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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
CLAIRON
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CORNET
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come Away With Me
Non classifié
31
Piano & claviers
Piano seul
81
Piano, Voix et Guitare
44
Piano, Voix
17
Piano Facile
16
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Instruments en Do
1
+ 3 instrumentations
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Guitare
27
Guitare notes et tablatures
10
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7
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2
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2
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9
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8
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3
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2
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1
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30
Clarinette
17
Flûte traversière
17
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8
Saxophone Alto
7
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7
3 Clarinettes (trio)
6
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6
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3
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2
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1
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1
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1
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1
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1
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16
Trompette
15
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12
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6
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3
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2
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1
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12
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8
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7
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5
2 Violons (duo)
4
Harpe
3
Alto seul
3
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3
Harpe, Voix
2
Alto, Violoncelle (duo)
2
Contre Basse
1
Violoncelle, Piano
1
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Piano
1
Violon, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
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5
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3
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2
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2
Jazz combo
2
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1
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1
Orchestre à Cordes
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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COR
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CORNET
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DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
Come Away With Me
Jazz combo
Partitions à imprimer
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Pi, Why?
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Al...
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Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
Don't Poke the Bear
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Jazz combo
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INTERMÉDIAIRE
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Alan Wagstaff
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Alan Wagstaff
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Don't Poke the Bear
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Alan Wagstaff
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1236334 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Comedy,Folk,Jazz,Latin. 32 pages. Alan Wagstaff #8...
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Jazz Combo - Level 3 - SKU: A0.1236334 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Comedy,Folk,Jazz,Latin. 32 pages. Alan Wagstaff #831846. Published by Alan Wagstaff (A0.1236334). I stood at the bar with an old grizzly Bear;when nobody else was near.He was glaring at me with a cold hungry stare,so I put down my beer.He picked up a glass with a huge boxer’s paw;I got ready  for a bar room fight.But I hoped to my core he would head for the doorand slip away into the night.This is a wry, uptempo singer/songwriter piece with Latin flavours. It is arranged for solo voice (tenor), fiddle, acoustic guitar, accordion, vibraphone, bass, and percussion.
$40.00
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Come Away With Me
