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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Perhaps Love
Non classifié
117
Piano & claviers
Piano seul
51
Piano, Voix et Guitare
14
Piano, Voix
13
Piano Facile
9
Instruments en Do
2
Orgue
2
Piano grosses notes
1
Accompagnement Piano
1
+ 3 instrumentations
Retracter
Guitares
Ukulele
6
Guitare
5
Guitare notes et tablatures
4
2 Guitares (duo)
2
2 Mandolines (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Guitare Pedal Steel
1
3 Guitares (trio)
1
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
36
Chorale TTBB
9
Voix Alto, Piano
9
Chorale SSAA
8
Chorale 3 parties
8
Chorale 2 parties
5
Chorale Unison
3
Voix duo, Piano
2
Chorale
1
Voix duo
1
Voix Tenor
1
Voix Soprano, Piano
1
Voix seule
1
Voix Baryton, Piano
1
+ 9 instrumentations
Retracter
Vents
Clarinette et Piano
11
Quatuor de Saxophones: 4 saxophones
11
2 Saxophones (duo)
10
Quatuor de Flûtes : 4 flûtes
8
Flûte traversière et Piano
7
Saxophone (partie séparée)
6
2 Clarinettes (duo)
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Saxophone, Clarinette (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Soprano et Piano
5
Clarinette, Violon (duo)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette, Trompette (duo)
4
2 Flûtes traversières (duo)
4
Flûte, Clarinette (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
Cor anglais, Piano
3
Ensemble de Clarinettes
2
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Hautbois, Clarinette (duo)
2
Saxophone Alto
2
2 Hautbois (duo)
2
Flûte, Saxophone (duo)
2
Flûte et Guitare
2
2 Flûte à bec (duo)
2
Saxophone Baryton, Piano
2
Flûte, Trompette (duo)
2
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
Saxophone Tenor
2
Ensemble de saxophones
2
Trio de Flûtes: 3 flûtes
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Violon
1
Clarinette, Guitare (duo)
1
Flûte, Violon
1
Clarinette Basse, Piano
1
Clarinette, Harpe (duo)
1
Flûte traversière
1
Flûte irlandaise
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Saxophone (duo)
4
Trombone et Piano
4
Trompette
3
2 Trombones (duo)
3
Trombone (partie séparée)
3
Cor anglais, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
2
Trompette, Piano
2
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Cor
1
Tuba
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
11
Violoncelle, Piano
8
Harpe
6
Alto, Piano
6
Harpe, Violon (duo)
4
Violon, Violoncelle (duo)
4
2 Violons (duo)
3
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles (duo)
2
Alto seul
2
Violoncelle
2
Alto (partie séparée)
2
Violon, Alto (duo)
2
Violon
2
Contrebasse (partie séparée)
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
Harpe et Piano
1
Violon, Guitare (duo)
1
2 Harpes (duo)
1
Violon (partie séparée)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
18
Orchestre à Cordes
9
Ensemble de cuivres
4
Orchestre
2
Orchestre de chambre
2
Cloches
2
Marimba
1
Batterie
1
Percussion (partie séparée)
1
2 Xylophones
1
Ensemble Jazz
1
Batterie (partie séparée)
1
+ 7 instrumentations
Retracter
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Perhaps Love
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
11 partitions trouvées
<
1
If Ye Love Me-Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Thomas Tallis
#
John May
#
If Ye Love Me-Saxophone Quarte
#
Lost Key Music
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.829827 Composed by Thomas Ta...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.829827 Composed by Thomas Tallis. Arranged by John May. Christmas,Contest,Easter,Festival,Renaissance,Sacred. 11 pages. Lost Key Music #4628335. Published by Lost Key Music (A0.829827). On The Florida MPAIf Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549. This arrangement for saxophone quartet can serve as an introduction to your students of music from the Renaissance Period. The polyphony within forces students to listen and count. www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/ Instrumentation: Alto Sax 1, Alto Sax 2, Tenor Sax, Baritone Saxophone.
$12.00
Perhaps Love
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
John Denver and Placido Doming
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Stephen DeCesare
#
Perhaps Love
#
Exultet Music
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - SKU: A0.611868 By John Denver and Placido Domingo. By John Denver. Arranged by Stephen...
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - SKU: A0.611868 By John Denver and Placido Domingo. By John Denver. Arranged by Stephen DeCesare. Rock,Wedding. 23 pages. Exultet Music #2957983. Published by Exultet Music (A0.611868). The romantic ballad that John Denver wrote and recorded as a duet with Placido Domingo and has been used frequently at weddings, has now been freshly arranged for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) as well as Acoustic Guitar (2), Flute, and Piano.
$12.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Don't Let Me Be Lonely Tonight
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Rock
#
James Taylor
#
Jeff Tincher
#
Don't Let Me Be Lonely Tonight
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584413 By James Taylor. By Ja...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584413 By James Taylor. By James Taylor. Arranged by Jeff Tincher. Rock. 11 pages. Jeff Tincher #5741115. Published by Jeff Tincher (A0.584413). Here is a wonderful love ballad by James Taylor. This is perhaps my favorite song of his. In the original key from his One Man Dog LP, this arrangement includes the sax solo. Duration = 2:46. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Powerhouse
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Raymond Scott
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James Pybus
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audiences will love it
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Powerhouse
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764683 Composed by Raymond S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764683 Composed by Raymond Scott. Arranged by James Pybus. Contemporary,Film/TV,Jazz. 28 pages. James Pybus #4298277. Published by James Pybus (A0.764683). Powerhouse (1937) is an instrumental musical composition by Raymond Scott, perhaps best known today as the iconic assembly line music in animated cartoons released by Warner Bros. The first use of Powerhouse in a cartoon occurred in the 1943 Warner Bros., Looney Tunes short Porky Pig’s Feat, directed by Frank Tashlin. Also in 1943, it was used in the Private Snafu shorts Gripes, Spies, and Rumors. It was subsequently featured in over 40 other Warner Bros. cartoons. The most well-known assembly-line usage of Powerhouse B occurs in Bob Clampett’s Baby Bottleneck (1946), in which newborn babies (of various species) are processed on a conveyor belt in time to the melody. Powerhouse has been used In The Simpsons four times. Simpsons creator Matt Groening once ranked Powerhouse as #14 on a list of his 100 Favorite Things. This arrangement is for either SATB or AATB Saxophone Quartet with optional Bass Saxophone doubling the baritone. It is perfect for injecting a humourous element into a concert programme; audiences will love it. Many saxophone quartet enthusiasts will want this arrangement in their repertoire. Performance time is 2:45. Contact me at james.pybus56@gmail.com
$19.95
Nessun Dorma
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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The Usaf Band
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James Pybus
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Nessun Dorma
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764694 By The Usaf Band. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764694 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by James Pybus. Classical,Contemporary,Contest,Festival,Opera. 11 pages. James Pybus #4355799. Published by James Pybus (A0.764694). Nessun dorma (English: None shall sleep) is an aria from act three of Turandot, and is one of the best-known tenor arias in all opera. Luciano Pavarotti made it one of his signature arias. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. This arrangement for saxophones can be played by either SATB or AATB quartet, with an optional Bass saxophone part which doubles the Baritone part. I would like to believe that Puccini would have approved of this adaptation of what is perhaps his most recognizable aria since the original orchestration for Turandot calls for a very large orchestra that includes two on-stage Alto Saxophones. Duration is 2:34. Please contact me at james.pybus56@gmail.com
$15.00
Chaconne: for saxophone ensemble (SAATB)
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Contemporain
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Healey Willan
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Derrick Thomas Lewis
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Chaconne: for saxophone ensemb
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Derrick Thom. Lewis
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1453660 Composed by Healey Willan. Arranged by...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1453660 Composed by Healey Willan. Arranged by Derrick Thomas Lewis. 20th Century. 11 pages. Derrick Thom. Lewis #1032874. Published by Derrick Thom. Lewis (A0.1453660). Healy WILLAN Chaconne 1956 (from Rondino,Elegy & Chaconne, for Organ)Composer of over 800 works and teacher for over 50 years, Mr.Willan was known for long as the Dean of Canadian Composers and was a fixture of the Toronto music scene for a very long while. Apparently he wrote Operas and Symphonies as well, but these have not been easily available to experience. Perhaps this is just Canadian natural reticence or 'reserve'. However, it's a characteristic that is not conducive to cultivating popularity. Nevertheless, Willan's music is simply lovely, and it's nice to know that, if you 'cotton on' to it, you will probably never exhaust his supply, at least to play.CANADIAN composer (Healey Wilan) & CANADIAN arranger (Derrick Thomas Lewis)
$34.99
Waltz from 'The Sleeping Beauty'
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Afonso Tello
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Waltz from 'The Sleeping Beaut
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Afonso Tello
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1265824 Composed by Peter Il...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1265824 Composed by Peter Ilyich Tchaikovsky. Arranged by Afonso Tello. 19th Century,Children,Classical,Film/TV,Romantic Period. 29 pages. Afonso Tello #858595. Published by Afonso Tello (A0.1265824). From Tchaikovsky's ground-breaking ballet The Sleeping Beauty, the Waltz is perhaps the most well-known and well-loved movement. Its charming melody and hypnotic atmosphere are what make this Waltz so famous. It is such a remarkable moment in the ballet that Disney used it as the music for the song I know you in its animated version of The Sleeping Beauty.
$20.00
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