparée)
3
Clarinette, Violoncelle (duo)
3
Hautbois, Harpe
3
Clarinette, Basson (duo)
2
Quintette de Saxophone: 5 saxophones
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Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec, Piano
2
Quatuor de Flûtes : 4 flûtes
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Hautbois, Basson (duo)
2
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Ensemble de Flûtes
1
Clarinette, Trompette (duo)
1
Ensemble de saxophones
1
3 Saxophones (trio)
1
Flûte, Violon, Piano
1
Flûte, Violon et Violoncelle
1
Saxophone et Piano
1
Saxophone et Harpe
1
Flûte de Pan
1
Piccolo, Piano
1
Flûte, Basson et Piano
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte, Alto (duo)
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Hautbois, Flûte
1
Ensemble de Clarinettes
1
Flûte à bec Alto
1
Flûte, Violon
1
Flûte à bec Tenor
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Quatuor de Cuivres
29
Ensemble de Trompettes
23
Trombone et Piano
15
Tuba et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette
9
Cor et Piano
8
Trompette, Piano
6
Trompette (partie séparée)
5
Ensemble de Trombones
5
Trombone (partie séparée)
4
Euphonium, Piano (duo)
4
2 Trompettes (duo)
4
Cor anglais, Piano
4
Cor
3
Trombone
3
Quatuor de cuivres: 4 cors
2
Trompette, Violoncelle (duo)
2
Trompette, Basson (duo)
2
Tuba
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Cor (partie séparée)
2
2 Cors (duo)
2
Ensemble de Cors
1
Trompette, Trombone (duo)
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
Cor et Harpe
1
Cor et Basson (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
20
Violoncelle, Piano
16
Alto, Piano
13
Violon
12
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
10
Harpe
10
2 Violons (duo)
8
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
5
Violoncelle , Guitare (duo)
4
2 Altos (duo)
4
Violoncelle
4
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Violon, Guitare (duo)
3
Violon (partie séparée)
3
Trio à cordes: 3 violins
3
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto et Basson
2
2 Violons, Piano
2
Contre Basse
2
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
62
Orchestre à Cordes
29
Orchestre
17
Cloches
12
Fanfare
7
Batterie (partie séparée)
5
Ensemble de cuivres
4
Jazz combo
3
Ensemble Jazz
3
Orchestre de chambre
2
Ensemble de Percussions
2
Quintette à Vent
2
Batterie
1
Marimba
1
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AUTRES
Vous avez sélectionné:
Earl J
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
11 partitions trouvées
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1
'Contrapunctus 9' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.891858 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Chamber,Classical,Early Music,Instructional. 21 pages. Stephen Davies #3465690. Published by Stephen Davies (A0.891858). Another gem from the 'Art Of Fugue' by J.S.Bach, it's fast, it's furious and gets very annoyed at bar 35!! By the way this Saxophone version is particularly fierce!! Click the MP3 button for a performance!
$15.99
14.69 €
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Quatuor de Saxophones: 4 saxophones
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the way this Saxophone version is particularly fierce!! Click the MP3 button for a performance!
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Johann Sebastian Bach
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Stephen Davies
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'Contrapunctus 9' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Stephen Davies
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SheetMusicPlus
Minuet in G Major - J.S.Bach - Saxophone Choir Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.760253 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Festival,Holiday,Instructional. 9 pages. Raymond Fenech #3540559. Published by Raymond Fenech (A0.760253). The Minuet in G major is found in the 1725 Notebook for Anna Magdalena Bach, where it appears with its companion piece, Minuet in G minor, as a pair to be performed da capo. The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century. The Level is Intermediate and the duration is approximately 1.40 minutes. It could be played in any type of recital/concert.
$6.95
6.38 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Raymond Fenech
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Minuet in G Major - J.S.Bach - Saxophone Choir Quartet
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Raymond Fenech
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SheetMusicPlus
Kreutzer - Saxophone Quartet, 4 saxophones (SATB)
Quatuor de Saxophones: 4 saxophones
Composed by Léon Kreutzer. Arranged by J.G. Cucó Barber. 19th Century, C…
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Composed by Léon Kreutzer. Arranged by J.G. Cucó Barber. 19th Century, Chamber, Classical, Romantic Period. 35 pages. J.G. Cuco Barber #836169. Published by J.G. Cuco Barber
Work Title Saxophone Quartet<br> Alternative Title Quatuor pour saxophones<br> Composer Kreutzer, Léon<br> Movements/Sections 1 movement in 2 sections<br> Andante<br> Allegro<br> Year/Date of Composition 1857?<br> First Publication 1863 or earlier (Paris: Adolphe Sax)<br> Composer Time Period Romantic<br> Piece Style Romantic<br> Instrumentation 4 saxophones (Soprano, Alto, Tenor, Baritone).
$23.00
21.12 €
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Quatuor de Saxophones: 4 saxophones
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Léon Kreutzer
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J
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Barber
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Kreutzer - Saxophone Quartet, 4 saxophones
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J.G. Cuco Barber
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SheetMusicPlus
Prelude and Fugue in C-minor BWV 549 for saxophone quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1308798 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 18 pages. AMA Editions #898046. Published by AMA Editions (A0.1308798). J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement is for SATB saxophone quartet. The baritone saxophone requires a low A. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.
$15.00
13.78 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in C-minor BWV 549 for saxophone quartet
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AMA Editions
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SheetMusicPlus
Eclecticism I
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1021988 Composed by Michael J. Burns. Contemporary. 25 pages. Effiny Music #6273587. Published by Effiny Music (A0.1021988). Eclecticism 1 for Sax Quartet (2002/2009) is a reworking of an earlier work Eclecticism 1 for Reed Quartet (ob, cl, bn, alto saxophone) which was written for, and premiered by the Eastwind Quatour d'Anches in 2002. It is rather typical of my style which eclectically draws from many styles and influences including jazz, serialism, modalism, etc., hence the title. Yes, there are other pieces named Eclecticism 2 and so on. The current version was written for and premiered by the Red Clay Saxophone Quartet. (Michael Burns)
$20.00
18.37 €
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Quatuor de Saxophones: 4 saxophones
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Michael J
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Eclecticism I
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Effiny Music
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SheetMusicPlus
Ave Maria (Bach/Gounod)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.743271 Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Josef STASTNY. Baroque,Holiday,Romantic Period,Sacred,Wedding. 6 pages. Josef STASTNY #3228455. Published by Josef STASTNY (A0.743271). The Ave Maria by Bach/Gounod is a popular and much-recorded setting of the Latin text Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach's The Well-Tempered Clavier, written 137 years earlier. (Wikipedia).This arrangement tries to keep both nice melody by Gounod and arpeggios with harmony written by Bach.Some other sax quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.stastnyjosef.cz
$8.99
8.26 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach and Charles Gounod
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Josef STASTNY
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Ave Maria
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Josef STASTNY
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.57 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.57 €
#
Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.57 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.57 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Bach - Arioso - from Cantata No. 156 (for Saxophone Quartet AATB)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.514250 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.514250 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 7 pages. LINCOLN MUSIC PUBLICATIONS #3077643. Published by LINCOLN MUSIC PUBLICATIONS (A0.514250). Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This early intermediate level AATB transcription (a SATB version is available as well) is suitable for a variety of occasions including Weddings! To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing Time: 2:40
$9.99
9.18 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
#
Kenneth Abeling
#
Bach - Arioso - from Cantata No. 156
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
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