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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Manu
Sheetmusicplus
Non classifié
1 580
Piano & claviers
Piano seul
1 071
Orgue
854
Piano Facile
364
Piano, Voix
361
Piano, Voix et Guitare
212
Accordéon
77
Instruments en Do
44
1 Piano, 4 mains
34
Accompagnement Piano
19
Piano grosses notes
16
Piano (partie séparée)
14
Piano Trio: piano, violon, violoncelle
11
Orgue, Piano (duo)
11
2 Pianos, 4 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Voix
4
Clavecin
4
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
195
Guitare
172
Ukulele
59
Paroles et Accords
22
Basse electrique
14
2 Guitares (duo)
12
Ligne De Mélodie, (Paroles) et Accords
11
Basse électrique (partie séparée)
7
4 Guitares (Quatuor)
6
Mandoline
5
Piano, Guitare (duo)
3
3 Guitares (trio)
3
Dulcimer
3
Ensemble de guitares
2
Banjo
2
Guitare (partie séparée)
1
2 Ukuleles
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
457
Pack Instrumental pour Chorale
198
Chorale 3 parties
146
Chorale 2 parties
84
Chorale TTBB
46
Chorale Unison
36
Voix duo, Piano
31
Chorale SSAA
25
Voix seule
23
Chorale
18
Voix Soprano, Piano
6
Voix duo
5
Voix haute
4
Chorale SSAATTBB
4
Voix basse, Piano
3
Chorale SSAB a cappella
2
Chorale SSATB
2
Voix, Guitare
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Voix Soprano
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Moyenne
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
109
Flûte traversière et Piano
86
Flûte traversière
81
Quatuor de Saxophones: 4 saxophones
75
2 Saxophones (duo)
64
Saxophone Alto
63
2 Flûtes traversières (duo)
62
Clarinette (partie séparée)
59
Clarinette
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Clarinette et Piano
50
Flûte, Hautbois, Clarinette, Basson
44
Saxophone Alto et Piano
44
Hautbois (partie séparée)
40
Saxophone Tenor
39
2 Clarinettes (duo)
38
Quatuor de Clarinettes: 4 clarinettes
37
Hautbois, Piano (duo)
33
Flute (partie séparée)
28
Quatuor de Flûtes : 4 flûtes
28
Saxophone Tenor et Piano
27
3 Clarinettes (trio)
22
Flûte et Guitare
21
Saxophone Soprano et Piano
17
Flûte, Clarinette (duo)
16
3 Saxophones (trio)
15
Ensemble de Clarinettes
15
Quintette de Saxophone: 5 saxophones
15
2 Flûte à bec (duo)
13
Trio de Flûtes: 3 flûtes
10
Saxophone Baryton, Piano
10
Flûte, Violon, Piano
9
Saxophone, Clarinette (duo)
9
Flûte à bec Soprano
8
Ensemble de saxophones
7
Quintette de Flûte : 5 flûtes
7
Hautbois, Basson (duo)
7
2 Hautbois (duo)
7
2 Flûtes traversières, Piano
6
Flûte à Bec
6
Clarinette, Trompette (duo)
5
Cor anglais, Piano
5
Clarinette Basse, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Flûte
4
2 Saxophones, Piano
4
Clarinette, Violon (duo)
4
Clarinette, Basson (duo)
4
Ensemble de Flûtes
4
Flûte, Clarinette et Basson
4
Cor Anglais
4
Flûte, Violon
4
Clarinette, Guitare (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Alto (duo)
3
Saxophone Soprano
3
Flûte, Hautbois, Basson
3
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Clarinettes, Piano
3
Flûte à bec Alto
3
Hautbois
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Saxophone (duo)
3
Clarinette et Alto
3
3 Hautbois
3
Clarinette, Alto et Piano (trio)
2
Flûte, Hautbois (duo)
2
Piccolo
2
Harmonica
2
Quatuor de Flûtes à bec
2
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Flûte, Alto et Piano
1
4 Hautbois
1
Saxophone Baryton
1
Flûte à Bec, Piano
1
Flûte à bec Alto, Piano
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Flûte traversière, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Tenor
1
Hautbois, Violoncelle et Piano
1
Ocarina
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Flûte traversière, Orgue (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte de Pan
1
Hautbois, Violon, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 96 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
106
Trompette
75
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone (partie séparée)
55
Trombone
46
Trompette, Piano
45
Cor
35
Trombone et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Cor et Piano
26
2 Trompettes (duo)
25
Quatuor de cuivres: 4 trombones
25
Cor (partie séparée)
22
Tuba (partie séparée)
21
2 Trombones (duo)
16
2 Cors (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de cuivres: 4 cors
14
Quatuor de Cuivres
12
Tuba
10
Trompette, Trombone (duo)
10
Tuba et Piano
7
Trompette, Saxophone (duo)
6
Cor anglais, Piano
5
Trio de Cuivres
5
Euphonium
5
2 Euphoniums et 2 Tubas
4
Cor Anglais
4
2 Trompettes, Clavier (piano ou orgue)
4
Euphonium, Tuba (duo)
3
Trompette, Cor (duo)
3
Trompette, violon (duo)
3
Ensemble de Trombones
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Tuba ou Euphonium ou Saxhorn
3
2 Tubas (duo)
2
Trombone, Cor (duo)
2
Ensemble de Cors
2
Bass Clef Instruments
2
Euphonium, Piano (duo)
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Cor, Trompette, Trombone (trio)
1
Cor, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
4 Tubas
1
Trombone basse
1
Trombone basse et Piano
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
Cor, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
2 Trombones, Piano
1
Trombone, Tuba (duo)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
232
Violon
154
Violon et Piano
136
Violoncelle
83
Violoncelle, Piano
65
Violon (partie séparée)
65
2 Violons (duo)
60
Alto, Piano
56
Harpe
52
Violon, Violoncelle (duo)
42
Alto seul
42
Trio à Cordes: violon, alto, violoncelle
38
2 Violoncelles (duo)
33
Alto (partie séparée)
25
Violon, Alto (duo)
21
Violoncelle (partie séparée)
19
Contrebasse (partie séparée)
18
4 Violoncelles
15
2 Altos (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto, Violoncelle (duo)
13
Contrebasse, Piano (duo)
11
Violoncelle, Contrebasse (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
Trio à cordes: 3 violins
9
Contre Basse
8
Violon, Guitare (duo)
8
2 Contrebasses (duo)
8
Piano Trio: Violon, Alto, Piano
5
Quatuor à cordes : 4 altos
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
4
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 altos
3
2 Violons, Piano
2
Alto, Guitare (duo)
2
Harpe, Voix
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
2
2 Violoncelles, Piano
2
Trio à cordes
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
2 Altos, Piano
1
Harpe (partie séparée)
1
Autoharp
1
4 Contrebasses
1
Harpe et Piano
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
315
Orchestre à Cordes
105
Orchestre
101
Fanfare
86
Cloches
62
Percussion (partie séparée)
50
Ensemble de cuivres
49
Ensemble Jazz
47
Batterie
43
Orchestre de chambre
28
Percussion
20
Ensemble de Percussions
14
Batterie (partie séparée)
10
Timbales (partie séparée)
9
Jazz combo
8
Marimba
7
Quintette à Vent
4
Vibraphone
4
Xylophone, Piano
1
Xylophone
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
75 partitions trouvées
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51
Oh Come, Oh Come Emmanuel (for Saxophone Quartet SATB or AATB)
#
Quatuor de Saxophones: 4 saxophones
#
AVANCÉ
#
Noël
#
Traditional
#
Kenneth Abeling
#
Oh Come, Oh Come Emmanuel
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.514825 Composed by Tradition...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.514825 Composed by Traditional. Arranged by Kenneth Abeling. Christmas,Jazz. 25 pages. LINCOLN MUSIC PUBLICATIONS #3662913. Published by LINCOLN MUSIC PUBLICATIONS (A0.514825). This is minor jazz swing version of the traditional and beloved Christmas Carol “Oh Come, Oh Come Emmanuel†arranged for Saxophone Quartet by Kenneth Abeling. It is an easier advanced arrangement suitable for more experienced ensembles. Playing time 3:40. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Preview this score on YouTube: https://www.youtube.com/watch?v=-u1NVIjDI9E 2018 Holiday Contest Entry
$12.99
O Come, O Come, Emmanuel (Sax Quartet)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Noël
#
Anonymous
#
Wesley D
#
O Come, O Come, Emmanuel
#
Asbury Publishing
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.764099 Composed by Anonymous (15th Century). Arranged by Wesley D. Peters. Christmas,Holiday,Ren...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.764099 Composed by Anonymous (15th Century). Arranged by Wesley D. Peters. Christmas,Holiday,Renaissance,Sacred. 17 pages. Asbury Publishing #5288569. Published by Asbury Publishing (A0.764099). This arrangement of Veni, Veni, Emmanuel is perfect for any Christmas or Advent occasion. Equally at home in a church or concert setting. Works well with a saxophone quartet or with a larger sax ensemble.Purchase includes 1 score and the following parts:Part 1 - Alto Sax (alternate part for Soprano Sax)Part 2 - Alto SaxPart 3 - Tenor SaxPart 4 - Baritone Sax.
$12.99
Emmanuel Chabrier: Danse Villageoise, - SATB saxophone quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Alexis Emmanuel Chabrier
#
Jean-Thierry Boisseau
#
Emmanuel Chabrier: Danse Villa
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534734 Composed by Alexis Emm...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534734 Composed by Alexis Emmanuel Chabrier. Arranged by Jean-Thierry Boisseau. Romantic Period. 37 pages. Musik Fabrik Music Publishing #6529747. Published by Musik Fabrik Music Publishing (A0.534734). The lively Village Dance by Chabrier, arranged for SATB saxophone quartet
$20.95
O Come, O Come, Immanuel (Emmanuel) - Sax Quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Noël
#
Traditional
#
Roger Wallace
#
O Come, O Come, Immanuel
#
Roger Wallace
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1202630 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1202630 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 32 pages. Roger Wallace #801389. Published by Roger Wallace (A0.1202630). Christmas Quartet with Multiple Part Options. Features all parts. The development section includes antiphonal lines accompanying the melody played by various voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Saxophone Quartet (Soprano, Alto, Tenor, Baritone).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
O come, o come Emmanuel - Veni, veni Emmanuel - Christmas Carol - Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
DÉBUTANT
#
Noël
#
John Mason Neale
#
Daniel H Rosa
#
O come, o come Emmanuel - Veni
#
Daniel H Rosa
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1129589 Composed by John Mas...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1129589 Composed by John Mason Neale. Arranged by Daniel H Rosa. Children,Christian,Christmas,Religious. 2 pages. Daniel H Rosa #729998. Published by Daniel H Rosa (A0.1129589). Easy Begginer Christmas Carol.
$5.99
O Come, O Come, Emmanuel
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Noël
#
Traditional
#
Rick Hirsch
#
O Come, O Come, Emmanuel
#
HirschMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.747342 Composed by Traditiona...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.747342 Composed by Traditional. Arranged by Rick Hirsch. 20th Century,Christian,Christmas,Contemporary,Jazz. 21 pages. HirschMusic #482099. Published by HirschMusic (A0.747342). The haunting melody of this Advent favorite is enhanced by rich, shifting harmonies. This arrangement makes a wonderful contrast selection in a holiday program. And it has maximum flexibility for instrumentation: AATTB, SATTB, AAATB, SAATB, ATTTB, TTTTB - all parts included There is also a version for saxophone quartet of this same arrangement. 2015 Holiday Contest.
$18.00
O Come O Come Emmanuel (2022)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Traditional
#
Logan Moore
#
O Come O Come Emmanuel
#
Logan Moore
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1137505 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1137505 Composed by Traditional. Arranged by Logan Moore. Classical,Holiday,Jazz. 28 pages. Logan Moore #737711. Published by Logan Moore (A0.1137505). Up tempo arrangement for SATB saxophone quartet.
$20.00
O Come, O Come, Emmanuel
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Noël
#
Traditional
#
David Noble
#
O Come, O Come, Emmanuel
#
David Noble
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1142789 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1142789 Composed by Traditional. Arranged by David Noble. Christmas,Praise & Worship,Traditional. 15 pages. David Noble #743159. Published by David Noble (A0.1142789). A popular Christmas carol with a set of variations.
$7.50
O Come, O Come, Emmanuel (with "O Come, Divine Messiah") (Saxophone Quartet and Piano)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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O Come, O Come, Emmanuel
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Exultet Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.620303 Composed by Tradition...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.620303 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred,Standards. 21 pages. Exultet Music #3238303. Published by Exultet Music (A0.620303). The two widely used hymns for Advent have now been freshly arranged and combined as one piece for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) with Piano accompaniment. Â Accessible and appropriate for any church or concert setting.
$12.99
O Come, O Come, Emmanuel (Saxophone Quartet and Piano)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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O Come, O Come, Emmanuel
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Exultet Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.626565 By Stephen DeCesare. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.626565 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Standards. 22 pages. Exultet Music #5733989. Published by Exultet Music (A0.626565). The popular hymn that is played and sung throughout the season of Advent has been freshly arranged with a more contemporary feel for a Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$12.99
M. Praetorius - En Natus Est Emmanuel, arr. for Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Renaissance
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M
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Xlomeg
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M. Praetorius - En Natus Est E
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sheetmusicworks
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.981812 Composed by M. Praetor...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.981812 Composed by M. Praetorius. Arranged by Xlomeg. Renaissance. 7 pages. Sheetmusicworks #6014823. Published by sheetmusicworks (A0.981812).
$4.99
O Come, O Come, Emmanuel
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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David D
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O Come, O Come, Emmanuel
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David D Mason
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.770159 Composed by Traditional. Arranged by Dav...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.770159 Composed by Traditional. Arranged by David D. Mason. Christmas,Concert,Praise & Worship. 10 pages. David D Mason #6069137. Published by David D Mason (A0.770159). I have arranged this lovely old Christmas Carol for Saxophone Quartet.
$4.99
O Come, O Come, Emmanuel (with "Let All Mortal Flesh Keep Silence") (Saxophone Quartet and Piano)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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O Come, O Come, Emmanuel
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Exultet Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.621415 By Stephen DeCesare. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.621415 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Standards. 20 pages. Exultet Music #3558537. Published by Exultet Music (A0.621415). Two of the most beloved hymns that are used during the Advent season have been combined, creating a tender new anthem that is scored for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$12.99
O Come, O Come, Emmanuel for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Plainsong
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Ian Wei
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O Come, O Come, Emmanuel for S
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Ian Wei
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.737771 Composed by Plainsong....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.737771 Composed by Plainsong. Arranged by Ian Wei. Christian,Christmas. 8 pages. Ian Wei #6563577. Published by Ian Wei (A0.737771). A traditional Christmas carol arranged for saxophone quartet (soprano, alto, tenor, and baritone) performance.
$9.99
Veni, Veni, Emmanuel (for saxophone quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Traditional Christmas Carol
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Aaron Lee
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Veni, Veni, Emmanuel
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J. Aaron Lee
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SheetMusicPlus
Composed by Traditional Christmas Carol. Arranged by Aaron Lee. Chamber,Christmas,Holiday,Reli gious,Renaissance. 12 pages. J. Aaron Lee #714196. Pub...
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Composed by Traditional Christmas Carol. Arranged by Aaron Lee. Chamber,Christmas,Holiday,Reli gious,Renaissance. 12 pages. J. Aaron Lee #714196. Published by J. Aaron Lee
$9.99
Mission: Impossible Theme
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme
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Roger Wallace
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1203624 By Adam Clayton And ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1203624 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. 43 pages. Roger Wallace #802199. Published by Roger Wallace (A0.1203624). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible ThemeChristmas Quartet with Multiple Part Options. Features all parts. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation. Includes optional Percussion parts (Bongo Drums and Claves).NOTE: Audio sample clip begins 3 measures before Letter B.A full length audio version can be heard in the YouTube video.The audio sample represents a Saxophone Quartet (Soprano, Alto, Tenor and Baritone) with Percussion (Bongo Drums and Claves) joining for the Mission: Impossible theme.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99
Polonaise in G Minor - Saxophone Choir Quartet (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sax))
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Raymond Fenech
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Alto
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Polonaise in G Minor - Saxopho
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Raymond Fenech
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Phil...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Philipp Emanuel Bach. Arranged by Raymond Fenech. Baroque,Classical,Easter,Holiday,Wedding. 12 pages. Raymond Fenech #3426593. Published by Raymond Fenech (A0.759894). Carl Philipp Emanuel Bach (1714 – 1788) was the second surviving and most famous son of Johann Sebastian Bach. The Polonaise is a stately dance in triple meter, originated in court ceremonies and processions in the 16th century, Poland This Polonaise is arranged for Saxophone Quartet, i.e. Soprano; Alto; Tenor and Bass Saxophones . The level is Advanced Intermediate and the duration is 1.49 minutes.
$6.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 2 Tenor)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696560. Published by Regis Bookshar (A0.1092467). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones and 2 Tenor Saxophones. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 1 Tenor, 1 Bari)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092464 Composed by Francesco Durante. Arrange...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092464 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696556. Published by Regis Bookshar (A0.1092464). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Saxophone Quartet - 1 Sop, 1 Alto, 1 Tenor, 1 Bari)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092461 Composed by Francesc...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1092461 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696553. Published by Regis Bookshar (A0.1092461). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Alto Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instru...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696526. Published by Regis Bookshar (A0.1092502). Kyrie - by Francesco Durante; Alto Saxophone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for an Alto Saxophone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for an Alto Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
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