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ACCORDEON
ALTO
AUTRES INST…
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BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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135
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de Musique
102 117
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
120507
PIANO & CLAVIERS
Piano seul
178847
Piano, Voix et Guitare
120166
Piano, Voix
77511
Piano Facile
38084
Orgue
10924
Piano grosses notes
6924
Instruments en Do
5959
Accompagnement Piano
5220
1 Piano, 4 mains
5096
Accordéon
3988
Piano Trio: piano, violon, violoncelle
1286
2 Pianos, 4 mains
912
Piano (partie séparée)
603
Piano Quatuor: piano, violon, alto, violoncelle
394
Orgue, Trompette (duo)
339
Piano Quatuor: piano, 2 violons, violoncelle
309
Orgue, Piano (duo)
223
Accordéon, Voix
209
Ligne De Mélodie, Piano
206
Piano Quintette: piano, 2 violons, alto, violoncelle
202
Clavecin
166
1 Piano, 6 mains
114
Clavier
97
2 Accordéons
50
Instrument seul et Orgue
44
2 Pianos, 8 mains
38
Ensemble d'Accordéons
22
Tous Les Instruments
17
Orgue, Voix
16
Accordéon, Piano
12
2 Orgues (duo)
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Accordéon et Orchestre
6
Ensemble de Pianos
5
Accordéon, Corde(s)
5
Orgue et Orchestre
4
Concertina
3
3 Pianos
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
56034
Ligne De Mélodie, (Paroles) et Accords
29325
Guitare
20015
Paroles et Accords
13533
Ukulele
10052
Basse electrique
8122
2 Guitares (duo)
1431
Guitare (partie séparée)
1343
Mandoline
727
Piano, Guitare (duo)
712
4 Guitares (Quatuor)
647
Banjo
613
Ensemble de guitares
488
Dulcimer
424
3 Guitares (trio)
282
Partitions De Groupes
280
Ukulele Baryton
181
Basse électrique (partie séparée)
163
Guitare Pedal Steel
155
Ensemble de Ukulélés
114
Mandoline, Piano (duo)
56
Guitare, Violon, Violoncelle (trio)
38
Mandoline, Guitare (duo)
37
Dobro
36
2 Dulcimers (duo)
25
2 Ukuleles
19
Guitare, Flûte, Clarinette
14
Guitare, Orchestre
7
Cithare
7
2 Mandolines (duo)
6
Orchestre à Plectres
5
Guitare, Quatuor à cordes
5
Luth
4
Guitare, Harpe
2
Guitare Tab, Voix, Basse, Batterie
2
2 Guitares et Orchestre
1
2 Guitares, Clarinette (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
39647
Chorale 3 parties
16466
Chorale 2 parties
11777
Chorale
7063
Voix seule
6956
Chorale TTBB
6684
Chorale Unison
4587
Chorale SSAA
3708
Voix duo, Piano
3166
Voix duo
1281
Voix Soprano, Piano
938
Voix haute
842
Voix basse, Piano
482
Voix, Guitare
260
Voix Moyenne
240
Voix Tenor, Piano
237
Voix Alto, Piano
234
Voix moyenne, Piano
220
Chorale SSATB
119
Voix Tenor
117
Voix Mezzo-Soprano, Piano
112
Chorale SSAATTBB
104
Voix Baryton, Piano
83
Voix Soprano
71
Soli, choeur mixte et accompagnement
68
Chorale, Orgue
59
Chorale SSATBB
50
Chorale SSATTB
43
Voix d'Enfants
42
Voix basse
42
Chorale SSAB, Piano
35
Chorale SSAB a cappella
30
Voix Baryton
17
Voix haute, Piano
17
Chorale SSAATB
11
Chorale SATBB
10
Male Voice
9
Voix duo, Orgue
7
Voix Soprano, Orchestre
5
Chorale SATTBB A Cappella
4
Chorale SAATB A Cappella
4
Paroles Seulement
3
Chorale SATTBB, Clavier
2
Voix et basse continue
2
Voix d'Enfants, Piano
2
Chorale SSAATB A Cappella
2
Chorale SATTB
2
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
17849
Saxophone
16427
Flûte traversière
16387
Clarinette
15981
Flûte traversière et Piano
9973
Clarinette (partie séparée)
9225
Saxophone Alto
8724
Quatuor de Saxophones: 4 saxophones
7399
Clarinette et Piano
6322
Hautbois, Piano (duo)
5778
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5552
2 Saxophones (duo)
5545
Saxophone Alto et Piano
5526
2 Flûtes traversières (duo)
4820
Flûte, Hautbois, Clarinette, Basson
4772
Quatuor de Clarinettes: 4 clarinettes
4756
Saxophone Tenor
4745
Hautbois (partie séparée)
4418
2 Clarinettes (duo)
4226
Saxophone Tenor et Piano
4201
Flute (partie séparée)
3633
Quatuor de Flûtes : 4 flûtes
2656
Saxophone Soprano et Piano
2482
Quintette de Saxophone: 5 saxophones
2203
Flûte à Bec
2069
3 Saxophones (trio)
1992
3 Clarinettes (trio)
1990
Hautbois
1963
Flûte, Clarinette (duo)
1775
Flûte et Guitare
1716
Ensemble de Clarinettes
1470
Trio de Flûtes: 3 flûtes
1425
Ensemble de Flûtes
1181
Saxophone Soprano
1090
Saxophone Baryton, Piano
1072
2 Hautbois (duo)
1051
Ensemble de saxophones
984
Quintette de Clarinettes: 5 clarinettes
931
Cor anglais, Piano
910
Instruments en Mib
891
Quatuor de Flûtes à bec
830
Flûte, Violon
795
Hautbois, Basson (duo)
744
Clarinette, Violon (duo)
737
2 Flûte à bec (duo)
732
Flûte à bec Soprano
664
Hautbois, Clarinette (duo)
639
Saxophone, Clarinette (duo)
633
Harmonica
525
Flûte, Clarinette et Basson
524
Flûte, Hautbois, Clarinette (trio)
502
Clarinette, Guitare (duo)
468
Clarinette, Basson (duo)
455
Flûte à bec Alto
454
Flûte, Violoncelle
424
3 Flûtes à bec (trio)
419
Flûte, Hautbois, Basson
401
Clarinette Basse, Piano
378
Flûte, Hautbois (duo)
378
Quintette de Flûte : 5 flûtes
377
Ocarina
369
Hautbois, Clarinette, Basson (trio d'anches)
341
Piccolo
334
Clarinette, Trompette (duo)
323
Hautbois, Flûte
323
Cor Anglais
306
Flûte, Clarinette, Piano (trio)
289
Clarinette, Violoncelle (duo)
286
Flûte, Alto (duo)
273
Clarinette et Alto
265
5 Flûtes à bec
259
Flûte, Saxophone (duo)
258
Clarinette, Harpe (duo)
257
Flûte, Violoncelle, Piano (trio)
246
Flûte, Violon et Violoncelle
227
Flûte, Violon, Piano
223
Ensemble De Flûte à bec
213
2 Saxophones, Piano
209
Saxophone Baryton
195
2 Flûtes traversières, Piano
194
Hautbois, Violoncelle
173
Clarinette Basse
170
Hautbois, violon (duo)
166
Flûte, Trompette (duo)
165
3 Hautbois
162
Flûte à bec Soprano, Piano
159
2 Clarinettes, Piano
146
Saxophone et Piano
145
Flûte à bec Alto, Piano
143
Flûte, Trombone (duo)
125
Flûte, Hautbois, Violon
122
Saxophone et Guitare
117
Hautbois, Guitare (duo)
114
Flûte, Basson et Piano
110
Flûte à Bec, Piano
110
Flûte irlandaise
109
Flûte, Clarinette, Violon (trio)
104
Cor anglais, Guitare (duo)
100
Clarinette, Violoncelle, Piano (trio)
90
Flûte à bec Tenor
89
2 Clarinettes, Basson
85
Saxophone, Violon (duo)
84
Flûte, Harpe et Violoncelle
79
Ensemble à vent
79
4 Hautbois
72
Flûte traversière, Orgue (duo)
69
Flute, harpe et violon
67
Hautbois et alto (duo)
65
Saxophone et Orgue
61
Flûte à bec, Guitare (duo)
61
Clarinette, Trombone (duo)
57
Flûte, Hautbois, Piano (trio)
57
Piccolo, Piano
56
Cornemuse
55
Flûte, Clarinette, Cor, Basson (Quartet)
54
Flûte, Violon, Violoncelle et Piano
53
Flûte, Alto et Piano
50
Hautbois, Harpe
46
Saxophone et Harpe
43
Harmonica, Piano
42
Saxophone, Basson (duo)
41
Flûte et Trio à cordes
38
Flûte à bec Alto, Basse continue
38
Hautbois, trombone (duo)
36
Clarinette, Basson, Piano (trio)
35
Flûte, trombone et piano
33
Clarinette, Alto et Piano (trio)
33
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
31
Clarinette, Tuba
29
Flûte, Tuba (duo)
28
Quintette de Clarinette: Clarinette, Quatuor à Cordes
28
2 Cors Anglais Et Pianoforte
28
Flûte, Violoncelle, Guitare
26
Flûte, Violon, Guitare
26
Flute, Cor (duo)
25
Clarinette, trompette et piano
23
Clarinette, Orgue
21
Flûte traversière, Orchestre
21
Hautbois, Violoncelle et Piano
20
Saxophone et violoncelle
19
Flûte et Quatuor à Cordes
17
2 Hautbois, Piano
17
Flûte, alto et harpe
16
Hautbois, Basson et Piano
16
Clarinette, Contrebasse (duo)
15
Hautbois, Violon, Piano
13
Clarinette, Orchestre
13
2 Flûtes à bec, Piano
13
2 Flûtes traversières, Guitare
13
Ensemble de Hautbois
11
Flûte à bec, Harpe
10
Cor anglais et Harpe (duo)
9
Hautbois, Clarinette et Piano (Trio)
9
Saxophone, Tuba (duo)
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
8
Hautbois, Orgue
7
Flûte traversière, Basse continue
7
Flûte, Alto et Violoncelle
7
Clarinette, Quatuor à cordes et Piano
6
Flûte de Pan
6
2 Hautbois et Cor anglais
5
Flûte à bec Soprano, Basse continue
5
2 Hautbois et Basson
4
Hautbois, Quatuor à cordes
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Flûtes traversières, Harpe
3
Hautbois, Clarinette, Basson et Piano
2
2 Flûtes à bec, Guitare
2
Hautbois et Orchestre
2
Melodica
2
2 clarinettes, 2 bassons
1
2 Flûtes, Basse continue
1
Flute, alto, violoncelle et guitare
1
Flûte, Guitare, Piano
1
3 Flûtes à bec, Piano
1
Clarinette, Saxophone, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
14131
Trombone
11398
Trombone (partie séparée)
11326
Trompette (partie séparée)
7691
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7348
Cor
5659
Trompette, Piano
5253
Trombone et Piano
4421
Cor (partie séparée)
4209
Tuba (partie séparée)
3540
Cor et Piano
3141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3109
2 Trompettes (duo)
2381
Tuba
2362
2 Trombones (duo)
2096
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1533
Tuba et Piano
1466
Quatuor de Cuivres
1381
Trompette, Trombone (duo)
1191
Euphonium
1068
Quatuor de cuivres: 4 trombones
1039
Bass Clef Instruments
980
2 Cors (duo)
950
Instruments en Sib
917
Cor anglais, Piano
910
Euphonium, Piano (duo)
872
Quatuor de cuivres: 4 cors
718
Trompette, Saxophone (duo)
595
4 Tubas
549
Trompette, Cor (duo)
482
Trio de Cuivres
480
Ensemble de Trombones
412
Cornet A Pistons
359
2 Tubas (duo)
307
Cor Anglais
306
Instruments en Fa
296
3 Trombones (trio)
247
3 Trompettes (trio)
233
Ensemble de Trompettes
225
2 Euphoniums et 2 Tubas
220
Quatuor de cuivres: 4 trompettes
214
Ensemble de Cors
206
Tuba ou Euphonium ou Saxhorn
202
Euphonium, Tuba (duo)
127
2 Trompettes, Clavier (piano ou orgue)
124
Trompette, violon (duo)
108
Trombone basse
104
Trompette, Basson (duo)
101
Cor anglais, Guitare (duo)
100
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trompette, Tuba (duo)
95
Tuba et Orgue
92
Cor, Violoncelle (duo)
86
Trombone, Tuba (duo)
80
2 Euphoniums (duo)
76
Trombone basse et Piano
76
Trombone, Cor (duo)
75
3 Cors (trio)
75
Trombone, Violon (duo)
75
Trompette, Violoncelle (duo)
71
Ensemble de Tubas
66
Trombone, Orgue
57
Cor, Tuba (duo)
56
Cor et Harpe
51
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Harpe
37
Cor et Basson (duo)
35
Trompette, Trombone, Piano
35
Clarinette, Cor (duo)
31
2 Cors Anglais Et Pianoforte
28
Cor et Orgue
22
Trompette, Violoncelle et Piano
19
Cor, Trompette, Trombone (trio)
19
Trompette et Guitare
17
3 Tubas (trio)
16
Trombone, Alto (duo)
13
Trompette, Orchestre
12
Cornet et Piano
11
3 Euphoniums
11
2 Cors, Piano
10
Cor anglais et Harpe (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
2 Trombones, Piano
8
Cor, Violoncelle et Piano
6
Bugle
6
Trombone et orchestre
6
Trompette, Euphonium (duo)
5
G Instruments
4
4 Euphoniums
4
Cor, Orchestre
3
Euphonium (partie séparée)
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et orchestre
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
19167
Violon
16486
Violon et Piano
13065
Alto seul
9346
Violoncelle, Piano
8242
Violoncelle
6873
Harpe
6360
Alto, Piano
6066
Violoncelle (partie séparée)
5904
Violon (partie séparée)
5463
2 Violons (duo)
4314
Violon, Violoncelle (duo)
4034
Contrebasse (partie séparée)
3215
Trio à Cordes: violon, alto, violoncelle
3062
2 Violoncelles (duo)
3024
Violon, Alto (duo)
2068
Alto (partie séparée)
1864
2 Altos (duo)
1664
Contre Basse
1625
Quintette à cordes: 2 violons, alto, violoncelle, basse
1558
Contrebasse, Piano (duo)
1216
Trio à Cordes: 2 violons, violoncelle
1090
Alto, Violoncelle (duo)
900
4 Violoncelles
793
Piano Trio: Violon, Alto, Piano
708
Violon, Guitare (duo)
700
Harpe, Flûte (duo)
683
Violoncelle , Guitare (duo)
549
Trio à cordes
511
Trio à cordes: 3 violins
498
Trio à Cordes: 3 violoncelles
463
2 Harpes (duo)
459
Harpe, Violon (duo)
357
Quatuor à cordes: 4 violons
346
Alto, Guitare (duo)
313
2 Contrebasses (duo)
259
Violoncelle, Contrebasse (duo)
236
Quatuor à cordes : 4 altos
218
Trio à Cordes: 2 violons, alto
213
Trio à cordes: 3 altos
171
Violon, Basson (duo)
169
2 Violons, Piano
149
Harpe, Violoncelle (duo)
114
Alto et Basson
108
Quintette à cordes: 2 violons, 2 altos, violoncelle
91
Alto et Harpe
69
4 Contrebasses
65
Ensemble de Violoncelles
64
Violon, Orgue
62
Harpe, Voix
61
Violon, Clarinette, Piano (trio)
59
Flûte, Contrebasse (duo)
50
2 Violoncelles, Piano
49
Violoncelle, Orgue
49
Harpe (partie séparée)
47
Quintette à cordes : 2 violons, alto et 2 violoncelles
45
Ensemble de Violons
40
Harpe, Violon, Violoncelle
39
Violoncelle, Orchestre
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
3 Harpes
28
Harpe et Piano
26
Harpe et mandoline
22
3 Contrebasses
20
Autoharp
18
2 Altos, Piano
17
Violoncelle et Marimba
15
Violon, Violoncelle, Clarinette
15
Alto, Orgue
13
Alto et orchestre
11
Violon, Basse continue
10
4 Harpes
10
Violon, Trompette et Piano
9
Harpe, Trombone (duo)
8
Harpe, Orchestre
7
Harpe et Orgue
7
Violoncelle, Basse continue
7
5 Harpes
6
Harpe, Quatuor à cordes
5
Ensemble de Contre basses
3
2 Violons et Basse continue
3
Violon, Contrebasse (duo)
2
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
36186
Orchestre
14443
Orchestre à Cordes
12687
Ensemble Jazz
8517
Batterie
8171
Percussion (partie séparée)
5001
Cloches
4360
Ensemble de cuivres
4098
Fanfare
3394
Orchestre de chambre
2719
Percussion
2567
Timbales (partie séparée)
1582
Jazz combo
1553
Batterie (partie séparée)
1229
Ensemble de Percussions
1027
Marimba
421
Xylophone
364
Vibraphone
294
Timbales
284
Caisse Claire
159
Quintette à Vent
139
Xylophone, Piano
111
Piano et Orchestre
89
Quatuor à Vent : 4 instruments à vents
74
2 Xylophones
48
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
35
Big band
30
Orchestre, Violon
30
Vibraphone et Marimba
29
Vibraphone, Piano
27
Quintette de Cuivres: autres combinaisons
26
Instrumentation Flexible
24
Ensemble d'École
23
Xylophone ou Marimba ou Vibraphone
10
2 Marimbas
9
Marimba, Piano (duo)
9
3 Marimbas
8
Marimba et Orgue
6
Bongos
6
Trio à Vent: 3 instruments à vents
5
Mariachi
4
Cajon
4
Voix et Orchestre
3
2 Caisses Claires (duo)
3
Vibraphone (partie séparée)
2
Marimba ou Xylophone et Piano
2
Bodhran
2
Conga
2
Orchestre Symphonique
2
3 Percussions
2
2 Percussions
2
Voix Mezzo-Soprano, Orchestre
1
Marimba, Saxophone (duo)
1
Xylophone (partie séparée)
1
Caisse Claire, Piano
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
274
Théorie de la musique
14
Papeterie
5
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.79 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
 
#
Bach: Wachet auf for Sax Quartet
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jmsgu3
#
SheetMusicPlus
Don't Forget
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet - Level 5-6 - Digital Download SKU: F2.FM1094 Composed by Frank G…
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Saxophone Quartet - Level 5-6 - Digital Download SKU: F2.FM1094 Composed by Frank Griffith. A medium tempo swinger. Classical. Score and Parts. 16 pages. Forton Music - Digital #FM1094. Published by Forton Music - Digital (F2.FM1094). ISBN 9790570489930. 8.25 x 11.75 inches.
$14.95
13.77 €
#
Quatuor de Saxophones: 4 saxophones
#
Frank Griffith
#
Don't Forget
#
Forton Music - Digital
#
SheetMusicPlus
Turkish March by Beethoven for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1143530 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743846. Published by Woods Only, Arrangements (A0.1143530). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Alto Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Co…
(+)
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #743852. Published by Woods Only, Arrangements (A0.1143536). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1143533 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743849. Published by Woods Only, Arrangements (A0.1143533). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
(+)
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1143532 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743848. Published by Woods Only, Arrangements (A0.1143532). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741060. Published by Woods Only, Arrangements (A0.1140803). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1140800 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741056. Published by Woods Only, Arrangements (A0.1140800). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1140798 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741054. Published by Woods Only, Arrangements (A0.1140798). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Alto Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1140801 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741057. Published by Woods Only, Arrangements (A0.1140801). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
16 Favourite Easter Hymns for Saxophone Quartet SATB, Soprano, Alto, Tenor and Baritone Saxophones
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587865 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031045. Published by David McKeown (A0.587865). 16 Favourite Easter Hymns for Saxophone Quartet SATB is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for Soprano, Alto, Tenor and Baritone Saxophone. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the AAAT version), via the youtube link above. 16 Favourite Easter Hymns for Saxophone Quartet SATB are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Saxophone Quartet SATB useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.2 €
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Quatuor de Saxophones: 4 saxophones
#
Various
#
David McKeown
#
 
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16 Favourite Easter Hymns for Saxophone Quartet SATB, Soprano, Alto, Tenor and Baritone Saxophones
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Down…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587862 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031039. Published by David McKeown (A0.587862). 16 Favourite Easter Hymns for Saxophone Quartet AAAT is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for three Alto and one Tenor Saxophone. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns via the youtube link above. 16 Favourite Easter Hymns for Saxophone Quartet AAAT are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Saxophone Quartet AAAT useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.2 €
#
Quatuor de Saxophones: 4 saxophones
#
Various
#
David McKeown
#
 
#
16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
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David McKeown
#
SheetMusicPlus
Elements for Saxophone Quartet and Orchestra
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Composed by Sy Brandon. 20th Century,Contemporary. 229 pages. Sy Brandon #3422315. Published by Sy Brandon (A0.755221). Elements and is designed to musically portray the essential nature of the Classical Greek elements, fire, water, air and earth and their astrological implications. The first movement is Fire whose essential nature is strong and controlling. The music contains a lot of forceful sections, primarily in a homophonic style. The water element’s chief characteristic is sensitivity, therefore it is in a slow tempo and is lyrical and harmonically rich. The chief characteristic of the air element it is changeable, therefore this movement is filled with contrasts of texture, dynamics, articulation, meter, tonality, and orchestration. This last movement represents the Earth element whose main characteristic is stability. To represent stability musically, a lot of ostinatos were used. This work was commissioned by the h2 quartet in order to perform with a high school orchestra. Several substitute parts are provided. The score prints on legal size paper and the parts on letter.
$39.99
36.82 €
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Quatuor de Saxophones: 4 saxophones
#
Sy Brandon
#
Elements for Saxophone Quartet and Orchestra
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Sy Brandon
#
SheetMusicPlus
Sweet Child O' Mine, by Guns N' Roses, for saxophone quartet (SATB)
Quatuor de Saxophones: 4 saxophones
Saxophone quartet (soprano, alto, tenor, baritone) - Intermediate - Digital Download…
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Saxophone quartet (soprano, alto, tenor, baritone) - Intermediate - Digital Download By Guns N' Roses. Arranged by Michael Compton. Score, Set of Parts. 14 pages. Published by Kreechur Kumfort Publishing
Sweet Child o' Mine was Guns N' Roses' only number 1 US single. It was released as a part of their debut album Appetite for Destruction in 1988. It is placed here as a saxophone quartet accessible by most intermediate-level players.
$15.00
13.81 €
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Quatuor de Saxophones: 4 saxophones
#
Guns N' Roses
#
Michael Compton
#
Roses
#
Sweet Child O' Mine, by Guns N' Roses, for saxophone quartet
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SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.46 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.46 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
(+)
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.46 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.46 €
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Quatuor de Saxophones: 4 saxophones
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
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Ander
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5 Famous Songs by Bach for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 7 by Beethoven for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0.1137254 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737455. Published by Woods Only, Arrangements (A0.1137254). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.36 €
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Quatuor de Saxophones: 4 saxophones
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 7 by Beethoven for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137258 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137258 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737460. Published by Woods Only, Arrangements (A0.1137258). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137255 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737456. Published by Woods Only, Arrangements (A0.1137255). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.36 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
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