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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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591
PIANO & CLAVIERS
Piano seul
371
Piano, Voix
234
Piano Facile
104
Accompagnement Piano
30
1 Piano, 4 mains
15
Orgue
13
Piano, Voix et Guitare
13
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
2
Instruments en Do
2
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Clavecin
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1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare
62
Guitare notes et tablatures
49
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13
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4
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4
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3
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2
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153
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111
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109
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75
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41
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11
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9
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2
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1
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1
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1
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1
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VENTS
Flûte traversière et Piano
46
Quatuor de Saxophones: 4 saxophones
46
Clarinette et Piano
40
Flûte, Hautbois, Clarinette, Basson
26
2 Flûtes traversières, Piano
25
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
2 Flûtes traversières (duo)
22
Clarinette (partie séparée)
21
Saxophone Alto et Piano
18
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16
Quatuor de Flûtes : 4 flûtes
16
Ensemble de Flûtes
15
Saxophone (partie séparée)
15
Flûte traversière
15
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
11
2 Saxophones (duo)
11
Quintette de Saxophone: 5 saxophones
11
Ensemble de saxophones
10
2 Clarinettes (duo)
10
Ensemble de Clarinettes
10
Hautbois (partie séparée)
7
Flûte à bec Soprano
6
Clarinette
5
Flûte à bec Alto
5
2 Hautbois (duo)
4
Clarinette Basse, Piano
4
3 Clarinettes (trio)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Piano
3
Cor anglais, Piano
3
Saxophone
3
Flute (partie séparée)
3
Flûte et Guitare
2
Saxophone Alto
2
3 Saxophones (trio)
2
Flûte, Clarinette et Basson
2
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2
Hautbois, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Harpe (duo)
2
Clarinette, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Clarinette, Basson (duo)
1
Flûte à bec Tenor
1
Saxophone Tenor
1
3 Flûtes à bec (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble De Flûte à bec
1
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CUIVRES
Quatuor de cuivres: 4 trombones
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trombone et Piano
32
Trompette, Piano
27
Cor et Piano
22
Trompette (partie séparée)
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Tuba et Piano
15
Ensemble de Trompettes
14
Trompette
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone (partie séparée)
12
Cor (partie séparée)
9
Euphonium, Piano (duo)
8
Tuba (partie séparée)
6
Quatuor de Cuivres
6
3 Trombones (trio)
5
2 Trompettes (duo)
5
2 Cors (duo)
4
Ensemble de Trombones
3
Cor anglais, Piano
3
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
Trombone
3
2 Tubas (duo)
2
Euphonium
2
Cor
2
Trombone basse
2
Cor et Harpe
1
Quatuor de cuivres: 4 cors
1
Cor, Violoncelle (duo)
1
Ensemble de Cors
1
Tuba
1
Clarinette, Cor (duo)
1
Bass Clef Instruments
1
Trompette, Harpe
1
Quatuor de cuivres: 4 trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon (partie séparée)
71
Violon et Piano
49
Violoncelle, Piano
35
Harpe
35
Alto, Piano
32
Trio à Cordes: violon, alto, violoncelle
29
Contrebasse (partie séparée)
22
Alto (partie séparée)
20
Violoncelle (partie séparée)
17
2 Violons (duo)
14
Contrebasse, Piano (duo)
11
Violon
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Altos (duo)
5
Harpe, Flûte (duo)
5
Violoncelle
5
2 Violoncelles (duo)
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
3
Alto seul
3
Contre Basse
2
Harpe, Violon (duo)
2
2 Contrebasses (duo)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Ensemble d'Altos
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1428
Orchestre à Cordes
215
Orchestre
57
Cloches
34
Ensemble Jazz
31
Percussion (partie séparée)
16
Ensemble de cuivres
16
Orchestre de chambre
15
Ensemble de Percussions
5
Marimba
5
Fanfare
5
Xylophone, Piano
5
2 Xylophones
4
Jazz combo
4
Batterie
1
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AUTRES
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Quatuor de Saxophones: 4 saxophones
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Not Home Yet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.582982 By Steven Curtis Chapman. By Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel. 29 pages. Jeff Tincher #3537275. Published by Jeff Tincher (A0.582982). This is a Saxophone Quartet (Soprano, Alto, Tenor, Baritone) arrangement of one of Steven Curtis Chapman's greatest hits. Steven has a knack to take an odd meter and make it sound normal. He did it with this song, having the piece move between 11/4 meter and 4/4. In the original key from his Greatest Hits project, this song is fun for both the performer and the listener. This is also a 2018 New ArrangeMe Song Contest Entry. Duration=4:59. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.68 €
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Quatuor de Saxophones: 4 saxophones
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Steven Curtis Chapman
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Jeff Tincher
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Not Home Yet
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Jeff Tincher
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SheetMusicPlus
Flight of the Bumblebee
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1394859 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Robert Stevens. 20th Century,Chamber,Classical,Contest,Festival. 20 pages. SAXpress.com #978341. Published by SAXpress.com (A0.1394859). Flight of the Bumblebee (1900) Nicolai Rimsky Korsakov SATB Saxophone Quartet Everyone knows Flight of the Bumblebee. Originally it was an instrumental interlude in the opera The Tale of Tsar Saltan (1900). Later it gained fame as a piano piece. As arranged for SATB Saxophone Quartet, it is a great little show off piece for a moderately advanced quartet. While no altissimo is required in any part, it requires fast fingers and a good command of chromatic scales from all players. Many people believe Flight of the Bumblebee to be a very difficult workout for musicians. If you're well practiced on chromatic scales and comfortable with alternate fingerings, it's really not so difficult as it sounds. There is no need to tell your audience this fact. As for it being relentlessly fast, the tempo given in the original orchestra score is only 144bpm. Perfomance time on this arrangement is about 1:15 but nothing is stopping you from playing it faster.
$12.95
11.64 €
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Quatuor de Saxophones: 4 saxophones
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Nikolay Andreyevich Rimsky-Korsakov
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Robert Stevens
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Flight of the Bumblebee
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SAXpress.com
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1257713 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1257713 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850942. Published by jmsgu3 (A0.1257713). Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He composed the mass for the Cathedral at Reims, where he served as a canon, and a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Some scholars hypothesize that Machaut did not actually come to work for the Reims Cathedral until the end of the 1350s, composing the mass as an act of devotion and dedication marking his arrival in the precinct.Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. Â It was composed for four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.T.
$49.95
44.92 €
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Quatuor de Saxophones: 4 saxophones
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Minuet in G Major - J.S.Bach - Saxophone Choir Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.760253 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Festival,Holiday,Instructional. 9 pages. Raymond Fenech #3540559. Published by Raymond Fenech (A0.760253). The Minuet in G major is found in the 1725 Notebook for Anna Magdalena Bach, where it appears with its companion piece, Minuet in G minor, as a pair to be performed da capo. The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century. The Level is Intermediate and the duration is approximately 1.40 minutes. It could be played in any type of recital/concert.
$6.95
6.25 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Raymond Fenech
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Minuet in G Major - J.S.Bach - Saxophone Choir Quartet
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Raymond Fenech
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SheetMusicPlus
Un bel dì (One Fine Day) from Madama Butterfly
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764693 Composed by Giacomo Puccini (1858-1924). Arranged by James Pybus. Contest,Festival,Opera,Romantic Period,Wedding. 11 pages. James Pybus #4359253. Published by James Pybus (A0.764693). Un bel dì (One Fine Day) is sung in Act 2 of Puccini's famous 1898 opera Madama Butterfly. In this, the opera's most famous aria (and one of the most popular works in the soprano repertoire, which many critics agree Maria Callas owned), Butterfly says that one beautiful day, they will see a puff of smoke on the far horizon. Then a ship will appear and enter the harbour. She will not go down to meet him but will wait on the hill for him to come. After a long time, she will see in the far distance a man beginning the walk out of the city and up the hill. When he arrives, he will call Butterfly from a distance, but she will not answer, partly for fun and partly not to die from the excitement of the first meeting. Then he will speak the names he used to call her: Little one. Dear wife. Orange blossom. Butterfly promises Suzuki that this will happen. Suzuki departs, as Sharpless and Goro arrive in the garden.This arrangement is playable by either SATB or AATB Saxophone Quartet. The duration is ca. 4:05. Please contact me at james.pybus56@gmail.com.
$17.99
16.18 €
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Quatuor de Saxophones: 4 saxophones
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Giacomo Puccini
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James Pybus
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Un bel dì
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James Pybus
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SheetMusicPlus
Brahms: Fugue, WoO 8, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1416919 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998509. Published by jmsgu3 (A0.1416919). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95
29.63 €
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Quatuor de Saxophones: 4 saxophones
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Johannes Brahms
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James M
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Brahms: Fugue, WoO 8, for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
47.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Bach: The Six French Suites Complete for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 261 pages. Jmsgu3 #989925. Published by jmsgu3 (A0.1407234). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$98.85
88.89 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: The Six French Suites Complete for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 43 pages. Jmsgu3 #989901. Published by jmsgu3 (A0.1407218). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
47.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1406743 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 20 pages. Jmsgu3 #989498. Published by jmsgu3 (A0.1406743). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
29.63 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407094 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 42 pages. Jmsgu3 #989793. Published by jmsgu3 (A0.1407094). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
47.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
#
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1407178 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #989877. Published by jmsgu3 (A0.1407178). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
29.63 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 1, BWV 812, for Saxophone Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #987854. Published by jmsgu3 (A0.1404790). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
29.63 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1404877 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 44 pages. Jmsgu3 #987907. Published by jmsgu3 (A0.1404877). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
47.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
#
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405387 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 39 pages. Jmsgu3 #988441. Published by jmsgu3 (A0.1405387). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
47.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: French Suite No. 3, BWV 814, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988142. Published by jmsgu3 (A0.1405104). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
29.63 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988834. Published by jmsgu3 (A0.1405778). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
29.63 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405907 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 34 pages. Jmsgu3 #988957. Published by jmsgu3 (A0.1405907). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
47.61 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Take Me To Your Heart Again
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1105045 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by James Pybus. Contest,Festival,Pop,Singer/Songwriter,Standards. 54 pages. James Pybus #708289. Published by James Pybus (A0.1105045). Édith Piaf, also known as “The Little Sparrow,†rose to international stardom in the late 1930s as a symbol of French passion and tenacity. Of Piaf’s many ballads, La Vie en Rose, which she wrote, is remembered as her signature song. Other favorites among the singer's repertoire include Milord, Padam Padam, Mon Dieu, the charming Mon Manège à Moi and the anthemic Non, Je Ne Regrette Rien. Having a life beset by addictions and related health issues, Piaf died in France in 1963 at the age of 47. She continues to be revered as a national treasure. This arrangement for SATB Saxophone Quartet is a medley of some of Piaf's most well-known songs and may be performed in its entirety, or each song may be played individually. If you choose the latter option do not play the transition measures between songs. In order, the songs are La Vie en rose (Take Me To Your Heart Again), Piaf’s signature song; Milord (or Ombre de la Rue [Shadow of the Street]); Sous le ciel de Paris; Padam, padam and Non, je ne regrette rien (No, I do not regret anything). This arrangement is suitable for a wide variety of performance and concert settings. The duration is 10:02. Contact me at james.pybus56@gmail.com.
$28.00
25.18 €
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Quatuor de Saxophones: 4 saxophones
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Edith Piaf
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James Pybus
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Take Me To Your Heart Again
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James Pybus
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
67.4 €
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Quatuor de Saxophones: 4 saxophones
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
St. Paul's Suite Op. 29
Quatuor de Saxophones: 4 saxophones
Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Le…
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Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Holst (1874-1934). Arranged by James Pybus. 20th Century,Contemporary,Contest,Festival. 97 pages. James Pybus #36481. Published by James Pybus (A0.764653). In 1905 Gustav Holst became Director of Music at St. Paul’s Girls’ School in Hammersmith, London, a post which he retained right up until his death in 1934. St. Paul's Suite was written for the school’s string orchestra in 1912. The work is in four movements: a Jig, reminiscent of English fiddle tunes; a muted Ostinato (Presto); an Intermezzo which starts fairly slowly and softly, switching abruptly to a short Vivace section. The rhythmic tune here is based on an Arab song which Holst had noted in his sketchbook a few years earlier while on holiday in Algeria. After this brief interlude, the music returns to the slower opening tempo, and in the very last bars of the movement ‘the descending chromatic sixths are like a gesture of farewell to the good old days: never again did [Holst] indulge in such an unblushing display of nineteenth-century romanticism’--- these rather severe words are his daughter’s, quoted from her biography of her father. The Finale is framed around a familiar English folk tune (the Dargason), which, in the course of the movement, is used as a counter-melody to the even more familiar Greensleeves. Holst was evidently fond of this tune, as he also used it as the concluding movement of his well-known Suite No. 2 in F, Op. 28b for Military Band. Durations: 1. Jig 4:00; 2. Ostinato 1:28; 3. Intermezzo 3:41; 4. Finale (The Dargason) 4:00; Total time 13:09 I wrote this arrangement for SATB Saxophone Quartet in 2004, with revisions in 2015. It is a challenging yet ultimately rewarding piece for both audiences and players. contact me at james.pybus56@gmail.com.
$30.00
26.98 €
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Quatuor de Saxophones: 4 saxophones
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Gustav Holst
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James Pybus
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a muted Ostinato (Presto)
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St. Paul's Suite Op. 29
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James Pybus
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SheetMusicPlus
GAVOTTE – SAXOPHONE QUARTET
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1427177 Composed by F-J. Gossec (1734-1829). Arranged by RUSSELL T. KING. Chamber,Classical,Contest,Festival. 11 pages. EMK Music #1007901. Published by EMK Music (A0.1427177). Scored for 2 Altos, Tenor, and Baritone. There are alternative parts 3 and 4 for Altos so the piece can be performed by 4 Altos. This is especially handy for teachers of groups of like instruments. This piece is excellent for practising ensemble skills as well as for filling that small gap in your program with something light and entertaining. You can use as much rubato as you like.François-Joseph Gossec (1734 – 1829) was a French composer of operas, string quartets, symphonies, and choral works. His Gavotte, from his opera Rosine, ou L'épouse abandonnée (1786), remains familiar in popular culture because Carl Stalling and Charles M. Jones used arrangements of it in several Warner Brothers cartoons. Arguably the most notable of these is Porky Pig's dance to an uncredited version of Gossec's Gavotte in Jones’ Porky's Cafe (1942). (Wikipedia).
$14.00
12.59 €
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Quatuor de Saxophones: 4 saxophones
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F-J
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RUSSELL T
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GAVOTTE – SAXOPHONE QUARTET
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EMK Music
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SheetMusicPlus
Bach: Partita No. 3 BWV 827 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1431523 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 70 pages. Jmsgu3 #1011997. Published by jmsgu3 (A0.1431523). BACH: Partita No. 3 BWV 827 Contents: Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue. Bach's Partita No. 3 in A minor, BWV 827, is an essential work in the composer's output for keyboard instruments. Here are some key points about this piece: It is one of the six partitas that Bach composed for harpsichord or clavichord, regarded as pinnacles of Baroque keyboard music. The Partita No. 3 consists of seven movements following the traditional partita structure: Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. The Burlesca movement is particularly notable, featuring rapid hand-crossing and a lively, humorous character unusual for Bach's works. The Sarabande movement is considered one of Bach's most profound and expressive, with its rich harmonies and emotional depth. The final Gigue is a tour de force of contrapuntal writing, with multiple melodic lines interwoven in a lively dance rhythm. With the other partitas, BWV 827 demonstrates Bach's mastery of various dance forms and his ability to elevate them into profound artistic statements. So, in summary, Bach's Partita No. 3 stands out for its structural complexity, emotional range, and virtuosic demands, cementing its place among the composer's most outstanding keyboard achievements.
$42.95
38.62 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: Partita No. 3 BWV 827 for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
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