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TRI ET FILTRES
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Hanging On
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
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Variations on a Well-Known Hymn - Saxophone Quartet AATB
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1012287 Arranged by Chris Kamerling. 20th Century,Concert,Contemporary,Sacred. 12 pages. Phantom K Music #6272391. Published by Phantom K Music (A0.1012287). Variations on a Well-Known Hymn is a setting of Holy, Holy, Holy for saxophone quartet (AATB). It begins with a beautiful statement of the hymn in homophonic texture. It is then gradually sent through variations which isolate the melodic components of the hymn while changing the harmonic structure, meter, and texture. This can be played by a medium-advanced set of players. This arrangement won composition honors at the 1996 MENC Biennial Convention. Duration is approximately 5:30. Chris Kamerling is a member of ASCAP and can be found on Facebook and YouTube at the following locations...Facebook: https://www.facebook.com/KamerlingComposer and on YouTube: https://www.youtube.com/user/ckamerling93 If you should need to contact Mr. Kamerling, please send correspondence to phantomkmusic@gmail.com
$15.00
13.85 €
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Quatuor de Saxophones: 4 saxophones
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Chris Kamerling
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Variations on a Well-Known Hymn - Saxophone Quartet AATB
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Phantom K Music
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
69.22 €
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Quatuor de Saxophones: 4 saxophones
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Bohemian Rhapsody
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1468324 By Queen. By Freddie Mercury. Arranged by Hideyuki Suzuki. 20th Century,Opera,Rock,Standards. 24 pages. Studio Pon #1046635. Published by studio Pon (A0.1468324). Queen “Bohemian Rhapsody” Saxophone Quartet Version・There are few rests overall, so please maintain your physical strength and play with a good balance. I get tired if I try my best to play everything.・Be conscious of changing scenes so that the melody changes clearly.・HardRock's baritone is based on drums and bass, so play the accents on the second and fourth beats firmly, as if you were playing a snare drum.
$12.99
12 €
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Quatuor de Saxophones: 4 saxophones
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Queen
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Hideyuki Suzuki
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Bohemian Rhapsody
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studio Pon
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SheetMusicPlus
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