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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For He
Non classifié
3 947
Piano & claviers
Piano seul
2 016
Piano, Voix
1 323
Piano, Voix et Guitare
897
Piano Facile
419
Orgue
258
Instruments en Do
148
Accompagnement Piano
103
Accordéon
81
Piano Trio: piano, violon, violoncelle
72
1 Piano, 4 mains
52
Piano grosses notes
44
2 Pianos, 4 mains
28
Piano Quatuor: piano, violon, alto, violoncelle
24
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Piano (duo)
13
Clavecin
9
Orgue, Trompette (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Pianos, 8 mains
2
Piano (partie séparée)
2
Accordéon, Voix
1
Clavier
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare
282
Ligne De Mélodie, (Paroles) et Accords
217
Guitare notes et tablatures
200
Ukulele
72
Paroles et Accords
56
2 Guitares (duo)
44
Basse electrique
17
4 Guitares (Quatuor)
14
Piano, Guitare (duo)
13
Mandoline
10
Guitare (partie séparée)
6
Mandoline, Guitare (duo)
5
Ensemble de guitares
5
3 Guitares (trio)
4
Banjo
3
Guitare, Violon, Violoncelle (trio)
3
Dulcimer
3
Ensemble de Ukulélés
2
Partitions De Groupes
1
Orchestre à Plectres
1
Ukulele Baryton
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 428
Chorale 3 parties
321
Chorale 2 parties
201
Chorale TTBB
129
Chorale Unison
120
Voix duo, Piano
78
Chorale SSAA
64
Voix duo
36
Voix seule
31
Chorale
28
Voix Alto, Piano
26
Voix Baryton, Piano
19
Voix haute
19
Voix Tenor, Piano
19
Voix Soprano, Piano
17
Voix moyenne, Piano
10
Voix Tenor
7
Chorale SSAATTBB
6
Voix basse, Piano
6
Chorale SSATTB
5
Voix Soprano
4
Chorale, Orgue
2
Soli, choeur mixte et accompagnement
2
Chorale SSATB
1
Voix basse
1
Voix d'Enfants
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
453
Clarinette et Piano
381
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
308
Quatuor de Saxophones: 4 saxophones
255
Saxophone Alto et Piano
251
2 Saxophones (duo)
233
Hautbois, Piano (duo)
216
Flûte, Hautbois, Clarinette, Basson
196
Flûte traversière
190
Quatuor de Clarinettes: 4 clarinettes
168
Saxophone Soprano et Piano
162
Saxophone Tenor et Piano
157
Clarinette
151
2 Flûtes traversières (duo)
127
Quintette de Saxophone: 5 saxophones
125
2 Clarinettes (duo)
123
Ensemble de Clarinettes
113
Quatuor de Flûtes : 4 flûtes
109
Saxophone Baryton, Piano
83
Cor anglais, Piano
81
Ensemble de Flûtes
81
Saxophone Alto
79
Ensemble de saxophones
79
Saxophone (partie séparée)
62
Saxophone, Clarinette (duo)
61
3 Clarinettes (trio)
58
Flûte, Clarinette (duo)
57
3 Saxophones (trio)
53
Saxophone Tenor
52
Hautbois (partie séparée)
48
Clarinette Basse, Piano
45
Clarinette, Violon (duo)
45
Hautbois, Basson (duo)
41
Quintette de Clarinettes: 5 clarinettes
39
Flûte, Violon, Piano
38
Clarinette, Guitare (duo)
35
2 Hautbois (duo)
35
Flûte et Guitare
35
Clarinette, Trompette (duo)
31
Flûte, Violon
30
Trio de Flûtes: 3 flûtes
29
Saxophone
25
2 Flûte à bec (duo)
24
Hautbois, Clarinette (duo)
23
Clarinette et Alto
21
Flûte, Trompette (duo)
21
Flûte, Saxophone (duo)
20
Ensemble De Flûte à bec
20
Hautbois, Flûte
20
Flute (partie séparée)
18
Clarinette, Basson (duo)
18
Quintette de Flûte : 5 flûtes
18
Flûte, Alto (duo)
15
Quatuor de Flûtes à bec
15
Flûte à Bec
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Hautbois
14
Flûte, Hautbois, Basson
12
Saxophone Soprano
11
Flûte à bec Soprano
11
Flûte, Violoncelle, Piano (trio)
10
Flûte, Clarinette et Basson
10
Flûte à bec Alto
10
5 Flûtes à bec
10
2 Saxophones, Piano
10
Flûte, Clarinette, Piano (trio)
9
Flûte, Hautbois, Clarinette (trio)
9
Harmonica
8
Clarinette (partie séparée)
8
Clarinette, Harpe (duo)
7
Flûte à bec Soprano, Piano
7
Saxophone et Harpe
6
Piccolo, Piano
6
Hautbois, Guitare (duo)
6
Hautbois, Harpe
6
Flûte, Alto et Piano
6
2 Clarinettes, Piano
6
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois (duo)
5
Flûte, Violoncelle
5
3 Flûtes à bec (trio)
5
Ocarina
4
3 Hautbois
4
Flûte traversière, Orgue (duo)
4
Flûte, Violoncelle, Guitare
4
Cor anglais, Guitare (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte à bec, Guitare (duo)
4
Flûte à bec Alto, Piano
4
Hautbois, Violoncelle
3
2 Flûtes traversières, Piano
3
Saxophone et Guitare
3
Flûte à bec Alto, Basse continue
3
Cor Anglais
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone et Piano
2
Flûte à bec Tenor
2
2 Clarinettes, Basson
2
Flûte irlandaise
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Basson et Piano
2
Flute, harpe et violon
2
Flûte, Trombone (duo)
2
Flûte traversière, Basse continue
2
Hautbois et alto (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Alto et Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte et Trio à cordes
1
Clarinette, trompette et piano
1
Flûte, Violon et Violoncelle
1
Saxophone et Orgue
1
Saxophone Baryton
1
Flûte, Hautbois, Piano (trio)
1
Cor anglais et Harpe (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Clarinette, Tuba
1
Instruments en Mib
1
Flûte, Tuba (duo)
1
Hautbois, violon (duo)
1
4 Hautbois
1
Flûte à bec, Harpe
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Violon
1
Clarinette Basse
1
Piccolo
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
309
Quatuor de Cuivres : 2 trompettes, trombone, tuba
218
Trombone et Piano
211
Trompette, Piano
175
Trompette
145
Cor et Piano
133
Euphonium, Piano (duo)
81
Cor anglais, Piano
81
Trombone
80
Quatuor de Cuivres: 2 trompettes, Cor, trombone
67
Quatuor de Cuivres
63
Trompette, Trombone (duo)
58
2 Trombones (duo)
57
2 Trompettes (duo)
55
Tuba et Piano
52
Trombone (partie séparée)
47
Cor
46
Trompette, Saxophone (duo)
44
Tuba
42
Trompette (partie séparée)
40
Quatuor de cuivres: 4 trombones
37
Ensemble de Trombones
35
Ensemble de Trompettes
23
2 Cors (duo)
22
Quatuor de cuivres: 4 cors
20
Ensemble de Cors
11
Trio de Cuivres
8
Tuba et Orgue
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
7
Trompette, Cor (duo)
7
4 Tubas
6
Cor (partie séparée)
6
3 Trompettes (trio)
5
2 Euphoniums et 2 Tubas
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Euphonium
5
Cor et Harpe
5
2 Tubas (duo)
5
Trompette, Harpe
5
Tuba (partie séparée)
4
Cor anglais, Guitare (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
Trompette, violon (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Euphoniums (duo)
3
Cor Anglais
3
Trombone basse et Piano
3
Trombone, Orgue
2
Trombone basse
2
Bass Clef Instruments
2
Trompette, Trombone, Piano
2
2 Cors Anglais Et Pianoforte
2
Trombone, Tuba (duo)
2
Instruments en Fa
1
Tuba ou Euphonium ou Saxhorn
1
Trombone et orchestre
1
Trombone, Cor (duo)
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
Instruments en Sib
1
Trombone, Violon (duo)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
717
Violon et Piano
549
Violoncelle, Piano
377
Alto, Piano
316
Violon
207
Trio à Cordes: violon, alto, violoncelle
156
Violon, Violoncelle (duo)
127
Violoncelle
123
2 Violons (duo)
113
Harpe
97
2 Violoncelles (duo)
95
Alto seul
74
Violon, Alto (duo)
71
2 Altos (duo)
69
Violon, Guitare (duo)
56
Trio à Cordes: 2 violons, violoncelle
54
2 Harpes (duo)
47
Contrebasse, Piano (duo)
32
Contre Basse
31
Alto, Guitare (duo)
27
Alto (partie séparée)
24
Alto, Violoncelle (duo)
23
Violoncelle , Guitare (duo)
22
4 Violoncelles
22
Piano Trio: Violon, Alto, Piano
19
Trio à cordes: 3 violins
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon (partie séparée)
14
Harpe, Flûte (duo)
14
Trio à Cordes: 3 violoncelles
13
Ensemble de Violons
12
Contrebasse (partie séparée)
12
Ensemble d'Altos
11
Harpe, Violon (duo)
9
Trio à Cordes: 2 violons, alto
9
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
7
Violoncelle (partie séparée)
7
Quatuor à cordes: 4 violons
7
Alto et Harpe
6
Flûte, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
4
2 Contrebasses (duo)
4
Harpe, Voix
4
Harpe, Violoncelle (duo)
3
Violon, Basson (duo)
2
4 Contrebasses
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon, Violoncelle
2
Ensemble de Violoncelles
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
3 Harpes
1
Alto, Orgue
1
Trio à cordes
1
Harpe, Trombone (duo)
1
Violoncelle, Orchestre
1
Violon, Basse continue
1
Violon, Orgue
1
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Violon, Tuba (duo)
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
773
Orchestre à Cordes
309
Orchestre
294
Ensemble de cuivres
199
Orchestre de chambre
144
Ensemble Jazz
139
Cloches
95
Jazz combo
46
Batterie
29
Marimba
22
Ensemble de Percussions
15
Percussion
11
Fanfare
11
Vibraphone
9
Xylophone
5
2 Xylophones
5
Orchestre, Violon
5
Percussion (partie séparée)
4
Batterie (partie séparée)
3
Piano et Orchestre
2
Xylophone, Piano
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
2 Marimbas
1
Timbales
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Quatuor de Saxophones: 4 saxophones
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251
Bach: Wachet auf for Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Sax Quart
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Baltimore Todolo for saxophone sextet
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Quatuor de Saxophones: 4 saxophones
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Jazz
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Eubie Blake
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Matt Belzer
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Baltimore Todolo for saxophone
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Matobelu Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.483742 Composed by Eubie Blake. Arranged by Matt Belzer. Ja...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.483742 Composed by Eubie Blake. Arranged by Matt Belzer. Jazz. Score and parts. 37 pages. Published by Matobelu Music (A0.483742). This is a professional and creative arrangement for saxophone sextet (SAATTB). As a pianist, composer, and lyricist, Eubie Blake made major contributions to stride piano, jazz, and musical theater. In performance, he was well-known to make unexpected twists and turns, suddenly changing tempo in the middle of a phrase before returning to the original course heading. This arrangement endeavors to capture the spirit of Blake’s adventurous side through a more contemporary point of view. It's immensely fun to rehearse and perform and makes an excellent closer. Originally performed by the UMBC Saxophone Ensemble, it is suitable for high school, university, and professional ensembles.
$14.99
For He's a Jolly Good Fellow - Folk Song and Toast - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Traditional
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Thomas Graf
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For He's a Jolly Good Fellow -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.567698 Composed by Tradition...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.567698 Composed by Traditional. Arranged by Thomas Graf. Folk,Holiday,Wedding. 27 pages. Thomas Graf - the-hit-factory.com #423177. Published by Thomas Graf - the-hit-factory.com (A0.567698). The famous folk song is the best choice for any celebration party: Birthday, Wedding, Holiday, ….- This exceptional arrangement features all parts. I can be played by a small concert band as it consists of mainly of 5 melodic parts and rhythm. While beginning with a festive introduction it ends up with a melodic modulation: The best way, to say: thank you to a really Jolly good fellow! Players and audience will love it! Enjoy! Instrumentation: Soprano (Alto), Alto, Tenor, Baritone (Bass Saxophone) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/cDyAxqjuos0.
$13.99
Symphony No. 7 by Beethoven for Alto Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - SKU: A0.1137254 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,In...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - SKU: A0.1137254 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737455. Published by Woods Only, Arrangements (A0.1137254). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Symphony No. 7 by Beethoven for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137258 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Mar...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137258 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737460. Published by Woods Only, Arrangements (A0.1137258). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Symphony No. 7 by Beethoven for Tenor Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137255 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,I...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137255 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737456. Published by Woods Only, Arrangements (A0.1137255). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Symphony No. 7 by Beethoven for Baritone Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137257 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/T...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137257 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737459. Published by Woods Only, Arrangements (A0.1137257). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 5, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1406650 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: The Six French Suites Complete for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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James M
#
Bach: The Six French Suites Co
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407234 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 261 pages. Jmsgu3 #989925. Published by jmsgu3 (A0.1407234). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$98.85
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 1, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407218 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 43 pages. Jmsgu3 #989901. Published by jmsgu3 (A0.1407218). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
#
Bach: French Suite No. 6, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 20 pages. Jmsgu3 #989498. Published by jmsgu3 (A0.1406743). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 6, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407094 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1407094 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 42 pages. Jmsgu3 #989793. Published by jmsgu3 (A0.1407094). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
#
Bach: French Suite No. 1, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #989877. Published by jmsgu3 (A0.1407178). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Johann Sebastian Bach
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James M
#
Bach: French Suite No. 2, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #987854. Published by jmsgu3 (A0.1404790). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 2, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1404877 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1404877 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 44 pages. Jmsgu3 #987907. Published by jmsgu3 (A0.1404877). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405387 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405387 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 39 pages. Jmsgu3 #988441. Published by jmsgu3 (A0.1405387). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 3 , BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic...
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Woodwind Ensemble - Level 4 - SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988142. Published by jmsgu3 (A0.1405104). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 4, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1405778 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1405778 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988834. Published by jmsgu3 (A0.1405778). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 4, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405907 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405907 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 34 pages. Jmsgu3 #988957. Published by jmsgu3 (A0.1405907). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
String Quartet No.1 in G minor - Claude Debussy (Arranged for Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Claude Debussy
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Aadarsh Balireddy
#
String Quartet No.1 in G minor
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Aadarsh Balireddy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1016123 Composed by Claude De...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1016123 Composed by Claude Debussy. Arranged by Aadarsh Balireddy. 20th Century,Romantic Period. 38 pages. Aadarsh Balireddy #5223223. Published by Aadarsh Balireddy (A0.1016123). Movement one of Debussy's beautiful string quartet arranged for Saxophone.One of the first works in which he struck out in a new artistic direction was the Quartet in G Minor, which, along with L’après-midi d’un faune from the same time, established what is called the Impressionist style in music. Its varied tonal effects, soulful beauty, and freedom of form and structure provide an excellent musical counterpart to the Impressionist paintings and Symbolist poetry of the time. - Stanford.edu
$10.00
Where Have I Known You Before
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Jazz
#
Chick Corea
#
Jeff Tincher
#
Where Have I Known You Before
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.585462 By Chick Corea. By Chi...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.585462 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. 11 pages. Jeff Tincher #6274501. Published by Jeff Tincher (A0.585462). On February 9, 2021, Chick Corea passed. He was a great pianist and musician. He also pioneered the Jazz-Rock Fusion genre. He created many different musical groups with fantastic musicians. Return to Forever is probably the best known of these groups. This is the title cut from their third studio LP. In the original key this is one of 3 piano solos from this LP. A beautiful ballad. Duration = 2:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
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