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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He and I
Non classifié
1 160
Piano & claviers
Piano seul
576
Piano, Voix
292
Piano, Voix et Guitare
242
Instruments en Do
101
Orgue
60
Piano Facile
41
Accompagnement Piano
22
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
9
Accordéon
5
Clavecin
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare
85
Guitare notes et tablatures
32
Ligne De Mélodie, (Paroles) et Accords
29
Ukulele
10
Basse electrique
6
2 Guitares (duo)
4
Mandoline, Guitare (duo)
4
Guitare (partie séparée)
2
Banjo
2
Paroles et Accords
2
Mandoline
1
4 Guitares (Quatuor)
1
Dulcimer
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
407
Chorale 3 parties
61
Chorale 2 parties
40
Chorale TTBB
29
Voix duo, Piano
28
Chorale Unison
21
Chorale SSAA
11
Voix Baryton, Piano
10
Voix Soprano, Piano
9
Voix haute
8
Voix duo
8
Voix Alto, Piano
8
Voix Tenor, Piano
5
Voix seule
5
Voix moyenne, Piano
2
Voix Tenor
1
Chorale SSATTB
1
Chorale
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Quintette de Saxophone: 5 saxophones
93
Flûte traversière et Piano
60
Quatuor de Saxophones: 4 saxophones
60
Flûte, Hautbois, Clarinette, Basson
55
Ensemble de saxophones
48
Ensemble de Clarinettes
46
2 Flûtes traversières (duo)
42
2 Saxophones (duo)
42
Clarinette et Piano
39
Quatuor de Clarinettes: 4 clarinettes
37
Saxophone Alto et Piano
36
Clarinette
35
Hautbois, Piano (duo)
28
Ensemble de Flûtes
27
2 Clarinettes (duo)
26
Flûte traversière
23
Hautbois (partie séparée)
22
Saxophone Tenor et Piano
22
Quatuor de Flûtes : 4 flûtes
21
Saxophone Alto
16
Saxophone Soprano et Piano
16
Saxophone (partie séparée)
15
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone Tenor
11
Cor anglais, Piano
11
Saxophone Baryton, Piano
10
Hautbois, Basson (duo)
9
Flûte, Clarinette (duo)
9
Saxophone, Clarinette (duo)
8
Flute (partie séparée)
7
Clarinette, Violon (duo)
7
Clarinette Basse, Piano
6
Ensemble De Flûte à bec
5
2 Hautbois (duo)
5
Trio de Flûtes: 3 flûtes
5
3 Saxophones (trio)
5
2 Saxophones, Piano
5
Clarinette, Guitare (duo)
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte, Violon
3
Flûte, Clarinette, Piano (trio)
3
Clarinette et Alto
3
Hautbois, Guitare (duo)
3
5 Flûtes à bec
2
Flûte, Alto (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Harpe
2
Hautbois, Harpe
2
Saxophone Soprano
2
Flûte à Bec
2
Flûte, Alto et Piano
2
Flûte et Guitare
2
Quatuor de Flûtes à bec
2
2 Clarinettes, Piano
2
Saxophone
2
Flûte à bec Alto
2
Flûte à bec Tenor
2
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Hautbois
1
Flûte à bec Soprano
1
Cor Anglais
1
Hautbois, Violoncelle
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Flûte et Trio à cordes
1
Flûte à bec Alto, Piano
1
Piccolo
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Quatuor de Cuivres
42
Trompette
32
Trombone et Piano
31
Trompette, Piano
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Ensemble de Trombones
22
Cor et Piano
20
Trombone
19
Ensemble de Trompettes
16
Trombone (partie séparée)
15
Trompette, Trombone (duo)
14
Trompette (partie séparée)
13
Cor
12
2 Trombones (duo)
12
Cor anglais, Piano
11
2 Trompettes (duo)
10
Tuba et Piano
9
Euphonium, Piano (duo)
9
Tuba
9
2 Cors (duo)
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
5
Trompette, Saxophone (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
Trio de Cuivres
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums et 2 Tubas
2
Trompette, Trombone, Piano
2
Trompette, Cor (duo)
2
Bass Clef Instruments
1
3 Cors (trio)
1
Cor Anglais
1
Ensemble de Tubas
1
Trompette, Harpe
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Harpe
1
2 Cors Anglais Et Pianoforte
1
Cor (partie séparée)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon et Piano
83
Violoncelle, Piano
47
Violon
44
Trio à Cordes: violon, alto, violoncelle
38
Harpe
35
Violoncelle
34
Alto, Piano
32
2 Harpes (duo)
31
2 Violons (duo)
25
Violon, Violoncelle (duo)
23
Violon, Alto (duo)
20
2 Violoncelles (duo)
19
Alto seul
18
2 Altos (duo)
14
Contre Basse
12
Ensemble de Violons
12
Ensemble d'Altos
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: 2 violons, violoncelle
8
Violon, Guitare (duo)
7
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Harpe, Voix
4
Alto (partie séparée)
4
Harpe, Violon (duo)
4
Piano Trio: Violon, Alto, Piano
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Contrebasses (duo)
2
2 Violons, Piano
2
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
Alto et Harpe
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
Harpe, Trombone (duo)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
145
Orchestre
87
Orchestre à Cordes
73
Ensemble de cuivres
64
Orchestre de chambre
51
Ensemble Jazz
44
Jazz combo
22
Cloches
19
Marimba
19
Batterie
4
Fanfare
3
Ensemble de Percussions
2
Vibraphone
2
2 Marimbas
1
Batterie (partie séparée)
1
Percussion
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
He and I
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
60 partitions trouvées
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26
51
I'm Not Who I Was
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Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Contemporain
#
Brandon Heath
#
Jeff Tincher
#
I'm Not Who I Was
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584378 By Brandon Heath. By B...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584378 By Brandon Heath. By Brandon Heath. Arranged by Jeff Tincher. Contemporary. 18 pages. Jeff Tincher #5724859. Published by Jeff Tincher (A0.584378). Here is the first single by Brandon Heath. In the original key from his Don't Get Comfortable project, Brandon wrote this song for his stepmother, whom he lost contact with when his fathr and stepmother divorced. It is a beautiful song that hit #1 on the charts. Duration = 3:38. Visit my website: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
And He Shall Purify - From Messiah {for Saxophone Quartet (SATB) & Optional Organ}
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Kenneth Abeling
#
And He Shall Purify - From Mes
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1103490 Composed by George F...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1103490 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Classical,Religious. 14 pages. LINCOLN MUSIC PUBLICATIONS #706758. Published by LINCOLN MUSIC PUBLICATIONS (A0.1103490). And He Shall Purify from Messiah by George Frideric Handel transcribed for Saxophone Quartet & Organ. This is an easier advanced level work from Part I of Handel's Messiah and appropriate for Christmas as well as many other Religious Services as well as general performance. The playing time is approximately 2:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$12.99
I Love Lucy
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734611 Composed by Elio...
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Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734611 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6669321. Published by Chicory Music (A0.734611). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster. This arrangement for sax quartet (SATB) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.The Soprano Sax part may be played by clarinet if no soprano sax player or instrument is available.Performance Time Approx. 1 minute 25 seconds
$12.99
And The Waltz Goes On
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Anthony Hopkins
#
James Pybus
#
And The Waltz Goes On
#
James Pybus
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764738 Composed by Anthony H...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764738 Composed by Anthony Hopkins. Arranged by James Pybus. Contemporary,Contest,Festival. 29 pages. James Pybus #6384387. Published by James Pybus (A0.764738). Welsh actor, director, film producer and composer Anthony Hopkins has won many awards in his long career, including two Academy Awards, four BAFTAs, two Emmys and the Cecil B. Demille Award. In 1993 he was knighted by Queen Elizabeth II for his services to the arts. In a 2012 interview, Hopkins stated, I've been composing music all my life and if I'd been clever enough at school, I would like to have gone to music college. As it was, I had to settle for being an actor. His compositions cover a wide range of genres. And The Waltz Goes On dates from 1964 but was not performed until 2011 when André Rieu and his orchestra premiered the piece in Vienna. This arrangement for SATB Saxophone Quartet with optional Double Bass is suitable for a variety of programs and concert settings. It is both challenging and rewarding to play and should appeal to a wide audience. Duration is 5:20. Contact me at james.pybus56@gmail.com.
$19.99
Alexander Campbell's Saxophone Quartet, 4th movement, Una of Ulva
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Quatuor de Saxophones: 4 saxophones
#
Karen E McAulay
#
Alexander Campbell's Saxophone
#
Dr Karen E McAulay
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.984250 Composed by Karen E McAulay. 20t...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.984250 Composed by Karen E McAulay. 20th Century,Folk. 5 pages. Dr Karen E McAulay #3675581. Published by Dr Karen E McAulay (A0.984250). Folk song collector Alexander Campbell collected this tune in the Hebrides in 1815. The saxophone hadn't even been invented back then, but I like to think he'd have enjoyed 'Una of Ulva' in a waltz setting for soprano, alto, tenor and baritone sax.
$10.00
I Surrender All (Saxophone Quartet and Piano)
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Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Musique Sacrée
#
Winfield Scott Weeden
#
Stephen DeCesare
#
I Surrender All
#
Exultet Music
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.623455 Composed by Winfield ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.623455 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 14 pages. Exultet Music #4350633. Published by Exultet Music (A0.623455). The tender Gospel hymn that has scripture references to Luke 14:33 Any of you who does not give up everything he has cannot be My disciple. has been freshly arranged for a Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$12.99
For He's a Jolly Good Fellow - Folk Song and Toast - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Traditional
#
Thomas Graf
#
#
For He's a Jolly Good Fellow -
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.567698 Composed by Tradition...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.567698 Composed by Traditional. Arranged by Thomas Graf. Folk,Holiday,Wedding. 27 pages. Thomas Graf - the-hit-factory.com #423177. Published by Thomas Graf - the-hit-factory.com (A0.567698). The famous folk song is the best choice for any celebration party: Birthday, Wedding, Holiday, ….- This exceptional arrangement features all parts. I can be played by a small concert band as it consists of mainly of 5 melodic parts and rhythm. While beginning with a festive introduction it ends up with a melodic modulation: The best way, to say: thank you to a really Jolly good fellow! Players and audience will love it! Enjoy! Instrumentation: Soprano (Alto), Alto, Tenor, Baritone (Bass Saxophone) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/cDyAxqjuos0.
$13.99
Where Have I Known You Before
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Jazz
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Chick Corea
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Jeff Tincher
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Where Have I Known You Before
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.585462 By Chick Corea. By Chi...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.585462 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. 11 pages. Jeff Tincher #6274501. Published by Jeff Tincher (A0.585462). On February 9, 2021, Chick Corea passed. He was a great pianist and musician. He also pioneered the Jazz-Rock Fusion genre. He created many different musical groups with fantastic musicians. Return to Forever is probably the best known of these groups. This is the title cut from their third studio LP. In the original key this is one of 3 piano solos from this LP. A beautiful ballad. Duration = 2:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Radetzky March - Sax Quartet (Full Score and Parts)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Johann Strauss Sr
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César Madeira
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Radetzky March - Sax Quartet
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Sheet Music To Play Editions
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1394289 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1394289 Composed by Johann Strauss Sr. Arranged by César Madeira. 19th Century,Chamber,Classical,March,Romantic Period. 25 pages. Sheet Music To Play Editions #977766. Published by Sheet Music To Play Editions (A0.1394289). Radetzky March, Op.228 by Johann Strauss Sr. Arrangement for Saxophone Quartet - Soprano Sax, Alto Sax, Tenor Sax and Baritone Sax. With Full Score and Individual Parts. Enjoy it!Johann Baptist Strauss I (1804 – 1849), also known as Johann Strauss Sr., the Elder or the Father, was an Austrian composer of the Romantic Period. He was famous for his light music, namely waltzes, polkas, and galops, which he popularized alongside Joseph Lanner, thereby setting the foundations for his sons—Johann, Josef and Eduard—to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz).For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$13.99
(i'm Gonna) Love Me Again
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Elton John And Taron Egerton
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Stephen DeCesare
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(i'm Gonna) Love Me Again
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Exultet Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - SKU: A0.624108 By Elton John And Taron Egerton. By Bernie Taupin and Elton John. Arran...
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - SKU: A0.624108 By Elton John And Taron Egerton. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Contemporary. 24 pages. Exultet Music #4628447. Published by Exultet Music (A0.624108). The original single by Elton John that he sang with Taron Egerton from his 2019 musical biographical film: ROCKETMAN, has now been freshly arranged for a Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax), optional C-Trumpet Solo, and Piano accompaniment. Accessible and appropriate for any school or concert setting.
$12.99
Bach: Partita No. 4 BWV 828 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 4 BWV 828 fo
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1433420 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1433420 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 107 pages. Jmsgu3 #1013671. Published by jmsgu3 (A0.1433420). BACH: Partita No. 4 BWV 828 Contents: Overture, Allemande, Courante, Aria, Sarabande, Menuet, Gigue. Bach's Partita No. 4 in D major, BWV 828, is an essential work for several reasons: It is part of Bach's Clavier-Übung I, a collection of keyboard suites that he published in the last 25 years of his life as a musical testament to convey his vision of music-making and composing. Unlike his earlier English and French suites, the partitas in this collection are more severe, focusing on polyphonic structures that actively involve both the listener and performer. The partita consists of seven movements, all in the key of D major, structured around Renaissance dance forms such as the allemande, courante, sarabande, minuet, and gigue. This instrumentation captures both the original medium for these dance sets as well as the Baroque style of Bach. Bach was well aware of his abilities as a composer, and he deliberately published these works to ensure they would not be lost to future generations. The partitas represent Bach's mature approach to keyboard composition, where he was less interested in dance rhythms and more focused on creating complex polyphonic structures. Overall, Partita No. 4 is considered an essential work in Bach's keyboard oeuvre, as it showcases his mastery of form and counterpoint while also reflecting his desire to create music that would endure.
$42.95
He
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Al Hibbler
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L
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He
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Müller Publishing company
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1421503 By Al Hibbler. By Jack Richards and Richard Mullan. Arran...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1421503 By Al Hibbler. By Jack Richards and Richard Mullan. Arranged by L. Müller. Chamber,Praise & Worship,Religious. 7 pages. Müller Publishing company #1002908. Published by Müller Publishing company (A0.1421503). HE by Jack Richards - Saxophone Quartet (Soprano Saxophone I and II, Tenor Saxophone I and II)Explore the captivating melody of 'HE' by Jack Richards with the special arrangements by L. Müller. This versatile piece is available in an exciting version for saxophone quartet, including soprano saxophone I and II, tenor saxophone I and II. Each arrangement has been carefully adapted for beginner musicians, making this music accessible to all.We offer two versions of the sheet music: one with chord symbols to assist beginner players and another without chord symbols for those who prefer a more traditional approach. Both versions are available in high-quality PDF format for easy access and printing.Don't miss the chance to add 'HE' to your music repertoire and explore the different sounds provided by this saxophone quartet. Download your digital sheet music today and start playing this thrilling piece with your music group!
$12.99
God
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Bob Rowe
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God
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Bob Rowe
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SheetMusicPlus
Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1127139 By Bob Rowe. By Bob Rowe. This edition: Interactive Download....
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Choral Alto Voice,Soprano Saxophone (SATB) - Level 3 - Interactive Download SKU: A0.1127139 By Bob Rowe. By Bob Rowe. This edition: Interactive Download. Classical. Octavo. 12 pages. Duration 205. Bob Rowe #4zCpyXGf1RUqh1QxfYilbW. Published by Bob Rowe (A0.1127139). Key: C major.I originally wrote this piece back in April 2020 during quarantine. However, I decided to make some changes to make it even better and I'm proud of what I came up with. The text is by famous Harlem Renaissance poet, Langston Hughes. He is one of my favorite poets. I always dreamed I'd write a choral piece using his text and my dream has become a reality. Text I am God Without one friend Alone in my purity World without end Below me young lovers Tread the sweet ground But I am God I cannot come down Spring! Life is Love Love is life only Better to be human Than God and lonely.
$2.99
Pavane Pour Une Infanta Defunte by Ravel for Saxophone Sextet.
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Maurice Ravel
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Stephen Davies
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Pavane Pour Une Infanta Defunt
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Stephen Davies
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.891929 Composed by Maurice Ravel. Arranged by Ste...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.891929 Composed by Maurice Ravel. Arranged by Stephen Davies. 20th Century. Score and parts. 18 pages. Stephen Davies #4320751. Published by Stephen Davies (A0.891929). This beautiful music by Ravel was written in 1899 when he was studying composition with Gabriel Faure, and widely considered as a masterpiece for piano, I thought it would lend itself to the Saxophone Sextet nicely, and I think it does! Played sotto voce in a generous acoustic, this will sound glorious!
$21.99
Nessun Dorma
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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The Usaf Band
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James Pybus
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Nessun Dorma
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764694 By The Usaf Band. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764694 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by James Pybus. Classical,Contemporary,Contest,Festival,Opera. 11 pages. James Pybus #4355799. Published by James Pybus (A0.764694). Nessun dorma (English: None shall sleep) is an aria from act three of Turandot, and is one of the best-known tenor arias in all opera. Luciano Pavarotti made it one of his signature arias. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. This arrangement for saxophones can be played by either SATB or AATB quartet, with an optional Bass saxophone part which doubles the Baritone part. I would like to believe that Puccini would have approved of this adaptation of what is perhaps his most recognizable aria since the original orchestration for Turandot calls for a very large orchestra that includes two on-stage Alto Saxophones. Duration is 2:34. Please contact me at james.pybus56@gmail.com
$15.00
Suite from Abdelazer
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Henry Purcell
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Robert Stevens
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Suite from Abdelazer
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SAXpress.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1421819 Composed by Henry Pu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1421819 Composed by Henry Purcell. Arranged by Robert Stevens. Baroque,Chamber,Classical,Early Music. 32 pages. SAXpress.com #1003167. Published by SAXpress.com (A0.1421819). Suite from Abdelazer Henry Purcell (1659-1695) SATB Saxophone Quartet Suite from Abdelazer by Henry Purcell, arranged for saxophone quartet SATB. Purcell wrote the incidental music for the play Abdelazer (sometimes spelled 'Abdelazar') in 1695, shortly before his death. It is a lively mix of songs and dances of the time. Typical of the day, several of the movements became well known as popular songs. The rondo was later made famous by Benjamin Britten, who used it as the theme for his set of variations, ‘The Young Person’s Guide to the Orchestra’. The rondo as well as another selection, the Hornpipe, was included in the 2005 film Pride and Prejudice.This transcription for saxophone quartet SATB of Suite from Abdelazar is comprised of five of the ten selections Purcell wrote for the play. The movements are as follows: I. Overture II. Minuet III. Hornpipe IV. Air V. Rondo About the Composer: Henry Purcell (born c. 1659, London, England—died November 21, 1695, London) was an English composer of Baroque music. Purcell's musical style was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is included with John Dunstaple and William Byrd as England's most important early music composers. Later, Purcell's music also had a strong influence on the composers of the English musical renaissance of the early 20th century.The cause of Purcell's untimely death at the age of 36 is unclear. There are many theories, some preposterous (he died from chocolate poisoning), some more likely: he died of tuberculosis. Purcell was universally mourned as a very great master of music.  Following his death, the officials at Westminster honoured him by unanimously voting that he be buried with no expense spared in the north aisle of the Abbey.
$18.95
Alvin
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Peter Tork
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Jeff Tincher
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Alvin
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583570 By Peter Tork. By Nick...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583570 By Peter Tork. By Nick Thorkelson. Arranged by Jeff Tincher. Contemporary. 8 pages. Jeff Tincher #4323617. Published by Jeff Tincher (A0.583570). Here is a short novelty song. I did this arrangement in respect for Peter Tork, who passed away today 2/22/19. He may have not been the best bassist but he was probably one of the more famous, being the basist for The Monkees. This is in the original key from the expanded version of The Monkees' The Birds, The Bees, and The Monkees CD. Duration = 0.26. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Good Morning Good Morning
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.867641 By The Beatles. By Jo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.867641 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 8 pages. RayThompsonMusic #474085. Published by RayThompsonMusic (A0.867641). Arranged standrard sax quartet: SATB Transposed into Bb from original A to aid players. Melody and guitar break given to sop tenor and alto take middle section. Bari covers bass guitar.Great fun with mixed time sigs!!Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube Link https://youtu.be/xTpiETCrAqw is my brass quartet version.
$14.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 2 Tenor)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696560. Published by Regis Bookshar (A0.1092467). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones and 2 Tenor Saxophones. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 1 Tenor, 1 Bari)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092464 Composed by Francesco Durante. Arrange...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092464 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696556. Published by Regis Bookshar (A0.1092464). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Saxophone Quartet - 1 Sop, 1 Alto, 1 Tenor, 1 Bari)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092461 Composed by Francesc...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092461 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696553. Published by Regis Bookshar (A0.1092461). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
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