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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lee J
Non classifié
106
Piano & claviers
Piano seul
134
Piano, Voix
58
Piano Facile
25
Accordéon
20
Piano, Voix et Guitare
14
Instruments en Do
6
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Orgue
2
1 Piano, 4 mains
2
Piano (partie séparée)
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Basse electrique
3
2 Guitares (duo)
3
Ukulele
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare
2
4 Guitares (Quatuor)
1
Dulcimer
1
Piano, Guitare (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
68
Chorale TTBB
23
Pack Instrumental pour Chorale
20
Chorale 3 parties
20
Chorale SSAA
10
Chorale Unison
3
Voix seule
1
Chorale 2 parties
1
Chorale SSAB, Piano
1
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
11
Saxophone
8
Flûte et Guitare
8
Flûte traversière et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone (partie séparée)
6
Clarinette (partie séparée)
5
2 Flûtes traversières (duo)
5
Flûte traversière
4
2 Clarinettes (duo)
4
Clarinette et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violon, Piano
3
2 Saxophones (duo)
3
Flute (partie séparée)
3
Saxophone Alto
3
Hautbois (partie séparée)
2
Ensemble de saxophones
2
Clarinette
2
Hautbois, Piano (duo)
2
Saxophone Tenor
2
Ensemble de Flûtes
2
Saxophone Tenor et Piano
1
Saxophone Soprano et Piano
1
Clarinette, Orgue
1
Hautbois
1
Quatuor de Flûtes à bec
1
2 Flûtes traversières, Piano
1
Instruments en Mib
1
Saxophone Alto et Piano
1
Flûte à bec Soprano
1
+ 27 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
6
Trompette (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Trompettes (duo)
5
Trompette
4
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone
4
Trompette, Piano
3
Cor
2
Trombone et Piano
2
Instruments en Sib
1
Tuba (partie séparée)
1
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
15
2 Violons (duo)
8
Violoncelle
6
Violon
5
2 Violoncelles (duo)
5
Violoncelle, Piano
4
Violon (partie séparée)
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
Trio à cordes
2
Alto seul
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Guitare (duo)
1
Alto, Piano
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Violon, Alto (duo)
1
Alto (partie séparée)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Cloches
9
Orchestre
9
Orchestre d'harmonie
9
Fanfare
5
Orchestre de chambre
4
Ensemble de cuivres
3
Ensemble Jazz
3
Orchestre à Cordes
2
Ensemble de Percussions
2
Percussion (partie séparée)
2
Timbales (partie séparée)
1
Batterie
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Vous avez sélectionné:
Lee J
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
11 partitions trouvées
<
1
Nine Christmas Chorales (for saxophone quartet)
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Quatuor de Saxophones: 4 saxophones
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FACILE
#
Noël
#
Aaron Lee
#
Nine Christmas Chorales
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J. Aaron Lee
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1118397 Composed by Aaron Le...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1118397 Composed by Aaron Lee. Baroque,Chamber,Christmas,Instructional,Sacred. 75 pages. J. Aaron Lee #719920. Published by J. Aaron Lee (A0.1118397). This collection includes nine different Christmas carols, all arranged in a four-part chorale style akin to that of baroque composers such as J. S. Bach. Included in this collection are arrangements of the following carols: Veni, Veni, Emmanuel; Es Ist Ein Rose Entsprungen (Lo, how a rose e'er blooming); Coventry Carol; Adeste Fidelis (O Come, All Ye Faithful); In Dulci Jubilo; Good King Wenceslas; God Rest You Merry, Gentlemen; Quelle est cette odeur agréable; and See, amid the Winter's Snow. These arrangements are all fairly easy and should be appropriate for a wide range of skill levels, including school settings. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$39.99
Faux Pas de Deux (for Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
#
AVANCÉ
#
Contemporain
#
Aaron Lee
#
Faux Pas de Deux
#
J. Aaron Lee
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.612662 Composed by Aaron Lee. 20th Century,Classi...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.612662 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 55 pages. J. Aaron Lee #221852. Published by J. Aaron Lee (A0.612662). A light-hearted, contemporary work for saxophone quartet. This work is inspired by J. S. Bach and makes use of pastiche, metric modulation, and a healthy dose of humour! Faux Pas de Deux re-imagines a Bach prelude as a modern, yet accessible, work for saxophone quartet. The work references and toys with traditional tonal practices to create a comedic, yet challenging piece for chamber ensemble. More from Aaron Lee can be found at musicoflee.com.
$19.99
Veni, Veni, Emmanuel (for saxophone quartet)
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Traditional Christmas Carol
#
Aaron Lee
#
Veni, Veni, Emmanuel
#
J. Aaron Lee
#
SheetMusicPlus
Composed by Traditional Christmas Carol. Arranged by Aaron Lee. Chamber,Christmas,Holiday,Reli gious,Renaissance. 12 pages. J. Aaron Lee #714196. Pub...
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Composed by Traditional Christmas Carol. Arranged by Aaron Lee. Chamber,Christmas,Holiday,Reli gious,Renaissance. 12 pages. J. Aaron Lee #714196. Published by J. Aaron Lee
$9.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Industry Baby
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Lil Nas X & Jack Harlow
#
Márcio Moreira Júnior
#
Industry Baby
#
Márcio M. Júnior
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.574481 By Lil Nas X & Jack Ha...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.574481 By Lil Nas X & Jack Harlow. By David Charles Biral, Denzel Baptiste, Jack Harlow, Kanye Omari West, Mark Carl Stolinski Williams, Montero Lamar Hill, Nicholas Lee, and Raul Ignacio Cubina. Arranged by Márcio Moreira Júnior. Contemporary,Contest,Festival,Hip-Hop,Instructional,Pop,R & B. 15 pages. Márcio M. Júnior #183584. Published by Márcio M. Júnior (A0.574481). Industry Baby is a song by American rappers Lil Nas X and Jack Harlow, released on July 23, 2021 by Columbia Records. It is the third single from Lil Nas X's debut studio album Montero (2021), following the international success of the single Montero (Call Me by Your Name). In this arrangement for Quarteto de Saxophones, the original tonality of the music was maintained, while respecting the texture of the instruments, making its performance easier and more pleasant.
$13.00
Green
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Lee Mitchell
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Josh Trentadue
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Green
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T.U.X. People's Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1253642 Composed by Lee Mitc...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1253642 Composed by Lee Mitchell. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. 16 pages. T.U.X. People's Music #847267. Published by T.U.X. People's Music (A0.1253642). Extracted from 7 Colors, Lee Mitchell recounts the childlike joy and wonder of flight in his ode to J.M. Barrie's classic tale Peter Pan, newly arranged for saxophone quartet by Josh Trentadue.
$25.00
Wannabe
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Pop musique
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The Spice Girls
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J Swinhoe-Standen
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Wannabe
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Judith Swinhoe-Standen
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1399853 By The Spice Girls. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1399853 By The Spice Girls. By Emma Lee Bunton, Geri Halliwell, Matt Rowe, Melanie Brown, Melanie Chisholm, Richard Stannard, and Victoria Beckham. Arranged by J Swinhoe-Standen. Pop. 15 pages. Judith Swinhoe-Standen #983081. Published by Judith Swinhoe-Standen (A0.1399853). A Spice Girls hit with a saxy twist.
$13.99
Stop
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Pop musique
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The Spice Girls
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J Swinhoe-Standen
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Stop
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Judith Swinhoe-Standen
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1304603 By The Spice Girls. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1304603 By The Spice Girls. By Andy Watkins, Emma Lee Bunton, Geri Halliwell, Melanie Brown, Melanie Chisholm, Paul Wilson, and Victoria Beckham. Arranged by J Swinhoe-Standen. Pop. 14 pages. Judith Swinhoe-Standen #894042. Published by Judith Swinhoe-Standen (A0.1304603).
$13.99
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