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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Joh C
Non classifié
2 508
Piano & claviers
Instruments en Do
1 890
Piano seul
1 553
Piano, Voix
742
Piano Facile
738
Piano, Voix et Guitare
194
Accompagnement Piano
83
Orgue
77
Piano Trio: piano, violon, violoncelle
42
1 Piano, 4 mains
41
Orgue, Trompette (duo)
19
Accordéon
15
Piano Quintette: piano, 2 violons, alto, violoncelle
10
2 Pianos, 4 mains
10
Piano grosses notes
8
Clavecin
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Orgue, Piano (duo)
3
Ligne De Mélodie, Piano
2
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
654
Basse electrique
292
Guitare
128
Guitare notes et tablatures
118
Ukulele
72
2 Guitares (duo)
14
Piano, Guitare (duo)
13
Guitare (partie séparée)
9
Paroles et Accords
6
4 Guitares (Quatuor)
5
Banjo
4
Ensemble de Ukulélés
2
3 Guitares (trio)
2
Mandoline
1
2 Mandolines (duo)
1
Dulcimer
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
616
Chorale 3 parties
232
Chorale 2 parties
86
Chorale TTBB
77
Chorale SSAA
41
Chorale Unison
32
Pack Instrumental pour Chorale
32
Voix Tenor, Piano
27
Voix Soprano, Piano
18
Voix duo, Piano
15
Voix Alto, Piano
14
Voix seule
11
Voix haute
10
Chorale
9
Voix Baryton, Piano
8
Voix moyenne, Piano
7
Voix duo
7
Voix Tenor
5
Voix Mezzo-Soprano, Piano
3
Voix basse, Piano
2
Voix Soprano
2
Chorale SSATB
1
Voix basse
1
Voix, Guitare
1
Chorale SSAATTBB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
190
Clarinette et Piano
145
Saxophone Tenor et Piano
124
Flûte traversière
117
2 Saxophones (duo)
105
Saxophone (partie séparée)
101
Saxophone Alto et Piano
100
Hautbois, Piano (duo)
96
Clarinette
91
Flûte, Hautbois, Clarinette, Basson
80
Saxophone Alto
78
Quatuor de Saxophones: 4 saxophones
74
2 Flûtes traversières (duo)
71
2 Clarinettes (duo)
68
Saxophone Tenor
67
Saxophone Soprano et Piano
60
Hautbois (partie séparée)
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quatuor de Flûtes : 4 flûtes
41
3 Saxophones (trio)
40
Saxophone
33
Flûte, Clarinette (duo)
32
Quatuor de Clarinettes: 4 clarinettes
32
3 Clarinettes (trio)
28
Trio de Flûtes: 3 flûtes
23
Ensemble de Flûtes
23
2 Clarinettes, Piano
19
Clarinette, Violoncelle, Piano (trio)
19
Flûte, Clarinette, Piano (trio)
19
Quintette de Saxophone: 5 saxophones
18
2 Saxophones, Piano
17
Quintette de Clarinettes: 5 clarinettes
16
2 Flûtes traversières, Piano
15
Cor anglais, Piano
15
Flûte, trombone et piano
14
Flûte et Guitare
14
3 Flûtes à bec (trio)
13
Flûte, Violon, Piano
13
Clarinette, Violon (duo)
13
Flûte, Violoncelle, Piano (trio)
12
Ensemble De Flûte à bec
11
2 Hautbois (duo)
10
Clarinette, Basson (duo)
10
Ensemble de Clarinettes
10
Flûte, Hautbois, Piano (trio)
8
Flûte, Violon et Violoncelle
8
Flute (partie séparée)
8
Flûte, Hautbois, Clarinette (trio)
7
2 Flûte à bec (duo)
7
Clarinette Basse, Piano
7
Saxophone Baryton, Piano
7
Quintette de Flûte : 5 flûtes
7
Flûte, Clarinette et Basson
7
Hautbois
7
Flûte à bec Soprano
7
Cor Anglais
7
Quatuor de Flûtes à bec
6
Clarinette, trompette et piano
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Harmonica
4
Clarinette (partie séparée)
4
Hautbois, Basson (duo)
4
Saxophone Soprano
4
Saxophone Baryton
4
Flûte, Hautbois, Basson
3
Flûte, Alto et Piano
3
Flûte, Violoncelle
3
Flûte à Bec
3
Piccolo
3
Instruments en Mib
2
Flûte, Trombone (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Violon, Violoncelle et Piano
2
2 Cors Anglais Et Pianoforte
2
Saxophone et Guitare
2
Hautbois, Violoncelle
2
Piccolo, Piano
2
Flûte, Violon, Guitare
2
Hautbois, Flûte
2
Flûte à bec Alto
2
Flûte, Basson et Piano
2
Flûte, Violoncelle, Guitare
2
Flûte à Bec, Piano
2
Clarinette, Violoncelle (duo)
2
Clarinette, Guitare (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte à bec, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Violon, Piano
1
Flûte à bec Alto, Piano
1
Flûte à bec Tenor
1
Ensemble de saxophones
1
3 Hautbois
1
2 Flûtes à bec, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Trompette (duo)
1
Flute, Cor (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
2 Clarinettes, Basson
1
Flûte, Violon
1
Ensemble de Hautbois
1
Flûte à bec Alto, Basse continue
1
Ocarina
1
Clarinette Basse
1
+ 103 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
281
Trompette, Piano
152
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
141
Trompette
134
Trombone et Piano
123
Trombone
92
Tuba (partie séparée)
92
Trompette (partie séparée)
79
Cor
53
Trompette, Trombone (duo)
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
50
2 Trombones (duo)
50
Cor et Piano
47
2 Trompettes (duo)
46
Tuba ou Euphonium ou Saxhorn
45
Tuba
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Ensemble de Trompettes
29
Euphonium, Piano (duo)
24
Tuba et Piano
24
Euphonium
22
Quatuor de Cuivres
19
3 Trombones (trio)
17
Trompette, Violoncelle et Piano
15
Cor anglais, Piano
15
Bass Clef Instruments
13
Quatuor de cuivres: 4 cors
13
2 Cors (duo)
13
Ensemble de Trombones
13
Quatuor de cuivres: 4 trompettes
11
Quatuor de cuivres: 4 trombones
10
2 Trompettes, Clavier (piano ou orgue)
8
Cor Anglais
7
Trio de Cuivres
5
Ensemble de Cors
5
Cor (partie séparée)
5
Ensemble de Tubas
3
3 Trompettes (trio)
3
2 Euphoniums (duo)
3
Instruments en Sib
3
Trombone, Tuba (duo)
3
3 Cors (trio)
3
4 Tubas
2
Trompette, Tuba (duo)
2
2 Tubas (duo)
2
Tuba et Orgue
2
Euphonium (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Instruments en Fa
1
Trompette, Trombone, Piano
1
Clarinette, Cor (duo)
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
3 Tubas (trio)
1
Trompette, Saxophone (duo)
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
246
Violon et Piano
220
Violoncelle, Piano
186
Alto, Piano
158
Violon
134
Violoncelle
104
Harpe
100
Alto seul
82
Violon, Violoncelle (duo)
76
2 Violoncelles (duo)
68
Violon (partie séparée)
62
2 Violons (duo)
54
Trio à Cordes: violon, alto, violoncelle
39
2 Altos (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violon, Alto (duo)
28
Alto, Violoncelle (duo)
23
Contrebasse, Piano (duo)
23
Alto (partie séparée)
21
Trio à cordes: 3 violins
16
Trio à Cordes: 2 violons, violoncelle
15
Trio à Cordes: 3 violoncelles
13
4 Violoncelles
13
Contrebasse (partie séparée)
12
Piano Trio: Violon, Alto, Piano
12
Contre Basse
12
Violoncelle (partie séparée)
7
2 Harpes (duo)
6
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
5
Violon, Clarinette, Piano (trio)
4
2 Violons, Piano
4
2 Altos, Piano
3
Trio à cordes: 3 altos
3
Harpe, Violon, Violoncelle
2
2 Violoncelles, Piano
2
2 Contrebasses (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
2 Violons et Basse continue
1
Violon, Trompette et Piano
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Orgue
1
Ensemble de Violons
1
Harpe et Piano
1
+ 45 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
1 489
Ensemble Jazz
149
Ensemble de cuivres
109
Orchestre à Cordes
104
Orchestre
100
Fanfare
88
Cloches
45
Orchestre de chambre
44
Marimba
11
Ensemble de Percussions
10
Jazz combo
10
Batterie
6
Batterie (partie séparée)
5
Percussion (partie séparée)
3
Quintette de Cuivres: autres combinaisons
3
Timbales (partie séparée)
2
Caisse Claire
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone
1
+ 14 instrumentations
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21
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
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Musette
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Partitions Numériques
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ACCUEIL
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NOUVEAUTÉS
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PIANO
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Partitions Piano
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INSTRUMENTAL
|
Cordes
Violon
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Violoncelle
Contrebasse
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Clarinette
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Saxophone
Basson
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Piano, Voix, Guitare
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Quintet à vent
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Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
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Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
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Latin Pop
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Metal
Méthodes
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New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
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Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
15
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|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
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GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
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|
Tout Chorale & Voix
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Chorale 2 Parties
Chorale 3 Parties
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Chorale TTBB
Chorale SSAA
Chorale UNISON
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INSTRUMENTS
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CLAVIERS
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ORGUE
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DOBRO
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VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
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VIOLE DE GAMBE
VIOLON
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VENT
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COR ANGLAIS
FLUTE
FLUTE A BEC
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HARMONICA
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PERCUSSION
VIBRAPHONE
XYLOPHONE
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GENRES
|
20eme siecle
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Bluegrass
Blues
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Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
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New Age
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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Crtitères actifs :
Joh C
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
74 partitions trouvées
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26
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Prelude and Fugue in C-minor BWV 549 for saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in C-minor B
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AMA Editions
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1308798 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1308798 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 18 pages. AMA Editions #898046. Published by AMA Editions (A0.1308798). J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement is for SATB saxophone quartet. The baritone saxophone requires a low A. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.
$15.00
Fugue in C Major
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Luca Boscolo
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Fugue in C Major
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346087 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1346087 Composed by Johann Sebastian Bach. Arranged by Luca Boscolo. Baroque,Chamber,Classical,Religious. 8 pages. Luca Boscolo e Marco De Lazzari #930942. Published by Luca Boscolo e Marco De Lazzari (A0.1346087). An arrangement of Fugue in C Major for saxophone quartet (soprano - alto - tenor - baritone).
$10.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Two-part Invention In C
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Fernanda Moura
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Two-part Invention In C
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Fernanda Moura
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219224 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 16 pages. Fern...
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Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219224 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 16 pages. Fernanda Moura #815621. Published by Fernanda Moura (A0.1219224).
$12.99
Canon in C
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Pachelbel
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Canon in C
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SheetmusicLAB
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SheetMusicPlus
Quartet (Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bariton Saxophone) - Primer Level - SKU: P5.CL-BAR-13852 Composed by Johann Pachelbel. Baro...
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Quartet (Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bariton Saxophone) - Primer Level - SKU: P5.CL-BAR-13852 Composed by Johann Pachelbel. Baroque Period. Score and Parts. 15 pages. SheetmusicLAB #CL-BAR-13852. Published by SheetmusicLAB (P5.CL-BAR-13852). 594 x 297 mm inches.
$36.67
Two-part Invention In C
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Fernanda Moura
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Two-part Invention In C
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Fernanda Moura
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219223 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 24 pages. Fern...
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Saxophone Quartet,Woodwind Ensemble - Level 1 - SKU: A0.1219223 Composed by Johann Sebastian Bach. Arranged by Fernanda Moura. Classical. 24 pages. Fernanda Moura #815620. Published by Fernanda Moura (A0.1219223).
$12.99
Fantasia and Fugue in C-Minor (BWV 537)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Gary Bricault
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Fantasia and Fugue in C-Minor
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Gary Bricault
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.824899 Composed by Johann Se...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.824899 Composed by Johann Sebastian Bach. Arranged by Gary Bricault. Classical. 34 pages. Gary Bricault #4286261. Published by Gary Bricault (A0.824899). Arrangement for Saxophone Quartet (SATB). Performance time 6'37.
$9.99
Minuet and Variations from String Quartet No. 1 op 8 by J. C. Bach
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Christian Bach
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Dennis Joseph Blackmon, II
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Minuet and Variations from Str
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SheetMusicPlus
Saxophone Quartet - Intermediate - Digital Download Composed by Johann Christian Bach (1735-1782). Arranged by Dennis Joseph Blackmon, II. Classical ...
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Saxophone Quartet - Intermediate - Digital Download Composed by Johann Christian Bach (1735-1782). Arranged by Dennis Joseph Blackmon, II. Classical Period. Score, Set of Parts. 13 pages. Published by Joe Blackmon
$7.99
Passacaglia & Fugue in C Minor BWV832 by J.S.Bach for Saxophone Quartet.
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Passacaglia & Fugue in C Minor
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Stephen Davies
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Stephen Davies. Baroque Period, Recital. Score, Set of Parts. 52 pages. Published by Stephen Davies (...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Stephen Davies. Baroque Period, Recital. Score, Set of Parts. 52 pages. Published by Stephen Davies (S0.329068). - Score,Set of Parts - Baroque Period,Recital - Stephen Davies
$21.99
Jesu, Joy of Man's Desiring (Sax Quartet: SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Jesu, Joy of Man's Desiring
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John A. Dempsey
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.524297 Composed by Johann Se...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.524297 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter,Sacred,Wedding. 21 pages. John A. Dempsey #5221747. Published by John A. Dempsey (A0.524297). A musical oasis of beauty and tranquility, Bach's Jesu, Joy of Man's Desiring is arranged here as a woodwind quartet for soprano sax, alto sax, tenor sax and baritone sax. Â The gentle, flowing nature of this instrumental makes this Baroque music a popular, traditional choice for weddings as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â Effective as a performance piece for recitals and concerts, this arrangement is also recommended for church services and other worship events, as a prelude, an offertory, silent prayer accompaniment or special music. Â Concert Key: Eb major. Â Soprano/Tenor Sax Key: F major. Â Alto/Baritone Sax Key: C major. Â 17 pages of music (that includes the score and separate two-page parts for each sax).
$11.99
My Shot
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Contemporain
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Albert Johnson, Christopher Wa
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James A
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My Shot
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.946285 Composed by Albert Jo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.946285 Composed by Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr., and Roger Troutman. Arranged by James A. C. Glass. Contemporary. 33 pages. James A. C. Glass #6305609. Published by James A. C. Glass (A0.946285). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 5:20.In this unique arrangement the saxophones provide a complete piece that can stand alone or be used to support a rap vocalist.
$16.99
Brahms's Lullaby (Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Johannes Brahms
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B
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Brahms's Lullaby
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Ben Dockery
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1238469 Composed by Johannes Brahms. Arranged ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1238469 Composed by Johannes Brahms. Arranged by B. C. Dockery. 19th Century,Children,Classical,Romantic Period. 6 pages. Ben Dockery #833919. Published by Ben Dockery (A0.1238469). Perhaps Johannes Brahms's most famous composition: this is Lullaby (Wiegenlied) arranged for saxophone quartet: AATB. Great for lessons, recitals, and public performances of all kinds. Easy intermediate level. Includes score and parts.
$7.99
Transformers Medley
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Various Artists
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James A
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Transformers Medley
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946262 By Various Artists. B...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946262 By Various Artists. By Johnny Douglas. Arranged by James A. C. Glass. Contemporary. 9 pages. James A. C. Glass #6292395. Published by James A. C. Glass (A0.946262). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 1:00.The melody rotates through the soprano, alto and tenor saxophone in a call-and-answer that closes up with unison at the end of each section. The song modulates in the center as it covers three varieties of the Transformer theme from the original cartoon. This complete arrangement is a treat to display by itself or when performed alongside the other movements in the full Action Figure Suite.
$16.99
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
5 Famous Songs by Bach for Baritone Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luth...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Sax
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by And...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Tenor Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Alto Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
#
5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
Little Fugue in G Minor (Bach) - Saxophone Quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James A
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Little Fugue in G Minor
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946266 Composed by Johann Se...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946266 Composed by Johann Sebastian Bach. Arranged by James A. C. Glass. Baroque. 16 pages. James A. C. Glass #6292423. Published by James A. C. Glass (A0.946266). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 3:12.This masterpiece has been arranged for saxophone quartet with an emphasis on keeping the baritone saxophone in the correct low range. This meticulous arrangement passes the melody between the four saxophones and is a delight for any performance.
$9.99
Pachelbel's Canon in D - Saxophone Quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James A
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Pachelbel's Canon in D - Saxop
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.946275 Composed by Johann Pa...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.946275 Composed by Johann Pachelbel. Arranged by James A. C. Glass. Baroque. 15 pages. James A. C. Glass #6303209. Published by James A. C. Glass (A0.946275). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 4:03.This adored classic is arranged as a beautifully soft saxophone piece with the soprano, alto and tenor saxophone trading off on the melody and counter melodies. The baritone saxophone carries the repeating bassline to ground the movement of the other horns and they melody develops in a complex round. This is an absolutely wonderful arrangement for any gathering.
$9.99
Radetzky March - Sax Quartet (Individual Parts)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Johann Strauss Sr
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César Madeira
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Radetzky March - Sax Quartet
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Sheet Music To Play Editions
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1394290 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1394290 Composed by Johann Strauss Sr. Arranged by César Madeira. 19th Century,Chamber,Classical,Film/TV,Romantic Period. 12 pages. Sheet Music To Play Editions #977767. Published by Sheet Music To Play Editions (A0.1394290). Radetzky March, Op.228 by Johann Strauss Sr. Arrangement for Saxophone Quartet - Soprano Sax, Alto Sax, Tenor Sax and Baritone Sax. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Baptist Strauss I (1804 – 1849), also known as Johann Strauss Sr., the Elder or the Father, was an Austrian composer of the Romantic Period. He was famous for his light music, namely waltzes, polkas, and galops, which he popularized alongside Joseph Lanner, thereby setting the foundations for his sons—Johann, Josef and Eduard—to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz).For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
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