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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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PIANO & CLAVIERS
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano seul
11
Piano Trio: piano, violon, violoncelle
9
Piano Facile
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue
1
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Piano, Guitare (duo)
7
VOIX
Chorale SATB
3
VENTS
Flûte traversière et Piano
232
Clarinette et Piano
139
Hautbois, Piano (duo)
138
Saxophone Alto et Piano
119
Saxophone Soprano et Piano
115
Saxophone Tenor et Piano
115
Saxophone Baryton, Piano
111
Clarinette Basse, Piano
85
Cor anglais, Piano
78
Clarinette
65
2 Clarinettes (duo)
55
2 Flûtes traversières (duo)
52
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49
2 Hautbois (duo)
15
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10
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10
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9
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9
2 Cors Anglais Et Pianoforte
8
Quatuor de Saxophones: 4 saxophones
8
Hautbois, Basson (duo)
8
Trio de Flûtes: 3 flûtes
7
3 Clarinettes (trio)
7
Hautbois, Violoncelle
5
Ensemble de Clarinettes
5
Quatuor de Clarinettes: 4 clarinettes
4
3 Saxophones (trio)
4
Flûte, Alto (duo)
3
Saxophone et violoncelle
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Violon et Violoncelle
2
Flûte à Bec, Piano
2
Saxophone, Basson (duo)
2
Flûte, Violon
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière
1
Flûte, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Hautbois
1
Saxophone Alto
1
Flûte, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violon (duo)
1
Hautbois et alto (duo)
1
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1
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1
Flûte, Hautbois, Clarinette, Basson
1
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Euphonium, Piano (duo)
102
Cor et Piano
92
Trombone et Piano
91
Cor anglais, Piano
78
Trompette, Piano
66
Tuba et Piano
36
Trompette
34
2 Trombones (duo)
12
2 Trompettes (duo)
12
2 Cors (duo)
12
2 Euphoniums (duo)
11
2 Cors Anglais Et Pianoforte
8
Cor, Violoncelle (duo)
5
Trompette, Trombone (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Euphonium, Tuba (duo)
4
Cor
3
Tuba et Orgue
3
Ensemble de Trombones
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium
2
Tuba
2
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone basse
1
Trombone basse et Piano
1
3 Trombones (trio)
1
Trio de Cuivres
1
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CORDES
Violon et Piano
139
Alto, Piano
117
Violoncelle, Piano
116
Quatuor à cordes: 2 violons, alto, violoncelle
97
Trio à Cordes: violon, alto, violoncelle
36
2 Violoncelles (duo)
21
2 Altos (duo)
17
2 Violons (duo)
15
Violon, Violoncelle (duo)
12
Alto, Violoncelle (duo)
12
Violon, Alto (duo)
8
Harpe
8
Violoncelle
5
Trio à cordes
4
Trio à Cordes: 2 violons, violoncelle
3
Violon
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Orgue
1
4 Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
18
Ensemble de cuivres
8
Orchestre de chambre
5
Orchestre d'harmonie
2
Cloches
2
AUTRES
Vous avez sélectionné:
James Guthrie, ASCAP
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
8 partitions trouvées
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1
Beethoven: Three Equali WoO 30 for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Downl…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.551804 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. Score and parts. 17 pages. Jmsgu3 #5722755. Published by jmsgu3 (A0.551804). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet
$29.95
27.67 €
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Quatuor de Saxophones: 4 saxophones
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30 for Sax Quartet
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jmsgu3
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SheetMusicPlus
Telemann: Sonata in G Major for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550739 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and parts. 45 pages. Jmsgu3 #4798939. Published by jmsgu3 (A0.550739). Sonata in four movements. Duration: 6:45, Score: 19 pages. 159 measures. 1. Cantabile 2. Allegro 3. Affetuoso 4. Allegro
$47.95
44.3 €
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Quatuor de Saxophones: 4 saxophones
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Georg Philipp Telemann
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James M
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Telemann: Sonata in G Major for Sax Quartet
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jmsgu3
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SheetMusicPlus
Beethoven: Suite WoO 33 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1238014 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1238014 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Historic,Standards,Wedding. 37 pages. Jmsgu3 #833477. Published by jmsgu3 (A0.1238014). Soprano, Alto Tenor & Baritone Sax Quartet.Beethoven's WoO 33 originally consisted of 5 pieces, with the first three likely intended for a musical clock, while the remaining two date from around 1795 with different instrumentation. These pieces were possibly completed by 1800 for an exhibition of waxworks and musical automata displayed by Count Josef Deym. The work showcases Beethoven's versatility and creativity in composing music for unconventional instruments, reflecting his innovative approach to composition.
$47.95
44.3 €
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Quatuor de Saxophones: 4 saxophones
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Ludwig van Beethoven
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James M
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Baritone Sax Quartet
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Beethoven: Suite WoO 33 for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
69.24 €
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Quatuor de Saxophones: 4 saxophones
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Beethoven: Suite WoO 33 for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Level 2 - Digital Download SKU: A0.1238536 Composed by Ludwig van Beethoven. Arrang…
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Level 2 - Digital Download SKU: A0.1238536 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Instructional. 18 pages. Jmsgu3 #833970. Published by jmsgu3 (A0.1238536). Beethoven's WoO 33 originally consisted of 5 pieces, with the first three likely intended for a musical clock, while the remaining two date from around 1795 with different instrumentation. These pieces were possibly completed by 1800 for an exhibition of waxworks and musical automata displayed by Count Josef Deym. The work showcases Beethoven's versatility and creativity in composing music for unconventional instruments, reflecting his innovative approach to composition.
$32.95
30.44 €
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Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
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James M
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Beethoven: Suite WoO 33 for Saxophone Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.91 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quartet
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1257713 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1257713 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850942. Published by jmsgu3 (A0.1257713). Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He composed the mass for the Cathedral at Reims, where he served as a canon, and a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Some scholars hypothesize that Machaut did not actually come to work for the Reims Cathedral until the end of the 1350s, composing the mass as an act of devotion and dedication marking his arrival in the precinct.Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. Â It was composed for four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.T.
$49.95
46.15 €
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Quatuor de Saxophones: 4 saxophones
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. C…
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Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 55 pages. Published by jmsgu3
$49.95
46.15 €
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Quatuor de Saxophones: 4 saxophones
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Sax Quartet
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SheetMusicPlus
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