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BANJO
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BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
PERCUSSION
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Mark G
Non classifié
533
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Piano seul
157
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77
Piano, Voix
73
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67
Instruments en Do
25
Orgue
22
Accompagnement Piano
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
100
Ukulele
18
Guitare
15
2 Guitares (duo)
12
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3
Ligne De Mélodie, (Paroles) et Accords
2
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2
Piano, Guitare (duo)
2
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2
Paroles et Accords
1
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444
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6
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6
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5
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5
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4
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1
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1
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1
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1
Voix Mezzo-Soprano, Piano
1
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29
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20
Saxophone Tenor
19
2 Flûtes traversières (duo)
13
Clarinette
13
Saxophone Alto
12
2 Saxophones (duo)
11
2 Clarinettes (duo)
11
Flûte traversière
11
Flûte, Hautbois, Clarinette, Basson
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
9
Saxophone (partie séparée)
8
Quatuor de Saxophones: 4 saxophones
8
3 Flûtes à bec (trio)
6
Saxophone Alto et Piano
6
Clarinette (partie séparée)
5
Clarinette et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte à bec Soprano, Piano
4
Hautbois, Piano (duo)
4
Flute (partie séparée)
3
Saxophone Soprano et Piano
3
Ensemble de Flûtes
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone Tenor et Piano
3
Hautbois (partie séparée)
3
Trio de Flûtes: 3 flûtes
2
Ensemble de Clarinettes
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
Flûte, Basson et Piano
1
Clarinette, Trombone (duo)
1
Cornemuse
1
Flûte, Alto (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon
1
Clarinette, Orgue
1
3 Saxophones (trio)
1
Flute, harpe et violon
1
+ 38 instrumentations
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Cuivres
Trombone
21
Trompette
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
2 Trompettes (duo)
9
Trompette, Piano
7
Trombone et Piano
6
Trompette (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor (partie séparée)
4
Cor
3
Quatuor de Cuivres
3
Ensemble de Trombones
2
Trombone (partie séparée)
2
Ensemble de Trompettes
2
Cor et Piano
2
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
Trompette, Saxophone (duo)
1
+ 16 instrumentations
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Cordes
2 Harpes (duo)
47
Quatuor à cordes: 2 violons, alto, violoncelle
44
Harpe
44
Violon et Piano
23
Violon
20
Violoncelle, Piano
17
Alto, Piano
15
2 Violons (duo)
9
Violoncelle
7
Alto seul
6
Violon, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
2
Contre Basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Ensemble de Violons
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Basson
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse, Piano (duo)
1
Violon, Alto (duo)
1
Harpe, Quatuor à cordes
1
Harpe, Voix
1
2 Contrebasses (duo)
1
+ 22 instrumentations
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Orchestre & Percussions
Ensemble Jazz
79
Orchestre à Cordes
51
Orchestre d'harmonie
29
Orchestre
16
Ensemble de cuivres
14
Ensemble de Percussions
6
Orchestre de chambre
4
Cloches
3
Marimba
2
Percussion
1
Timbales (partie séparée)
1
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
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Vous avez sélectionné:
Mark G
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
8 partitions trouvées
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1
Don't Be Shy
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Tiesto And Karol G
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Musikeo
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Don't Be Shy
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Musikeo
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1237552 By Tiesto And Karol G. By Carolina Giraldo, Jonas David K...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1237552 By Tiesto And Karol G. By Carolina Giraldo, Jonas David Kroper, Teemu Brunila, Tijs Verwest, and Yoshi Breen. Arranged by Musikeo. 21st Century,Contemporary,Disco,Latin,Pop. 8 pages. Musikeo #833069. Published by Musikeo (A0.1237552). Don't Be Shy is a song by Dutch DJ Tiësto and Colombian singer-songwriter Karol G. It was released on 12 August 2021 via Atlantic Records as a the second single from Tiësto's seventh studio album Drive. It also marks Karol G's first song in English.The music video was directed by Christian Breslauer, who filmed the music videos for The Business, Industry Baby and Streets. It starts off with an outdoor shot of the Norwegian National Opera and Ballet at the Night, then followed up by the Night at the Museum-inspired music video, comedian Blake Webber plays a museum janitor, and Karol G dances with a group of dancers in different scenes in a museum.Part two of the music video was released on 4 September 2021.Carolina Giraldo Navarro (born 14 February 1991), known professionally as Karol G (stylized in all caps), is a Colombian singer and songwriter. She is predominantly described as a reggaeton and Latin trap artist, but has experimented with a variety of other genres including reggae and sertanejo. In 2018, she won the Latin Grammy Award for Best New Artist, and has been nominated for several Billboard Latin Music Awards and Lo Nuestro Awards.Born and raised in MedellÃn, Giraldo launched her career as a teenager, appearing on the Colombian spinoff of The X Factor. She moved to New York City in 2014 to learn more about the music industry and signed to Universal Music Latino. Her collaboration with Puerto Rican rapper Bad Bunny Ahora Me Llama became her breakthrough hit, and was the lead single for her debut album Unstoppable, released in 2017. In late 2018, her song Secreto became a hit in Latin America as she and Anuel AA publicly confirmed their relationship in the music video.In July 2019, she released China in collaboration with Anuel AA, Daddy Yankee, Ozuna and J Balvin, which became her first music video with over one billion views on YouTube. In May 2019, she released the album Ocean, which served as a stylistic departure from Unstoppable, incorporating a more relaxed atmosphere in her work. Her song Tusa with Nicki Minaj also charted internationally and was certified 28× Latin Platinum by the RIAA, staying on the Billboard Hot Latin Songs chart for 25 weeks. In 2020, Karol G received four nominations at the Latin Grammys. Karol G achieved her highest-charting single on the Billboard Hot 100 with the top 10 song TQG, a collaboration with Shakira.With her fourth album, Mañana Será Bonito (2023), Karol G became the first woman to ever debut at number one on the Billboard 200 chart with a Spanish-language albumEnjoy my sax quartet arrangement!
$12.99
Brahms: Prelude & Fugue, WoO 10, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johannes Brahms
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James M
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Brahms: Prelude & Fugue, W
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420209 Composed by Johannes...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420209 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 30 pages. Jmsgu3 #1001614. Published by jmsgu3 (A0.1420209). Brahms's Prelude and Fugue in G minor, WoO 10, is an essential early organ work demonstrating his mastery of counterpoint and the organ as a medium. The Prelude and Fugue were composed in the mid-1850s when Brahms was intensively studying counterpoint and turning to the organ for his contrapuntal skills. The Prelude begins quietly but builds in power and tension. At the same time, the fugue transforms the central theme into a lean, darkly probing juggernaut that accrues tension as it develops. These early organ works frame Brahms's entire oeuvre, as they were composed at the start of his career, while the Eleven Chorale Preludes, Op. 122 was his final work, composed just before and after the death of Clara Schumann. Brahms's organ compositions thus bookend his prolific output, spanned symphonies, concertos, chamber music, choral works, and more. Overall, Brahms's Prelude and Fugue in G minor, WoO 10, is an important early work that showcases his mastery of counterpoint and the organ and is a significant marker in developing his compositional style.
$32.95
Rude
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Rock
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MAGIC!
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Juan Gómez Torres
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Rude
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JO Music Productions
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1095696 By MAGIC! By Adam Me...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1095696 By MAGIC! By Adam Messinger, Alex Tanas, Ben Spivak, Mark Pellizzer, and Nasri Atweh. Arranged by Juan Gómez Torres. Pop,Rock. 30 pages. JO Music Productions #699678. Published by JO Music Productions (A0.1095696). A chart of one Magic! biggest hits! Expertly arranged for saxophone quartet (Soprano, Alto, Tenor, and Baritone). Give your quartet a fresh sound with this arrangement today!
$20.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Eleanor Rigby
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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The Beatles
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Bradley Ruben
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confused
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Eleanor Rigby
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Bradley N. Ruben
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1512056 By The Beatles. By J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1512056 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bradley Ruben. Pop,Rock. 16 pages. Bradley N. Ruben #1087103. Published by Bradley N. Ruben (A0.1512056). SATB saxophone quartet version of Eleanor Rigby with variations interwoven among the original sections, including round-like and 5/4 time signature sections (rehearsal marks C and G), evoking what might be going through one's mind if one were at Eleanor Rigby's funeral: dream like; confused; searching; and the occasional suddenly being back in reality. To be played about the original tempo, arranged in the original key, interpreted however you want.
$14.99
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