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CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
MARIMBA
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PARTITIONS …
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PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
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OPERA
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Non classifié
615
PIANO & CLAVIERS
Piano seul
254
Piano, Voix
52
Piano, Voix et Guitare
51
Piano Facile
34
Instruments en Do
16
Orgue
15
2 Pianos, 4 mains
14
1 Piano, 4 mains
10
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
2
Accordéon
2
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Instrumentations suivantes
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GUITARES
Guitare
30
Guitare notes et tablatures
12
Guitare (partie séparée)
8
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
5
Paroles et Accords
4
Basse electrique
4
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
2 Ukuleles
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
Ukulele
1
Dulcimer
1
Instrumentations suivantes
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VOIX
Chorale SATB
103
Chorale Unison
58
Chorale 2 parties
54
Chorale 3 parties
34
Chorale TTBB
16
Voix Soprano, Piano
8
Chorale SSAA
7
Voix haute
3
Voix Soprano
1
Voix duo, Piano
1
Voix Tenor
1
Voix seule
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
76
2 Flûtes traversières (duo)
43
2 Clarinettes (duo)
39
Ensemble de saxophones
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Quintette de Saxophone: 5 saxophones
30
Flûte traversière et Piano
27
2 Flûtes traversières, Piano
26
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Piano
20
2 Hautbois (duo)
19
Hautbois, Piano (duo)
19
Ensemble de Clarinettes
19
Saxophone (partie séparée)
17
Flûte traversière
17
Saxophone, Clarinette (duo)
16
Saxophone Alto et Piano
13
Clarinette, Violon (duo)
13
Flûte, Clarinette (duo)
11
Clarinette, Trompette (duo)
11
Saxophone Tenor et Piano
10
Flûte, Violon
10
Ensemble de Flûtes
10
Hautbois, Basson (duo)
9
Saxophone Tenor
9
Saxophone Alto
8
Saxophone Soprano et Piano
7
Clarinette
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette et Alto
6
Saxophone Soprano
6
Hautbois, Flûte
6
Flûte, Saxophone (duo)
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte, Alto (duo)
6
Clarinette, Violoncelle (duo)
5
3 Clarinettes (trio)
5
Hautbois (partie séparée)
5
Clarinette Basse, Piano
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Flûte à Bec
4
Saxophone Baryton, Piano
4
Flûte à bec Alto, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Alto
4
Trio de Flûtes: 3 flûtes
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Violoncelle
3
2 Flûte à bec (duo)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
Flûte, Violoncelle
2
Quatuor de Flûtes à bec
2
Flute, harpe et violon
2
3 Saxophones (trio)
2
Cor anglais, Piano
2
Flûte et Guitare
2
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Orgue
1
Flûte, Basson et Piano
1
Flute (partie séparée)
1
Flûte, trombone et piano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, violon (duo)
1
2 Clarinettes, Basson
1
Cor Anglais
1
Piccolo
1
2 Clarinettes, Piano
1
Flûte, Alto et Piano
1
Saxophone et Guitare
1
Clarinette, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
2 Trompettes (duo)
21
2 Trombones (duo)
20
Quatuor de Cuivres
20
Trombone et Piano
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Ensemble de Trombones
17
Trombone (partie séparée)
17
Trompette (partie séparée)
12
Trompette
12
Trompette, Saxophone (duo)
11
Cor
10
Trompette, Trombone (duo)
9
Euphonium, Piano (duo)
9
Trompette, Piano
9
Tuba et Piano
8
Ensemble de Trompettes
8
Cor et Piano
6
Ensemble de Cors
5
2 Cors (duo)
5
Tuba
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums et 2 Tubas
3
Cor anglais, Piano
2
Trio de Cuivres
2
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle (duo)
1
Cor (partie séparée)
1
Cor Anglais
1
Cor, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Trompette, Basson (duo)
1
Trompette et Guitare
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
60
2 Violons (duo)
53
Violon et Piano
42
2 Violoncelles (duo)
24
Alto, Piano
23
Violon
22
Violoncelle, Piano
21
2 Altos (duo)
20
Harpe
19
Violon, Violoncelle (duo)
18
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
5
Ensemble d'Altos
5
Alto seul
4
Trio à Cordes: 2 violons, alto
4
2 Harpes (duo)
4
Contrebasse (partie séparée)
4
4 Violoncelles
3
Alto et Basson
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
2
Violon, Basson (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Violon (partie séparée)
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Harpe, Trombone (duo)
1
Alto (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
105
Orchestre à Cordes
42
Orchestre
29
Ensemble de cuivres
24
Ensemble Jazz
23
Cloches
21
Orchestre de chambre
14
Jazz combo
8
Ensemble de Percussions
6
Batterie (partie séparée)
4
Fanfare
4
Batterie
4
Xylophone, Piano
2
Percussion
2
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Take Two
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
22 partitions trouvées
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1
Take Five for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Quartet - Intermediate - Di…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Quartet - Intermediate - Digital Download By Paul Desmond. Arranged by Diego Marani. Score, Set of Parts. 32 pages. Published by Diego Marani
"Take Five" is a jazz standard composed by Paul Desmond and originally recorded by the Dave Brubeck Quartet for its 1959 album Time Out. Made at Columbia Records' 30th Street Studio in New York City on July 1, 1959, fully two years later it became an unlikely hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks, the piece still receives significant radio airplay.<br> <br> This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) includes two different keys: the original Eb Minor and a "more comfortable" F Minor.<br> The piece is suitable for classroom, repertoire and recital.
$19.99
18.18 €
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Quatuor de Saxophones: 4 saxophones
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Paul Desmond
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Diego Marani
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Take Five for Saxophone Quartet
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Diego Marani
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SheetMusicPlus
It Takes Two
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1309770 By Marvin Gaye And Kim Weston. By Sylvia Moy and William Stevenson. Arranged by Luiza Lale. 20th Century,Chamber,Pop,R & B,Soul. 14 pages. Luiza Lale #898936. Published by Luiza Lale (A0.1309770). Such a fun Motown classic track! Ideal for a party set list and background gigs and great fun to play.
$19.99
18.18 €
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Quatuor de Saxophones: 4 saxophones
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Marvin Gaye And Kim Weston
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Luiza Lale
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It Takes Two
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Luiza Lale
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SheetMusicPlus
Christmas March for Saxophone Quartet (SATB or AATB)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.714469 Composed by P.I. Tchaikovsky and Leon Jessel. Arranged by Jeremy Corcoran. Christmas,Concert,Standards. 10 pages. LPC Publishers #3389361. Published by LPC Publishers (A0.714469). Take two of the most famous Christmas Marches of all time and put them together and you get A Christmas March. Using The Nutcracker March and March of the Tin Soldiers as the main themes, this arrangement uses only 6 notes, and limited 8th notes. Perfect for that first year Christmas Concert.
$8.00
7.28 €
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Quatuor de Saxophones: 4 saxophones
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P
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Jeremy Corcoran
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Christmas March for Saxophone Quartet
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LPC Publishers
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SheetMusicPlus
A Christmas March for Saxophone Quartet (SATB or AATB)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.714505 Composed by P.I. Tchaikovsky and Leon Jessel. Arranged by Jeremy Corcoran. Christmas,Concert,Standards. 10 pages. LPC Publishers #3411375. Published by LPC Publishers (A0.714505). Take two of the most famous Christmas Marches of all time and put them together and you get A Christmas March. Using The Nutcracker March and March of the Tin Soldiers as the main themes, this arrangement is perfect for that first Christmas Saxophone Quartet.
$7.50
6.82 €
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Quatuor de Saxophones: 4 saxophones
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P
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Jeremy Corcoran
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A Christmas March for Saxophone Quartet
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LPC Publishers
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SheetMusicPlus
A Quiet Place
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.875870 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Jazz. 9 pages. Nefarious Music Publications #4408528. Published by Nefarious Music Publications (A0.875870). Take 6, the american a cappella vocal group, formed in the 1980s.They soon gained critical acclaim and a succession of albums were released. They have worked with some of the biggest names in pop music, R&B and jazz and are still performing today. A Quiet Place was written my Ralph Carmichael in 1967 but the 1988 recording by Take 6 is the most well loved version of this song.This quartet arrangement is scored for two alto saxes, tenor and baritone. In order to bring Take 6's beautiful setting of Ralph Carmichael's music & lyrics to life, all four players will need to capitalise on the vocal fluidity of the saxophone sound. the lyrics (listed below) will give performers an indication of the atmosphere they are looking to create.There is a quiet placeFar from the rapid paceWhere God can soothe my troubled mindSheltered by tree and flowerThere in my quiet hourWith Him my cares are left behindWhether a garden smallOr on a mountain tallNew strength and courage there I find Then from this quiet placeI go prepared to faceA new day with love for all mankindEnjoy!
$20.00
18.19 €
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Quatuor de Saxophones: 4 saxophones
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Take 6
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Jim Fieldhouse
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A Quiet Place
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Nefarious Music Publications
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SheetMusicPlus
Lift Me Up
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1453681 By Yes. By Chris Squire and Trevor Rabin. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 30 pages. Jeff Tincher #1032896. Published by Jeff Tincher (A0.1453681). This is one of my favorite rockers from a true supergroup. In the original key from the Yes album Union, it is a combination of two sets of Yes groups, the 70s Yes with Jon Anderson, Steve Howe, Bill Bruford (a member of the original Yes lineup), Chris Squire amd Rick Wakeman combined with the 80s Yes with Trevor Rabin, Tony Kaye (a member of the original Yes lineup), and Alan White. This one will take you on a ride and it rocks. Duration = 6:01. Visit my websites: https://jtp.spread.name/, efftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.82 €
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Quatuor de Saxophones: 4 saxophones
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Yes
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Jeff Tincher
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Lift Me Up
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Jeff Tincher
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SheetMusicPlus
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 2 Tenor)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Dow…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696560. Published by Regis Bookshar (A0.1092467). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones and 2 Tenor Saxophones. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.1 €
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Quatuor de Saxophones: 4 saxophones
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 1 Tenor, 1 Bari)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092464 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696556. Published by Regis Bookshar (A0.1092464). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.1 €
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Quatuor de Saxophones: 4 saxophones
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
#
SheetMusicPlus
Kyrie (Durante) (Saxophone Quartet - 1 Sop, 1 Alto, 1 Tenor, 1 Bari)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092461 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696553. Published by Regis Bookshar (A0.1092461). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.1 €
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Quatuor de Saxophones: 4 saxophones
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
#
SheetMusicPlus
Kyrie (Durante) (Alto Saxophone Quartet)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696526. Published by Regis Bookshar (A0.1092502). Kyrie - by Francesco Durante; Alto Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for an Alto Saxophone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for an Alto Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.1 €
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Quatuor de Saxophones: 4 saxophones
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bohemian Rhapsody
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.924181 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by E.Gonzalez. Rock. 22 pages. Gonzalez Music #3532959. Published by Gonzalez Music (A0.924181). Bohemian Rhapsody is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite,[1] consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda.[2] The song is a more accessible take on the 1970s progressive rock genre.[3] It was reportedly the most expensive single ever made at the time of its release, although the exact cost of production cannot be determined.[4]When it was released as a single, Bohemian Rhapsody became a commercial success, staying at the top of the UK Singles Chart for nine weeks and selling more than a million copies by the end of January 1976.[5] It reached number one again in 1991 for another five weeks when the same version was re-released following Mercury's death,[6] eventually becoming the UK's third-best-selling single of all time.[7] It is also the only song to be the UK Christmas number one twice by the same artist.[8] It topped the charts in several other markets as well, including Canada, Australia, New Zealand, Ireland, and The Netherlands, later becoming one of the best-selling singles of all time selling over 6 million copies worldwide. In the United States, the song originally peaked at number nine in 1976. It returned to the chart at number two in 1992, behind Kris Kross's Jump, and also appeared in the film Wayne's World, which contributed to the revival of its American popularity.
$15.99
14.54 €
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Quatuor de Saxophones: 4 saxophones
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Queen
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E
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Bohemian Rhapsody
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Gonzalez Music
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SheetMusicPlus
Good Morning Good Morning
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.867641 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 8 pages. RayThompsonMusic #474085. Published by RayThompsonMusic (A0.867641). Arranged standrard sax quartet: SATB Transposed into Bb from original A to aid players. Melody and guitar break given to sop tenor and alto take middle section. Bari covers bass guitar.Great fun with mixed time sigs!!Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube Link https://youtu.be/xTpiETCrAqw is my brass quartet version.
$14.95
13.6 €
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Quatuor de Saxophones: 4 saxophones
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
greensleeves saxophone quartet and piano sheet music with chord symbols
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1268866 By Traditional Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Folk,Irish,Medieval,Traditional. 8 pages. Arezzo Music #861398. Published by Arezzo Music (A0.1268866). Greensleeves saxophone quartet and piano sheet music with chord symbolsEmbark on a mesmerizing musical journey with our enchanting Greensleeves sheet music for saxophone quartet and piano, complete with chord symbols! 🎷🎹 Experience the timeless beauty of this classic English folk tune, thoughtfully arranged for two alto saxophones, one tenor saxophone, baritone saxophone, and the expressive harmonies of the piano. 🎶 With the added chord symbols, you have the flexibility to explore various harmonies and create your unique interpretation. Let the harmonious interplay of saxophones, accompanied by the piano, take you on a serene and captivating adventure. Perfect for saxophone ensemble and piano enthusiasts, our sheet music offers a delightful and emotive experience for both performers and listeners alike. Hit like, subscribe, and share to celebrate the allure of Greensleeves with fellow musicians worldwide! ðŸƒðŸŒŸðŸŽ¶ðŸŽ·greensleeves saxophone quartet and piano sheet music with chord symbols
$12.99
11.82 €
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Quatuor de Saxophones: 4 saxophones
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Traditional Music
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Arezzo Music
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greensleeves saxophone quartet and piano sheet music with chord symbols
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Arezzo Music
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Now And Then
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1430950 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Ray Thompson. 21st Century,Pop. 10 pages. RayThompsonMusic #1011457. Published by RayThompsonMusic (A0.1430950). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history.Now and Then is a psychedelic soft rock balladthat John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished.After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following Free as a Bird and Real Love, both based on two other Lennon demos of the same names.Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.Arranged here for sax quartet, the sopano sax takes most of the melody.
$14.99
13.63 €
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Quatuor de Saxophones: 4 saxophones
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The Beatles
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Ray Thompson
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Now And Then
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RayThompsonMusic
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SheetMusicPlus
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
70.9 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Musik Fabrik Music Publishing
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SheetMusicPlus
Holding Back The Years
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583751 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Jeff Tincher. Contemporary. 17 pages. Jeff Tincher #4776041. Published by Jeff Tincher (A0.583751). Here is one of two Simply Red songs that reached #1 in Billboard's Hot 100. In the original key from their Picture Book project, this smooth jazz/adult comtemporary arrangement includes the muted trumpet solo. The ending of the song is taken from his 1992 Hamburg concert. This is one of my favorite Simply Red songs. Great for any performance. Duration = 4:15. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.82 €
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Quatuor de Saxophones: 4 saxophones
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Simply Red
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Jeff Tincher
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Holding Back The Years
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Jeff Tincher
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SheetMusicPlus
All You Need Is Love
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.584046 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Jeff Tincher. Rock. 24 pages. Jeff Tincher #5292047. Published by Jeff Tincher (A0.584046). One of The Beatles more popular songs. It was released as a single and appears in two Beatle movies Magical Mystery Tour and Yellow Submarine. In the original key, this was taken from the Magical Mystery Tour soundtrack and includes as much of the montage at the end of the song as possible. The song changes time signatures many times, beginning with 4/4, and then changes between 21/8 (directed as 6/8,6/8,6/8,3/8), 6/8, and 9/8. Duration = 4:04. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.82 €
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Quatuor de Saxophones: 4 saxophones
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The Beatles
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Jeff Tincher
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All You Need Is Love
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Jeff Tincher
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SheetMusicPlus
Gloria
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1175095 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. Classical,Contemporary,Pop. 8 pages. Rosesong Music #775246. Published by Rosesong Music (A0.1175095). A sax quartet version of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This chorale-style arrangement is closely adapted from the original SATB choral parts. The tenor and bari are featured in the opening lyrical section, and every player gets to display their technical skills in the bombastic polyphonic section. Blend, balance and articulation matching are also emphasized, providing an excellent, student-friendly introduction to ensemble playing!Includes a full score and individual parts.
$12.99
11.82 €
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Quatuor de Saxophones: 4 saxophones
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
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