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CHARANGO
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FLUTE A DIX…
FLUTE DE PA…
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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difficulté (tous)
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expert
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avec vidéo
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Non classifié
231
PIANO & CLAVIERS
Piano seul
178
Piano Facile
103
Orgue
47
Piano grosses notes
42
Accompagnement Piano
38
1 Piano, 4 mains
15
Piano, Voix
15
Piano, Voix et Guitare
10
Instruments en Do
7
Piano (partie séparée)
2
Clavier
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
30
Guitare notes et tablatures
19
Guitare (partie séparée)
4
Mandoline
4
Dulcimer
4
Banjo
3
Ukulele
3
Basse electrique
2
Dobro
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
78
Chorale 3 parties
30
Chorale 2 parties
22
Chorale Unison
12
Chorale TTBB
9
Voix duo, Piano
4
Chorale SSAA
4
Voix Soprano, Piano
1
Voix, Guitare
1
Voix duo
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
17
Saxophone (partie séparée)
16
Flûte traversière
15
Clarinette
12
Quintette de Saxophone: 5 saxophones
12
Ensemble de Flûtes
11
Flûte, Hautbois, Clarinette, Basson
11
Saxophone Alto
10
Flûte traversière et Piano
9
Hautbois (partie séparée)
9
Ensemble de saxophones
8
Ensemble de Clarinettes
8
Clarinette et Piano
8
Hautbois, Piano (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Hautbois
7
Saxophone Tenor
6
2 Clarinettes (duo)
5
3 Clarinettes (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette (partie séparée)
4
Saxophone Soprano
4
2 Hautbois (duo)
3
2 Flûtes traversières (duo)
3
Flûte à bec Soprano
3
Flûte irlandaise
3
Clarinette, Basson (duo)
2
Hautbois, Basson (duo)
2
3 Hautbois
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Saxophone Alto et Piano
2
Flûte, Hautbois (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette (duo)
2
Quintette de Flûte : 5 flûtes
2
Saxophone
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violon (duo)
1
Flûte et Guitare
1
Cor Anglais
1
Harmonica
1
Flûte à bec Alto
1
Ensemble à vent
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor
14
Trombone
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Quatuor de Cuivres
12
Trombone (partie séparée)
11
Tuba
8
Trompette (partie séparée)
7
Trombone et Piano
7
Cor et Piano
6
Trompette, Piano
4
Ensemble de Trombones
4
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Tuba et Piano
3
2 Trombones (duo)
3
Trompette, Cor (duo)
2
3 Trombones (trio)
2
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Cor (partie séparée)
2
Trompette, Trombone (duo)
2
Trombone, Cor (duo)
2
2 Cors (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
Cor Anglais
1
Euphonium, Piano (duo)
1
3 Trompettes (trio)
1
Ensemble de Cors
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violoncelle
28
Violon
26
Violon et Piano
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Alto seul
13
Harpe
13
Violoncelle, Piano
13
Contre Basse
10
Violon, Violoncelle (duo)
9
Alto, Piano
8
Contrebasse, Piano (duo)
4
Contrebasse (partie séparée)
4
Alto, Violoncelle (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
3
Violon, Alto (duo)
2
Trio à cordes: 3 violins
2
2 Altos (duo)
2
Trio à cordes: 3 altos
2
2 Violoncelles (duo)
2
3 Contrebasses
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
2 Contrebasses (duo)
2
2 Violons (duo)
2
2 Harpes (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violons
1
Ensemble d'Altos
1
2 Violons, Piano
1
Autoharp
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
265
Orchestre
24
Orchestre à Cordes
23
Cloches
13
Batterie
10
Ensemble Jazz
9
Orchestre de chambre
6
Ensemble de Percussions
3
Fanfare
2
Percussion
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de cuivres
2
Batterie (partie séparée)
2
Quintette à Vent
1
Orchestre, Violon
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
New Beginning
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
17 partitions trouvées
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1
It's Beginning To Look Like Christmas
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528521 Composed by Meredith Willson. Arranged by Diego Marani. 20th Century,Christmas,Instructional,Jazz,Standards. 12 pages. Diego Marani #6133141. Published by Diego Marani (A0.528521). It's Beginning to Look a Lot Like Christmas is a Christmas song written in 1951 by Meredith Willson. The song was originally titled It's Beginning to Look Like Christmas. The song has been recorded by many artists, but was a hit for Perry Como and The Fontane Sisters with Mitchell Ayres & His Orchestra on September 18, 1951. Bing Crosby recorded a version on October 1, 1951, which was also widely played. Johnny Mathis' version gained popularity after its inclusion in the film Home Alone 2: Lost in New York.This arrangement for sax quartet includes the following parts: Bb Soprano or Eb Alto Sax (lead part), Eb Alto Sax, Bb Tenor Sax, Eb Baritone Sax.It is suitable for repertoire, classroom and recital.
$14.99
13.54 €
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Quatuor de Saxophones: 4 saxophones
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Meredith Willson
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Diego Marani
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It's Beginning To Look Like Christmas
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Diego Marani
#
SheetMusicPlus
The New Museum
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.999304 Composed by Joshua A. Idio. 20th Century,Contemporary,Standards. 47 pages. Joshua A Idio #6362673. Published by Joshua A Idio (A0.999304). Composed by Joshua A. Idio. (ASCAP Licensed) Chamber Music. Saxophone Quartet music. Full score and parts.The New Museum was written in 2021 as part of my continuing exploration into chamber music writing. The rhythmic and melodic material found at the beginning of the piece can be heard recurring throughout the piece, complimenting each new subject which, in turn, also adds more color to the next in a different way. The composition was inspired by the beauty and creativity found in today's modern and contemporary art museums.
$45.99
41.54 €
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Quatuor de Saxophones: 4 saxophones
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Joshua A
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The New Museum
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Joshua A Idio
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SheetMusicPlus
Here Comes The Sun
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1363728 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 11 pages. Alex Rodrigues #948125. Published by Alex Rodrigues (A0.1363728). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.73 €
#
Quatuor de Saxophones: 4 saxophones
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
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Alex Rodrigues
#
SheetMusicPlus
Here Comes The Sun
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1363727 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 14 pages. Alex Rodrigues #948124. Published by Alex Rodrigues (A0.1363727). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.73 €
#
Quatuor de Saxophones: 4 saxophones
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
#
Alex Rodrigues
#
SheetMusicPlus
Here Comes The Sun
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1363726 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 14 pages. Alex Rodrigues #948123. Published by Alex Rodrigues (A0.1363726). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.73 €
#
Quatuor de Saxophones: 4 saxophones
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
#
Alex Rodrigues
#
SheetMusicPlus
Here Comes The Sun
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1363724 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 11 pages. Alex Rodrigues #948121. Published by Alex Rodrigues (A0.1363724). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.73 €
#
Quatuor de Saxophones: 4 saxophones
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
#
Alex Rodrigues
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.31 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.31 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.31 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.31 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
3 Note Songs for Saxophone
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.816775 Composed by Bryan Kujawa. Arranged by Bryan Kujawa. Instructional. 1 pages. Bryan Kujawa #6233851. Published by Bryan Kujawa (A0.816775). This is a new 2021 product for beginning saxophone players. This 1 page PDF contains 7 songs using only the notes G, A, B. 5 of the songs are original melodies, the last two are Mary Had a Little Lamb and Hot Cross Buns. The only type of rhythm used is a quarter note or quarter rests (some half rests at the end of a measure). This product gives the beginning musician plenty of practice with the first 3 notes.View sample notes and audio in the attached YouTube Link (note: the video is for a similar piano product, simply imagine the notes being transposed up a perfect 5th)
$2.25
2.03 €
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Quatuor de Saxophones: 4 saxophones
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Bryan Kujawa
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Bryan Kujawa
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3 Note Songs for Saxophone
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Bryan Kujawa
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SheetMusicPlus
Satellite to Planet Nine
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.939376 Composed by Adam Grim. Concert,Contemporary,Standards. 111 pages. Adam B. Grim #6196935. Published by Adam B. Grim (A0.939376). Satellite to Planet Nine is a saxophone quartet inspired by the cosmos surrounding planet Earth. The opening movement, Takeoff, is about the mystery and fear surrounding a possibility of another planet - or black hole - yet to be discovered and the beginning of the journey to find it. The second movement, Hymn for the Moon is dedicated to the closest body of natural rock in our solar system. This movement features the tenor saxophone using a mix of disjunct melodies, smooth jazz, and thick chords to produce a movement of both mysticism and peace as the rocket travels by it. Soca for Saturn is the following movement and is inspired by the Trinidadian popular music known as soca. It is the spark of joy and pure energy that holds the astronauts together as they hold their hopes high traveling to a land that might not even exist at all. The fourth movement depicts the first amount of struggle for the team, Solar Flares, which batter and beat at the crew as they try to find a way through. In the movement the mood is instantly changed with the realization that it is too calm, and soon, meet the purest form of heat and energy. Movement five continues the struggle, but this time with hasty success. Arrival continues where the fourth movement leaves off, but finally they see something in the distance – the planet they have been looking for. They prepare for landing, but with their equipment being nearly destroyed from the solar flares it is not smooth landing. In the final movement, New Gravity, the team ventures out into the new world, which is dark and barren. They feel a disturbing presence around them, and as they search further and further into the cold and dusty landscape, they realize what they are up against – survival. Using what they know, they build on their wreckage and create a new home - The Satellite to Planet Nine.
$30.00
27.1 €
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Quatuor de Saxophones: 4 saxophones
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Adam Grim
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Satellite to Planet Nine
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Adam B. Grim
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SheetMusicPlus
Harlem Nocturne
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1294318 Composed by Dick Rogers and Earle Hagen. Arranged by BARRY MOLINSKI. Blues,Film/TV,Halloween,Jazz,Thriller. 19 pages. Barry Molinski #884702. Published by Barry Molinski (A0.1294318). Earle Hagen's classic HARLEM NOCTURNE for Saxophone Quartet (SS/AS) AS TS BSEasy tempo, easy to play, but fun! Burnin' chart! Enjoyable music.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 3 - Digital DownloadMusic by Earle Hagen.This swinging arrangement comes with a fresh rhythm.Lead solo melody (as written) on alto sax in the beginning of the tune gives you the right start to join the tune.Back on main theme, feel the good vibes of New York's late night hours, from rehearsal right onto stage.Broadway, Film/TV, Musical/Show, Pop, Classics , Holiday, Jazz & Blues, 19 pages.
$19.99
18.06 €
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Quatuor de Saxophones: 4 saxophones
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Dick Rogers and Earle Hagen
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BARRY MOLINSKI
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Blues, 19 pages.
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Harlem Nocturne
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Barry Molinski
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SheetMusicPlus
All Blues
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1302531 By John Coltrane. By Miles Davis. Arranged by BARRY MOLINSKI. Blues,Broadway,Contemporary,Jazz,Musical/Show,Standards. 18 pages. Barry Molinski #892154. Published by Barry Molinski (A0.1302531). Miles Davis classic ALL BLUES for Saxophone Quartet (SS/AS) AS TS BSEasy tempo, easy to play, but fun! Burnin' chart! Modal Jazz!Enjoyable music, well known from Miles Davis Quintet with John Coltrane, Wynton Kelly, Bill Evans, Paul Chambers and Jimmy Cobb on 1959 Record release KIND OF BLUESaxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 3 - Digital DownloadMusic by Miles Davis.This swinging arrangement comes with a fresh rhythm.Lead solo melody (as written) on alto (soprano) sax in the beginning of the tune gives you the right start to join the improvised tenor sax solo.Back on main theme, feel the good vibes of New York's late night hours, from rehearsal right onto stage.Broadway, Film/TV, Musical/Show, Jazz-Classic, Holiday, Jazz & Blues, 19 pages.
$14.99
13.54 €
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Quatuor de Saxophones: 4 saxophones
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John Coltrane
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BARRY MOLINSKI
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Blues, 19 pages.
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All Blues
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Barry Molinski
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SheetMusicPlus
DARK EYES – SAXOPHONE QUARTET
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1293149 Composed by Traditional. Arranged by BRIAN W. COPPING. Classical,Contest,Festival,Historic,Traditional. 12 pages. EMK Music #883783. Published by EMK Music (A0.1293149). Scored for two Altos, Tenor and Baritone Saxophones. There are alternative parts for Altos 3 and 4 so it can be performed by four Alto Saxophones. This is very useful for teachers of groups of like instruments.Dark Eyes, sometimes known as ‘Black Eyes’, has its roots in both The Ukraine and in Russia. Although it was originally known as a ‘Russian- Romani’ folksong, at the beginning of the Twentieth Century, it achieved a much wider international reputation when Italian-born British composer, Adalgiso Ferraris, published a new version in 1910. It was also later sung and recorded by Al Bowlly in 1939. It has also gained some currency as a jazz tune.
$14.00
12.65 €
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Quatuor de Saxophones: 4 saxophones
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Traditional
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BRIAN W
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DARK EYES – SAXOPHONE QUARTET
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EMK Music
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SheetMusicPlus
Carol of the Bells - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.735421 Composed by Mykola Leontovych. Arranged by Andrew Middleton. 20th Century,Christmas. 9 pages. Andrew Middleton #4719703. Published by Andrew Middleton (A0.735421). Composed by Polish composer Mykola Leontovych at the beginning of the 20th Century, this carol has become a popular favourite world wide. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$7.99
7.22 €
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Quatuor de Saxophones: 4 saxophones
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Mykola Leontovych
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Andrew Middleton
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Carol of the Bells - Saxophone Quartet
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Andrew Middleton
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SheetMusicPlus
Puttin' On The Ritz
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1272994 By Taco. By Irving Berlin. Arranged by BARRY MOLINSKI. Broadway,Film/TV,Jazz,Jewish,Musical/Show,Wedding. 19 pages. Barry Molinski #865183. Published by Barry Molinski (A0.1272994). Irving Berlin's classic PUTTIN' ON THE RITZ for Saxophone Quartet (SS/AS) AS TS BSFast tempo, not easy to play, but fun! Burnin' chart! Enjoyable music.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 4 - Digital DownloadMusic by Irving Berlin.This swinging arrangement comes with a fresh rhythm.Tenor solo (as written) in the beginning of the tune gives you the right start to join the tune.The main theme has a latin bass figure in the bass, to let the melody dancing in the upper voices.Straight jazz solo for tenor sax (as written, or improvised with chord changes) brings the tune to the peak, you want. Back on main theme feel the good vibes of New York's jewish influence right onto stage.Broadway, Film/TV, Musical/Show, Pop, Classics , Holiday, Jazz & Blues, 19 pages.
$19.99
18.06 €
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Quatuor de Saxophones: 4 saxophones
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Taco
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BARRY MOLINSKI
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Blues, 19 pages.
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Puttin' On The Ritz
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Barry Molinski
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SheetMusicPlus
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