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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take Five
Non classifié
167
Piano & claviers
Piano seul
113
Piano, Voix et Guitare
25
Piano Facile
23
Piano, Voix
15
Accordéon
6
Instruments en Do
5
Accompagnement Piano
3
Orgue
3
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
2
Accordéon, Piano
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
22
Guitare
16
Guitare notes et tablatures
14
Guitare (partie séparée)
8
Ukulele
5
Banjo
2
Basse electrique
2
2 Guitares (duo)
2
Ensemble de guitares
1
Dulcimer
1
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
25
Chorale 3 parties
9
Chorale 2 parties
4
Chorale SSAA
3
Chorale TTBB
3
Voix haute
2
Chorale Unison
2
Voix Tenor
2
Voix Alto, Piano
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Saxophone (partie séparée)
23
Quatuor de Saxophones: 4 saxophones
19
Saxophone
18
Saxophone Alto
13
Flûte traversière
12
Ensemble de saxophones
11
Clarinette
10
Saxophone Tenor
9
2 Clarinettes (duo)
7
Saxophone Alto et Piano
7
Ensemble de Flûtes
6
2 Saxophones (duo)
6
2 Flûtes traversières (duo)
6
Clarinette (partie séparée)
6
Clarinette et Piano
6
Flûte à Bec
5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Tenor et Piano
4
2 Hautbois (duo)
4
Flute (partie séparée)
4
Flûte traversière et Piano
4
Hautbois, Piano (duo)
4
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone, Clarinette (duo)
3
Ensemble de Clarinettes
3
Hautbois (partie séparée)
3
Clarinette, Violon (duo)
2
Saxophone Soprano et Piano
2
Clarinette, Trompette (duo)
2
3 Saxophones (trio)
2
Harmonica
2
3 Clarinettes (trio)
2
Clarinette et Alto
1
Flûte et Guitare
1
Saxophone Soprano
1
Hautbois
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Instruments en Mib
1
Flûte, Alto (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Flûte
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano
1
+ 48 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
25
Trompette (partie séparée)
17
Trompette
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone
8
Tuba (partie séparée)
6
Cor (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Trombone et Piano
4
Euphonium, Piano (duo)
3
Ensemble de Trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Instruments en Sib
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Trompette, Piano
1
2 Trombones (duo)
1
Trio de Cuivres
1
Cor et Piano
1
Cor
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Violon et Piano
8
Violon, Violoncelle (duo)
7
2 Violons (duo)
6
Violon (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Altos (duo)
5
Violon
5
Alto, Piano
5
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse (partie séparée)
5
Harpe
4
Harpe, Voix
3
Violoncelle, Piano
3
Violoncelle
2
4 Violoncelles
2
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Violon, Alto (duo)
1
2 Harpes (duo)
1
Ensemble de Violoncelles
1
Violoncelle (partie séparée)
1
Violon, Orgue
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
68
Orchestre
31
Ensemble Jazz
26
Orchestre à Cordes
17
Batterie
11
Ensemble de cuivres
6
Jazz combo
5
Batterie (partie séparée)
5
Percussion (partie séparée)
3
Orchestre de chambre
3
Cloches
2
Ensemble de Percussions
1
Marimba
1
+ 8 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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Vous avez sélectionné:
Take Five
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
19 partitions trouvées
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1
Take Five
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Paul Desmond
#
Jon Melville
#
Take Five
#
Barehand Music
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1286325 By Paul Desmond. By Paul Desmond. Arra...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1286325 By Paul Desmond. By Paul Desmond. Arranged by Jon Melville. Jazz. 19 pages. Barehand Music #877399. Published by Barehand Music (A0.1286325). An arrangement of Paul Desmond's 'Take Five' for saxophone quartet, specifically for AATB (alto, alto, tenor, baritone).
$12.99
Take Five
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Paul Desmond
#
Joseph Judge
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Take Five
#
School Ensemble Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1193406 By Paul Desmond. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1193406 By Paul Desmond. By Paul Desmond. Arranged by Joseph Judge. Chamber,Jazz. 19 pages. School Ensemble Music #792866. Published by School Ensemble Music (A0.1193406). Take Five, Paul Desmond, 2:28, for saxophone quartet. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This classic jazz song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Each part has a transcribed solo. Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$14.99
Take Five
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Jazz
#
Paul Desmond
#
Doug Edwards
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Take Five
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Doug Edwards
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1278367 By Paul Desmond. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1278367 By Paul Desmond. By Paul Desmond. Arranged by Doug Edwards. Blues,Jazz,Pop,Soul,Standards. 39 pages. Doug Edwards #870084. Published by Doug Edwards (A0.1278367). Here is Dave Brubeck’s iconic piece “Take Five.† It features the Bari on lead or Tenor if desired. Additional parts are included to allow for substitutions and/or different instrumentation needs. Some Performance/Instrumentation options include:·     Quartet with rhythm section: Soprano, Alto 1, Tenor 1 and Bari 1 (Lead)·     Quartet with rhythm section: Soprano, Alto 1, Tenor 2 (Lead) and Bari 2·     Quintet without rhythm section (Bari Lead): Soprano, Alto 1, Tenor 1, Bari 1 and Bari 3 (Bass)·     Quintet without rhythm section (Tenor Lead): Soprano, Alto 1, Tenor 2, Bari 2 and Bari 3The Alto 2 can be used as an option to substitute for Soprano as well - it doubles the Soprano part.Style: Jazz     Duration: 3:00 minutes      Level: Medium       Instrumentation: SATB, AATB pr SATBBDoug Edwards is a published arranger and composer with Heritage Music Press. He offers arrangements for various ensembles including marimba ensemble.Audio recordings, teaching tips, performance suggestions and more available at www.marimbaguy.comVideos of many of these arrangements found at www.youtube.com/watch?v=iwd2M2s-NC4&list=PLAE195B9D4583BCA0C 2023 Doug Edwards Marimba Mojo Publications www.marimbaguy.com.
$14.99
Take Five
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Jazz
#
Paul Desmond
#
BARRY MOLINSKI
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Blues, 11 pages.
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Take Five
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Barry Molinski
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1294182 By Pa...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1294182 By Paul Desmond. By Paul Desmond. Arranged by BARRY MOLINSKI. Blues,Broadway,Classical,Instructional,Jazz,Musical/Show. 11 pages. Barry Molinski #884607. Published by Barry Molinski (A0.1294182). Paul Desmond's well known classic TAKE FIVE for Saxophone Quartet (SS/AS) AS TS BSEasy tempo, easy to play, but fun! Burnin' chart! Enjoyable music. Well known from the Dave Brubeck Quartet.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 3 - Music by Paul Desmond.This swinging arrangement is written in the original key.Improvised solos, ad libitum with backing parts suggested.This funky tune gives you the coolness to be in a smokin' Lounge on a cruise ship all around the worldGood arrangement to play this on stage, you have to have it.Broadway, Film/TV, Musical/Show, Pop, Classics, Blues, Jazz & Blues, 11 pages.
$12.99
Take Five
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Jazz
#
Paul Desmond
#
Rhea Tucker
#
Take Five
#
Rhea Tucker
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.506946 By Paul Desmond. By P...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.506946 By Paul Desmond. By Paul Desmond. Arranged by Rhea Tucker. Contemporary,Jazz. 17 pages. Rhea Tucker #118359. Published by Rhea Tucker (A0.506946). Saxophone Quartet arrangement of Paul Desmond's Take Five.
$20.00
Take Five
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Jazz
#
Paul Desmond
#
Tsuyoshi Yoroiguma
#
Take Five
#
Tsuyoshi Yoroiguma
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.711229 By Paul Desmond. By Paul Desmond. Arrang...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.711229 By Paul Desmond. By Paul Desmond. Arranged by Tsuyoshi Yoroiguma. Jazz. 17 pages. Tsuyoshi Yoroiguma #4286823. Published by Tsuyoshi Yoroiguma (A0.711229). This music will make your concert stylish and cool. Enjoy jazz standard number with 4 players.In this arrangement,every player can take a solo part.This is also good for school band students with upper-middle grade.Saxophone Quartet : 2 Alto / Tenor / BaritoneThe PDF file includes 8 pages of score and 9 pages of parts.Playing time :2min45sec.Please visit youtube to listen full sound https://youtu.be/udHpTHvquz8
$21.00
Take Five
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
#
Jazz
#
Paul Desmond
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Alfie Beston
#
Take Five
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Alfie Beston
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.974433 By Paul Desmond. By Pa...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.974433 By Paul Desmond. By Paul Desmond. Arranged by Alfie Beston. Jazz. 15 pages. Alfie Beston #5989413. Published by Alfie Beston (A0.974433). This is an advanced arrangement of Take 5 for Saxophone quartet which includes challenging semiquaver runs and a few time signature changes as well. It goes through many different keys and is a lot of fun to play.
$12.99
Take Five for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Jazz
#
Paul Desmond
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Diego Marani
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Take Five for Saxophone Quarte
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Diego Marani
#
SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Quartet - Intermediate - By Paul Desmond. Arranged by Diego Marani. Score, Set of Parts. 32...
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Quartet - Intermediate - By Paul Desmond. Arranged by Diego Marani. Score, Set of Parts. 32 pages. Published by Diego Marani
"Take Five" is a jazz standard composed by Paul Desmond and originally recorded by the Dave Brubeck Quartet for its 1959 album Time Out. Made at Columbia Records' 30th Street Studio in New York City on July 1, 1959, fully two years later it became an unlikely hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks, the piece still receives significant radio airplay.
This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) includes two different keys: the original Eb Minor and a "more comfortable" F Minor.
The piece is suitable for classroom, repertoire and recital.
$19.99
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Sax Quartet (3 Sopranos/1 Tenor)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Johann Georg Albrechtsberger
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Stephen Davies
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Five Mighty Meaty Morsels From
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.891935 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards....
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.891935 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. 63 pages. Stephen Davies #5310999. Published by Stephen Davies (A0.891935). The Austrian composer Johann Georg Albrechtsberger was an organist, teacher and theorist, indeed one of his many influential pupils was a certain Ludwig Van Beethoven. His own musical works were and still are a tour-de-force and widely recorded. In fact his Alto Trombone Concerto is very much a part of the repertoire for that instrument. He also wrote, what might be today regarded as quite strange, no less than 7 Concerti for the Jaws Harp and String Orchestra. (Youtube) In this Saxophone version the music is scored, unusually, for 3 equal Soprano Saxes AND Tenor Sax. The 5 pieces here are representitive of his masterly fugal output, tweaked here and there to suit this rare Saxophone Quartet format! Five Mighty Meaty Morsels, suitable for Vegans and Vegetarians alike!! (Although every care has been taken, some E#'s may remain!)
$19.99
Take Five
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Jazz
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Paul Desmond
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Takahiro Fujioka
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Take Five
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Takahiro Fujioka
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1281926 By Paul Desmond. By Paul Desmond. Arra...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1281926 By Paul Desmond. By Paul Desmond. Arranged by Takahiro Fujioka. 20th Century,Jazz. 15 pages. Takahiro Fujioka #873278. Published by Takahiro Fujioka (A0.1281926). For intermediate level saxophone quartet. Alto sax player and baritone sax player have solo. Â Instrumentation: Alto1, Alto2, Tenor, Baritone.
$12.99
Sarabande - A Jazzy Journey (Handel - Seinecke) for Saxophone Quartet SATB
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Quatuor de Saxophones: 4 saxophones
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G
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Torsten Seinecke
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Sarabande - A Jazzy Journey
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Torsten Seinecke
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.906283 Composed by G. F. Handel. Arrang...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.906283 Composed by G. F. Handel. Arranged by Torsten Seinecke. Baroque,Holiday,Jazz. 17 pages. Torsten Seinecke #6269685. Published by Torsten Seinecke (A0.906283). This Arrangement of Handel's Sarabande from the fourth suite in D minor is a stand alone three-minute work. The theme is arranged in a jazz style and there are also five-quarter time elements like in Take Five.There is an optional part that can be repeated, open to solos, but also a nice notated solo. This very solemn and actually serious piece of music is suitable for many occasions.Enjoy
$14.99
Quick Tango in 5
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Quick Tango in 5
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stanleymhoffman.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1407785 Composed by Stanley ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1407785 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical. 20 pages. Stanleymhoffman.com #990410. Published by stanleymhoffman.com (A0.1407785). Inspired by Argentinian tangos, Quick Tango in Five combines dance rhythms, melodic contours, and harmonies often associated with them in 5/8 time. The result is a complete one-minute tango. Were dancers to ever to take this on they might find themselves moving angularly rather than smoothly! 😊 Play! ¡Sonar!
$10.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Bohemian Rhapsody
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Queen
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E
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Bohemian Rhapsody
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Gonzalez Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.924181 By Queen. By Freddie M...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.924181 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by E.Gonzalez. Rock. 22 pages. Gonzalez Music #3532959. Published by Gonzalez Music (A0.924181). Bohemian Rhapsody is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite,[1] consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda.[2] The song is a more accessible take on the 1970s progressive rock genre.[3] It was reportedly the most expensive single ever made at the time of its release, although the exact cost of production cannot be determined.[4]When it was released as a single, Bohemian Rhapsody became a commercial success, staying at the top of the UK Singles Chart for nine weeks and selling more than a million copies by the end of January 1976.[5] It reached number one again in 1991 for another five weeks when the same version was re-released following Mercury's death,[6] eventually becoming the UK's third-best-selling single of all time.[7] It is also the only song to be the UK Christmas number one twice by the same artist.[8] It topped the charts in several other markets as well, including Canada, Australia, New Zealand, Ireland, and The Netherlands, later becoming one of the best-selling singles of all time selling over 6 million copies worldwide. In the United States, the song originally peaked at number nine in 1976. It returned to the chart at number two in 1992, behind Kris Kross's Jump, and also appeared in the film Wayne's World, which contributed to the revival of its American popularity.
$15.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Satellite to Planet Nine
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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Satellite to Planet Nine
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Adam B. Grim
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim. Concert,Contemporary,Standards. 111 pages. Adam B. Grim #6196935. Published by Adam B. Grim (A0.939376). Satellite to Planet Nine is a saxophone quartet inspired by the cosmos surrounding planet Earth. The opening movement, Takeoff, is about the mystery and fear surrounding a possibility of another planet - or black hole - yet to be discovered and the beginning of the journey to find it. The second movement, Hymn for the Moon is dedicated to the closest body of natural rock in our solar system. This movement features the tenor saxophone using a mix of disjunct melodies, smooth jazz, and thick chords to produce a movement of both mysticism and peace as the rocket travels by it. Soca for Saturn is the following movement and is inspired by the Trinidadian popular music known as soca. It is the spark of joy and pure energy that holds the astronauts together as they hold their hopes high traveling to a land that might not even exist at all. The fourth movement depicts the first amount of struggle for the team, Solar Flares, which batter and beat at the crew as they try to find a way through. In the movement the mood is instantly changed with the realization that it is too calm, and soon, meet the purest form of heat and energy. Movement five continues the struggle, but this time with hasty success. Arrival continues where the fourth movement leaves off, but finally they see something in the distance – the planet they have been looking for. They prepare for landing, but with their equipment being nearly destroyed from the solar flares it is not smooth landing. In the final movement, New Gravity, the team ventures out into the new world, which is dark and barren. They feel a disturbing presence around them, and as they search further and further into the cold and dusty landscape, they realize what they are up against – survival. Using what they know, they build on their wreckage and create a new home - The Satellite to Planet Nine.
$30.00
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
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