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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
If It was now
Non classifié
519
Piano & claviers
Piano seul
139
Piano, Voix
98
Accompagnement Piano
49
Piano, Voix et Guitare
18
Instruments en Do
17
Piano Facile
12
1 Piano, 4 mains
6
Orgue
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
2
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
13
Guitare notes et tablatures
13
Ligne De Mélodie, (Paroles) et Accords
8
Basse electrique
4
Ukulele
4
Mandoline
2
Piano, Guitare (duo)
1
Dulcimer
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
63
Voix Tenor, Piano
17
Chorale 3 parties
17
Chorale TTBB
12
Voix Soprano, Piano
9
Chorale SSAA
8
Voix Alto, Piano
6
Voix Tenor
6
Voix duo
5
Chorale 2 parties
4
Chorale Unison
2
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix Soprano
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
Quintette de Saxophone: 5 saxophones
64
Flûte traversière et Piano
31
Ensemble de saxophones
24
Ensemble de Clarinettes
24
Clarinette et Piano
23
Quatuor de Saxophones: 4 saxophones
21
Saxophone Alto
20
Hautbois, Piano (duo)
20
Saxophone Soprano et Piano
16
Saxophone Tenor et Piano
16
Ensemble de Flûtes
14
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Baryton, Piano
12
Cor anglais, Piano
11
Clarinette Basse, Piano
10
Saxophone Alto et Piano
9
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Flûte : 5 flûtes
8
2 Saxophones (duo)
7
Clarinette
7
3 Saxophones (trio)
6
Trio de Flûtes: 3 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
2 Clarinettes (duo)
3
Hautbois (partie séparée)
3
3 Clarinettes (trio)
3
Saxophone Tenor
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette (duo)
2
Clarinette, Basson (duo)
2
2 Flûtes traversières (duo)
2
Clarinette, Guitare (duo)
2
Flute (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière
2
5 Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Cor anglais, Guitare (duo)
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes à bec, Guitare
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
2 Flûte à bec (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Alto (duo)
1
+ 46 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Cor et Piano
17
Euphonium, Piano (duo)
15
Trombone et Piano
15
Ensemble de Trombones
12
Cor anglais, Piano
11
Trompette
10
Ensemble de Trompettes
8
Trompette, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Cors
3
Tuba et Piano
2
Quatuor de cuivres: 4 cors
2
4 Tubas
2
Cor anglais, Guitare (duo)
1
2 Trompettes (duo)
1
Cor
1
Trombone
1
Trompette, Euphonium (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Saxophone (duo)
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
23
Alto, Piano
14
Violoncelle, Piano
14
Ensemble de Violons
9
Violoncelle
8
Harpe
8
Ensemble d'Altos
7
Violon
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Violoncelle (duo)
6
2 Violoncelles (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Alto seul
1
2 Violons (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre
25
Orchestre à Cordes
24
Ensemble de cuivres
10
Ensemble Jazz
9
Orchestre de chambre
9
Ensemble de Percussions
6
Cloches
4
Jazz combo
4
Batterie
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 8 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
If It was now
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
21 partitions trouvées
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1
If I Were A Rich Man
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
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Jerry Bock
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Josef STASTNY
#
If I Were A Rich Man
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Josef STASTNY
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.743369 Composed by Jerry Bock...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.743369 Composed by Jerry Bock. Arranged by Josef STASTNY. Broadway. 12 pages. Josef STASTNY #3416607. Published by Josef STASTNY (A0.743369). If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof. It was written by Sheldon Harnick and Jerry Bock. The song is performed by Tevye, the main character in the musical, and reflects his dreams of glory. One of the most known musical songs at all.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+sax
$15.99
It Don't Come Easy
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Quatuor de Saxophones: 4 saxophones
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FACILE
#
Contemporain
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Richard Starkey
#
Jeff Tincher
#
It Don't Come Easy
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Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583711 Composed by Richard St...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583711 Composed by Richard Starkey. Arranged by Jeff Tincher. Contemporary. 16 pages. Jeff Tincher #4742383. Published by Jeff Tincher (A0.583711). Here is Ringo's 2nd big hit after the breakup of The Beatles. In the original key from the Ringo album, this song was performed at The Concert for Bangla Desh and is on that record set (if you can find it now) including Ringo going blank on one of the verses. Duration = 3:02. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Peace On Earth
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Quatuor de Saxophones: 4 saxophones
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FACILE
#
Noël
#
Bing Crosby And David Bowie
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Jeff Tincher
#
Peace On Earth
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Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583420 By Bing Crosby And Dav...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583420 By Bing Crosby And David Bowie. By Buz Kohan, Ian Fraser, and Lawrence Grossman. Arranged by Jeff Tincher. Christmas. 9 pages. Jeff Tincher #3873997. Published by Jeff Tincher (A0.583420). If there was ever a song for the ages it is this one. And it has a history. This song was the first time 2 artists from completely different ends of the genre spectrum, a rocker and a crooner, came together. This was unheard of at the time. It is normal now. It debuted on Bing Crosby's Christmas T.V. special. If you read the words, it has wisdom beyond it's years. In the original key, this song should be performed today. Duration = 2:37. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Symphony No. 7 by Beethoven for Alto Sax Quartet
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Quatuor de Saxophones: 4 saxophones
#
DÉBUTANT
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - SKU: A0.1137254 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,In...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - SKU: A0.1137254 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737455. Published by Woods Only, Arrangements (A0.1137254). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Symphony No. 7 by Beethoven for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137258 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Mar...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137258 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737460. Published by Woods Only, Arrangements (A0.1137258). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Symphony No. 7 by Beethoven for Tenor Sax Quartet
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Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137255 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,I...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137255 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737456. Published by Woods Only, Arrangements (A0.1137255). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Symphony No. 7 by Beethoven for Baritone Sax Quartet
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Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137257 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/T...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137257 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737459. Published by Woods Only, Arrangements (A0.1137257). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Chaconne: for saxophone ensemble (SAATB)
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Contemporain
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Healey Willan
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Derrick Thomas Lewis
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Chaconne: for saxophone ensemb
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Derrick Thom. Lewis
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1453660 Composed by Healey Willan. Arranged by...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1453660 Composed by Healey Willan. Arranged by Derrick Thomas Lewis. 20th Century. 11 pages. Derrick Thom. Lewis #1032874. Published by Derrick Thom. Lewis (A0.1453660). Healy WILLAN Chaconne 1956 (from Rondino,Elegy & Chaconne, for Organ)Composer of over 800 works and teacher for over 50 years, Mr.Willan was known for long as the Dean of Canadian Composers and was a fixture of the Toronto music scene for a very long while. Apparently he wrote Operas and Symphonies as well, but these have not been easily available to experience. Perhaps this is just Canadian natural reticence or 'reserve'. However, it's a characteristic that is not conducive to cultivating popularity. Nevertheless, Willan's music is simply lovely, and it's nice to know that, if you 'cotton on' to it, you will probably never exhaust his supply, at least to play.CANADIAN composer (Healey Wilan) & CANADIAN arranger (Derrick Thomas Lewis)
$34.99
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Mari Miura
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Katsuo Mizushina
#
Tropical Cafe - at the Resort
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
Flight of the Bumblebee
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Robert Stevens
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Flight of the Bumblebee
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SAXpress.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1394859 Composed by Nikolay ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1394859 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Robert Stevens. 20th Century,Chamber,Classical,Contest,Festival. 20 pages. SAXpress.com #978341. Published by SAXpress.com (A0.1394859). Flight of the Bumblebee (1900) Nicolai Rimsky Korsakov SATB Saxophone Quartet Everyone knows Flight of the Bumblebee. Originally it was an instrumental interlude in the opera The Tale of Tsar Saltan (1900). Later it gained fame as a piano piece. As arranged for SATB Saxophone Quartet, it is a great little show off piece for a moderately advanced quartet. While no altissimo is required in any part, it requires fast fingers and a good command of chromatic scales from all players. Many people believe Flight of the Bumblebee to be a very difficult workout for musicians. If you're well practiced on chromatic scales and comfortable with alternate fingerings, it's really not so difficult as it sounds. There is no need to tell your audience this fact. As for it being relentlessly fast, the tempo given in the original orchestra score is only 144bpm. Perfomance time on this arrangement is about 1:15 but nothing is stopping you from playing it faster.
$12.95
I Love Lucy
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734611 Composed by Elio...
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Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.734611 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6669321. Published by Chicory Music (A0.734611). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster. This arrangement for sax quartet (SATB) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.The Soprano Sax part may be played by clarinet if no soprano sax player or instrument is available.Performance Time Approx. 1 minute 25 seconds
$12.99
My Own True Love (tara's Theme)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Mack David and Max Steiner
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David Perkins
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My Own True Love
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David Perkins
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1300092 Composed by Mack Dav...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1300092 Composed by Mack David and Max Steiner. Arranged by David Perkins. 20th Century,Chamber,Film/TV,Standards,Wedding. 12 pages. David Perkins #889848. Published by David Perkins (A0.1300092). Tara's Theme, the famous theme tune from Gone With the Wind (1939) is arranged here for saxophone quartet. Â It is also known by My Own True Love when it was set to words by Mack David 15 years later.This arrangement is perfect for weddings or any celebration of love. The length is under 3 mins so is short enough for the entrance of the bride or it could be repeated if a longer piece is needed eg register signing etc.
$12.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Blowin' In The Wind
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Stevie Wonder
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John Gibson
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Blowin' In The Wind
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JB Linear
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.581875 By Stevie Wonder. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.581875 By Stevie Wonder. By Bob Dylan. Arranged by John Gibson. Rock. 13 pages. JB Linear #2926483. Published by JB Linear (A0.581875). Bob Dylan, a 2016 Nobel prize for literature recipient, famously ignored it for a while. In that spirit, he is now and has been a major figure in the music world for decades. The song Blowin in the Wind was released in 1963 and if I may include something personal, his song had a positive impact on my world view as a young person at the time. For this setting for sax quartet (SATB), I chose to use an Afro Pop style. The bari sax part in particular is quite active! It is set for soprano, alto, tenor and baritone saxes with an alternate alto part in place of the soprano sax. - John Gibson, arranger.
$13.50
The Stars and Stripes Forever
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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John Philip Sousa
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Josef STASTNY
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The Stars and Stripes Forever
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Josef STASTNY
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743209 Composed by John Phili...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743209 Composed by John Philip Sousa. Arranged by Josef STASTNY. Contemporary,Holiday,Patriotic,Standards. 12 pages. Josef STASTNY #3114439. Published by Josef STASTNY (A0.743209). The Stars and Stripes Forever. It's the official march of the United States and it's John Philip Sousa's most famous composition. You've probably heard it before, even if you don't know it by name. Sousa said the song was about the feeling of coming home to America and how in a foreign country the sight of the Stars and Stripes seems the most glorious in the world.
$10.99
Jazz, The Language of Music - for Saxophone
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Jazz
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Tony Benade
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Jazz, The Language of Music -
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Tony Benade
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.809104 Composed by Tony Benad...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.809104 Composed by Tony Benade. Instructional,Jazz. 193 pages. Tony Benade #3503099. Published by Tony Benade (A0.809104). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a professional jazz musician who has spent over 50 years performing jazz as well as a jazz educator. This method that has been used for several decades and has produced several young students and hobbyists who have become professional musicians. It is not a quick and easy 20 minute type of study. It does require commitment and a strong desire to perform jazz like the many jazz greats of the past. There is no magic or mystery involved, just the right information presented in an easy to understand format. If your are a serious student of jazz, then this is for you.
$45.00
Amazing Grace - Saxophone Quartet Score annd Parts
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Brendan Elliget MAGA 537
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Amazing Grace - Saxophone Quar
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BJE Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.750886 Composed by Traditiona...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.750886 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. 11 pages. BJE Music #4366364. Published by BJE Music (A0.750886). This beautiful traditional early American tune has been arranged for Saxophone Quartet: Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone. Or alternatively, you can substitute an Alto Saxophone for the Soprano Saxophone part (Part 1). This is in a tone lower than Woodwind Quartet arrangement - Eb to F. Each instrument takes a turn at the melody while the others have interesting accompaniment part. If you use this arrangement, please let me know how it goes. The MP3 was recorded with NotePerformer 3.Duration = 2:20 Grade = 3 - 4
$7.50
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