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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
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PERCUSSION
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COMEDIES MUSICALES -…
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COUNTRY
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275
PIANO & CLAVIERS
Piano seul
172
Piano, Voix
75
Piano Facile
73
Piano, Voix et Guitare
44
Instruments en Do
22
Accordéon
6
Orgue
4
Accompagnement Piano
4
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
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GUITARES
Guitare
47
Guitare notes et tablatures
23
Basse electrique
16
Ligne De Mélodie, (Paroles) et Accords
13
Piano, Guitare (duo)
7
Paroles et Accords
7
Ukulele
5
4 Guitares (Quatuor)
3
Dulcimer
3
2 Guitares (duo)
2
Guitare (partie séparée)
1
Orchestre à Plectres
1
2 Dulcimers (duo)
1
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VOIX
Chorale SATB
49
Chorale TTBB
16
Voix seule
13
Chorale 2 parties
12
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11
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7
Voix duo, Piano
5
Chorale Unison
4
Voix basse, Piano
3
Chorale
1
Voix Soprano, Piano
1
Chorale SSAB, Piano
1
Voix duo
1
Voix haute, Piano
1
Voix moyenne, Piano
1
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VENTS
Hautbois, Clarinette, Basson (trio d'anches)
65
Saxophone
42
Clarinette
34
Flûte traversière
28
2 Saxophones (duo)
26
Hautbois, Piano (duo)
23
Flûte traversière et Piano
22
Saxophone Tenor et Piano
18
Saxophone (partie séparée)
18
Saxophone Alto et Piano
15
Quatuor de Saxophones: 4 saxophones
14
Saxophone Alto
12
Clarinette et Piano
12
2 Flûte à bec (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Soprano et Piano
10
Cornemuse
5
Saxophone Baryton, Piano
5
2 Flûtes traversières (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Trio de Flûtes: 3 flûtes
4
3 Flûtes à bec (trio)
4
3 Saxophones (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
2 Clarinettes (duo)
4
Saxophone Tenor
4
Flûte, Clarinette (duo)
3
Saxophone Soprano
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois (partie séparée)
3
Cor anglais, Piano
3
Quintette de Saxophone: 5 saxophones
3
2 Hautbois (duo)
3
Hautbois, Basson (duo)
3
Ensemble de Clarinettes
3
Clarinette, Basson (duo)
3
Flûte, Hautbois (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
3 Hautbois
2
Clarinette, Harpe (duo)
2
Flûte, Clarinette et Basson
2
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
Ensemble De Flûte à bec
2
Flûte, Basson et Piano
2
Hautbois, Clarinette (duo)
2
Saxophone, Clarinette (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle
1
Ensemble de saxophones
1
Flûte et Trio à cordes
1
Flûte à bec Alto
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte et Guitare
1
Hautbois
1
Clarinette, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Orgue
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Tenor
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
Clarinette, Tuba
1
Clarinette Basse, Piano
1
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CUIVRES
Trompette
28
Trombone
21
Trombone et Piano
20
Trompette, Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor et Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone (partie séparée)
4
Cor
4
Trompette, Harpe
4
2 Trombones (duo)
3
Cor (partie séparée)
3
2 Trompettes (duo)
3
Cor anglais, Piano
3
Trompette, Tuba (duo)
3
Trompette, Trombone (duo)
3
Tuba
3
Trombone, Tuba (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Harpe
2
2 Cors (duo)
2
Tuba et Piano
2
Euphonium
2
Quatuor de cuivres: 4 cors
2
Trompette (partie séparée)
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
Cor, Tuba (duo)
1
Clarinette, Cor (duo)
1
Trompette, Cor (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
35
Violoncelle, Piano
26
Alto, Piano
21
Violon
19
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
2 Violons (duo)
9
Violoncelle (partie séparée)
9
4 Violoncelles
7
2 Violoncelles (duo)
6
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
Violoncelle
6
Contre Basse
5
2 Altos (duo)
5
Harpe
4
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Contrebasse (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
2
Violon, Alto (duo)
2
Violon, Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
1
Contrebasse (partie séparée)
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
3 Contrebasses
1
Quatuor à cordes: 4 violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3056
Orchestre à Cordes
38
Ensemble Jazz
17
Orchestre
14
Batterie
13
Orchestre de chambre
5
Ensemble de cuivres
4
Jazz combo
4
Fanfare
3
Cloches
2
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Paul D
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
14 partitions trouvées
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1
Fugue in D Minor, WV 42 (Saxophone Quartet)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Digital Download SKU: A0.1448310 Composed by …
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Saxophone Quartet,Woodwind Ensemble - Digital Download SKU: A0.1448310 Composed by Heinrich Scheidemann. Arranged by Paul Kajzar. Baroque. 8 pages. Paul Kajzar, Gyllcott Music #1028250. Published by Paul Kajzar, Gyllcott Music (A0.1448310). An arrangement for saxophone quartet (soprano, alto, tenor, baritone) of one of the many pieces that German composer, Heinrich Scheidemann (1595-1663), wrote for organ. This fugue is somewhat contemplative in nature and might make an ideal short, reflective item for inclusion in a recital programme. The set comprises full score and parts. Difficulty level : Intermediate.
$2.99
2.76 €
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Quatuor de Saxophones: 4 saxophones
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Heinrich Scheidemann
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Paul Kajzar
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Fugue in D Minor, WV 42
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Paul Kajzar, Gyllcott Music
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SheetMusicPlus
PLAISIR D’AMOUR – SAXOPHONE QUARTET
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1459298 Composed by G. B. Martini. Arranged by BRIAN W. COPPING. Chamber,Contest,Festival,Pop,Wedding. 18 pages. EMK Music #1038240. Published by EMK Music (A0.1459298). Scored for 2 Altos, Tenor and Baritone Saxophones. There are Alternative Parts so it can be performed by four Altos. This is especially useful for teachers of groups of like instruments.‘Plaisir D’Amour’, ‘The Pleasure of Love’, was written by G. H. Martini in 1784. It has remained extremely popular inspiring contemporary versions like Elvis Presley’s ‘Can’t Help Falling in Love’ and many recordings by well-known artists like Paul Robeson, Nana Mouskouri and Charles Aznavour.
$14.00
12.93 €
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Quatuor de Saxophones: 4 saxophones
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G
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BRIAN W
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PLAISIR D’AMOUR – SAXOPHONE QUARTET
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EMK Music
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SheetMusicPlus
CANON IN D - SAXOPHONE QUARTET
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.708695 Composed by Johann Pachelbel. Arranged by Paulo Galvao Filho. Baroque. 13 pages. Paulo Galvao Filho #6363469. Published by Paulo Galvao Filho (A0.708695).
$4.99
4.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Pachelbel
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Paulo Galvao Filho
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CANON IN D - SAXOPHONE QUARTET
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Paulo Galvao Filho
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SheetMusicPlus
Jacques Offenbach: "La Bonne D'Enfant" Overture, - SATB saxophone quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534105 Composed by Jacques Offenbach. Arranged by Paul Wehage. Opera,Romantic Period. 45 pages. Musik Fabrik Music Publishing #3113255. Published by Musik Fabrik Music Publishing (A0.534105). The Children's Maid is a one-act comic opera about a maid who has two suitors, a fireman and a chimneysweep. After much hestiattion, she decides to marry the trumpet player in the Royal Guards. In the Overture, there are many military themes as well as the French traditional lullabye Do, Do, L'enfant do. A great way to begin your concert!
$28.95
26.75 €
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Quatuor de Saxophones: 4 saxophones
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Jacques Offenbach
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Paul Wehage
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Jacques Offenbach: "La Bonne D'Enfant" Overture, - SATB saxophone quartet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chanson D'amour
Quatuor de Saxophones: 4 saxophones
By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Wayne…
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By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Wayne Land. Contemporary. 17 pages. Kenneth Wayne Land #6496795. Published by Kenneth Wayne Land
$16.99
15.7 €
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Quatuor de Saxophones: 4 saxophones
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The Manhattan Transfer
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Wayne Land
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Chanson D'amour
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Kenneth Wayne Land
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SheetMusicPlus
Wonderful Christmastime
Quatuor de Saxophones: 4 saxophones
By Paul McCartney. Arranged by Gary D. Belshaw. Score, Set of Parts. 19 pages. Published b…
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By Paul McCartney. Arranged by Gary D. Belshaw. Score, Set of Parts. 19 pages. Published by Gary D. Belshaw Music (H0.138575-945640). - Score,Set of Parts - - Gary D. Belshaw Music
$14.99
13.85 €
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Quatuor de Saxophones: 4 saxophones
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Paul McCartney
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Gary D
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Wonderful Christmastime
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Gary D. Belshaw Music
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SheetMusicPlus
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
60.01 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.66 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
60.01 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
#
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.66 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.66 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.66 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
O Holy Night
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1335431 By John Denver. By Adolphe-Charles Adam, D.s. Dwight (trans.), and Placide Cappeau (French). Arranged by RODRIGO BENEDUCCI. Christian,Christmas,Classical,Folk,Wedding. 15 pages. Paulo Galvao Filho #921265. Published by Paulo Galvao Filho (A0.1335431).
$13.99
12.92 €
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Quatuor de Saxophones: 4 saxophones
#
John Denver
#
RODRIGO BENEDUCCI
#
O Holy Night
#
Paulo Galvao Filho
#
SheetMusicPlus
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