English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Thin Line
Non classifié
745
Piano & claviers
Piano, Voix
2 349
Piano seul
394
Piano, Voix et Guitare
75
Piano grosses notes
65
Piano Facile
50
Instruments en Do
30
Orgue
30
2 Pianos, 4 mains
10
1 Piano, 4 mains
6
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
4
Accordéon
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
526
Basse electrique
356
Guitare
66
Guitare notes et tablatures
36
Ukulele
14
Guitare (partie séparée)
9
2 Guitares (duo)
6
Mandoline
6
Banjo
4
Dulcimer
3
3 Guitares (trio)
2
Mandoline, Guitare (duo)
2
4 Guitares (Quatuor)
2
2 Mandolines (duo)
1
Piano, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
917
Chorale 3 parties
45
Chorale TTBB
25
Chorale SSAA
22
Chorale 2 parties
20
Chorale Unison
16
Voix seule
12
Voix duo
10
Voix Soprano, Piano
10
Voix Alto, Piano
9
Voix haute
4
Voix Soprano
3
Voix Baryton, Piano
2
Chorale
1
Voix duo, Piano
1
Chorale SSAB, Piano
1
Voix moyenne, Piano
1
Voix basse, Piano
1
+ 13 instrumentations
Retracter
Vents
Saxophone
51
Saxophone (partie séparée)
29
Flûte traversière
24
Flûte traversière et Piano
22
Clarinette
19
Hautbois, Piano (duo)
19
Quatuor de Clarinettes: 4 clarinettes
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Quatuor de Saxophones: 4 saxophones
16
Clarinette et Piano
13
2 Saxophones (duo)
12
Quintette de Saxophone: 5 saxophones
11
Ensemble de Flûtes
10
Ensemble de Clarinettes
8
Quintette de Clarinettes: 5 clarinettes
7
2 Flûtes traversières (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
Cor anglais, Piano
6
Saxophone Alto et Piano
5
Saxophone, Clarinette (duo)
5
2 Clarinettes (duo)
5
Clarinette, Trompette (duo)
4
Saxophone Tenor et Piano
4
Ensemble de saxophones
4
Clarinette, Violon (duo)
4
Saxophone Soprano et Piano
4
Flûte, Clarinette (duo)
4
Flûte à bec Soprano
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Alto
3
Harmonica
3
Ocarina
3
Trio de Flûtes: 3 flûtes
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette et Basson
2
3 Clarinettes (trio)
2
2 Hautbois (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Violoncelle
2
3 Saxophones (trio)
2
Clarinette et Alto
2
Saxophone Baryton, Piano
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
Flûte irlandaise
2
Flûte à bec Alto, Piano
1
Hautbois
1
Piccolo
1
Flute (partie séparée)
1
Saxophone Tenor
1
Flûte, Violoncelle
1
Hautbois, Basson (duo)
1
Saxophone, Tuba (duo)
1
Flûte et Guitare
1
2 Flûte à bec (duo)
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
Saxophone Soprano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Flûte à bec Soprano, Piano
1
+ 58 instrumentations
Retracter
Cuivres
Trompette
23
Trombone (partie séparée)
21
Trompette (partie séparée)
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette, Piano
12
Trombone et Piano
11
Cor et Piano
9
Cor anglais, Piano
6
Tuba
4
Euphonium, Piano (duo)
3
Trompette, Trombone (duo)
3
Ensemble de Trombones
3
2 Trompettes (duo)
3
Quatuor de Cuivres
3
Ensemble de Trompettes
3
3 Trombones (trio)
2
Tuba et Piano
2
Quatuor de cuivres: 4 cors
2
Cor
2
Ensemble de Cors
2
Cor (partie séparée)
1
Trompette, Saxophone (duo)
1
2 Trombones (duo)
1
Tuba (partie séparée)
1
Euphonium
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Tuba (duo)
1
Trompette, Cor (duo)
1
Trompette, Euphonium (duo)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
90
Violon
44
2 Harpes (duo)
35
Harpe
29
Violon et Piano
20
Violon, Violoncelle (duo)
18
Violoncelle
16
Alto seul
14
Alto, Piano
14
2 Violoncelles (duo)
14
Trio à Cordes: 2 violons, violoncelle
12
Violoncelle, Piano
8
2 Altos (duo)
6
Violon, Alto (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse (partie séparée)
5
Contre Basse
4
2 Violons (duo)
4
Ensemble d'Altos
3
Contrebasse, Piano (duo)
3
Trio à cordes
2
Harpe, Flûte (duo)
2
Ensemble de Violons
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Violon, Guitare (duo)
1
Autoharp
1
Trio à cordes: 3 altos
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
135
Ensemble Jazz
61
Batterie
49
Ensemble de cuivres
39
Orchestre à Cordes
31
Orchestre de chambre
24
Orchestre
21
Fanfare
12
Jazz combo
9
Cloches
6
Ensemble d'École
5
Batterie (partie séparée)
4
Ensemble de Percussions
4
Percussion (partie séparée)
1
Percussion
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
8
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
The Thin Line
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
16 partitions trouvées
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1
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
46.01 €
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Quatuor de Saxophones: 4 saxophones
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort for Sxophone Quartet
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
The Twelve Days Of Christmas
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.875876 Composed by Traditional. Arranged by Jim Fieldhouse. Christmas,Contemporary,Holiday,Praise & Worship. 21 pages. Nefarious Music Publications #4981907. Published by Nefarious Music Publications (A0.875876). Arranged here for saxophone quartet, this version has been carefully scored to allow it to work as both a seasonal concert piece or as an audience sing-along item.The melodic line is always presented in the traditional manner, to allow audiences to join in with the words, whilst the accompanying parts weave through a variety of styles and harmonisations to keep things interesting!The Twelve Days of Christmas is scored for standard S/A/T/B saxophone quartet and is graded as an advanced title (around ABRSM grades 6+)There are many dynamic, articulation and tempo directions within this score and ensembles should take care to balance the group in such a way as to ensure the melody is always audible.This arrangement should start at a controlled allegro tempo and get gradually faster over course of the twelve verses. The metronome marks are simply a guide and quartets should feel free to alter tempos to suit their own interpretations.
$20.00
18.41 €
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Quatuor de Saxophones: 4 saxophones
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Traditional
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Jim Fieldhouse
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The Twelve Days Of Christmas
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Nefarious Music Publications
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SheetMusicPlus
A Snippet from the Inexorable March of Time
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.924841 Composed by Stanley M. Hoffman. Contemporary. 1 pages. Stanleymhoffman.com #3913187. Published by stanleymhoffman.com (A0.924841). The idea for this piece were inspired by the submissions guidelines of the performing ensemble a very small consortium. That the piece needed to consist of 100 or fewer notes and be 60 seconds or less in duration caused the composer to think about how time passes in a very measured way. The resultant composition is supposed to be an audio snippet of music embodying the inexorable march of time, with indications such as As if tuning-in to music that is already going on, (Not cadencing is what makes the march inexorable), and Quickly turning down the volume knob.
$2.50
2.3 €
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Quatuor de Saxophones: 4 saxophones
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Stanley M
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A Snippet from the Inexorable March of Time
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stanleymhoffman.com
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SheetMusicPlus
It Don't Mean A Thing (if It Ain't Got That Swing)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1294176 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by BARRY MOLINSKI. Barbershop,Blues,Broadway,Jazz,Musical/Show,Standards. 23 pages. Barry Molinski #884601. Published by Barry Molinski (A0.1294176). Duke Ellington's classic IT DON'T MEAN A THING for Saxophone Quartet (SS/AS) AS TS BSMedium uptime tempo, not so easy to play, but fun! Burnin' chart! Enjoyable music. Well known from the Broadway Musicals.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 4 - Digital DownloadMusic by Duke Ellington.This swinging arrangement comes with an original introduction in slower tempo, followed by the theme and written lines for all saxes.Two improvised solos, on tenor part and alto part with backing fills.This bluesy tune gives you the right atmosphere to be in a smokin' 'n' drinkin' bar in the United States, where jazz & blues growd up.Good arrangement to play this on stage as a set opener.Broadway, Film/TV, Musical/Show, Pop, Classics, Blues, Jazz & Blues, 23 pages.
$24.99
23 €
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Quatuor de Saxophones: 4 saxophones
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Duke Ellington
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BARRY MOLINSKI
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blues growd up
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It Don't Mean A Thing
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Barry Molinski
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SheetMusicPlus
All Things Bright and Beautiful (for saxophone quartet)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.720518 Composed by Traditional English Melody. Arranged by Ralph Raymond Hays. Contemporary,Sacred,Wedding. 9 pages. Ralph Raymond Hays #3501707. Published by Ralph Raymond Hays (A0.720518). This masterfully crafted arrangement presents the endearing hymn tune among florid counter lines that both support and enhance the traditional melody's innate grace and beauty. This work will serve as an engaging introit, anthem, or recessional during the worship service of a variety of faiths, and will also highlight a wedding or recital.
$11.99
11.03 €
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Quatuor de Saxophones: 4 saxophones
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Traditional English Melody
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Ralph Raymond Hays
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All Things Bright and Beautiful
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Ralph Raymond Hays
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SheetMusicPlus
Blowin' In The Wind
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.581875 By Stevie Wonder. By Bob Dylan. Arranged by John Gibson. Rock. 13 pages. JB Linear #2926483. Published by JB Linear (A0.581875). Bob Dylan, a 2016 Nobel prize for literature recipient, famously ignored it for a while. In that spirit, he is now and has been a major figure in the music world for decades. The song Blowin in the Wind was released in 1963 and if I may include something personal, his song had a positive impact on my world view as a young person at the time. For this setting for sax quartet (SATB), I chose to use an Afro Pop style. The bari sax part in particular is quite active! It is set for soprano, alto, tenor and baritone saxes with an alternate alto part in place of the soprano sax. - John Gibson, arranger.
$13.50
12.42 €
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Quatuor de Saxophones: 4 saxophones
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Stevie Wonder
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John Gibson
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Blowin' In The Wind
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JB Linear
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SheetMusicPlus
Divertimento for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
13.8 €
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Quatuor de Saxophones: 4 saxophones
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Sy Brandon
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Divertimento for Saxophone Quartet
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Sy Brandon
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.6 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Nimrod from Enigma Variations Op. 36 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1124310 Composed by Edward Elgar. Arranged by Robert Luke Thompson. 19th Century,Chamber,Classical,Film/TV,Patriotic. 10 pages. Monkspath Music #725064. Published by Monkspath Music (A0.1124310). Sir Edward Elgar’s compositional output was prolific, with many well-known pieces, including the Pomp & Circumstance marches, Dream of Gerontius, and of course, the Engima Variations. Elgar’s legacy has been widely debated, but there is no doubt of his influence on ‘English’ music and composers such as Ralph Vaughan Williams, but also further afield, on composers as diverse as Richard Strauss, Jean Sibelius, and Igor Stravinsky. Along with a central theme woven and varied throughout the work, each movement of Engima Variations is also a musical illustration, based on a family member or close friend of Elgar, and indeed Elgar himself. He dedicated the work “to my friends pictured withinâ€. “Nimrod†is the name given to the ninth movement, based on Elgar’s editor and publisher, Augustus J, Jaeger. Musically, there is an obvious hint at the 2nd movement of Beethoven’s Piano Sonata Pathetique, but beyond this there are beautiful legato lines spread across the whole ensemble and a wide variety of timbral, dynamic, and tempo colourations. “Nimrod†has become a popular piece as a standalone item – often featuring in funerals, memorial services, and other solemn events such as Remembrance Sunday. Hans Zimmer also adapts the piece for use in the score for the 2017 film Dunkirk, and has become a standard tune to represent stoic ‘Britishness’. For further pieces, view the Monkspath Music catalogue and click here!
$12.99
11.95 €
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Quatuor de Saxophones: 4 saxophones
#
Edward Elgar
#
Robert Luke Thompson
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Nimrod from Enigma Variations Op. 36 for Saxophone Quartet
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Monkspath Music
#
SheetMusicPlus
Powerhouse
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764683 Composed by Raymond Scott. Arranged by James Pybus. Contemporary,Film/TV,Jazz. 28 pages. James Pybus #4298277. Published by James Pybus (A0.764683). Powerhouse (1937) is an instrumental musical composition by Raymond Scott, perhaps best known today as the iconic assembly line music in animated cartoons released by Warner Bros. The first use of Powerhouse in a cartoon occurred in the 1943 Warner Bros., Looney Tunes short Porky Pig’s Feat, directed by Frank Tashlin. Also in 1943, it was used in the Private Snafu shorts Gripes, Spies, and Rumors. It was subsequently featured in over 40 other Warner Bros. cartoons. The most well-known assembly-line usage of Powerhouse B occurs in Bob Clampett’s Baby Bottleneck (1946), in which newborn babies (of various species) are processed on a conveyor belt in time to the melody. Powerhouse has been used In The Simpsons four times. Simpsons creator Matt Groening once ranked Powerhouse as #14 on a list of his 100 Favorite Things. This arrangement is for either SATB or AATB Saxophone Quartet with optional Bass Saxophone doubling the baritone. It is perfect for injecting a humourous element into a concert programme; audiences will love it. Many saxophone quartet enthusiasts will want this arrangement in their repertoire. Performance time is 2:45. Contact me at james.pybus56@gmail.com
$19.95
18.36 €
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Quatuor de Saxophones: 4 saxophones
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Raymond Scott
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James Pybus
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audiences will love it
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Powerhouse
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James Pybus
#
SheetMusicPlus
Discomposure
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1011825 Composed by John Troughton. 20th Century,Jazz. 11 pages. John Troughton #3473085. Published by John Troughton (A0.1011825). Discomposure - A Study in Syncopation for Saxophone Quartet.A funky and lively intermediate to advanced level piece with an edge of darkness and a whole lot of syncopation. The composition uses a variety of saxophone extended techniques, including key slaps and altissimo. Melodic lines constantly shift between parts, and there are significant solo moments for all performers. The frequent use of accents, staccato and shifting dynamics reflect a sense of agitation and anxiety within the opening section, moving gradually towards a steadier and composed feel. The use of altissimo registers in the Alto Saxophone should create a shrill and high pitched layer that contrasts the other performers, adding to the disturbed and unsettled atmosphere within the work. Performers should play with a consistently bright and punchy quality that reflects the funk style, paying particular attention to expressive techniques and note groupings, in order to maintain a sense of beat amidst the syncopated rhythms.
$5.99
5.51 €
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Quatuor de Saxophones: 4 saxophones
#
John Troughton
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Discomposure
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John Troughton
#
SheetMusicPlus
Be Still My Beating Heart
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584313 By Sting. By Sting. Arranged by Jeff Tincher. Contemporary,Pop. 30 pages. Jeff Tincher #5708243. Published by Jeff Tincher (A0.584313). Here is another song with a great hook. Once you hear the opening bass line, you know what song is playing. In the original key from Sting's Nothing Like The Sun project, this arrangement includes the ending Sting plays at his later concert performances. Duration = 6:15. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.95 €
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Quatuor de Saxophones: 4 saxophones
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Sting
#
Jeff Tincher
#
Be Still My Beating Heart
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Jeff Tincher
#
SheetMusicPlus
Mug's Game - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1451858 Composed by Phil Rawle. Contemporary,Jazz. 22 pages. Phillip Rawle #1031168. Published by Phillip Rawle (A0.1451858). A fast-paced jazz number for saxophone quartet.Arranged for - Soprano, Alto, Tenor and Baritone Saxophones.The melody swops and changes between the instruments. The whole thing is driven along by the walking bass line in the Baritone Sax.Quite difficult to play at speed.
$5.00
4.6 €
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Quatuor de Saxophones: 4 saxophones
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Phil Rawle
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Mug's Game - Saxophone Quartet
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Phillip Rawle
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SheetMusicPlus
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