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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin Concerto in A Minor
Non classifié
103
Piano & claviers
Piano seul
47
Piano Facile
10
2 Pianos, 4 mains
6
Orgue
4
Piano Trio: piano, violon, violoncelle
3
Clavecin
2
1 Piano, 4 mains
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Instruments en Do
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano, Voix
1
+ 7 instrumentations
Retracter
Guitares
Guitare
3
2 Guitares (duo)
2
Piano, Guitare (duo)
1
Voix
Vents
Flûte traversière et Piano
7
Quintette de Saxophone: 5 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
2 Flûte à bec (duo)
4
Flûte traversière
4
Quatuor de Saxophones: 4 saxophones
3
Ensemble de Clarinettes
3
Quintette de Flûte : 5 flûtes
2
Clarinette
2
Saxophone Soprano et Piano
2
Clarinette et Piano
2
Saxophone Tenor et Piano
2
Saxophone Alto et Piano
2
2 Clarinettes (duo)
1
Hautbois, Piano (duo)
1
Flûte et Quatuor à Cordes
1
Ensemble de Flûtes
1
2 Flûtes traversières (duo)
1
Clarinette, Guitare (duo)
1
Ensemble de saxophones
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte et Guitare
1
Harmonica
1
Flûte, Violon, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 21 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor
2
Euphonium, Piano (duo)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
1
Trompette
1
2 Trompettes (duo)
1
Trombone et Piano
1
Cor anglais, Piano
1
+ 6 instrumentations
Retracter
Cordes
Violon et Piano
72
Quatuor à cordes: 2 violons, alto, violoncelle
61
Violon
54
Violon, Violoncelle (duo)
26
2 Violons (duo)
17
Violoncelle, Piano
13
Violon (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
6
Violoncelle
5
Alto seul
3
2 Violoncelles (duo)
2
Alto, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
2 Violons, Piano
2
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Violon, Guitare (duo)
1
Ensemble de Violons
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Violon, Alto (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
22
Orchestre de chambre
20
Orchestre
19
Orchestre, Violon
3
Cloches
2
Piano et Orchestre
1
+ 1 instrumentations
Retracter
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
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Vous avez sélectionné:
Violin Concerto in A Minor
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
3 partitions trouvées
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La Stravaganza No. 2 in E minor, RV. 279
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Antonio Vivaldi
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John Lauricella
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La Stravaganza No. 2 in E mino
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John Lauricella.
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.999765 Composed by Antonio Vi...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.999765 Composed by Antonio Vivaldi. Arranged by John Lauricella. Baroque. 48 pages. John Lauricella. #6047627. Published by John Lauricella. (A0.999765). La Stravaganza Op. 4 is a set of twelve violin concerti written by Vivaldi in 1712 - 1713. This concerto is the second of the twelve, RV. 279. This has been transcribed directly from the original handwritten parts.
$10.00
Winter Allegro non molto
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Quatuor de Saxophones: 4 saxophones
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Classique
#
Antonio Vivaldi
#
Brandon C Stanley
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Winter Allegro non molto
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Brandon C Stanley
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1397992 Composed by Antonio Vivaldi. A...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1397992 Composed by Antonio Vivaldi. Arranged by Brandon C Stanley. Baroque,Chamber,Classical. 21 pages. Brandon C Stanley #981261. Published by Brandon C Stanley (A0.1397992). The Four Seasons is one of the most famous works of Antonio Vivaldi (1678-1741), and has become standard repertoir for the solo violinist. Concerto No. 4 in F minor (Op. 8, RV 297) Winter Allegro non molto, is a timeless movement that is played year round across the world.Duration: 3.5 minutesThis arrangement for saxophone quartet matches the original piece in length and key (F minor).WHAT IS INCLUDED:Score (in C)Score (transposing)Soprano SaxophoneAlto SaxophoneTenor SaxophoneBaritone Saxophone.
$7.99
Bach: Wachet auf for Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
#
Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quart
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
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