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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CLAIRON
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CORNET
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LIVRES
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VIOLIN PRELUDE 1
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107
Piano & claviers
Piano Trio: piano, violon, violoncelle
13
Piano seul
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
3
Piano Facile
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Instruments en Do
1
+ 3 instrumentations
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1
Piano, Guitare (duo)
1
Voix
Pack Instrumental pour Chorale
5
Chorale 3 parties
2
Vents
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9
Flûte traversière et Piano
5
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4
Clarinette et Piano
3
Hautbois, Piano (duo)
3
Saxophone Alto et Piano
3
3 Saxophones (trio)
2
Flûte, Violon
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette
1
Clarinette, Harpe (duo)
1
Quatuor de Saxophones: 4 saxophones
1
2 Clarinettes (duo)
1
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1
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1
Saxophone, Violon (duo)
1
Clarinette, Violon (duo)
1
Hautbois, Harpe
1
Ensemble de Flûtes
1
Cor anglais, Piano
1
+ 18 instrumentations
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Euphonium, Piano (duo)
3
Trombone et Piano
2
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2
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1
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1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
Cor et Piano
1
Cor anglais, Piano
1
+ 4 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon
114
Violon et Piano
108
Violon, Violoncelle (duo)
81
2 Violons (duo)
76
Violon, Alto (duo)
54
Trio à Cordes: violon, alto, violoncelle
32
Trio à Cordes: 2 violons, violoncelle
30
Violon (partie séparée)
26
Trio à cordes: 3 violins
22
4 Violoncelles
17
Quatuor à cordes: 4 violons
16
Alto, Piano
4
2 Violons, Piano
3
Ensemble de Violons
3
Harpe, Violon (duo)
3
Violoncelle, Piano
3
Piano Trio: Violon, Alto, Piano
2
Alto (partie séparée)
2
Alto seul
2
Violoncelle
2
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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20
Orchestre à Cordes
14
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7
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3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Crtitères actifs :
VIOLIN PRELUDE 1
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
1 partition trouvée
Bach: Wachet auf for Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quart
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
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VIOLIN PRELUDE 1
