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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Would Be Fine
Non classifié
200
Piano & claviers
Piano seul
13
Piano, Voix
7
Orgue
4
Piano, Voix et Guitare
2
Piano Facile
1
Instruments en Do
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
4
Guitare notes et tablatures
2
Ukulele
1
Voix
Chorale SATB
12
Chorale 3 parties
7
Chorale 2 parties
6
Chorale TTBB
4
Chorale SSAA
1
Voix duo
1
Chorale Unison
1
+ 2 instrumentations
Retracter
Vents
Ensemble de saxophones
34
Quintette de Saxophone: 5 saxophones
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
7
Quatuor de Saxophones: 4 saxophones
7
Flûte traversière
5
Flûte, Hautbois, Clarinette, Basson
5
Ensemble de Flûtes
3
Flûte à bec Soprano
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Alto, Piano
2
Clarinette
2
Hautbois, Piano (duo)
1
3 Saxophones (trio)
1
Flûte à bec Alto
1
Saxophone Tenor
1
Flûte, Clarinette et Basson
1
Clarinette Basse, Piano
1
Hautbois (partie séparée)
1
Flûte traversière et Piano
1
Flûte à Bec
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Alto
1
Flûte, Hautbois (duo)
1
+ 22 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres
10
Ensemble de Trombones
8
Ensemble de Trompettes
6
Trompette, Trombone (duo)
5
Ensemble de Cors
3
Trompette, Piano
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette
2
Trombone
1
2 Trompettes (duo)
1
Tuba et Piano
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon, Violoncelle (duo)
136
Trio à Cordes: violon, alto, violoncelle
117
Violon
109
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, violoncelle
4
Ensemble de Violons
3
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble d'Altos
3
Trio à cordes: 3 violins
2
2 Violoncelles (duo)
2
Violoncelle
2
2 Violons (duo)
2
4 Violoncelles
2
Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe
1
2 Altos (duo)
1
Violon et Piano
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
88
Orchestre d'harmonie
7
Ensemble de cuivres
6
Ensemble de Percussions
2
Orchestre
2
Quintette à Vent
1
Cloches
1
Orchestre de chambre
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Would Be Fine
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
7 partitions trouvées
<
1
Ave Maria arr. for Saxophone Quartet (with alternate parts)
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Quatuor de Saxophones: 4 saxophones
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Contemporain
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F Schubert
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Rammy Music
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Ave Maria arr. for Saxophone Q
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Rammy Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - SKU: A0.793802 Composed by F Schubert. Arranged by Rammy Music. Contemporary. 17 pages. Rammy Music #6478265. Publi...
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Woodwind Ensemble,Woodwind Quartet - SKU: A0.793802 Composed by F Schubert. Arranged by Rammy Music. Contemporary. 17 pages. Rammy Music #6478265. Published by Rammy Music (A0.793802). Arranged for beginner / intermediate saxophone quartet - soprano, alto, tenor & baritone - with each part having an alternate alto & tenor part allowing for groups with different combinations of instruments. The arrangement may be a little challenging for the beginners, as there are some relatively involved rhythms, but it follows the original very closely so the students may well know the song. It would be fine for intermediate players.To make it as easy as possible, the melody is always in the 1st part, the 2nd & 3rd parts always play the triplet figure and the 4th part always plays the bass note. This way, once they catch on to the rhythms it should be relatively easy to play.The parts are copied and laid out very clearly to facilitate a fun, easy to play experience.There is a full transposed score for reference.
$14.99
Havana - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Latin/Musique du monde
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Camila Cabello
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Havana - Saxophone Quartet
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SheetMusicPlus
Saxophone Quartet - Soprano, Alto, Tenor & Baritone (with alternate alto & tenor parts) - Early Intermediate - By Camila Cabello. Arranged b...
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Saxophone Quartet - Soprano, Alto, Tenor & Baritone (with alternate alto & tenor parts) - Early Intermediate - By Camila Cabello. Arranged by DIXON mus-IC. Score, Set of Parts. 27 pages. Published by Iain
Arranged for beginner / intermediate saxophone quartet - soprano, alto, tenor & baritone - with each part having an alternate alto & tenor part allowing for groups with different combinations of instruments.
The arrangement may be a little challenging for the beginner, as there are some relatively involved rhythms, but it follows the original very closely so the students may well know the song. It would be fine for intermediate players.
The parts are copied and laid out very clearly to facilitate a fun, easy to play experience.
In addition, there is an optional piano accompaniment part. The part contains notation similar to the sax parts, so could act as a prompt. There are also large font chord symbols for variation or improvisation of the accompaniment. The part could also be handed out to a rhythm section for even more fun.
There is a full transposed score for reference.
$14.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Amazing Grace - Saxophone Ensemble SAATTB
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
John Newton
#
Jonathan Eno BEM
#
is
#
Amazing Grace - Saxophone Ense
#
Jonathan Eno
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.936683 Composed by John Newto...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.936683 Composed by John Newton. Arranged by Jonathan Eno BEM. Classical. 19 pages. Jonathan Eno #5820867. Published by Jonathan Eno (A0.936683). This is a beautiful arrangement features two of the most recognisable songs from the classical repertoire. Amazing Grace is being supported by Pachabel's Canon in an arrangement that requires finesse and stamina from all musicians. We would like you to try a few other song additions too. Let It Be and The First Nowell also fit over the same chord sequence, so have some fun and get creative. If you enjoy this arrangement, why not check out some of the other titles from the Saxophonix Series including:The Swan - Saint-SaensHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!Coming soon...Hot House Tutor Boox - inspirational NEW beginner tutor books for all jazz instruments!!!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.ukwww.facebook.com/derbysaxophonix
$9.99
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Would Be Fine
