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Got To Be Real
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Vous avez sélectionné:
Got To Be Real
Jazz combo
Partitions à imprimer
5 partitions trouvées
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Long Road to Georgia
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Jazz combo
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INTERMÉDIAIRE
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Blues
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Jazz
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Mike J
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improvisation.
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Long Road to Georgia
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Mike Roberts
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.913546 Composed by Mike J.D. Roberts. Blues,Jazz. Score and parts. 8 pages. Mike Roberts #3867199. Published by Mike Robe...
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Jazz Combo - Level 3 - SKU: A0.913546 Composed by Mike J.D. Roberts. Blues,Jazz. Score and parts. 8 pages. Mike Roberts #3867199. Published by Mike Roberts (A0.913546). Long Road to Georgia is a simple trad jazz tune, written at a time when I felt a longing to be back home (which isn't Georgia, that just had a better ring to it than my actual home).Do check out the recording for a mock-up rendition. The strings are improvised and aren't necessary, but make the song sound a bit sweeter. The last play-through of the tune in the recording is done with other instruments improvising around the tune for a proper Dixieland feel. I wholeheartedly recommend this - it adds so much to the overall feel if you've got other instruments noodling around. The slow, simple chord progression makes this a really good tune for people who are newer to jazz & improvisation.
$2.99
For Way Too Long
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Mike Strand, ASCAP
H
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Mike Strand
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For Way Too Long
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Published by Michael ...
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Jazz Combo - Level 4 - SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Published by Michael M. Strand (A0.970760). By Mike Strand, ASCAPHere’s a swing tune lead sheet, with lyrics, chord symbols, and guitar fret boards, for a jazz group, large or small, with a singer. It’s a solid foundation for a variety of arrangements, contra facts, and improvisations. The audio file is a swing accompaniment from iReal Pro, combined with the melody from Finale PrintMusic. In this sample, you hear a baritone saxophone in place of the singer, and an electric guitar for the instrumental sections. The lyrics express frustration with white bigotry toward people with dark skin, and how that brand of racism surfaces in acts of police brutality. The lyrics pose both practical and ideal solutions. Here are the lyrics: For Way Too LongFor way too long, dark skin has been called blight, And just to breathe, black folks have had to fight. Civil rights laws are there; it’s only fair, we give them real bite. (Instrumental) Civil rights laws are there; it’s only fair, we give them real bite. For way too long, bad cops have broken rules, While their good partners get put down by them as fools. But now we all may see the fall of bigots using blacks as tools. (Instrumental) But now we all may see the fall of bigots using blacks as tools. For way too long, cold hearts remain unchanged. But with strong rules, constraints can be arranged. Enforcing laws need not be cause for folks to be estranged.Lord, may our hearts be changed!
$3.00
St. Matthew Blue (Swing Version)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael ...
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Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00
Volcán
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Eduardo Arolas
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Mike Strand
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Volcán
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970739 Composed by Eduardo Arolas. Arranged by Mike Strand. Concert,Jazz,Latin,World. Score and parts. 3 pages. Michael M...
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Jazz Combo - Level 4 - SKU: A0.970739 Composed by Eduardo Arolas. Arranged by Mike Strand. Concert,Jazz,Latin,World. Score and parts. 3 pages. Michael M. Strand #4895835. Published by Michael M. Strand (A0.970739). Arranged by Mike Strand, ASCAPâ??This is a lead sheet for a jazz or Latin combo or ensemble. It may serve as the basis for a variety of arrangements, improvisations, or contrafacts.The audio sample is a jazz bossa nova iReal Pro accompaniment, combined with the lead sheet melody in Finale PrintMusic. In this arrangement, you will hear acoustic guitar and violin, often heard in tango ensembles in the early 20th century. This bossa nova is inspired by Eduardo Arolasâ??s never-published tango, Volcán (Volcano). At least itâ??s never been published according to the todotango.com web site. Eduardo Arolas is a famous tango composer who is well documented on that web site. Also on that web site, you can listen to Osvaldo Requenaâ??s piano performance of Volcán from Arolasâ??s original piano sheets (written circa 1917). Years ago, I developed and wrote a tango quintet arrangement of Volcán by listening carefully to Requenaâ??s recorded piano performance on the web site. My quintet arrangement, in turn, was my source for writing this bossa nova arrangement. So, now Volcán has finally been published, but as a bossa nova! Wherever Señor Arolas may be, I hope he understands. In this bossa nova arrangement, I believe I've preserved the spirit of Arolas's original tango.Without knowing exactly what was in Eduardo Arolas's mind when he wrote the original tango, this is my personal idea of the message behind the music:Introduction: Let me tell you a story about a volcano that happened long ago.Part A (bars 5-20): It's a sad tale about human helplessness and suffering in the face of natural catastrophe.Part B (bars 21-36): The people living in a town below a volcanic peak were going about business, leisure, and play, experiencing the ordinary cares and pleasures of life.Part C (bars 41-52): One day, without warning, the volcano erupted, with smoke, falling hot rocks and ash, and hot lava flows. Some folks got away, but others were killed, buried or injured, and all that was left of the town was devastation, suffering, and, eventually, calm.Part A' (bars 53-end): A sad tale, but may we learn from it, and may the souls of the poor victims rest in peace.If you listen to and read the lyrics of Arolas's great tango, La Cachila, or listen to another superb tango of his, El Marne, you will witness further his talent and skill in composing dramatic music. My piano arrangement of La Cachila is for sale on this web site.
$2.50
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