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Cor
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Cor et Piano
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Cor anglais, Piano
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37
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16
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15
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15
2 Violoncelles (duo)
14
2 Violons (duo)
10
Alto, Piano
9
Harpe
7
Alto seul
4
Violoncelle
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4
2 Harpes (duo)
3
Alto, Violoncelle (duo)
3
2 Altos (duo)
3
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
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Trio à cordes: 3 violins
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2 Violoncelles, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre
10
Cloches
7
Orchestre de chambre
7
Orchestre à Cordes
6
Orchestre d'harmonie
5
Ensemble Jazz
5
Ensemble de cuivres
2
Fanfare
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Trio à Vent: 3 instruments à vents
1
Batterie
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Quintette à Vent
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Ensemble de Percussions
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AUTRES
Vous avez sélectionné:
Lee G
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
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1
Chorale from Sleepers, Wake! (BWV 140) for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.805876 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Sacred,Standards,Wedding. 14 pages. G L Harvey #5215799. Published by G L Harvey (A0.805876). The fourth movement from the cantata Wachet auf, ruft uns die Stimme, also known as Sleepers, Wake! has been arranged for Saxophone Quartet. The Tenor Saxophone part takes the tenor voice solo where appropriate, singing over the rest of the ensemble. All players have occasional rest-bites and plenty of opportunity to shine, with the general range and technical demands for a convincing performance aimed at intermediate to advanced players (ABRSM grade 5 and upwards). This popular baroque classic would be a perfect addition to concerts, recitals and wedding programmes, for both audiences and performers alike. The PDF is 14 pages in length (portrait A4) and includes a full score and parts for 2 Alto Saxophones, Tenor Saxophone and Baritione Saxophone. The duration of the Chorale is about 3.30 minutes.
$12.99
12.12 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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G L Harvey
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Chorale from Sleepers, Wake!
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G L Harvey
#
SheetMusicPlus
The Lion Sleeps Tonight
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 1 - Digital Down…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.785494 Composed by Bennet Salvay, Bennett Paul Salvay, Joseph Stanley Williams, and W.G. Snuffy Walden. Arranged by Greg Eaton. Contemporary. 22 pages. Greg Eaton #6527653. Published by Greg Eaton (A0.785494). The Lion Sleeps Tonight (from The Lion King) - arranged for saxophone quartet by Greg Eaton. Great for schools. Score and parts included, with additional tenor sax part.
$12.99
12.12 €
#
Quatuor de Saxophones: 4 saxophones
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Bennet Salvay, Bennett Paul Salvay, Joseph Stanley Williams, and W
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Greg Eaton
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The Lion Sleeps Tonight
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Greg Eaton
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.81 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.81 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.81 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.81 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Silent Night (Sax Quartet: SATB)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524158 Composed by Franz Xaver Gruber, Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #4845657. Published by John A. Dempsey (A0.524158). A classic Christmas carol reimagined as a festive woodwind quartet for soprano sax, alto sax, tenor sax and baritone sax, this arrangement of Silent Night begins simply but builds in intensity as it progresses, with ornamentation, dynamic shading, variation and incidental music by Enrique Granados. Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. 17 pages of music (that includes the score and separate two-page pullout parts for each instrument). Concert Key: Bb major. Soprano Sax Key: C major. Alto Sax Key: G major. Tenor Sax Key: C major. Baritone Sax Key: G major Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in Heavenly peace / Sleep in Heavenly peace.
$11.99
11.19 €
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Quatuor de Saxophones: 4 saxophones
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Franz Xaver Gruber, Enrique Granados
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John A
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Silent Night
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John A. Dempsey
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SheetMusicPlus
Silent Night (Sax Quartet: AATB)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524611 Composed by Franz Xaver Gruber, Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #6072519. Published by John A. Dempsey (A0.524611). A classic Christmas carol reimagined as a woodwind quartet for two alto saxes, tenor sax and baritone sax, this arrangement of Silent Night begins simply but builds in intensity as it progresses, with ornamentation, variation, dynamic shading and incidental music by Enrique Granados. Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. 17 pages of music (that includes the score and separate two-page pullout parts for each sax). Concert Key: Bb major. Alto Sax Key: G major. Tenor Sax Key: C major Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in Heavenly peace / Sleep in Heavenly peace.
$11.99
11.19 €
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Quatuor de Saxophones: 4 saxophones
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Franz Xaver Gruber, Enrique Granados
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John A
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Silent Night
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John A. Dempsey
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SheetMusicPlus
Silent Night (Sax Quartet: SAAT)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Lev…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524159 Composed by Franz Xaver Gruber, Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #4846607. Published by John A. Dempsey (A0.524159). A classic Christmas carol reimagined as a woodwind quartet for soprano sax, two alto saxes and tenor sax, this arrangement of Silent Night begins simply but builds in intensity as it progresses, with ornamentation, variation, dynamic shading and incidental music by Enrique Granados. Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. 17 pages of music (that includes the score and separate two-page pullout parts for each instrument). Concert Key: Bb major. Soprano Sax Key: C major. Alto Sax Key: G major. Tenor Sax Key: C major Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in Heavenly peace / Sleep in Heavenly peace.
$11.99
11.19 €
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Quatuor de Saxophones: 4 saxophones
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Franz Xaver Gruber, Enrique Granados
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John A
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Silent Night
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John A. Dempsey
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SheetMusicPlus
20 Classical Themes for Saxophone Quartet: Volume 1
Quatuor de Saxophones: 4 saxophones
Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classi c…
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Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classi cal,Romantic Period. 172 pages. Ben Dockery #879462. Published by Ben Dockery
Some of the most popular and beloved compositions by Bach, Beethoven, Mozart, Brahms, Chopin and more are included in this collection of twenty classical themes. Arranged for saxophone quartet: AATB. A range of early to late intermediate levels. Includes scores and individual parts.<br> <br> Air on the G String, Ave Maria, Brahm's Lullaby, Canon in D, Dido's Lament, Eine Kleine Nachtmusik, Funeral March, Fur Elise, Hallelujah Chorus, In the Hall of the Mountain King, Jupiter, Largo, Ode to Joy, Pavane, Pomp and Circumstance, Sleeping Beauty, Spring, Blue Danube, The Sorcerer's Apprentice, Trumpet Voluntary.
$15.99
14.92 €
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Quatuor de Saxophones: 4 saxophones
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Various
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20 Classical Themes for Saxophone Quartet: Volume 1
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Ben Dockery
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SheetMusicPlus
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